Text-01 — “The Visionary” — 1832 or early 1833 (There are no known
draft manuscripts or scratch notes reflecting the original effort of composition. This story was not one of those
submitted to the Saturday Courier and published in 1832. Consequently, it may be assumed that it was
written later in 1832 or early in 1833.)
Text-02a — “The Visionary” — before October 1833 (As Mabbott
notes (T&S, 2:149), the story was apparently submitted to the
Baltimore Saturday Visiter contest in 1833. Both Mabbott and Hammond accept the story as part of the
Tales of the Folio Club, and assign it to Mr. Convolvulus Gondola as the fictional author. John H. B.
Latrobe, one of the judges for the 1833 contest, specifically recalled the distinct neatness and print-like
handwriting of the manuscripts submitted by Poe, although he does not mention this tale in particular.
Clearly, Poe did not present rough draft copies. After the contest, the manuscripts were returned to Poe, and
he presumably submitted the one for this story in that state to the editors of the Lady's Book for
publication.)
Text-02b — “The Visionary” —
January 1834 — Lady's Book [Godey's Lady's Book] — (Mabbott
text A) (Copies of this very early issue of The Lady's Book were far more scarce than the
later issues, better known to have had contributions by Poe. The first version of the tale, and thus the poem
known as “To One in Paradise,” was generally known only by the printing in the SLM more
than a year later. Stedman and Woodbery list the 1834 printing in their variants of the poem. They give the
year and month of publication, so clearly a copy had been discovered by that time. In 1902, however, J. A.
Harrison was still only aware of the printing through the reference in the Stedman and Woodberry edition, as
he lists the poem and variants, clearly from the Stedman and Woodberry edition, but does not list the printing
under the variants for the tale.)
Text-03a — “The Visionary” — early 1835 — (speculated new
manuscript written out specifically for reprinting in the SLM, although it is possible that he began
the process by marking changes in a copy of the story as printed in the Lady's Book. The changes
are so extensive, however, that a revised copy of Lady's Book, with manuscript revisions noted,
would have been virtually unreadable. In particular, the radical alterations in setting and breaking
paragraphs further suggests a new manuscript. In additon, Poe almost certainly did not want to draw attention
to the fact that the story had already been printed. This copy has not survived, but is presumably recorded in
Text-03b.)
Text-03b — “The Visionary” —
July 1835 — Southern Literary Messenger — (Mabbott text B) (misleadingly stated as
written for the Southern Literary Messenger. The SLM for August 1835 includes a notice
documenting Poe's triumph of the Baltimore Saturday Visiter contest in 1833. That notice mentions
“The Visionary” as being one of the tales submitted to the contest, but makes no mention of the
earlier printing in the Lady's Book.)
Text-05a — “The Assignation” — 1842 — manuscript title
revision in TGAPP (volume II, which seems to have had revisions by Poe, is lost, but this version is
presumably recorded in Text-05b)
Text-05b — “The Assignation” —
June 7, 1845 — Broadway Journal — (Mabbott text E) (For Griswold's 1850 reprinting of this text, see the entry below, under reprints.)
Reprints:
“The Visionary” — December 1840 — Bentley's Miscellany
(American Edition) 6:578-586 (British Edition) 8:578-586 (from Text-05, unacknowledged)
“The Assignation”— 1850
— WORKS — Griswold merely reprints Text-05b (Mabbott text F — This is Mabbott's
copy-text) (Although the Griswold text contains numerous changes in punctuation, these appear to be editorial and
typographical rather than authorial changes, and a number of them are not improvements)
“The Assignation” — February 1850 — Richards’ Weekly
Gazette (Athens, GA), second year, no. 40, whole no. 90, p. 1, cols. 1-7 (acknowledged as by Edgar A. Poe)
“The Assignation” — 1852 — Tales of Mystery and Imagination and
Humour; and Poems, London: Henry Vizetelly (An undated edition appears about the same time, published by
Charles H. Clark and Samuel Orchart Beeton, and their name appears as publisher for the second series), second
series pp. 1-11. (with 1 woodcut illustration)
“The Assignation” — 1867 — Prose Tales of Edgar Allan Poe,
first series (New York: W. J. Widdleton), pp. 370-381 (This collection is extracted from the 1850-1856 edition of
Poe's Works. It was reprinted several times.)
“The Assignation” —
1874 — Works of Edgar A. Poe, edited by J. H. Ingram, vol. 1, pp. 284-296 (This collection was
subsequently reprinted in various forms)
Scholarly and Noteworthy Reprints:
“The Assignation” —
1894-1895 — The Works of Edgar Allan Poe, vol. 1: Tales, ed. E. C. Stedman and G. E. Woodberry,
Chicago: Stone and Kimball (1:258-273) (This collection was subsequently reprinted in various forms)
“The Assignation (The
Visionary)” — 1902 — The Complete Works of Edgar Allan Poe, vol. 2: Tales I, ed. J.
A. Harrison, New York: T. Y. Crowell (2:1-109-124, and 2:345-348)
“The Visionary (The
Assignation)” — 1978 — The Collected Works of Edgar Allan Poe, vol. 2: Tales &
Sketches I, ed. T. O. Mabbott, Cambridge: Belknap Press of Harvard University Press (2:148-169)
“The Assignation” — 1984 — Edgar Allan Poe: Poetry and Tales,
ed. Patrick F. Quinn (New York: Library of America), pp. 200-211
“Le rendez-vous” — 1862 — Contes inedts d‘Edgar Poe,
Paris: J. Hetzel, pp. 1-22 (French translation by William L. Hughes)
“[The Assignation]” — 1881 — Underliga historier
(Stockholm) (Swedish translation, noted by Anderson, p. 54)
“Le Rendez-vous” — 1934 — Les Sphinx et autres contes bizarres par
Edgar Poë, Paris: Galliard (French translation by Maurice Sachs)
“Le Visionnaire (Le Rendez-vous)” — 1950 — Histories grotesques et
sérieuse par Edgar Poe, Paris: Classiques Garnier (French translation by
Léon Lemonnier)
”The Assignation” — 1952 — a possible film adaptation directed by
Joseph Losey, but unseen and perhaps merely a coincidental title (see Smith, p. 83).
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Bibliography:
Anderson, Carl L., Poe in Northlight: The Scandanavian Response to His Life and Work,
Durham, NC: Duke University Press, 1973.
Benton, Richard P., “Is Poe's ‘The Assignation’ a Hoax?,”
Nineteenth-Century Fiction (Sept. 1963), 18:193-197.
Cobb, Palmer, “The Influence of E. A. T. Hoffman on the Tales of Edgar Allan Poe,”
Studies in Philology, 1908, 3:1-104
Dixon, Jeanne, “Poe: A Borrowing from Goldsmith,” Notes & Queries (Nov.
12, 1932), 163:350
Engstrom, Alfred G., “Chateaubriand's Itineraire de Paris a Jerusalem and
Poe's ‘The Assignation’,” Modern Language Notes (Nov. 1954), 69:506-507
Heartman, Charles F. and James R. Canny, A Bibliography of First Printings of the Writings
of Edgar Allan Poe, Hattiesburg, MS: The Book Farm, 1943.
Ketterer, David, “The Sexual Abyss: Consumation in ‘The Assignation’,”
Poe Studies (1986), 19:7-10
Mabbott, Thomas Ollive, ed., The Collected Works of Edgar Allan Poe (Vols 2-3 Tales
and Sketches), Cambridge, Mass.: The Belknap Press of Harvard University Press, 1978.
Whitt, Celia, “Poe and The Mysteries of Udolpho,” University of Texas
Studies in English (1937), 18:124-131
Wyllie, John Cooke, “A List of the Texts of Poe's Tales,” Humanistic
Studies in Honor of John Calvin Metcalf, Charlottesville: University of Virginia, 1941, pp. 322-338.
Zorzi, Rosella Mamoli, “The Text Is the City: The Representation of Venice in Two Tales
by Irving and Poe and a Novel by Cooper,” Revista d'studi Anglo-Americani (1990), 6:285-300.
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[S:1 - JAS] - Edgar Allan Poe Society of Baltimore - Works - Tales - The Assignation