Text: John Phelps Fruit, “Index,” The Mind and Art of Poe's Poetry (1899), pp. 141-142

 

“Al Aaraaf”: 22-32, 36, 40, 57, 60, 62, 79, 84, 91-96.

Allegory: 108-113, 123.

“Alone”: 21.

“Annabel Lee”: 78, 128,133.

“Annie, For”: 73, 129, 133, 134.

Art and Poetry, Hugo on: 1.

“Assignation, The”: 55.

Assonance: 104-106.

Beautiful, sense of: 61.

Beauty, personified: 24.

Beauty, rhythmical creation of: 62.

Beauty, glow of: 32.

“Bells, The”: 75, 79, 85, 135-140.

“Bridal Ballad”: 51, 108.

“Catholic Hymn”: 49.

“City, The Doomed”: 36, 45, 47.

Climax, The: 135.

Coleridge on Poetry: 2, 3.

“Coliseum, The”: 47, 48, 108.

“Composition, The Philosophy of”: 66, 78, 81.

“Dead, Visit of the”: 18, 19, 21, 22.

Differentia, Poe's: 36, 55, 58, 69, 85, 90, 96, 100.

“Dream, A”: 16.

“Dream-Land”: 57, 58, 112.

“Dreams”: 16, 17.

Edition of 1829: 22, 90, 95, 96.

Edition of 1831: 36, 96.

Edition of 1845: 55, 85, 96.

“Eldorado”: 74.

English Hexameters: 103, 107.

“Enigma, An”: 75.

Esemplastic: 3.

“Eulalie”: 78, 127,129.

“Eureka”: 80.

“F —— , To”: 59.

“F —— s S. O —— d, To”: 60.

“Fairy-Land”: 33, 36, 57, 112.

Fictional element of Poetry: 108, et seq.

Form, mechanic and organic: 2.

Genius, Hugo on: 2.

Genius, young man of: 15.

Genius, consistent with artistic skill: 106.

“Happiest Day, The”: 6, 49, 50.

“Helen, To”: 36, 40, 72, 96, 97.

“Imitation”: 17, 36.

“Introduction”: 36.

“Irene”: 36, 43, 44, 47, 100.

“Israfel”: 36, 41, 42, 47, 57, 85, 97, 98, 108.

“Lake, The”: 18,21,36.

“Lenore”: 47, 62, 78, 99, 100, 101, 108, 114.

Ligeia, Song to: 27, 56, 84, 91-94.

Love, Lyric to: 27.

Lovers in “Al Aaraaf”: 30, 31.

Luxury of sorrow: 7, 8, 20, 51, 55, 66, 69, 83, 124.

Master-Strokes: 127.

“Mother, To my”: 75.

Myths, Platonic: 28, 29.

Nesace's song: 24-27.

“Nis, The Valley of”: 36, 46, 47.

Onomatopeia: 79, 85, 104, 135.

“Pæan, A”: 36, 44, 47, 100.

“Palace, The Haunted”: 51-53, 57, 66, 109.

“Paradise, To One in”: 110.

Poe's Platonism: 20, 28-32, 60, 83, 127.

“Politian, Scenes from”: 49, 108.

“Preface”: 22, 36-38.

Prefatory letter of 1831: 36.

“Principle, The Poetic”: 60.

“Rationale of Verse”: 78, 303, 125.

“Raven, The”: 47, 62-70, 85, 114.

“Raven, The,” Poe's analysis of: 68, 69, 122-124.

Resume: 82-86.

“River, To the”: 32, 85.

“Science, To”: 91.

Self-consistency a test: 69.

Shew, Mrs.: 71, 77.

“Silence”: 53.

“Silence — A Fable”: 54.

Stanzas on reply of Nature to our intelligence: 13.

Strangeness an element of beauty: 14.

“Tamerlane”: 5, 8-15, 19, 22, 31, 36, 42 49, 78, 87-91, 96.

“To —— ”: 33,36.

“To —— —— ”: 71.

Topic, The most poetical: 68, 79, 114.

“Ulalume”: 75-78, 127, 130-132.

Versatility, Poe's: 108.

Verse, Definition of: 3, 40, 62, 84, 102.

Verse, “Essentialities” and “embellishments” of: 125, 126, 134.

Whitman, Mrs., “To Helen”: 72.

Workmanship: 69, 87.

“Worm, The Conqueror”: 56, 66, 110.

“Zante, To”: 50, 55.