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This list includes all of the entries printed in one of these editions, under the general title of “Marginalia.” The main sequence reflects the original order of publication (M), carefully followed in Pollin (P). Subsequent editions are Griswold, 1850 (G); Ingram, 1874-1875 (I); Stedman and Woodberry, 1894-1895 (SW); and Harrison, 1902 (H). The Topic/Subject entries are generally taken from Pollin's summary table, or from the short titles assigned by Ingram. In a few instances, a new entry has been created specifically for this table.
| P | G | I | SW | H | Topic/Subject | First Printing | ||||||
| Intro | Intro | Intro | Intro | Intro | Introduction | USMDR-4411 | ||||||
| M-001 | — | — | — | H-001 | Velschius’ work on Persian dates jestingly mentioned | USMDR-4411 | ||||||
| M-002 | — | — | — | H-002 | Shelley and R. Montgomery humorously compared | USMDR-4411 | ||||||
| M-003 | — | I-224 | SW-115 | H-003 | Bishop Butler on mass lunacy | USMDR-4411 | ||||||
| M-004 | — | — | — | H-004 | Poe and Livy on Hannibal's Italian route | USMDR-4411 | ||||||
| M-005 | — | — | SW-116 | H-005 | Horace Smith: his looks and books | USMDR-4411 | ||||||
| M-006 | — | — | SW-117 | H-006 | epigrams and fencing-foils: both pointed | USMDR-4411 | ||||||
| M-007 | — | I-225 | — | H-007 | Dante's Purgatory: not the ultimate place | USMDR-4411 | ||||||
| M-008 | — | I-235 | SW-118 | H-008 | why music affects us to tears | USMDR-4411 | ||||||
| M-009 | — | I-236 | — | H-009 | Voltaire on one God | USMDR-4411 | ||||||
| M-010 | — | I-237 | SW-119 | H-010 | “Man, innately rational, is civilized in the natural state” | USMDR-4411 | ||||||
| M-011 | — | I-238 | SW-120 | H-011 | literature: largely comprised of the works of little people | USMDR-4411 | ||||||
| M-012 | — | — | — | H-012 | Ainsworth: his nonsensical Latin and Greek sprinklings | USMDR-4411 | ||||||
| M-013 | — | I-239 | — | H-013 | one of Plutarch's Lives humorously noted | USMDR-4411 | ||||||
| M-014 | — | — | — | H-014 | Mary Magdalen slander refuted | USMDR-4411 | ||||||
| M-015 | — | — | SW-121 | H-015 | hyperism in German titles and Olympic games prizes | USMDR-4411 | ||||||
| M-016 | — | I-231 | SW-122 | H-016 | music as the science of sound is not grasped by Chorley and musicians | USMDR-4411 | ||||||
| M-017 | — | — | — | H-017 | J. Grant: trivial in his facts | USMDR-4411 | ||||||
| M-018 | — | — | — | H-018 | adaptation and plot construction: human and divine forms contrasted | USMDR-4411 | ||||||
| M-019 | — | — | — | H-019 | J. Montgomery on Oriental tales quoted and derided | USMDR-4411 | ||||||
| M-020 | — | I-232 | SW-030d | H-020 | “the tragic power of Dickens, too often ignored” | USMDR-4411 | ||||||
| M-021 | — | — | — | H-021 | Duncan's theological work — naive in use of “prophecy” | USMDR-4411 | ||||||
| M-022 | — | I-233 | — | H-022 | mocking allusions to scientific titles and theories | USMDR-4411 | ||||||
| M-023 | — | I-234 | SW-123 | H-023 | Women must be criticized even more gently than men | USMDR-4411 | ||||||
| M-024 | — | I-240 | SW-124 | H-024 | Tom Paine's work — clever and impudent | USMDR-4411 | ||||||
| M-025 | — | — | — | H-025 | Germans currently addicted to history — writing | USMDR-4411 | ||||||
| M-026 | — | — | SW-125 | H-026 | High birth is undervalued by democrats | USMDR-4411 | ||||||
| M-027 | — | — | SW-126 | H-027 | “Speed-writing, better for comprehension, eventually may be widely taught” | USMDR-4411 | ||||||
| M-028 | — | — | — | H-028 | Necessity produces inventions | USMDR-4411 | ||||||
| M-029 | — | — | SW-127 | H-029 | Gibbon's style condemned for its three principles | USMDR-4411 | ||||||
| M-030 | — | — | — | H-030 | the destructive bigotry of Bristed (?) | USMDR-4411 | ||||||
| M-031 | — | — | SW-128 | H-031 | “Truth, though casually spoken, is often neglected in history, where expected.” | USMDR-4411 | ||||||
| M-032 | — | — | SW-129 | H-032 | analogy given between effect on body of light and sound | USMDR-4411 | ||||||
| M-033 | — | — | SW-130 | H-033 | Books should begin well | USMDR-4411 | ||||||
| M-034 | — | — | SW-131 | H-034 | handwriting as indicator of character and mental habits | USMDR-4411 | ||||||
| M-035 | — | — | SW-013f | H-035 | plagiarism by literary men scorned | USMDR-4411 | ||||||
| M-036 | — | — | — | H-036 | “An incomplete Hebrew biblical text, emended, solves a crux” | USMDR-4411 | ||||||
| M-037 | — | — | — | H-037 | Brougham's criticism of J. Randolph ill-taken | USMDR-4411 | ||||||
| M-038 | — | — | SW-132 | H-038 | Lardner's borrowed lore on astronomical magnitudes extremely faulty | USMDR-4411 | ||||||
| M-039 | — | — | SW-133 | H-039 | “A book, title given, proves the strangeness of truth” | USMDR-4411 | ||||||
| M-040 | — | — | SW-134 | H-040 | An inconsiderable poem yields worthy passages | USMDR-4411 | ||||||
| M-041 | — | — | — | H-041 | “the force of assonance, too often overlooked, shown in Comas” | USMDR-4411 | ||||||
| M-042 | — | — | — | H-042 | Moore's poetical writing praised with reservations | USMDR-4411 | ||||||
| M-043 | — | — | SW-135 | H-043 | Poe deprecates the writer's faithful depiction of ugliness. | USMDR-4411 | ||||||
| M-044 | G-214 (GC-215) | I-196 | SW-054 | H-044 | Tennyson praised for truly poetic effect | USMDR-4412 | ||||||
| M-045 | G-071 | I-072 | SW-003b | H-045 | Writers of genius must choose their own subjects | USMDR-4412 | ||||||
| M-046 | G-070 | I-146 | — | H-046 | L. Sterne (sic) and C. Colton derive their ideas from precursors | USMDR-4412 | ||||||
| M-047 | G-067 | I-048 | SW-050b | H-047 | Philologists choose wit over truth for derivations | USMDR-4412 | ||||||
| M-048 | G-057 | I-135 | SW-074 | H-048 | odors: effect differs from other senses | USMDR-4412 | ||||||
| M-049 | G-058 | I-024 | — | H-049 | Buwer's debt in Last Days to Arnay unacknowledged | USMDR-4412 | ||||||
| M-050 | G-082 | I-095 | — | H-050 | La Harpe justly praises Racine's skill | USMDR-4412 | ||||||
| M-051 | G-099 | I-175 | SW-019 | H-051 | Volney's evaluation of life at its end | USMDR-4412 | ||||||
| M-052 | G-074 | I-066 | SW-017 | H-052 | “women novelists, exemplified by Lady Fullerton's new novel unusually competent for a woman” | USMDR-4412 | ||||||
| M-053 | G-075 | I-119 | — | H-053 | “polytheism, both modern and ancient, confused even about deities’ gender” | USMDR-4412 | ||||||
| M-054 | G-061 | I-136 | SW-076 | H-054 | striking optic effects in a German Macbeth | USMDR-4412 | ||||||
| M-055 | G-128 | I-125 | — | H-055 | Moses’ use of the singular and plural of Eloah | USMDR-4412 | ||||||
| M-056 | G-139 | I-123 | SW-053 | H-056 | “Novels exert beneficial, even moral effects through imitation” | USMDR-4412 | ||||||
| M-057 | G-140 | I-203 | — | H-057 | ancient view on soul's equine trip to heaven | USMDR-4412 | ||||||
| M-058 | G-134 | I-113 | — | H-058 | M. Masson's novel a vile work | USMDR-4412 | ||||||
| M-059 | G-127 | I-181 | — | H-059 | Books can intentionally “suggest” by hints and omissions | USMDR-4412 | ||||||
| M-060 | G-170 (GC-171) | I-182 | — | H-060 | Sallust quoted on kingship | USMDR-4412 | ||||||
| M-061 | — | — | — | H-061 | Macaulay corrected on first periodical moral essay | USMDR-4412 | ||||||
| M-062 | G-038 | I-091 | — | H-062 | Solomon as author of the Iliad | USMDR-4412 | ||||||
| M-063 | G-112 | I-101 | SW-049b | H-063 | Mill's and Bentham's a priori arguments on government are fallacious | USMDR-4412 | ||||||
| M-064 | G-111 | I-114 | — | H-064 | Satyre Ménippée similar to Butler's Hudibras | USMDR-4412 | ||||||
| M-065 | G-113 | I-189 | — | H-065 | Flaminius’ quoted Latin shows a concord of sound and sense | USMDR-4412 | ||||||
| M-066 | G-114 | I-079 | — | H-066 | similarities between Gould's and Howitt's verses | USMDR-4412 | ||||||
| M-067 | G-115 | I-213 | — | H-067 | C. Webbe's Lamb-like essays tiresomely mannered | USMDR-4412 | ||||||
| M-068 | G-116 | I-067 | — | H-068 | Austin's Essay on a Future State aptly avoids rational arguments | USMDR-4412 | ||||||
| M-069 | G-119 | I-163 | SW-094 | H-069 | humorous physiognomical definition of gentleman | USMDR-4412 | ||||||
| M-070 | G-118 | I-047 | SW-093 | H-070 | Some minds must know and show how things are done | USMDR-4412 | ||||||
| M-071 | G-120 | I-127 | SW-095 | H-071 | Poe laughs at Jonah in German hexameters | USMDR-4412 | ||||||
| M-072 | G-130 | I-216 | — | H-072 | “the multilanguage, imitative origins of the British Spy” | USMDR-4412 | ||||||
| M-073 | G-117 | I-025 | SW-029e | H-073 | Bulwer's style in Night and Morning too involute | USMDR-4412 | ||||||
| M-074 | G-045 | I-186 | SW-027a | H-074 | Simms’ writings quoted for inaccurate style | USMDR-4412 | ||||||
| M-075 | G-040 | I-134 | — | H-075 | Cowley's Davideis — a witticism | USMDR-4412 | ||||||
| M-076 | G-047 | I-027 | SW-072 | H-076 | Poe finds error in an almost perfect Camöens (sic) book | USMDR-4412 | ||||||
| M-077 | G-048 | I-021 | — | H-077 | Bulwer's sentimental idea of the smiling dead | USMDR-4412 | ||||||
| M-078 | G-049 | I-168 | — | H-078 | Tieck surpassed Brougham in misapplying quotations | USMDR-4412 | ||||||
| M-079 | — | — | — | H-079 | Hawthorne: a true genius but desperate mannerist and a borrower | USMDR-4412 | ||||||
| M-080 | G-050 | I-080 | — | H-080 | Dickens’ and Buwer's petty grammatical errors | USMDR-4412 | ||||||
| M-081 | G-051 | I-158 | SW-073 | H-081 | The French infuse Gallic rhythm into English verse | USMDR-4412 | ||||||
| M-082 | G-066 | I-152 | — | H-082 | a complex plot without interdependence cited | USMDR-4412 | ||||||
| M-083 | G-053 | I-120 | — | H-083 | J. Montgomery's exaggerated style deprecated | USMDR-4412 | ||||||
| M-084 | G-054 | I-081 | SW-007c | H-084 | Baden's Danish imitations of classical metres tolerable | USMDR-4412 | ||||||
| M-085 | G-052 | I-112 | SW-025 | H-085 | Malibran's well — deserved acclaim | USMDR-4412 | ||||||
| M-086 | G-126 | I-210 | — | H-086 | Certain Voltaire volumes deserve burning | USMDR-4412 | ||||||
| M-087 | G-100 | I-170 | SW-091 | H-087 | pun on poor reasoning | USMDR-4412 | ||||||
| M-088 | G-108 | I-074 | — | H-088 | early dates of three English magazines traced | USMDR-4412 | ||||||
| M-089 | G-102 | I-005 | — | H-089 | comment on magazine article plagiarisms | USMDR-4412 | ||||||
| M-090 | G-103 | I-088 | — | H-090 | comment on wrong attributions of Latin tags | USMDR-4412 | ||||||
| M-091 | — | — | — | H-091 | “Jehovah” not a Hebrew word | USMDR-4412 | ||||||
| M-092 | G-101 | I-199 | — | H-092 | “Macaulay overrates Tickell, ignoring his borrowings from Boileau” | USMDR-4412 | ||||||
| M-093 | G-104 | — | — | H-093 | humorous comment on decline of reputation | USMDR-4412 | ||||||
| M-094 | G-107 | I-098 | SW-020 | H-094 | humorous comment on reaching the end | USMDR-4412 | ||||||
| M-095 | G-105 | I-045 | SW-092 | H-095 | Curran's overpowering style | USMDR-4412 | ||||||
| M-096 | G-123 | I-078 | — | H-096 | English magazine's measured praise of W. Godwin cited | USMDR-4412 | ||||||
| M-097 | G-109 | I-178 | SW-021 | H-097 | Rhododaphne quoted for musicality | USMDR-4412 | ||||||
| M-098 | G-106 | I-207 | SW-018b | H-098 | Fouqué's Undine: a beautiful book with a hidden theme about second marriage | USMDR-4412 | ||||||
| M-099 | G-160 | I-214 | — | H-099 | E. Wilkinson's Revolutionary War memories derided | USMDR-4412 | ||||||
| M-100 | G-165 (GC-166) | I-147 | SW-013c | H-100 | the plagiarism of Mathias’ Pursuits by the Monthly Register | USMDR-4412 | ||||||
| M-101 | G-151 | I-016 | — | H-101 | pun on Griswold's hard head | USMDR-4412 | ||||||
| M-102 | G-162 (GC-163) | I-197 | SW-108 | H-102 | etymology of “high — binder” traced | USMDR-4412 | ||||||
| M-103 | G-163 (GC-164) | I-073 | SW-109 | H-103 | “musquitoes” as frustrating American genius | USMDR-4412 | ||||||
| M-104 | — | — | — | H-104 | “A. Welby's poetry quoted and analyzed as passionate, but unoriginal” | USMDR-4412 | ||||||
| M-105 | G-196 (GC-197) | I-002 | — | H-105 | Adam called “first scientist” on Vatican portrait | USMDR-4412 | ||||||
| M-106 | G-171 (GC-172) | I-187 | SW-027b | H-106 | Simms’ “Indian Serenade” quoted as meritorious | USMDR-4412 | ||||||
| M-107 | G-173 (GC-174) | I-075 | SW-111 | H-107 | conundrum: a fable of the fox | USMDR-4412 | ||||||
| M-108 | — | — | — | H-108 | The mob's credulity and the philosopher's skepticism of yesteryear now are reversed | USMDR-4412 | ||||||
| M-109 | G-164 (GC-165) | I-034 | SW-051 | H-109 | Coleridge's Table Talk is really Table Preachings | USMDR-4412 | ||||||
| M-110 | — | — | — | H-110 | “Bulwer, talented and trained, could never produce the masterpiece of the genius Dickens” | USMDR-4412 | ||||||
| M-111 | G-160 (GC-161) | I-145 | SW-107 | H-111 | a vulgarism common to both Latin and Smollett | USMDR-4412 | ||||||
| M-112 | G-157 | I-058 | — | H-112 | simple ancient Greek oratory inferior to today's | USMDR-4412 | ||||||
| M-113 | G-155 | I-173 | — | H-113 | erroneous authorship for novel Miserrimus given | USMDR-4412 | ||||||
| M-114 | G-153 | — | — | H-114 | “T. C. Grattan, circumlocutory and wordy, badly depicted in a print” | USMDR-4412 | ||||||
| M-115 | G-141 | — | — | H-115 | biblical lore on impenetrable Edom contrasted with Keith's views on prophecy | USMDR-4412 | ||||||
| M-116 | G-142 | — | — | H-116 | “H. W. Herbert, better in his verses than his wordy strained prose” | USMDR-4412 | ||||||
| M-117 | G-167 (GC-168) | I-022 | SW-029b | H-117 | Bulwer's style excessively involute | GLB-4508 | ||||||
| M-118 | G-166 (GC-167) | I-071 | SW-004g | H-118 | Men of genius need constructiveness and energy or industry for productions | GLB-4508 | ||||||
| M-119 | G-168 (GC-169) | I-137 | SW-005 | H-119 | “Originality, formerly decried in America, alienates the enviously mediocre” | GLB-4508 | ||||||
| M-120 | G-169 (GC-170) | I-057 | SW-110 | H-120 | Chinese and European drama compared for conventions | GLB-4508 | ||||||
| M-121 | G-150 | I-064 | — | H-121 | ““Fortune,” basic to Greek drama, is unmentioned in Iliad” | GLB-4508 | ||||||
| M-122 | G-172 (GC-173) | I-109 | SW-028 | H-122 | Lowell's book errs — that a knowing critic could not create | GLB-4508 | ||||||
| M-123 | — | — | — | H-123 | Griswold's book makes him into Anacharsis Clootz | GLB-4508 | ||||||
| M-124 | G-191 (GC-192) | I-117 | SW-049a | H-124 | Mill's “demonstrated propositions” derogated | GLB-4508 | ||||||
| M-125 | G-195 (GC-196) | I-065 | — | H-125 | a proverb on thick skulls | GLB-4508 | ||||||
| M-126 | G-209 (GC-210) | I-009 | SW-042 | H-126 | postulate: our chance of afterlife indicated by the quality of our slumber or swoons | GLB-4508 | ||||||
| M-127 | G-211 (GC-212) | I-208 | SW-114 | H-127 | Pythagoras’ definition of beauty hinted in U.S. motto | GLB-4508 | ||||||
| M-128 | G-205 (GC-206) | I-191 | — | H-128 | “a geographic book, full of Germanic statistics” | GLB-4508 | ||||||
| M-129 | — | — | — | H-129 | Mancur's novel — tediously lengthy | GLB-4508 | ||||||
| M-130 | G-204 (GC-205) | I-194 | SW-012b | H-130 | “Despite Swedenborgians’ belief, Poe labels “Mesmeric Revelation” fictitious” | GLB-4508 | ||||||
| M-131 | G-203 (GC-204) | I-054 | SW-045 | H-131 | apparent decline of drama due to imitative element | GLB-4508 | ||||||
| M-132 | G-199 (GC-200) | I-139 | — | H-132 | J. Montgomery unselfconsciously deprecates “Ossian.” | GLB-4508 | ||||||
| M-133 | G-206 (GC-207) | I-159 | SW-007d | H-133 | “English attempts at Greek hexameters (Sidney's) absurd, unlike Poe's sample” | GLB-4508 | ||||||
| M-134 | G-201 (GC-202) | I-105 | SW-041a | H-134 | Personification in Longfellow's “Proem” is faulty | GLB-4508 | ||||||
| M-135 | G-183 (GC-184) | I-097 | — | H-135 | words considered as murderous things | GLB-4509 | ||||||
| M-136 | G-179 (GC-180) | I-126 | — | H-136 | reality defined in relation to real estate | GLB-4509 | ||||||
| M-137 | G-189 (GC-190) | I-211 | — | H-137 | Voltaire's preface to Brutus cited | GLB-4509 | ||||||
| M-138 | G-187 (GC-188) | I-103 | — | H-138 | Longfellow's mosaic of plagiarisms like Tasso's | GLB-4509 | ||||||
| M-139A | — | — | — | H-139A | eleven pairs of verse plagiarized in famous writers paralleled | GLB-4509 | ||||||
| M-139B | — | — | — | H-139b | The sensitive poet assimilates and imitates others’ excellent passages. | GLB-4509 | ||||||
| M-139C | G-202 (GC-203) | I-037 | SW-003a | H-139C | Lack of international copyright crushes literary genius and promotes insipid productions | GLB-4509 | ||||||
| M-140 | G-208 (GC-209) | I-104 | SW-041b | H-140 | “Longfellow's “Pröem” is slipshod in rhythm and thought, but all consistent” | GLB-4509 | ||||||
| M-141 | G-210 (GC-211) | I-043 | SW-043 | H-141 | “need for honest, censorious critics with standards” | GLB-4509 | ||||||
| M-142 | G-207 (GC-208) | I-184 | SW-113 | H-142 | Scots as God's tongue humorously proposed | GLB-4509 | ||||||
| M-143 | G-221 (GC-222) | I-111 | SW-002b | H-143 | “Concise magazine articles indicate increase in direct, rapid thought” | GLB-4509 | ||||||
| M-144 | G-176 (GC-177) | I-217 | SW-112 | H-144 | joke on a wit's function | GLB-4509 | ||||||
| M-145 | G-193 (GC-194) | I-094 | — | H-145 | allegorical fable applied to inept critics | GLB-4509 | ||||||
| M-146 | G-198 (GC-199) | I-011 | SW-039 | H-146 | Hudson's lectures pointlessly employ antithesis | GLB-4509 | ||||||
| M-147 | G-010 | I-179 | — | H-147 | “Like music, poetic elements rely on mathematical equality and unexpectedness” | GM-4603 | ||||||
| M-148 | G-018 | I-107 | — | H-148 | popular witticism about Louis XV's equestrian statue | GM-4603 | ||||||
| M-149 | G-017 | I-116 | — | H-149 | Puckle quoted as speaking of the dead | GM-4603 | ||||||
| M-150 | G-016 | I-061 | SW-055 | H-150 | Fancies can be concretized by the power of words | GM-4603 | ||||||
| M-151 | G-003 | I-089 | — | H-151 | Tertullian paradox wrongly attributed to Browne by Hudson | GM-4603 | ||||||
| M-152 | G-022 | I-154 | — | H-152 | German words for poetry agree with Bielfeld's French definition | GM-4603 | ||||||
| M-153 | G-006 | I-050 | — | H-153 | Plutarch thinks senseless an epigram on Diana | GM-4603 | ||||||
| M-154 | G-023 | I-083 | SW-066 | H-154 | In Thomas Hague are combined an astrological quack and an ass | GM-4603 | ||||||
| M-155 | — | — | — | H-155 | The ideas of man and mankind are cyclical | USMDR-4604 | ||||||
| M-156 | — | — | — | H-156 | Poe agrees with Gosselin on Hanno's furthest landing | USMDR-4604 | ||||||
| M-157 | — | — | — | H-157 | medicine's drugging system as similar to Christian penance | USMDR-4604 | ||||||
| M-158 | — | — | — | H-158 | “H. Cary, American poet, as a good essayist” | USMDR-4604 | ||||||
| M-159 | G-121 | I-160 | SW-096 | H-159 | Voltaire quoted on British political prejudices | USMDR-4604 | ||||||
| M-160 | G-122 | I-102 | — | H-160 | plagiarism of T. Hood by Aldrich | USMDR-4604 | ||||||
| M-161 | — | — | — | H-161 | Bush's Anastasis on rebirth: logical treatise on wild premises | USMDR-4604 | ||||||
| M-162 | — | — | — | H-162 | Gillespie's Rome: an entertaining set of impressions | USMDR-4604 | ||||||
| M-163 | G-125 | I-001 | SW-097 | H-163 | Johnson quoted on personal abuse | USMDR-4604 | ||||||
| M-164 | G-095 | I-015 | SW-006a | H-164 | German apothegm on art disputed | USMDR-4604 | ||||||
| M-165 | — | — | — | H-165 | the rant and cant of Carlyle in Hero-Worship | USMDR-4604 | ||||||
| M-166 | — | — | — | H-166 | Cheever's anthology of poetry commonplace | USMDR-4604 | ||||||
| M-167 | G-124 | I-192 | — | H-167 | Street's descriptive poetry lacks spirit | USMDR-4604 | ||||||
| M-168 | — | — | — | H-168 | “Poe refutes the plagiarism charges against the learned, accurate classicist Anthon” | USMDR-4604 | ||||||
| M-169 | G-073 | I-106 | SW-013e | H-169 | W. W. Lord's poems are largely plagiarisms | USMDR-4604 | ||||||
| M-170 | — | I-243 | — | — | Lady Morgan's faulty style misleads a translator | USMDR-4607 | ||||||
| M-171 | — | — | — | — | “an obvious truth, often ignored: drama has not declined, but advanced little” | USMDR-4607 | ||||||
| M-172 | — | I-242 | — | — | Fourierite newspaper derided for its name and readership | USMDR-4607 | ||||||
| M-173 | — | — | — | — | W. G. Simms’ Areytos quoted and praised | USMDR-4607 | ||||||
| M-174 | — | I-241 | — | — | German taste morbid in admiring Werter | USMDR-4607 | ||||||
| M-175 | — | I-226 | — | — | “Cranch's poetry: transcendental, but in one quoted example artistic though blemished” | USMDR-4607 | ||||||
| M-176 | G-110 | I-193 | SW-022 | H-170 | Sue's Mysteries of Paris — book and translation imperfect | GM-4611 | ||||||
| M-177 | G-194 (GC-195) | I-023 | SW-029c | H-171 | Bulwer's Lady of Lyons — a successful but defective drama | GM-4611 | ||||||
| M-178 | G-182 (GC-183) | I-053 | SW-034 | H-172 | I. Disraeli too concerned with subject to tighten style | GM-4611 | ||||||
| M-179 | G-197 (GC-198) | I-156 | SW-007a | H-173 | Poetry analysis based on mathematical quantity would improve even masterpieces | GM-4611 | ||||||
| M-180 | G-200 (GC-201) | I-132 | SW-040 | H-174 | “Newnham's book on mesmerism fallacious in premises, not in its conclusion” | GM-4611 | ||||||
| M-181 | G-020 | I-076 | SW-018a | H-175 | “Fouqué's Thiodulf represents simple — minded, unsettled German taste and criticism” | GM-4612 | ||||||
| M-182 | G-025 | I-110 | SW-002a | H-176 | magazine literature suited for the rush of our day | GM-4612 | ||||||
| M-183 | G-024 | I-060 | — | H-177 | Roger Bacon anticipated J.Espy's weather theory | GM-4612 | ||||||
| M-184 | G-129 | I-004 | SW-098 | H-178 | “America needs a new, distinctive, euphonious name, such as Appalachia” | GM-4612 | ||||||
| M-185 | G-133 | I-038 | — | H-179 | courage needed to admit cowardice | GM-4612 | ||||||
| M-186 | G-132 | I-056 | SW-023 | H-180 | “Greek plays, such as Antigone, show inexperience, simplicity, unlike sculpture” | GM-4612 | ||||||
| M-187 | G-069 | I-070 | SW-004e | H-181 | Genius vacillates between ambition to excel and inadequate effort through scorn or indifference | GM-4612 | ||||||
| M-188 | G-056 | I-059 | SW-014 | H-182 | “R. W. Emerson — an imitator of Carlyle, like Sallust and Aruntius” | GM-4612 | ||||||
| M-189 | G-002 | I-068 | SW-004a | H-183 | Genius appears in deepest despair just before success | GM-4801 | ||||||
| M-190 | G-042 | I-069 | SW-004c | H-184 | Genius requires moral matter in motion | GM-4801 | ||||||
| M-191 | G-039 | I-157 | SW-007b | H-185 | “Poe corrects Bristed on the mechanics of verse, the same in all tongues” | GM-4801 | ||||||
| M-192 | G-043 | I-036 | SW-004f | H-186 | characteristics of the conversation of genius | GM-4801 | ||||||
| M-193 | G-046 | I-033 | SW-071 | H-187 | Coleridge's astronomical slip | GM-4801 | ||||||
| M-194 | G-041 | I-200 | SW-004b | H-188 | No man dares to write and publish his complete confession of self | GM-4801 | ||||||
| M-195 | G-144 | I-177 | SW-010 | H-189 | misinformation about rhetorician's rules in Hudibras | GM-4801 | ||||||
| M-196 | G-145 | I-171 | SW-050a | H-190 | “A new Baconian idol is needed for reasoning in a circle, about reason itself” | GM-4801 | ||||||
| M-197 | G-005 | I-166 | SW-008 | H-191 | “the need for a treatise on punctuation — meanwhile, the dash discussed” | GM-4802 | ||||||
| M-198 | G-055 | I-151 | SW-013a | H-192 | plagiarism of Channing's article by New Monthly Magazine proved by Poe | GM-4802 | ||||||
| M-199 | G-004 | I-077 | SW-057 | H-193 | Profound thoughts on God and the soul resemble the merely sentimental | GM-4802 | ||||||
| M-200 | G-001 | I-115 | SW-012a | — | Poe's mesmeric tales deemed nonfiction by British journals mocked in turn by Poe | GM-4803 | ||||||
| M-201 | — | — | — | H-194 | E. Barrett's Drama of Exile has a vigorous passage — cited. | SLM-4904 | ||||||
| M-202 | — | — | — | H-195 | Effective song lyrics require the indefinitiveness of music — basic to such popular verses as those of G. P. Morris | SLM-4904 | ||||||
| M-203 | G-062 | I-082 | — | H-196 | “T. C. Grattan's book circles around its subject, like a gossip” | SLM-4904 | ||||||
| M-204 | G-068 | I-149 | SW-012c | H-197 | plagiarism of Felicia Hemans’ “Hymn” by R. W. Dodson | SLM-4904 | ||||||
| M-205 | — | — | — | H-198 | Osborn's Confessions of a Poet powerful without roughness | SLM-4904 | ||||||
| M-206 | G-065 | I-206 | — | H-199 | B. Tucker's noble novel cannot expect adequate recognition in the prejudiced North American Review | SLM-4904 | ||||||
| M-207 | G-063 | I-090 | SW-056 | H-200 | “anecdote about a flashily learned youth, exposed through his cribbed sources” | SLM-4904 | ||||||
| M-208 | G-064 | I-148 | SW-013d | H-201 | plagiarism by G. Hill of Southerner E. C. Pinkney's “Health” | SLM-4904 | ||||||
| M-209 | — | — | — | H-202 | Mrs. Osgood's poetry remarkable for its grace | SLM-4904 | ||||||
| M-210 | G-059 | I-169 | SW-013b | H-203 | “T. B. Read, a true but faulty poet, copies the copyist Longfellow” | SLM-4904 | ||||||
| M-211 | G-060 | I-133 | SW-075 | H-204 | “Poe would be insulted, if evaluated by the North American Review” | SLM-4904 | ||||||
| M-212 | — | — | — | H-205 | “Bayard Taylor's skilful, imaginative poetry quoted and defended” | SLM-4904 | ||||||
| M-213 | G-135 | — | — | H-206 | “Shelley, sincere and original, led to the acme — Tennyson” | SLM-4905 | ||||||
| M-214 | — | — | — | H-207 | W. W. Lord's two plagiarisms from Poe | SLM-4905 | ||||||
| M-215 | — | — | — | H-208 | evil in man illogically excused in L. Osborn's Alla-Ad-Deep | SLM-4905 | ||||||
| M-216 | G-138 | I-131 | SW-024 | H-209 | John Neal: a genius without constructive sense | SLM-4905 | ||||||
| M-217 | G-136 | I-124 | SW-099 | H-210 | The critic and the criticized properly should be named in magazine reviewing | SLM-4905 | ||||||
| M-218 | G-028 | I-153 | SW-009 | H-211 | “Grammatical inversion, an unpardonable poetic license, enfeebles poetry” | SLM-4905 | ||||||
| M-219 | G-029 | I-039 | SW-015 | H-212 | epigram — doggerel on Poe's and Green's criticism of Coxe's Saul | SLM-4905 | ||||||
| M-220 | G-031 | I-092 | — | H-213 | Imagination makes new compounds of beauty and deformity | SLM-4905 | ||||||
| M-221 | G-034 | I-020 | SW-029a | H-214 | Ward's hyperbole on Buwer's genius denied — mere talent and energy | SLM-4905 | ||||||
| M-222 | G-036 | — | — | H-215 | E. Barrett quoted for quaintness and affection | SLM-4905 | ||||||
| M-223 | — | — | — | H-216 | quip on brainless deviltry | SLM-4906 | ||||||
| M-224 | — | — | — | H-217 | To a genius “the difficult” is “the impossible” | SLM-4906 | ||||||
| M-225 | — | — | — | H-218 | Only St. Francis could uplift modern men | SLM-4906 | ||||||
| M-226 | G-027 | I-118 | — | H-219 | The mob can be led by its imagination | SLM-4906 | ||||||
| M-227 | G-084 | I-035 | SW-080 | H-220 | S. Butler's definition of a rabble suits the U. S. Congress | SLM-4906 | ||||||
| M-228 | G-097 | I-003 | SW-090 | H-221 | Americans worship the dollar — as one-tenth eagle | SLM-4906 | ||||||
| M-229 | G-089 | I-188 | SW-084 | H-222 | Aspiring reformers usually fall below ordinary men | SLM-4906 | ||||||
| M-230 | — | — | — | H-223 | a sharp eye needed to see man as dignified | SLM-4906 | ||||||
| M-231 | G-094 | I-140 | SW-088 | H-224 | In a future existence the present will seem a dream | SLM-4906 | ||||||
| M-232 | — | — | — | H-225 | a distinction made between a people and a mob | SLM-4906 | ||||||
| M-233 | G-096 | I-142 | SW-089 | H-226 | Expectations alter behavior of scoundrels and gentlemen | SLM-4906 | ||||||
| M-234 | G-087 | I-122 | SW-082 | H-227 | moral courage a misnomer | SLM-4906 | ||||||
| M-235 | — | I-245 | — | H-228 | villainy a surer path to worldly success than virtue | SLM-4906 | ||||||
| M-236 | G-085 | I-028 | SW-081 | H-229 | A snobbish writer incorrectly capitalizes king and monarch | SLM-4906 | ||||||
| M-237 | — | — | — | H-230 | Complete knowledge of man's heart leads to despair | SLM-4906 | ||||||
| M-238 | — | I-218 | — | H-231 | genius and moral nobility closely related | SLM-4906 | ||||||
| M-239 | G-090 | I-130 | — | H-232 | “Music of the spheres” and “mosaic” properly mean proportion or harmony — to Plato and us | SLM-4906 | ||||||
| M-240 | G-098 | I-176 | — | H-233 | L. G. Clark: unremarkable and dull | SLM-4906 | ||||||
| M-241 | G-091 | I-031 | SW-085 | H-234 | Derogation of Van Buren shows changing word meaning | SLM-4906 | ||||||
| M-242 | — | I-219 | — | H-235 | a true system of philosophy impossible | SLM-4906 | ||||||
| M-243 | G-086 | I-013 | SW-006b | H-236 | Mere imitation of nature is not art | SLM-4906 | ||||||
| M-244 | G-093 | I-044 | SW-087 | H-237 | Anacreon is extant only for academic reasons | SLM-4906 | ||||||
| M-245 | G-092 | I-086 | SW-086 | H-238 | Hegel's view: philosophy's uselessness makes it estimable | SLM-4906 | ||||||
| M-246 | G-088 | I-063 | SW-083 | H-239 | Beranger cited for man's optimism and ingenuity | SLM-4906 | ||||||
| M-247 | G-083 | I-062 | SW-004d | H-240 | The highly gifted must be misunderstood and mistreated by the commonalty | SLM-4906 | ||||||
| M-248 | G-026 | I-155 | — | H-241 | “The Muses, when invoked, forsake the poem” | SLM-4906 | ||||||
| M-249 | G-015 | I-183 | SW-063 | H-242 | The German for “sky-rocket” fits Boston criticism | SLM-4906 | ||||||
| M-250 | G-019 | I-180 | SW-064 | H-243 | disagreement on the rightness of popular taste | SLM-4906 | ||||||
| M-251 | — | — | — | H-244 | the hellishness of our world to the eye of reason | SLM-4906 | ||||||
| M-252 | G-021 | I-209 | SW-065 | H-245 | “vengeance seen as justice, even by men of pride and conscience” | SLM-4906 | ||||||
| M-253 | G-014 | I-164 | SW-062 | H-246 | Latin pun on quail | SLM-4906 | ||||||
| M-254 | G-013 | I-144 | SW-061 | H-247 | “the error of being a citizen only of the world, not of the universe” | SLM-4906 | ||||||
| M-255 | G-012 | I-029 | SW-060 | H-248 | “The motto of the bell, Great Tom, suits Carlyle-ists” | SLM-4906 | ||||||
| M-256 | G-011 | I-010 | SW-059 | H-249 | word play on the iron or gold points of Paulus Jovius’ pen | SLM-4906 | ||||||
| M-257 | — | — | — | H-250 | pun on the name of Preserved Fish | SLM-4907 | ||||||
| M-258 | — | — | — | H-251 | a speaker's eloquence deprecated by a Cicero witticism | SLM-4907 | ||||||
| M-259 | — | — | — | H-252 | pun on H. Walpole's concept of grace | SLM-4907 | ||||||
| M-260 | G-007 | I-174 | — | H-253 | the number of adherents no criterion of a religion or philosophy | SLM-4907 | ||||||
| M-261 | — | — | — | H-254 | pun on trees and “tres” (Latin) for Gothic church arches | SLM-4907 | ||||||
| M-262 | G-008 | I-172 | SW-058a | H-255 | F. Bacon's ameliorative reform contrasted with reformer's oppositionism | SLM-4907 | ||||||
| M-263 | G-009 | I-032 | — | H-256 | Feelings about charity at death argue for Christianity | SLM-4907 | ||||||
| M-264 | G-079 | I-165 | — | H-257 | Latin pun on Demosthenes | SLM-4907 | ||||||
| M-265 | G-080 | I-201 | SW-078 | H-258 | travellers’ accounts of celebrities mostly lies | SLM-4907 | ||||||
| M-266 | G-072 | I-014 | SW-016 | H-259 | Analytic reflection on the method of art distracts from its major purpose | SLM-4907 | ||||||
| M-267 | G-078 | I-162 | SW-058b | H-260 | Modern mass reform and anti — pleasure laws are related | SLM-4907 | ||||||
| M-268 | G-081 | I-087 | SW-079 | H-261 | “Like Chinese, romance — writers should begin books at the end” | SLM-4907 | ||||||
| M-269 | G-077 | I-049 | — | H-262 | Mathews’ book will be unread | SLM-4907 | ||||||
| M-270 | G-032 | I-204 | SW-068 | H-263 | The printing error in Mathews’ book: its being published | SLM-4907 | ||||||
| M-271 | G-037 | I-129 | SW-070 | H-264 | Mozart's final awareness of music's capacity; our hope: the Spasmodists’ awareness of its incapacity | SLM-4907 | ||||||
| M-272 | — | — | — | H-265 | Magazine poets adopt Ferrar's attempted “perpetual chant” | SLM-4907 | ||||||
| M-273 | G-035 | I-195 | — | H-266 | apt construction more important and obvious in tales than in novels | SLM-4907 | ||||||
| M-274 | G-033 | I-096 | SW-069 | H-267 | Dupin's commonly understood language the opposite of Bostonian esoteric utterance | SLM-4907 | ||||||
| M-275 | G-030 | I-212 | SW-067 | H-268 | a Latin joke on the people's voice | SLM-4907 | ||||||
| M-276 | G-149 | I-040 | SW-104 | H-269 | plain — speaking about American literature needed | SLM-4907 | ||||||
| M-277 | G-146 | I-198 | — | H-270 | “Montaigne's need to think before writing, despite his quip” | SLM-4907 | ||||||
| M-278 | G-178 (GC-179) | I-042 | — | H-271 | fable of Reynard the fox used to condemn Mathews’ play | SLM-4907 | ||||||
| M-279 | G-148 | I-006 | SW-103 | H-272 | American critics should know their own language | SLM-4907 | ||||||
| M-280 | G-044 | I-161 | — | H-273 | Few of our artists are too natural | SLM-4907 | ||||||
| M-281 | G-131 | I-041 | — | H-274 | Mathews’ desire for critical notice — afterwards resented | SLM-4907 | ||||||
| M-282 | G-137 | I-100 | SW-100 | H-275 | Attacking great men magnifies the little | SLM-4907 | ||||||
| M-283 | G-143 | I-017 | SW-101 | H-276 | The increasing bluestockings need to be reduced through deft criticism | SLM-4907 | ||||||
| M-284 | G-147 | I-012 | SW-102 | H-277 | Opera choruses suggest Sophocles’ turkey chorus | SLM-4907 | ||||||
| M-285 | G-152 | I-185 | — | H-278 | Chinese and Greeks locate soul in stomach or chest | SLM-4907 | ||||||
| M-286 | — | — | — | H-279 | Mathews’ literary failures seem intentional | SLM-4907 | ||||||
| M-287 | G-156 | I-055 | SW-106 | H-280 | Lawson's play deprecated via Macbeth and an opera | SLM-4907 | ||||||
| M-288 | G-154 | I-202 | SW-105 | H-281 | Silk Buckingham's travelogues mocked | SLM-4907 | ||||||
| M-289 | G-076 | I-030 | SW-077 | H-282 | Carlyle's next book predicted slightingly | SLM-4907 | ||||||
| M-290 | — | — | — | H-283 | Wm. Wallace's poetry quoted with praise | SLM-4909 | ||||||
| M-291 | G-177 (GC-178) | — | SW-032 | H-284 | “The puns in T. Hood's fantastic, original works represent his despondency” | SLM-4909 | ||||||
| SM-001 | G-158 | I-007 | SW-001 | — | British criticisms of American works overrated | BJ-451004 | ||||||
| SM-002 | G-159 | I-190 | SW-026 | — | The Doctor is an absurd hoax | SLM-3606 | ||||||
| SM-003 | G-161 (GC-162) | — | SW-052 | — | the cause of America's reverence for classic British poetry | SLM-3608 | ||||||
| SM-004 | G-174 (GC-175) | I-026 | SW-029d | — | Bulwer's merits and demerits | SLM-3602 | ||||||
| SM-005 | G-175 (GC-176) | I-093 | SW-031 | — | “In historical fiction G. P. R. James is merely a competent, conventional follower of Scott” | SLM-3610 | ||||||
| SM-006 | G-180 (GC-181) | I-128 | — | — | The excess of books today obstructs the path of ready learning | SLM-3610 | ||||||
| SM-007 | G-181 (GC-182) | I-215 | SW-033 | — | “John Wilson is imaginative, bold, energetic in creative works but superficial in criticism” | BJ-450906 | ||||||
| SM-008 | G-184 (GC-185) | I-084 | — | — | “Basil Hall's elegant, piquant trifles” | GM-4104 | ||||||
| SM-009 | G-185 (GC-186) | — | SW-035 | — | Marvell's fawn poem praised for its pathos | SLM-3608 | ||||||
| SM-010 | G-186 (GC-187) | I-143 | SW-036 | — | Petrarch admirable not as a supreme poet but as a republican patriot and savior of antique treasures | GM-4109 | ||||||
| SM-011 | G-188 (GC-189) | I-150 | — | — | plagiarists more detestable than pickpockets for pride in undeserved fame | BJ-450920 | ||||||
| SM-012 | G-190 (GC-191) | I-108 | SW-037 | — | “Byron's childhood sweetheart, Mary Chaworth, was his everlasting ideal” | CM-4412 | ||||||
| SM-013 | G-192 (GC-193) | I-141 | SW-038 | — | “Paulding's biography of Washington is basic, unaffected, comprehensive, well written and ideal for youth” | SLM-3605 | ||||||
| SM-014 | G-212 (GC-213) | I-051 | SW-030a | — | the wonderful imagination and pathos of Dickens’ Curiosity Shop | GM-4105 | ||||||
| SM-015 | G-213 (GC-214) | I-018 | SW-030b | — | Articles require more compositional ability than novels | GM-4105 | ||||||
| SM-016 | G-215 (GC-216) | I-008 | — | — | Physical and non-physical worlds are sometimes analagous | GM-4105 | ||||||
| SM-017 | G-216 (GC-217) | I-121 | — | — | Thomas Moore undervalued because prolific | GM-4105 | ||||||
| SM-018 | G-217 (GC-218) | I-167 | — | — | “Pue's epistolary grammar text, following Cobbett's, is full of errors and misdefines the word grammar” | GM-4107 | ||||||
| SM-019 | G-218 (GC-219) | I-019 | SW-011 | — | Lord Brougham's ambitious attempts and achievements too broad and varied for lasting eminence | GM-4203 | ||||||
| SM-020 | G-219 (GC-220) | I-052 | SW-030c | — | “Dickens, a natural genius; Bulwer, an ingenious artist” | GM-4105 | ||||||
| SM-021 | G-220 (GC-221) | I-046 | SW-044 | — | in Robinson Crusoe Defoe's genius undervalued | SLM-3601 | ||||||
| SM-022 | G-222 (GC-223) | I-099 | — | — | Authors of fiction seek to exploit potent audience sympathy in the readership situation | GM-4105 | ||||||
| SM-023 | G-223 (GC-224) | I-085 | SW-046 | — | “Heber, unoriginal as poet, but a fine scholar” | GM-4201 | ||||||
| SM-024 | G-224 (GC-225) | I-138 | SW-047 | — | two types of originality of characters worthy of praise | SLM-3701 | ||||||
| SM-025 | G-225 (GC-226) | I-205 | SW-048 | — | “Tucker's George Balcombe, of Godwin's school of fiction, is our best novel” | SLM-3701 | ||||||
| RM-001 | — | I-220 | — | — | genius of Miss Landon | GM-4108 | ||||||
| RM-002 | — | I-221 | — | — | the style of Bolingbroke is unrivalled (NOT BY POE) | GM-4107 | ||||||
| RM-003 | — | I-222 | — | — | reputation of the elder D’Israeli | GM-4111 | ||||||
| RM-004 | — | I-223 | — | — | error in commentary on Shakspeare | BJ-450816 | ||||||
| RM-005 | — | I-227 | — | — | importance of the Temperance Reform | GM-4107 | ||||||
| RM-006 | — | I-228 | — | — | “praise for “”The Moneyed Man”“ by Horace Smith” | GM-4108 | ||||||
| RM-007 | — | I-229 | — | — | praise of Alfred Tennyson | BJ-451129 | ||||||
| RM-008 | — | I-230 | — | — | comment on The Indicator and Companion | BJ-450830 | ||||||
| RM-009 | — | I-244 | — | — | international reputation | BJ-450830 | ||||||
| RM-010 | — | I-246 | — | — | Bolles's Phonogaphic Dictionary | BJ-450906 |
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Notes:
It has not been practical to format this table such that it will show well on a the narrow width screen of a smart phone.
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[S:0 - JAS] - Edgar Allan Poe Society of Baltimore - Works - Misc - An Index of Marginalia Printings, 1844-1902