Text-02a — “Tamerlane” — 1827 — (Speculated faircopy
manuscript Poe prepared for the purpose of publication. This manuscript does not appear to have survived, but
this version is presumably recorded in Text-02)
Text-02b — “Tamerlane” —
1827 — TAOP — (Mabbott text A — This is Mabbott's copy-text for this
version) (a number of copies of TAOP were apparently sent out for review, probably by Poe himself. With
the expressed purpose of impressing reviewers, it is safe to assume that none of these copies bore any special
marking or corrections.)
Text-03a — “Tamerlane” —
about 1828 — fragmentary “Wilmer” manuscript — (Mabbott text B) (This is
Mabbott's copy-text for selected stanzas of this version) (The date is assigned based in part on its
presence among the Wilmer manuscript collection, and also based on the text it contains. This text is a
transitional form, bearing considerably more similarlity to the text in TAOP than that in ATMP.
A number of changes represented by the manuscript are reflected in the text of ATMP, including the
addition of a full line in stanza 17.)
Text-03b — “Tamerlane” — 1829 — (speculated revised
manuscript made in preparation of ATMP. The changes present in Text-03d are too significant to have
been made in the typesetting process or in evaluating proof-sheets. Indeed, the changes are so signfificant
that multiple drafts are possible. Having had the poems set in type for the book, Poe appears to have sent the
manuscripts for “Al Aaraaf,” “Tamerlane,” “To” (“Should my early
life seem”) and “Fairyland” to John Neal, who printed exerpts. Neal may have returned the
manuscripts as portions of “To” and the earlier version of “Tamerlane” were retained
by L. A. Wilmer. Poe subsequently sent the manuscript of “Fairland” to N. P. Willis of the
American Monthly, who says, with some relish, that he burned them. It is possible that this form of
the manuscript of “Tamerlane,” met the same fate, as it does not appear that it was among the
manuscript collection in Wilmer's possession. Alternatively, Wilmer or his descendants may have had the
manuscript but gave it away as an autograph, as appears to have happened with a few of the shorter poems.
Unfortunately, if it did survive, there is no subsequent record of this “Tamerlane” manuscript.
Being lost, it must be presumed that the text is reflected in Text-03d. The manuscript has, or possibly
manuscripts have, never been described, but based on the other suviving pages of the Wilmer collection,
including a few pages of the earlier draft of “Tamerlane,” it was, or they were, written on
off-white sheets of paper, using dark brown ink and a careful script. The length of the poem indicates that it
would have been written across a series of separate pages, with odd pages numbered in the upper right corner
and even ones in the upper left corner. At this point, Poe had not yet adopted the style of printing in
imitation of type, nor the practice of connecting pages by using wax to form a roll.)
Text-03c — “Tamerlane” — late 1829 — (speculated
manuscript changes made by Poe to the proof-sheets during the typesetting process for ATMP. The excerpts printed by John Neal in 1829 appear to be from the revised manuscript of
Text-03b. Other differences between the text printed by Neal and that printed in ATMP strongly suggest
that Poe continued to make some changes during the process of typesetting and proofing. These proof-pages have
not themselves survived, but the texts are presumably reflected in Text-03b.)
Text-04a — “Tamerlane” — about 1830-1831 — (speculated
revision of the poem, in preparation for the publication of POEMS. As a very long poem, it does not
seem that Poe wrote out a fully new manuscript. Instead, it is likely that he created a revised draft by
combining existing pages from the poem as it was printed in ATMP with additional bits of manuscript for
substantially new material, particularly at the beginning. This draft, as well as preparations for other poems
that appeared in the new edition, probably resulted in Poe using up his own copy of ATMP. The nature of
the changes suggest that Poe must have used printed text of two copies, for the text on the front and back of
some pages. This draft has not survived, but is presumably recorded in Text-04b. Additional minor changes may
have been made in proof. during the production of POEMS.)
Text-04b — “Tamerlane” —
1831 — POEMS — (Mabbott text F — This is Mabbott's copy-text for this
version) (with substantial revisions, which were essentially abandoned in the subsequent printing.)
Text-05a — “Tamerlane” —
1845 — minor manuscript revisions in ATMP-EH prepared for RAOP — (Mabbott
text G, although he does not actually give the variant, which is indistinct, possibly an error, and was
not used in RAOP)
Text-05b — “Tamerlane” — about September-November 1845 —
(Speculated manuscript changes made by Poe to the proof-sheets during the typesetting process for RAOP.
Although we have no specific statement that Poe saw such proof-sheets, the idea seems eminently likely as the
book was prepared and printed in New York while Poe was still working at the Broadway Journal. He would
certainly have availed himself of the opportunity to do so, and because he could do everything in person there
was no need for correspondence that would have provided us with the certain documentation of the fact. Most of
the changes are in punctuation, but there are several verbal changes, including one fully new line in stanza
6. The few changes made in ATMP-EH do not appear in the 1845 printing, with the original text of 1829
being used instead and the numbering of stanzas being retained. These proof-pages have not themselves
survived, but the texts are presumably reflected in Text-05c.)
Text-05c — “Tamerlane” —
1845 — RAOP — (Mabbott text H — This is Mabbott's copy-text for this
version) (Poe made no changes to this poem in the J. Lorimer Graham copy of RAOP-JLG, suggesting that
he was either happy with that text as a final form or, perhaps more likely, that he saw no chance of
republishing such a long poem, and one that had garnered so little attention. For Griswold's 1850 reprinting of this text, see the entry below, under reprints.)
Manuscripts and Authorized Printings (excerpts):
“Tamerlane” — December 1829 — Yankee (excerpts only) — (Mabbott
text E) (the overlap of four lines between this printed text and the suviving fragmentary manuscript of
Text-03a shows at least one notable change that is present in the final printed version, and therefore presumably
represents the revised manuscript of Text-03b. The change is “Gurgled within ...” rather than “Gurgled in...” and the omission of
“pleas”” in the same line, in the fourth stanza printed by Neal.)
“[Tamerlane]” —
about May 1830 — unidentified Baltimore newspaper (reprint of a short excerpt, of a few lines from the
end of the poem, from ATMP in a short review)
Reprints:
“Tamerlane” — 1850 —
WORKS — (Mabbott text J) (Griswold merely reprints the text from the stereoplates of Text-5c.)
“Tamerlane” — 1875
— The Works of Edgar Allan Poe, vol 3: Poems and Essays, ed. J. H. Ingram, Edinburgh, Adam and
Charles Black (3:77-83)
“Tamerlane” — June 1876 — John H. Ingram, “The Unknown Poetry of
Edgar Poe,” Belgravia: A London Illustrated Magazine (London, UK) (29:504-509) (reprinted from the
recently discovered copy of TAOP from the British Museum, and thus the first reprint portions of this early
version of the poem since 1827) (Ingram's text makes what appear to be editorial adjustments, but does not
sustain R. H. Shepherd's charge that Ingram's printed text is “shown to be valueless on account of
its inaccuracies.”)
“Tamerlane” — June 8, 1876 — John H. Ingram, “Poe's
Suppressed Poetry,” New York Graphic, pp. 804-805 (reprinted from Belgravia for June 1876)
“Tamerlane” — June 21, 1876 — John H. Ingram, “Unknown Poetry of
Poe,” Home Journal (New York, NY) (reprinted from Belgravia for June 1876)
“Tamerlane” — 1884 — Tamerlane and Other Poems, ed. Richard
Herne Shepherd, London: George Redway (pp. 21-38 and pp. 59-62) (Having long been thought lost, a copy of
the original Tamerlane and Other Poems of 1827 was discovered in the British Museum and printed in this
“second edition.”)
Scholarly and Noteworthy Reprints:
“Tamerlane” — 1894-1895
— The Works of Edgar Allan Poe, vol. 10: Poems, ed. E. C. Stedman and G. E. Woodberry, Chicago: Stone
and Kimball (10:97-105, and pp. 196-216)
“Tamerlane” — 1902
— The Complete Works of Edgar Allan Poe, vol. 7: Poems, ed. J. A. Harrison, New York: T. Y. Crowell
(10:1-9, and 10:127-146)
“Tamerlane” — 1911
— The Complete Poems of Edgar Allan Poe, ed. J. H. Whitty, Boston and New York: Houghton Mifflin Co.
(pp. 89-97, and pp. 247-265)
“Tamerlane” — 1917
— The Poems of Edgar Allan Poe, ed. Killis Campbell, Boston: Ginn and Company (pp. 1-21, and p.
147-156)
“Tamerlane” — 1965 — The Poems of Edgar Allan Poe, ed. Floyd
Stovall, Charlottesville: The University Press of Virginia (pp. 3-11, and pp. 155-176) (In his notes,
Stovall reprints the full text of the 1827 version of the poem)
“Tamerlane” — 1969
— The Collected Works of Edgar Allan Poe, vol. 1: Poems, ed. T. O. Mabbott, Cambridge: Belknap Press
of Harvard University Press (1:22-64) (Mabbott gives several versions of the poem)
“Tamerlane” — 1984 — Edgar Allan Poe: Poetry and Tales, ed.
Patrick F. Quinn (New York: Library of America) (pp. 24-30) (reprints Text-08)
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Comparative and Study Texts:
Instream Comparative and Study Texts:
“Tamerlane” — Comparative
Text (TAOP and Wilmer-MS) (only for portions reflected in both texts)
“Tamerlane” — Comparative
Text (TAOP, Wilmer-MS, and ATMP)
“Tamerlane” — Comparative
Text (ATMP, ATMP-EH and RAOP)
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Associated Material and Special Versions:
Miscellaneous Texts and Related Items:
“Tamerlan” — dated 2009, but available in late 2008 — Poèmes
d‘Edgar Allan Poe, Paris: Publibook (translation by Jean Hautepierre)
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Bibliography:
Anonymous, “J. P. Morgan buys Rare Manuscripts; Gets Wakeman Collection of Poe, Thoreau,
Lowell, Longfellow, Whittier, and Bryant,” New York Times, October 27, 1909
Mabbott, Thomas Ollive, ed., The Collected Works of Edgar Allan Poe (Vol 1
Poems), Cambridge, Mass.: The Belknap Press of Harvard University Press, 1969.
Shockley, M. S., “Timour the Tartar and Poe's
‘Tamerlane’,” Publications of the Modern Language Association, December 1941,
56:1103-1106
Routh, James, “Notes on the Sources of Poe's Poetry: Coleridge, Keats,
Shelley,” Modern Language Notes, March 1914, 29:72-75
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[S:0 - JAS] - Edgar Allan Poe Society of Baltimore - Works - Poems - Tamerlane