Text: S. H. Whitman, “The Portrait,” various versions, 1870 and 1879


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Text: “The Portrait,” Old and New (Boston, MA), vol. 2, no. 1, July 1870, pp. 29-30

[page 29:]

THE PORTRAIT.

BY SARAH HELEN WHITMAN.

SLOWLY I raised the purple folds concealing

That face, magnetic as the morning's beam;

While slumbering memory thrilled at its revealing,

Like Memnon wakening from his marble dream.

Again I saw the brow's translucent pallor,

The dark hair floating o’er it like a plume;

The sweet, imperious mouth, whose haughty valor

Defied all portents of impending doom.

Eyes planet calm, with something in their vision

That seemed not of earth's mortal mixture born, —

Strange mythic faiths and fantasies Elysian,

And far, sweet dreams of “fairy lands forlorn;”

Unfathomable eyes, that held the sorrow

Of vanished ages in their shadowy deeps,

Lit by that prescience of a heavenly morrow

Which in high hearts the immortal spirit keeps.

Oft has that pale, poetic presence haunted

My lonely musings at the twilight hour,

Transforming the dull earth-life it enchanted,

With marvel and with mystery and with power.

Oft have I heard the sullen sea-wind moaning

Its dirge-like requiems on the lonely shore,

Or listened to the autumn woods intoning

The wild, sweet legend of the lost Lenore. [page 30:]

Oft in some ashen evening of October

Have stood entranced beside a moldering tomb,

Hard by that visionary Lake of Auber

Where sleeps the shrouded form of Ulalume.

Oft in chill, star-lit nights have heard the chiming

Of far-off, mellow bells on the keen air,

And felt their molten-golden music timing,

To the heart's pulses answering unaware.

Sweet, mournful eyes, long closed upon earth's sorrow,

Sleep restfully after life's fevered dream!

Sleep, wayward heart! till on some cool, bright morrow,

Thy soul, refreshed, shall bathe in morning's beam.

Though cloud and sorrow rest upon thy story,

And rude hands lift the drapery of thy pall,

Time, as a birthright, shall restore the glory,

And Heaven rekindle all the stars that fall.

* * * * * * * * * * * * * * * *

Text: S. H. Whitman, “The Portrait,” Providence Journal (Providence, RI), about July 1870

From “Old and New.” for July.

THE PORTRAIT.

———

BY SARAH HELEN WHITMAN.

———

Slowly I raised the purple folds concealing

That face, magnetic as the morning's beam;

While slumbering memory thrilled at its revealing,

Like Memnon wakening from his marble dream.

Again I saw the brow's translucent pallor,

The dark hair floating o’er it like a plume;

The sweet imperious mouth, whose haughty valor

Defied all portents of impending doom.

Eyes planet calm, with something in their vision

That seemed not of earth's mortal mixture born,

Strange mythic faiths and fantasies Elysian,

And far, sweet dreams of “fairy lands forlorn.”

Unfathomable eyes that held the sorrow

Of vanished ages in their shadowy deeps,

Lit by that prescience of a heavenly morrow

Which in high hearts the immortal spirit keeps.

Oft has that pale, poetic presence haunted

My lonely musings at the twilight hour,

Transforming the dull earth-life it enchanted,

With marvel and with mystery and with power.

Oft have I heard the sullen sea-wind moaning

Its dirge-like requiems on the lonely shore,

Or listened to the autumn woods intoning

The wild, sweet legend of the lost Lenore.

Oft in some ashen evening of October

Have stood entranced beside a moldering tomb,

Hard by that visionary Lake of Auber

Where sleeps the shrouded form of Ulalume.

Oft in chill, star-lit nights have heard the chiming

Of far-off, mellow bells on the keen air,

And felt their molten-golden music timing,

To the heart's pulses, answering unaware.

Sweet, mournful eyes, long closed upon earth's sorrow,

Sleep restfully after life's fevered dream!

Sleep, wayward heart! till on some cool, bright morrow,

Thy soul, refreshed, shall bathe in morning's beam.

Though cloud and shadow rest upon thy story,

And rude hands lift the drapery of thy pall,

Time, as a birthright, shall restore the glory,

And Heaven rekindle all the stars that fall.

* * * * * * * * * * * * * * * *

Text: “The Portrait of Poe,” clipping from an unidentified source, probably 1871

The Portrait of Poe.

BY SARAH HELEN WHITMAN.

Slowly I raised the purple folds concealing

That face, magnetic as the morning's beam;

While slumbering memory thrilled at its revealing,

Like Memnon waking from his marble dream.

Again I saw the brow's translucent pallor,

The dark hair floating o’er it like a plume;

The sweet imperious mouth, whose haughty valor

Defied all portents of impending doom.

Eyes planet calm, with something in their vision

That seemed not of earth's mortal mixture born;

Strange mythic faiths and fantasies Elysian,

And far, sweet dreams of “fairy lands forlorn.”

Unfathomable eyes that held the sorrow

Of vanished ages in their shadowy deeps,

Lit by that prescience of a heavenly morrow

Which in high hearts the immortal spirit keeps.

Oft has that pale, poetic presence haunted

My lonely musings at the twilight hour,

Transforming the dull earth-life it enchanted,

With marvel, and with mystery, and with power.

Oft have I heard the sullen sea-wind moaning

Its dirge-like requiems on the lonely shore,

Or listened to the autumn woods intoning

The wild sweet legend of the lost Lenore.

Oft in some ashen evening in [[of]] October,

Have stood entranced beside a moldering tomb

Hard by that visionary Lake [[tarn]] of Auber,

Where sleeps the shrouded form of Ulalume.

Oft in still [[chill]], starlit nights have heard the chiming

Of far-off mellow bells on the keen air,

And felt their molten-golden music timing

To the heart's pulses answering unaware.

Sweet, mournful eyes, long closed upon earth's sorrow

Sleep restfully after life's fevered dream!

Sleep, wayward heart! till on some cool, bright morrow,

Thy soul, refreshed, shall bathe in morning's beam

Though cloud and sorrow [[shadow]] rest upon thy story,

And rude hands lift the drapery of thy pall,

Time, as a birthright, shall restore the glory,

And Heaven rekindle all the stars that fall.

* * * * * * * * * * * * * * * *

Text: S. H. Whitman, “The Portrait,” from Poems by Sarah Helen Whitman, 1879, pp. 195-197

[page 195, unnumbered:]

THE PORTRAIT.

AFTER long years I raised the folds concealing

That face, magnetic as the morning's beam:

While slumbering memory thrilled at its revealing,

Like Memnon wakening from his marble dream.

Again I saw the brow's translucent pallor,

The dark hair floating o’er it like a plume;

The sweet, imperious mouth, whose haughty valor

Defied all portents of impending doom.

Eyes planet calm, with something in their vision

That seemed not of earth's mortal mixture born;

Strange mythic faiths and fantasies Elysian,

And far, sweet dreams of “fairy lands forlorn.”

Unfathomable eyes that held the sorrow

Of vanished ages in their shadowy deeps,

Lit by that prescience of a heavenly morrow

Which in high hearts the immortal spirit keeps.

Oft have I heard the sullen sea-wind moaning

Its dirge-like requiems on the lonely shore,

Or listening to the Autumn woods intoning

The wild, sweet legend of the lost Lenore;

Oft in some ashen evening of October,

Have stood entranced beside a moldering tomb

Hard by that visionary Lake of Auber,

Where sleeps the shrouded form of Ulalume;

Oft in chill, star-lit nights have heard the chiming

Of far-off mellow bells on the keen air,

And felt their molten-golden music timing

To the heart's pulses, answering unaware.

Sweet, mournful eyes, long closed upon earth's sorrow

Sleep restfully after life's fevered dream!

Sleep, wayward heart! till on some cool, bright morrow,

Thy soul, refreshed, shall bathe in morning's beam

Though cloud and sorrow rest upon thy story,

And rude hands lift the drapery of thy pall,

Time, as a birthright, shall restore the glory,

And Heaven rekindle all the stars that fall.

1870.


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Notes:

Old and New was edited by Edward Everett Hale.

The same text from the unidentified clipping, with the same title (“The Portrait of Poe”), appeared in Leavenworth Times (Leavenworth, Kansas), March 12, 1871 p. 3, and Urbana Union (Urbana, OH), June 14, 1871, p. 1.) The changes, noted above in double-square brackets, appear in a copy of the clipping that belonged to E. L. Didier, pasted in his personal copy of Edgar Poe and His Critics. All but the word “tarn” are marked in ink, while that one word is marked in pencil.

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[S:0 - various, 1870 and 1879] - Edgar Allan Poe Society of Baltimore - A Poe Bookshelf - The Portrait (S. H. Whitman, 1870 and 1879)