∞∞∞∞∞∞∞
GENERAL INDEX.
The headings of prose pieces are printed in capitals, of poetical pieces in italics.
∞∞∞∞∞∞∞
∞∞∞∞∞∞∞
Adam: an account of, III. 350
Adams, John Quincy: his autograph, IV. 41
Adaptation: the Divine, accuracy of, III. 176, 177
Air: imagined removal of nitrogen from, II. 209
Al Aaraaf: III. 62-76
Albatross: II. 119
“Alciphron”: by Thomas Moore, criticised, IV. 370-373
ALDRICH, JAMES: IV. 446-448
Allan, Mr.: Poe's relations to, I. xiii, xvii, xxiv, xxvii, xxxi
Allston, Washington: his autograph, IV. 56
“Alphadelphia Tocsin”: III. 477
America: III. 350
AMERICA, THE POETS AND POETRY OF: IV. 310-317
American cribbage — critics — literature: III. 351
AMERICAN DRAMA, THE: IV. 317-349
American literature: pioneers of, IV. 164
Analogies of physics and metaphysics: III. 354
ANASTATIC PRINTING: III. 512-517
ANGEL OF THE ODD, THE: II. 509-519
Animaclula: literary, III. 476
Annabel Lee: III. 18
Annie, For: III. 32
Annihilation: III. 354
“Anserine” pens: III. 355
Antarctic Oceans: discoveries in, II. 128-132
————: extraordinary adventures in, II. 133-185
ANTHON, CHARLES: IV. 426-428
————: his autograph, IV. 5
Antithesis: III. 355
“Appalachia”: proposed name for United States, III. 350
Arabesque and Grotesque, Tales of the: I. xi
“Arabian Nights”: a supplement to the
ARNHEIM, THE DOMAIN OF: I. 303-319
Art: definition and machinery of, III. 356
ARTHUR GORDON PYM, THE NARRATIVE OF: II. 1-188; see also I. xxxvii
Arthur, T. S.: his autograph, IV. 45
Artist, the: III. 357
ASSIGNATION, THE: I. 284-296
Association of Ideas: III. 356
“ASTORIA,” WASHINGTON IRVING’S: IV. 526-555
Attraction and repulsion: III. 114-120
Augustine, St.: “De libris Manichaeis,” III. 446
AUTOGRAPHY, A CHAPTER ON: IV. 1-62; see also I. xli.
Automata: various, III. 286-288
Aurora islands (supposititious): search for, II. 125
Axiomatic truths: III. 97-99
∞∞∞∞∞∞∞
B——, LETTER TO: III. 312-318; see also I. xxvi.
Balloon adventure: I. 147
BALLOON HOAX, THE: I. 194-107
“Barnaby Rudge”: reviewed, IV. 110-129
——: Poe's anticipation of the plot: I. xliii.; IV. 119, 124
BARRETT, ELIZABETH BARRETT: IV. 63-88
Baudelaire's translations of Poe's tales: I. xlii.
Beauty: the essence of poetry, III. 202-205, 269; IV. 353-358
Bells, the: III. 6-9
Benjamin Park: his autograph, IV. 7
BERENICE: I. 355-363
Bernouilli: III. 357
“Biche de Mer”: II. 151
BIRD, ROBERT M.: IV. 282-287
——: his autograph IV 22
BLACK CAT, THE: I. 168-178
BLACKWOOD ARTICLE, HOW TO WRITE ONE: II. 460-470
Miss Psyche Zenobia's: II. 471-480
“Blues”: III. 357
Bolingbroke's style: III. 468
BON-BON: II. 401-418
Books: multiplication of, an evil, III. 412
BOTTLE, MS. FOUND IN A: I. 138-149
BRAINARD, J. G. C.: IV. 164-171
BREATH, LOSS OF: II. 535-548
Brevity: III. 358
Bridal Ballad: III. 61
Brooks, James: his autograph, IV. 44
Brooks, N. C.: his autograph, IV. 35
Brougham, Lord: III. 358
Brown, David Paul: his autograph, IV. 48
Browning, Mrs.: IV. 63-88
——: Robert and Mrs., their estimate of Poe, I. lxxxiii
Brownson, Orestes A.: his autograph, IV. 15
BRYANT, WILLIAM CULLEN: IV. 203-213
——: his “June” characterised
——: his autograph
Bulwer: III. 359-364
Burial, premature: instances of, I. 236-250, 362
Burton, W. E.: his autograph, IV. 42
BUSH, GEORGE: IV. 410
BUSINESS MAN, THE: II. 560-569
Byron's “Stanzas to Augusta”: III. 214
“Bride of Abydos”: opening verses scanned, III. 246
——: his passion for Mary Chaworth, III. 401
∞∞∞∞∞∞∞
Calvert, G. H.: his autograph, IV. 33
Camoens: edition of (1798), III. 364
Canning, Sir Lancelot: “The Mad Trist” of, I. 194
Capitals: III. 364
Carlyle, Thomas: III. 364; IV. 258
CASK OF AMONTILLADO, THE: I. 258-265
Cass, Lewis: his autograph, IV. 43
Catastrophe of the Universe: III. 189, 190
Caution in lauding a friend: III. 365
Chandler, Jos. R.: his autograph, IV. 29
CHANNING, WILLIAM ELLERY: IV. 256-266
Channing: plagiarism from, III. 423
——: Dr. W. E., his style hit off, IV. 2
——: his autograph, IV. 36
Charity: offences against, III. 365
“Charles O’Malley”: reviewed, IV. 133-139
CHEEVER, GEORGE B.: IV. 425
Chess-player, Automaton: exposition of its mystery, III. 286-311
CHILD, LYDIA M.: IV. 465-467
Chivers, Dr. T. H.: his autograph, IV. 46
Chorley, H. F.: III. 474
Cist, L. J.: his autograph, IV. 45
City in the Sea, the: III. 54
CLARK, LEWIS GAYLORD: IV. 474-476
COCKTON, HENRY: IV. 143-147
Coleridge, S. T.: III. 314-317, 365
Colloquialism: “did the business,”
COLLOQUY OF MONOS AND UNA: II. 194-203
Colosseum, the: III. 14; see also I. xxxviii
Comet: supposed destruction of earth by, II. 205-209
COMPOSITION, PHILOSOPHY OF: III. 266-278
Congress: a rabble, III. 366
Conqueror Worm, the: III. 21; I. 377
Conrad, R. T.: his autograph, IV. 41
Conundrum: geological, III. 387
Conversation: III. 366
CONVERSATION OF EIROS AND CHARMION: II. 204-209
Cooke, P. P.: his autograph, IV. 41
COOPER, J. FENIMORE: IV. 380-392
——: his autograph, IV. 23
Copyright: international, III. 367
Corpse: prejudice against carriage of, III. 368
Cowardice: III. 368
Coxe's “Saul, a Mystery”: III. 369
CRANCH, CHRISTOPHER PEASE: IV. 448-452; III. 471
CRITICS AND CRITICISM: IV. 374-380
Critics: asinine, III. 394
CRYPTOGRAPHY: III. 332-346
——: specimens of, I. 30; III. 341
——: Poe's skill in deciphering, I. xli, III. 340, 346
“Cui bono”: the true meaning of, II. 342
Curran: III. 371
∞∞∞∞∞∞∞
Dacre, Countess of: III. 383
Dana, Richard H.: his autograph, IV. 34
Dash, the: in punctuation, III. 434
DAVIDSON, MARGARET MILLER AND LUCRETIA MARIA: IV. 246-255
DAWES, RUFUS: IV. 171-184
——: his autograph, IV. 13
Death: detail of sensations after it, II. 194-203
Defoe: III. 371
Demonstrativeness: III. 372
De Quincey: Poe compared to, I. xx, lvi
Derivations: obvious ones the more probable, III. 372
DEVIL IN THE BELFRY, THE: II. 299-307
Devouring a book: III. 373
Diana's temple: the burning of, III. 373
DICKENS, CHARLES: IV. 109-129
——: his “Old Curiosity Shop,” III. 373
——: compared with Bulwer, III. 375
——: his minor works, III. 475
Dictionaries: defects in, III. 479
DIDDLING CONSIDERED AS ONE OF THE EXACT SCIENCES: II. 497-503
D’Israeli, Isaac: III. 375, 469
Doane, Bishop: his autograph, IV. 59
Dollar: the Almighty, III. 350
DOMAIN OF ARNHEIM, THE: I. 303-319
Dow, J. E.: his autograph, IV. 38
Drake, Dr. Rodman: IV. 366-368
Drama, the: III. 376
Dramatic changes of scene: III. 376
Dream, a: III. 85
Dream within a dream, a: III. 27
Dreamland: III. 28
Drowned bodies: time of their floating, I. 460
DUC DE L’OMELETTE, THE: II. 261-264
Duello: works on the, II. 487
Du Solle, John S.: his autograph, IV. 31
DUYCKINCK, EVERT E. [[A.]]: IV. 444-446
∞∞∞∞∞∞∞
Earle, Dr. Pliny: his autograph, IV. 39
Egypt: ancient, arts and sciences in, II. 365-373
Eldorado: III. 31
ELEONORA: I. 364-370
Eloquence: modern and ancient, compared, III. 378
Embury, Mrs. E. C.: her autograph, IV. 18
Emerson, R. W.: III. 378
——: his autograph, IV. 62
ENGLISH, THOMAS DUNN: IV. 467-469
——: he libels Poe, I. lix, lx
Enigma, an: III. 24
Espy's theory of storms: III. 378
Either: idea of, III. 187
Eulalie: III. 30
EUREKA: III. 91-195; see also I. lxxxix
Everett, Edward: his autograph, IV. 22
Expression of shadowy thoughts: III. 379
∞∞∞∞∞∞∞
F —, to: III. 35
Fairyland: III. 86
Fancy defined: IV. 414, note
Fate of superiority: III. 382
Fay, T. S.: his autograph, IV. 32
FIFTY SUGGESTIONS: III. 480-492
FLACCUS (Thomas Ward): IV. 184-193
Fools: III. 382
Fortune: III. 383
FOUR BEASTS IN ONE: II. 385-393
FRANCIS, JOHN W.: IV. 419-421
French, J. S.: his autograph, IV. 32
French epitaph: III. 431
FRENCHMAN, THE LITTLE, WHY HE WEARS HIS HAND IN A SLING: II. 394-400
Frost, John: his autograph, IV. 47
Fuller: his hard head, III. 357, 383
FULLER, SARAH MARGARET (Marchese d’Ossoli): IV. 452-460
Fullerton, Lady G.: her “Ellen Middleton,” III. 383
FURNITURE, PHILOSOPHY OF: III. 279-285; I. 332
Future state: III. 384
∞∞∞∞∞∞∞
Galaxy: III. 150-162
Gallagher, W. D.: his autograph, IV. 34
Gallipago tortoise: II. 162
Genius: III. 384-387, 467, 484
“Gentleman's Magazine”: III. 387
German literature: III. 387
Gilfillan's misstatement regarding Poe: I. lvii
God and the Soul: III. 387
Godey, L. A.: his autograph IV. 30
Godhead, the: III. 107
Godwin, William: III. 389
Goethe's “Sorrows of Werther”: III. 477
Gold: lead transmuted into, I. 114
GOLD-BUG, THE: I. 1-38; see also I. xlvi
Gonzales, Dominique: his “Man in the Moon,” I. 91
Gould, Miss H. F.: compared with Mrs. Howitt, III. 389
——: her autograph, IV. 18
Gowans, William: his account of Poe, I. xxxvi
Graham, G. R.: letter from, on Poe's character, I. lxxxix-xcix
——: his autograph, IV. 27
“Graham's Magazine”: Poe's connection with, I. xl.-xliv
Grammar: a Danish, III. 390
——: Hugh A. Pue's, III. 435
Grammar: errors of, III. 389
Grammars: their erroneous definitions, III. 221
Grattan's “Highways and Byways”: III. 390
Gravitation: principle of, III. 113-123
Greek drama: III. 376
Greeley, Horace: his autograph, IV. 54
Griswold, Rufus W.: misrepresentations in his biography of Poe, I. xx, xxviii-xcix, passim
——: his calumnious obituary notice, I. lxxxv.
——: his “Poets and Poetry of America,” IV. 315
∞∞∞∞∞∞∞
Hague: his ancestry, III. 390
Hale, Mrs. S. J.: her autograph, IV. 22
Hall, Captain Basil: III. 391
HALLECK, FITZ-GREENE: IV. 437-442
——: his autograph, IV. 12
Hamlet: III. 470
HANS PFAALL, UNPARALLELED ADVENTURE OF: I. 39-93; see also I. xxxii; IV. 486-489
Haunted Palace, the: III. 19; I. 188; see also I. xi
Hawks, Dr. F. L.: his autograph, IV. 24
HAWTHORNE, NATHANIEL: IV. 213-227, 408
HEADLEY, JOEL T.: IV. 275-279
“Heart Laid Bare”: suggested title, III. 459
Heath, Jas. E.: his autograph, IV. 46
Heber, Bishop: III. 391
Hegel: III. 391
Helen, to: III. 16; see also I. lxxiv.
Helen, to: III. 54; see also I. xix.
Henry, Prof. C. S.: his autograph, IV. 18
Herbert, H. W.: his autograph, IV. 24
Hexameter: classical and English, III. 261-265
HEWITT, MARY E.: IV. 481-484
“High Binders”: III. 458
HIRST, HENRY B.: IV. 235-238
HOFFMAN, CHARLES FENNO: IV. 477-481
——: his autograph IV. 53
Hoffman, David: his autograph, IV. 40
Holden, Ezra: his autograph, IV. 27
Holmes, Dr. O. W.: his autograph, IV. 59
“Honestus”: its meaning misconceived, III. 392
HOOD, THOMAS: IV. 147-152
——: his “Fair Ines,” “Haunted House,” and “Bridge of Sighs,” III 211-214
HOP-FROG: II. 374-384
Horace: phrase wrongly ascribed to, III 392
HORNE, R. H: IV. 89-105
——: his preface to “Chaucer Modernised,” III. 239
HOUSE OF USHER, THE FALL OF THE: I. 179-199
Hudson, Mr.: a blunder of III. 392
Hudson's lectures on Shakspeare: III. 355
HUNT, FREEMAN: IV. 430-433
Hunt, Leigh: III. 473
Hymn: III. 22
∞∞∞∞∞∞∞
Ice made in a red-hot vessel: I. 233, note
Idea for a magazine paper: III. 392
“Iliad”: written by Solomon, assisted by G. Robins, III. 393
Imagination: III. 393
——: distinguished from fancy, IV. 414, note
IMP OF THE PERVERSE, THE: I. 266-272
Industry and Genius: III. 385
Infinity: the conception of, III. 103-107
Ingraham, J. H.: his autograph, IV. 11
Inquisition, a tale of the: I. 200
Irradiation of atoms: III. 123-137
IRVING’S (WASHINGTON) “ASTORIA”: IV. 526-555
——: his autograph, IV. 7
ISLAND OF THE FAY, THE: I. 273-278
Israfel: III. 59
∞∞∞∞∞∞∞
∞∞∞∞∞∞∞
∞∞∞∞∞∞∞
La Harpe's judgment of Racine: III. 395
Lake, the: III. 88
Landon, Miss (L. E. L.): III. 467
LANDOR’S COTTAGE: I. 320-332
Landscape gardening: I. 307-327
Langtree, S. D.: his autograph, IV. 40
Language of everybody: III. 395
Last page, the: III. 395
“Leaven of unrighteousness”: III. 479
Lecturing: III. 396
Legare, H. S.: his autograph, IV. 29
Lenore: III. 13; see also I. xix.
Le Poer family: I. ix.-xii.
Leslie, Miss Eliza: her autograph, IV. 19
Letter, of date 2848: II. 520-534; III. 93
LEVER, CHARLES: IV. 129-139
LEWIS, ESTELLE ANNA (“Stella”): IV. 268-275
——: her kindness to Poe, I. lxxxii.
——: an enigma designed to embody her name: III. 24
Lieber, Prof. Francis: his autograph, IV. 21
LIGEIA: I. 371-387; see also I. xl.
LIONIZING: II. 308-313
LITERATI OF NEW YORK, THE: IV. 407-490.
Little men vilifying great men: III. 397
LOCKE, RICHARD ADAMS: IV. 485-490
——: his “Moon-Hoax,” I. 88
——: his autograph, IV. 61
Logician: the practised, III. 397
LONGFELLOW’S BALLADS: IV. 349-364
——: his imitativeness, III. 398
——: his autograph, IV. 13
——: his “Spanish Student” criticised, IV. 334-349
——: public opinion regarding him, IV. 409
Lottery scene: II. 97
LORD, WILLIAM W.: IV. 193-202
——: his “Niagara,” III. 400
Loud, Mrs. M. St. L.: her autograph, IV. 39
Louis XV.: statue of, III. 401
Love, boyish: III. 401
LOWELL, JAMES RUSSELL: IV. 302-310
——: his sketch of Poe, I. xlix.
——: his “Conversations,” III. 403
——: his autograph, IV. 44
Lunatic asylum: an adventure in one, II. 419-438
Lunt, George: his autograph, IV. 29
“Lying-to”: explained, II. 63
LYNCH, ANN C.: IV. 476-477
Lytton, Lord: See Bulwer.
∞∞∞∞∞∞∞
MACAULAY, THOMAS BABINGTON: IV. 105-108
——: his style criticised, IV. 375-379
M’Henry, James: his autograph, IV. 60
M’Jilton, J. N.: his autograph, IV. 33
M’Michael, Morton: his autograph, IV. 35
MAELSTRÖM, A DESCENT INTO THE: I. 150-167; see also I. xlii
MAELZEL’S CHESS-PLAYER: III. 286-311
Magazine literature of America: III. 403-405
Magazine paper: an idea for one, III. 392
MAGAZINE PRISON-HOUSE, SOME SECRETS OF THE: III. 508-511
MAGAZINE WRITING — PETER SNOOK: III. 319-331
Malibran: III. 405
MAN OF THE CROWD, THE: II. 314-323
MAN THAT WAS USED UP, THE: II. 549-559
MS. FOUND IN A BOTTLE: I. 138-149; see also I. xxix
MARGINALIA: III. 347-479
MARIE ROGÊT, THE MYSTERY OF: I. 442-493
MARRYATT, FRANCIS: IV. 139-143
Marvell's “Maiden lamenting for her Fawn”: IV. 494
MASQUE OF THE RED DEATH, THE: I. 251-257
Masson, Michel: III. 405
MATHEWS, CORNELIUS: IV. 288-298; III. 491
——: his autograph, IV. 453
Mellen, Grenville: his autograph, IV. 9
MELLONTA TAUTA: II. 520-534
“Menipée,” “Satyre”: III. 406
Mesmeric rapport: II. 223
MESMERIC REVELATION: I. 116-126; see also III. 406
Mesmerism in articulo mortis: I. 127-137
Metaphor: a striking one, III. 409
METZENGERSTEIN: I. 394-403
Mill's demonstration of his propositions: III. 409
“Miserrimus”: III. 409
Mitchell, Dr. J. K.: his autograph, IV. 32
Mob: how one can be led, III. 409
Moon: voyage to the, I. 54
“Moon-story”: Mr. R. A. Locke's, I. 88; IV. 487
MOORE, THOMAS: IV. 365-372
——: his literary art, III. 410
Montgomeries: the two, III. 410
Moral: every fiction has one, II. 324
“Moral” courage: III. 410
Moralists swallowing pokers: III. 411
Morality: literary, III. 411
MORELLA: I. 388-392
Morphine: effects of use of, II. 225
MORRIS, GEORGE P.: IV. 280-282
——: his autograph, IV. 32
Morris, Robert: his autograph, IV. 26
Mosaic: literary, III. 398
Moses’ account of the Creation: III. 411
Mother, to my: III. 25
Motherwell's “Song of the Cavalier”: III. 218
Movable houses: III. 412
MOWATT, ANNA CORA: IV. 421-425
MUMMY, SOME WORDS WITH A: II. 356-373
MURDERS IN THE RUE MORGUE, THE: I. 404-441
Music: affecting to tears, III. 476
Music: the possibilities of, III. 412
“Music of the Spheres”: explained, III. 412
Musicians: scientific, III. 474
MYSTIFICATION: II. 481-489
∞∞∞∞∞∞∞
Nationality in literature: III. 351
Natural state of man: III. 476
Neal, John: his works, III. 413; IV. 434
——: his autograph, IV. 23
Neal, Joseph C.: his autograph, IV. 19
Nebular cosmogony of Laplace: III. 139-146, 156
——: modifications of it, III. 148
Nests of penguin and albatross: II. 120
NEVER BET THE DEVIL YOUR HEAD: II. 324
Newnham's “Human Magnetism”: III. 414
Nichols, Mrs. R. S.: her autograph, IV. 61
North American Review: III. 415
Nothingness: III. 416
Novelists: a hint to, III. 391
Novels: fashionable, their influence for good, III. 411
∞∞∞∞∞∞∞
OBLONG BOX, THE: II. 267-277
Odours affect us through association: III. 416
OLD ENGLISH POETRY: IV. 491-495
Oneness: the fundamental principle of the universe, III. 109-137
Optical delusions: II. 355; III. 416
Originality: III. 416, 417; IV. 222-224, 338
“Orion”: criticised, IV. 89-105
OSBORN, LAUGHTON: IV. 433-437
OSGOOD, FRANCES SARGENT: IV. 392-406
——: her account of Poe's household, I. lxi
——: a valentine embodying her name, III. 23
O——d, to F——s: III. 22
“Ossian”: James Montgomery's description of, III. 417
Ossoli, Marchese d’: IV. 452-460
Otis, J. F.: his autograph, IV. 47
Ourang-outang: I. 433
OVAL PORTRAIT, THE: I. 279-283
∞∞∞∞∞∞∞
Pabodie, W. J.: his friendship for Poe, I. lxxvii-lxxix
Paine's “Age of Reason”: III. 477
Palfrey, Prof. J. G.: his autograph, IV. 25
Paradise, to one in: III. 26; I. 293
Paragraphs: abusive, III. 350
Parody of a “Blackwood” article: II. 471-480
Paulding's “Life of Washington”: III. 417
——: his autograph, IV. 10
Peabody, W. B. O.: his autograph, IV. 55
Peacock, Thomas Love: III. 443, note
Penguins: II. 119
Perversity: III. 419
“Peter Snook”: III. 321-331
Petrarch: III. 419
Petrified forests: I. 224, note
Philosophical systems: truth of, III. 467
Philosophy: error in, III. 420
Pierpoint, J.: his autograph, IV. 14
Pigeons: extraordinary flocks of, I. 230, note
Pike, Albert: his autograph, IV. 59
Pinakidia: II. 493-507
Pinkney's “Health”: criticised, III. 209
Pit And The Pendulum, The: I. 200-215
Plagiarism: III. 421-425
Plants: curious, I. 228, note
Play, a: scotched, III. 376
Plot: a complex one, II. 425
Plot: the rationale of, described, IV. 326-329
Plutarch: a bull by, III. 477
Poe, Edgar Allan: memoir of, I. ix.-xcix.; his ancestry, ix.-xiii.; birth and education, xiii.-xxii. ; departure for Greece, xxiii. ; alleged residence at St. Petersburg, xxiv. ; publishes Al Aaraaf, etc., xxv.; at West Point Academy, xxv.; publishes enlarged collection of poems, xxvL; obtains prizes for tale and poem, xxviii.; becomes a litterateur, xxxi.; marries Virginia Clemm, xxxv.; publishes collection of tales, xl.; writes The Raven, xlviii.; delivers lectures, li.-lv., lxxiii.; his wife's illness and death, lxii.-lxviii; projects “The Stylus,” lxxi.; introduced to Mrs. Whitman, lxxv.; publishes “Eureka,” lxxix; his death, lxxxiv.
Poems on scientific subjects: III. 475
Poetic licence: III. 426
POETIC PRINCIPLE, THE: III. 197-219
Poetry: III. 427-432
——: the highest order of, IV. 214
——: Lake School of, III. 314-318
POETRY, OLD ENGLISH: IV. 491-495
“Politian,” an unpublished drama: scenes from, III. 36-52
Polytheism: modern, III. 409
Pope, Alexander: III. 432
Popularity: IV. 129-132; 221-227
Portrait-painting: III. 432
PREDICAMENT, A: — A ‘’Blackwood Article,” II. 471-480
PREMATURE BURIAL, THE: I. 236-250
Present existence: future views of it, III. 417
Prohibition of pleasure: III. 433
Prosody, English: principles of III. 228-265
Psalms, the: versions of, III. 498, 506, 507
Pue's Grammar: III. 435
Puffery: in periodicals, IV. 518-524
Pug nose: ungentlemanly, III. 433
Punctuation: importance of, III. 433
Puns: III. 433
Purgatory: III. 470
PURLOINED LETTER, THE: I. 494-513
Pusey: uproar about, III. 470
∞∞∞∞∞∞∞
∞∞∞∞∞∞∞
Racine: taste and finish of, III. 395
RAGGED MOUNTAINS, A TALE OF THE: II. 222-233
Raven, the: III. 1-5 ; see also I. xlviii.
——: the author's account of its composition, III. 268-278
Read, T. B.: poet and painter, III. 438
Reasoning: erroneous, III. 439
Reform: often mere opposition, III. 440
Religion: numbers no criterion of one, III. 440
Re-living the old life: III. 440
Remarkable for nothing: III. 442; IV. 476
Reviewing: dishonest, IV. 203
Reynolds, J. N.: his autograph, IV. 48
Rhetorician's rules: III. 442
“Rhododaphne”: III. 443
Rhyme: III. 443
——: the modern origin of it, III. 231
Right and wrong: III. 445
River —, to the: III. 84
Romance: III. 85
RUE MORGUE, THE MURDERS IN THE: I. 404-441; see also I. xli., III. 455
∞∞∞∞∞∞∞
S ——, to M. L.: III. 89
Sallust: III. 446
Sanderson, John: his autograph, IV. 17
SARGENT, EPES: IV. 463-465
——: his autograph, IV. 56
Satire: IV. 503
Scansion: proposed system of, III. 252
Scheherazade: her last tale, I. 220-235
——: her fate, I. 235
“Schwärmerei”: III. 446
Science, Sonnet to: III. 53
Scotch, broad: III. 446
Secret writing: See Cryptography.
SEDGWICK, CATHERINE M.: IV. 469-474
——: her autograph, IV. 23
——: her notice of Lucretia M. Davidson, IV. 251-255
Seneca: phrase wrongly ascribed to, III. 392
SHADOW — A PARABLE: II. 210-212
Shakspeare: III. 469
Shelley and his imitators: IV. 86, 87
Sigourney, Mrs. L. H.: her autograph, IV. 10
Silence: III. 27
SILENCE — A FABLE: II. 213-216
Similes: piquant facts for, II. 466, 467, 472-475
SIMMS, WILLIAM GILMORE: IV. 299-302
——: his “Damsel of Darien,” III. 447
——: his autograph, IV. 15
Sinbad the Sailor: additions to his history, I. 219-235
Sleeper, the: III. 57
Slidell, Lieut. A.: his autograph, IV. 20
SMITH, ELIZABETH OAKES: IV. 153-164
Smith, Horace: III. 473
Smith, R. Penn: his autograph, IV. 58
SMITH, SEBA: IV. 242-246
——: his autograph, IV. 20
Soaring above nature: III. 448
Solar system: III. 165-170
Song: III. 89
Sonnet — to Science: III. 53
Soul, seat of the: III. 447
Sound and sense principle: III. 448
“Southern Literary Messenger”: Poe's connection with, I. xxxi-xxxv
Southey's “Doctor”: III. 448
Sparks, Jared: his autograph, IV. 28
SPECTACLES, THE: II. 234-260
SPHINX, THE: II. 351-355
Sprague, Charles: his autograph, IV. 52
Stannard, Mrs. H.: her kindness to Poe, I. xviii
Stars: their distances, I. 234 (note); III. 171-175
——: grouping of clusters of, III. 159-163
Statistics: III. 451
Stealing: literary, III. 351
Stedman, Mrs. E. C.: her autograph, IV. 49
“Stella”: See Lewis, Estelle Anna.
STEPHENS, ANN S.: IV. 443
——: her autograph, IV. 50
STEPHENS’S “ARABIA PETRAEA”: IV. 496-514
Stockton, Thos. H.: his autograph, IV. 55
Stone, Col. W. L.: his tautologies hit off, IV. 2
——: his autograph, IV. 28
Story, Judge: his autograph, IV. 47
Stowage of ships: dangers of careless, II. 53
Street, Alfred B.: his poems, III. 451
——: his autograph, IV. 57
Sue's “Mysteries of Paris”: III. 452
SUNDAYS, THREE, IN A WEEK: II. 292-298
Superiority: intellectual, fate of, III. 382
Swedenborgian credulity: III. 456
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Tales: construction of, III. 456
——: the most effective kind of, IV. 215
Tamerlane: III. 77-83
TARR, DOCTOR, AND PROFESSOR FETHER, THE SYSTEM OF: II. 419-438
TAYLOR, BAYARD: IV. 233-235
TELL-TALE HEART, THE: I. 297-302
Temperance reformation: III. 472, 473
Tennyson characterised: I. lxxxiii; III. 216, 456, 473; IV. 257
Tickell: III. 458
Title, suggested: III. 458
THINGUM BOB, ESQ., THE LITERARY LIFE OF: II. 439-459
Thinking before writing: III. 458
Thomas, F. W.: his autograph, IV. 25
Thomson, C. W.: his autograph, IV. 36
THOU ART THE MAN: II. 335-350
THOUSAND-AND-SECOND TALE OF SCHEHERAZADE, THE: I. 21
To —— —— : III. 24
To —— : III. 35
To —— : III. 34
Translation: mistakes in, III. 453-455, 478
Travels and travelling: III. 459, 460
Treasure: discovery of, I. 20
Tristan d’Acunha, islands of: II. 123
Trivial details: III. 460
Tucker, Beverly: his “George Balcombe,” III. 460, 461
——: his autograph, IV. 16
Tuckerman, H. T.: his autograph, IV. 30
Typographic accuracy: III. 364
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Ulalume: III. 10-12; see also I. lxix
“Undine”: III. 461
United States: name (“Appalachia”) suggested for, III. 350
——: motto of, III. 463
Unity: the fundamental principle of the universe, III. 109-137
Universe, the Material and Spiritual: an essay on, III. 91-195
USED UP, THE MAN THAT WAS: II. 549-559
USHER, THE FALL OF THE HOUSE OF: I. 179-199; see also I. xl., III. 478
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VALDEMAR, M., FACTS IN THE CASE OF: I. 127-137; see also III. 406
Valentine, a: III. 23
Valley of Unrest, the: III. 56
Vengeance: doing justice for injustice, III. 463
Verse: classical, barbarian imitation of, III. 390
VERSE, THE RATIONALE OF: III. 219-265, 429
VON KEMPELEN AND HIS DISCOVERY: I. 108-115
“Vox populi”: III. 463
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WALLACE, WILLIAM: IV. 266-267
WALSH, ROBERT: IV. 239-242
——: his autograph, IV. 11
WARD, THOMAS (Flaccus): IV.184-193
Ware, Prof. H.: his autograph, IV. 55
Webbe, Cornelius: his “Man about Town,” III. 464
“Weeping”: application of the term to the willow, III. 372
WELBY, AMELIA: IV. 228-232
Weld, H. H.: his autograph, IV. 39
Wetmore, Prosper M.: his autograph, IV. 54
Whipple, Edwin P.: his criticisms, IV. 374, 379
White: aversion to the colour, II. 167, 182, 187
Whitman, Mrs. Sarah Helen: her statements regarding Poe, I. xlviii., sqq.
Whittier, J. G.: his autograph, IV. 49
Wild, R. H.: his autograph, IV. 43
Wilkinson, Mrs.: her “Letters,” III. 464
WILLIAM WILSON: I. 333-354; see also I. xiv., IV. 220
WILLIS, N. P.: IV. 412-419
——: his testimony in Poe's favour, I. xlvi.-xlix.
——: his autograph, IV. 12
——: his “Tortesa the Usurer” criticised, IV. 321-334
Wilmer, L. A.: his autograph, IV. 37
——: his “Quacks of Helicon,” IV. 515-525
Wilson, Prof. John: III. 353, 465
Wirt's “British Spy”: III. 466
Wit: the greatest work of one, III. 466
Wither's “Shepherd's Hunting”: IV. 493
Words: murderous things, III. 395
WORDS, THE POWER OF: II. 189-193
Wordsworth: III. 315
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THE END.
Printed by R. & R. Clark, Edinburgh.
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Notes:
None.
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[S:0 - JHI, 1874] - Edgar Allan Poe Society of Baltimore - A Poe Bookshelf - Index (J. H. Ingram, 1874)