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Title page:
The Portraits and Daguerreotypes of
EDGAR ALLAN POE
MICHAEL J. DEAS
![Portrait of Edgar Allan Poe [detail]](deasf00a.gif)
University of Virginia
Charlottesville
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Table of Contents
Contents
PAGE
ix
1
General Introduction — Poe's Appearance and Manner — Spurious Portraits — The Daguerreotypes of Poe
LIFE PORTRAITS AND DAGUERREOTYPES
11
The “McKee” Daguerreotype — The Saturday Museum Woodcut — A. C. Smith — Samuel S. Osgood — John A. McDougall — The “Daly” Daguerreotype — The “Ultima Thule” Daguerreotype — The “Whitman” Daguerreotype — The “Annie” Daguerreotype — The “Stella” Daguerreotype — The “Thompson” Daguerreotype — The “Traylor” Daguerreotype
APOCRYPHAL PORTRAITS
63
Derivatives of the Osgood Portrait — Derivatives of the Pratt Daguerreotypes — Charles Hine — Gabriel Harrison — Mathew B. Brady — Edouard Manet — Alfred Fredericks — Friedrich Bruckmann — Timothy Cole — Nicolas-François Chifflart — Félix Vallotton — William Huddy — Henry Inman — The “Traylor” Miniature — The “Whitty” Portrait — The Graham's Magazine Fashion Plate — Thomas Sully — Rembrandt Peale — ”Self-Portrait” — Henri Matisse — Thomas C. Corner — Unidentified Photograph — Felix O. C. Darley — Other Rejected Portraits
LOST PORTRAITS
141
Childhood Portrait — Miniature Portrait (Possibly a Daguerreotype) — Crayon Portrait — Robert M. Sully
APPENDIX A. COPY DAGUERREOTYPES
147
The “Lewin” Daguerreotype — The “Barrett” Daguerreotype — The “Cornwell” Daguerreotype — The “Kingsley” Daguerreotype — The “Robins” Daguerreotype — The “Dodge” Daguerreotype — The “Painter” Daguerreotype — The Marcus Root Daguerreotype — The “Davis” Daguerreotype — The Huntington Library Daguerreotype — The “Dimmock” Daguerreotype — The Players Club Daguerreotype — The “Davidson” Daguerreotype
APPENDIX B. PORTRAITS OF VIRGINIA CLEMM POE
167
174
175
189
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Notes:
All material in this edition is protected by copyright, exclusively held by the author and the University of Virginia Press. Permission has been obtained by the Poe Society of Baltimore from Mr. Deas and the Rector and Visitors of the University of Virginia to provide this electronic edition for academic and research purposes only. The Poe Society of Baltimore asks all users of this material to respect these copyrights, and not to exceed what would typically be considered as fair use (generally interpreted as selective quotations and/or paraphrasing of only a small percentage of the total material, and with the appropriate attribution and citation).
Although many of the images have been previously reproduced, in various forms, the copyright of an image is usually considered as belonging to the holder of the physical original. Many of the reproductions in the current presentation are provided as a result of special negotiation, and we ask that they not be pirated. Violation of these copyrights may reduce our ability to present similar information in the future.
The text for this electronic version of the book was taken from an original printed form, revised for XHTML/CSS and to follow our own formatting preferences. Pagination of the original edition has been included.
The table of contents is a reasonable representation of the table of contents from the original printing, although the leader dots have been added to the current presentation.
In the original printing, all images were provided only in black and white; in the current presentation, many of these images are now given in color. For an illustration that represents a reversed image, a supplmental version has been created to show it in a “normal” orientation.
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[S:1 - PDEAP, 1989] - Edgar Allan Poe Society of Baltimore - Bookshelf - The Portraits and Daguerreotypes of Edgar Allan Poe (M. J. Deas) Title page and contents