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This
collection includes all
of
Poe's letters (and all of the letters written to Poe) for which
surviving text is known. In a few instances, items are also noted for
which
no text is known, but the contents have been described. (At the bottom
of this list are given some well-known fakes and forgeries.) The Poe
Society
is very interested in information about any letters that are not on
this
list or the accompanying checklist, or for which the location of the
manuscript
is noted as unknown. Photocopies of manuscripts, transcripts and other
information may be sent to the Poe Society.
The anonymity of any private collector will be honored in accordance
with
his or her wishes.
Currently,
the most
comprehensive
printed collection of letters written by Poe is the 2-volume
edition
by John W. Ostrom, The Letters of Edgar Allan Poe, Cambridge:
Harvard
University Press, 1948 (reprinted, with supplemental material by
Gordian
Press, 1966. The supplement of the 1966 edition includes new material
as
well as combining material published in American Literature,
XXIV
(November 1952), pp. 358-366 and American Literature, XXIX
(March
1957), pp. 79-86. A fourth supplement was printed in American
Literature,
XLV, no. 4 (January 1974), pp. 513-536. Letters printed as part of
these
collections are noted with a code of "OL#n", where "n" is the letter
number.
Letters added or appearing with textual corrections in the supplement
to
the 1966 edition are noted as "OS#n" and in the 1974 supplement as
"OS4#n".
Ostrom's final Revised Check List of letters from and to Poe was
published
in Studies in the American Renaissance 1981, pp. 169-255. This
Check
List is referenced as "RCL#n". Where the text here is printed from the
manuscript, and there are notable variances from Ostrom's text, the
item
is also noted as "MS".) A few items included by Ostrom, somewhat
erroneously
as letters, remain in the checklist but have been moved to more
appropriate
sections of this web page. It should be noted, of course, that the
approximately
420 surviving letters probably represent only a portion of those Poe
wrote
during his lifetime. In some cases, it is only Poe's draft of a letter
that comes down to us, so that we cannot be certain of the final
version.
Also, a large number of letters are known only through typescripts,
excerpts
or copies handwritten by others. (A new edition of Poe's letters,
updating and correcting Ostrom's notes, and with many letters not
previously collected, is being prepared
for publication in the Fall-Winter of 2007. This edition is co-edited
by Burton R. Pollin and Jeffrey A. Savoye, and will be published by
Gordian Press.)
The most complete printed
collection
of letters written to Poe is James A. Harrison's The
Complete
Works of Edgar Allan Poe - Volume 17: Letters, New York: T. Y.
Crowell,
1902 (also printed as a separate volume, along with Harrison's
biography
of Poe). Regrettably, Harrison omitted many items, excerpted text and
was
not scrupulous in his readings of the manuscripts. As early as 1921,
Thomas
Ollive Mabbott sought to remedy these problems and began to collect
material
for a comprehensive edition of Poe's correspondence, with the texts of
all known letters from and to Poe. It was a formidable goal, and over
twenty
years later, the edition had still not appeared. Even after John Ward
Ostrom
published the 1948 edition of Poe's letters noted above, Mabbott
planned
to include the correspondence as part of his complete edition of Poe's
works. About 1963, Mabbott appears to have shifted his intention,
seeking
to print only letters to Poe, since these were noted by Ostrom
in
his check list, but not generally quoted in the text. At some point,
Mabbott
planned to print only previously unpublished letters to Poe, as short
articles
in N&Q (Notes & Queries). With Ostrom's 1966
revised
edition of Poe's letters, Mabbott seems to have abanonded his own
plans,
or at least to have put them on hold. Eventually, Mabbott's notes on
the
letters to Poe were given to Joseph V. Ridgely, who continued the
effort
until financial problems in the publishing industry put an end to the
project
in the 1980s. The materials accumulated by Mabbott and Ridgely were
subsequently
made available to the Poe Society of Baltimore, and substantially
constitute
the basis for the texts for the letters written to Poe. It is
hoped
that in making all of these letters available to the scholarly
community,
we have, at long last, fulfilled Mabbott's original intentions.
Within the texts given
here,
all original punctuation, abbreviations and spellings have been
retained.
Where these spellings differ greatly from modern spellings, the most
current
form is noted in brackets immediately following the word. A number of
obvious
variants, such as "colour" for "color," reflect conventions to which we
no longer adhere, but which were considered acceptable during Poe's
lifetime
and are left to stand without additional commentary. For manuscript
material,
including corrections to printed sources, text contained within angle
brackets
"<...>" shows annotations made by the original author for the
main text
given. Reversed double-angle brackets ">>...<<" show text
that the
author has canceled by striking or scratching out. Text contained
within
square brackets "[...]" is not part of the original. This text is
intended
as notes or corrections of typographical errors. In the original
printings,
some text occasionally appears within square brackets "[...]." In such
cases, these have been changed to standard parentheses to avoid
confusion.
(Note: Over time, we will be changing our previously stated
policy
concerning square brackets to retain the usage and distinguish our own
editorial notes by enclosing these in double-square brackets
"[[...]]".)
At the
end of each
selection,
beyond the "End of Text" tag, is a code, such as "[S:1]". This code is
intended as an internal marker for keeping track of verification of the
text. In general, a value of "[S:0]" or the total absence of the
code notes that the text has been entered, but not yet verified. Anyone
who has ever tried to proofread a large volume of text will appreciate
the inherent difficulties. |
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