∞∞∞∞∞∞∞
| TEXT | V | PAGE | LINE | POEM | ||||
| CANOPIES ( 1 1) | ||||||||
| Rich clouds, for canopies, about her curled — | 1 | 100 | 36 | ALAAR | ||||
| CANOPY ( 3 2) | ||||||||
| “And wave this crimson canopy, | 1 | 184 | 35 | IRENE1 | ||||
| “And wave the crimson canopy, | 1 | 184 | 35C | IRENE1 | ||||
| And wave the curtain canopy | 1 | 187 | 24 | IRENE2 | ||||
| CAN’ST ( 3 2) | ||||||||
| Thou can'st not — would'st not dare to think | 1 | 30 | 103 | TAMA | ||||
| — But its thought thou can'st not banish. | 1 | 71 | 22 | SPIRA | ||||
| Now are thoughts thou can'st not banish — | 1 | 72 | 19B | SPIRD | ||||
| CANST ( 2 2) | ||||||||
| Fair mirror and true! now tell me (for thou canst) | 1 | 262 | 61 | POLI | ||||
| Sitteth in Heaven. — Hist! hist! thou canst not say | 1 | 269 | 50 | POLI | ||||
| CAN’T ( 15 14) | ||||||||
| Whose forms we can’t discover | 1 | 140 | 3 | FAIRY1 | ||||
| Whose forms we can’t discover | 1 | 162 | 43 | FAIRY2 | ||||
| Spite of myself. One can’t be angry with him | 1 | 255 | 65 | POLI | ||||
| UGO. No, Sir, you can’t have any. | 1 | 256 | 95 | POLI | ||||
| UGO. I can’t. | 1 | 256 | 105 | POLI | ||||
| CASTIGLIONE. You can’t! you villain? | 1 | 256 | 106 | POLI | ||||
| ’S a monstrous tub of ashes — I can’t lift it. | 1 | 256 | 109 | POLI | ||||
| A tub of ashes! too bad! I can’t be angry | 1 | 257 | 112 | POLI | ||||
| Ha! ha! ha! ha! I ,can’t, be angry with him! | 1 | 257 | 122 | POLI | ||||
| JACINTA. I can’t believe | 1 | 262 | 39 | POLI | ||||
| Ten yards — I can’t forget it now — ten yards — | 1 | 277 | 54 | POLI | ||||
| Ten yards — I can’t forget it now — ten yards of velvet | 1 | 277 | 54A2x | POLI | ||||
| You can’t perceive I’m dead! | 1 | 283 | 59 | POLI | ||||
| I can’t perceive you’re dead? soho! I see! | 1 | 283 | 60 | POLI | ||||
| UGO. Get up? I can’t — Sir, I’ve been dead an hour | 1 | 284 | 107 | POLI | ||||
| CAPACITY ( 1 1) | ||||||||
| How fathomless a capacity for love! | 1 | 446 | 47 | TOHEL | ||||
| CAPO ( 1 1) | ||||||||
| On the fair Capo Deucato, and sprang | 1 | 101 | 44 | ALAAR | ||||
| CAPRICES ( 1 1) | ||||||||
| Of his caprices and his merry freaks | 1 | 266 | 34 | POLI | ||||
| CAPRICIOUSLY ( 1 1) | ||||||||
| Or, capriciously still, | 1 | 109 | 106 | ALAAR | ||||
| CAPTIVE’S ( 4 4) | ||||||||
| Of empires, with the captive's prayer, | 1 | 28 | 67 | TAMA | ||||
| Of empires, with the captive's prayer | 1 | 40 | 67 | TAMB | ||||
| Of empires, with the captive's prayer, | 1 | 47 | 66 | TAMF | ||||
| Of empires — with the captive's prayer — | 1 | 55 | 62 | TAMH | ||||
| CAR ( 2 1) | ||||||||
| Hast thou not dragged Diana from her car? | 1 | 91 | 9 | SCI | ||||
| Hast thou not dragg’d Diana from her car? | 1 | 91 | 9A-E | SCI | ||||
| CARCASES ( 1 0) | ||||||||
| But are pestilential carcases | 1 | 437 | 88A-D | BELLSEG | ||||
| CARDINAL ( 1 1) | ||||||||
| When you become a cardinal: meantime | 1 | 255 | 61 | POLI | ||||
| CARDS ( 1 1) | ||||||||
| Masks, a lute, a lady's slipper, cards | 1 | 248 | 3d | POLI | ||||
| CARE ( 7 7) | ||||||||
| The child of Nature, without care, | 1 | 29 | 76 | TAMA | ||||
| The child of Nature, without care, | 1 | 40 | 76 | TAMB | ||||
| I care not tho’ it perish | 1 | 75 | 19 | IMIT | ||||
| Fair flowers, and fairy! to whose care is given | 1 | 102 | 80 | ALAAR | ||||
| O! I care not that my earthly lot | 1 | 136 | 1 | TOMB | ||||
| Fly thither with me? There Care shall be forgotten, | 1 | 274 | 76 | POLI | ||||
| What care I how time advances? | 1 | 450 | 7 | ALE | ||||
| CAREER ( 2 2) | ||||||||
| Of peril in my wild career; | 1 | 34 | 242 | TAMA | ||||
| Of peril in my wild career — | 1 | 44 | 242 | TAMB | ||||
| CARELESS ( 3 1) | ||||||||
| most humble and careless curl — | 1 | 349 | 12Y | EULA | ||||
| most humble and careless curl. | 1 | 349 | 13 | EULA | ||||
| most vagrant and careless curl. | 1 | 349 | 13Y | EULA | ||||
| CARELESSLY ( 5 5) | ||||||||
| I read (perhaps too carelessly) | 1 | 34 | 228 | TAMA | ||||
| I read, perhaps too carelessly, | 1 | 43 | 228 | TAMB | ||||
| I read — perhaps too carelessly — | 1 | 50 | 161 | TAMF | ||||
| I read, perhaps too carelessly — | 1 | 58 | 149 | TAMH | ||||
| JACINTA (a servant maid) leans carelessly upon, a chair. | 1 | 260 | 7d | POLI | ||||
| CARES ( 13 8) | ||||||||
| Last night, with many cares and toils oppress’d, | 1 | 6 | 1 | POET | ||||
| As though he’d say, “Why who the devil cares?” | 1 | 10 | 18 | TEMP | ||||
| From all our little cares apart, | 1 | 30 | 128 | TAMA | ||||
| When from our little cares apart, | 1 | 49 | 131 | TAMF | ||||
| When, from our little cares apart, | 1 | 57 | 104 | TAMH | ||||
| I have no time for idle cares | 1 | 128 | 14 | ROMG | ||||
| I hardly have had time for cares | 1 | 128 | 14ABJ | ROMG | ||||
| I had no time for idle cares, | 1 | 128 | 14C | ROMG | ||||
| I scarcely have had time for cares | 1 | 128 | 14D | ROMG | ||||
| I had no time for idle cares, | 1 | 157 | 38 | INTRO | ||||
| Mary, amid the cares — the woes | 1 | 236 | 1A | TOF | ||||
| For 'mid the earnest cares and woes | 1 | 236 | 14.IBC | TOF | ||||
| Enduring joys and fleeting cares, | 1 | 385 | 6 | FSO | ||||
| CARESSED ( 1 1) | ||||||||
| She fondly caressed, | 1 | 458 | 74 | ANNIE | ||||
| CARESSES ( 1 1) | ||||||||
| And true love caresses — | 1 | 109 | 96 | ALAAR | ||||
| CARRIAGE ( 1 1) | ||||||||
| To a becoming carriage — much thou wantest | 1 | 258 | 28 | POLI | ||||
| CARRIERS ( 1 1) | ||||||||
| To be carriers of fire | 1 | 103 | 94 | ALAAR | ||||
| CARTEL ( 1 1) | ||||||||
| He doth decline your cartel. | 1 | 279 | 13 | POLI | ||||
| CARVING ( 1 1) | ||||||||
| On th’ Arabesque carving of a gilded hall | 1 | 113 | 204 | ALAAR | ||||
| CAS ( 1 1) | ||||||||
| Why, Cas! I’ve got a string of beads at home | 1 | 253 | 11 | POLI | ||||
| CASE ( 1 1) | ||||||||
| Your case with due exactitude. Perhaps | 1 | 284 | 81 | POLI | ||||
| CASEMENT ( 4 1) | ||||||||
| With casement open to the skies, | 1 | 184 | 23 | IRENE1 | ||||
| Her casement open to the skies! | 1 | 184 | 24C | IRENE1 | ||||
| With casement open to the skies | 1 | 187 | 16.1DE | IRENE2 | ||||
| (Her casement open to the skies) | 1 | 187 | 16.2FGH | IRENE2 | ||||
| CASH ( 1 1) | ||||||||
| Keeps your cash in your hands, | 1 | 378 | 6 | WALL | ||||
| CAST ( 2 2) | ||||||||
| To him whose eyes are cast | 1 | 79 | 6 | ADRE | ||||
| By the comets who were cast | 1 | 103 | 91 | ALAAR | ||||
| CASTIGLIONE ( 30 28) | ||||||||
| RUPERT You think the Count Castiglione altered — | 1 | 249 | 30 | POLI | ||||
| Tomorrow week Castiglione weds | 1 | 250 | 57 | POLI | ||||
| At all events the Count Castiglione | 1 | 251 | 81 | POLI | ||||
| CASTIGLIONE (in dishabille)/ and SAN OZZO. | 1 | 252 | 32/33d | POLI | ||||
| JACINTH. The count Castiglione, your sweet master | 1 | 252 | 118 | POLI | ||||
| I shall die, Castiglione, I shall die! | 1 | 253 | 3 | POLI | ||||
| Castiglione but some peasant hind | 1 | 254 | 49 | POLI | ||||
| Castiglione wed him with a wanton! | 1 | 255 | 69 | POLI | ||||
| A man, Castiglione, be a man! | 1 | 255 | 83 | POLI | ||||
| ALESSANDRA. Thou art sad, Castiglione. | 1 | 257 | 1 | POLI | ||||
| ROME. — A Hall in a Palace. ALESSANDRA and CASTIGLIONE. | 1 | 257 | 16d | POLI | ||||
| Late hours and wine, — Castiglione, — these | 1 | 258 | 13 | POLI | ||||
| I’ the pouts? Kiss her, Castiglione! kiss her, | 1 | 259 | 39 | POLI | ||||
| In the pouts? Kiss her, Castiglione! kiss her, | 1 | 259 | 39A | POLI | ||||
| In the pouts? Kiss her, Castiglione, you dog! | 1 | 259 | 39Ax | POLI | ||||
| For he's sure the Count Castiglione never | 1 | 262 | 52 | POLI | ||||
| Castiglione lied who said he loved — | 1 | 263 | 72 | POLI | ||||
| DI BROGLIO and/ CASTIGLIONE.] | 1 | 264 | 22/23d | POLI | ||||
| DUKE. Look you, Castiglione, be so kind | 1 | 265 | 11 | POLI | ||||
| Castiglione! call your cousin hither | 1 | 266 | 56 | POLI | ||||
| Now this is very strange! Castiglione! | 1 | 267 | 74 | POLI | ||||
| As the betrothed of Castiglione, | 1 | 270 | 68 | POLI | ||||
| Castiglione lives! | 1 | 275 | 87 | POLI | ||||
| Castiglione die? Who spoke the words? | 1 | 275 | 89 | POLI | ||||
| “And tell the Count Castiglione I want him.” | 1 | 278 | 64 | POLI | ||||
| BALDAZZAR. That he, Castiglione, not being aware | 1 | 279 | 19 | POLI | ||||
| (Enter CASTIGLIONE.) | 1 | 280 | 27d | POLI | ||||
| The Count Castiglione will not fight, | 1 | 280 | 29 | POLI | ||||
| To me, Castiglione; the bearer being | 1 | 281 | 52 | POLI | ||||
| Farewell Castiglione and farewell | 1 | 287 | 63 | POLI | ||||
| CASTIGLIONE’S ( 2 2) | ||||||||
| She murmured forth Castiglione's name | 1 | 250 | 53 | POLI | ||||
| Castiglione's dressing-room. | 1 | 252 | 32d | POLI | ||||
| CATARACT ( 1 0) | ||||||||
| Above yon cataract of Serangs. | 1 | 183 | 21BC | IRENE1 | ||||
| CATCH ( 3 2) | ||||||||
| Should catch the note | 1 | 336 | 52 | LENA | ||||
| Should catch the note as it doth float | 1 | 337 | 23C-GL | LENK | ||||
| Should catch the note as it doth float | 1 | 337 | 24 | LENK | ||||
| CAT’S ( 1 1) | ||||||||
| Because to his cat's eyes I hold a glass | 1 | 12 | 87 | TEMP | ||||
| CAUGHT ( 2 2) | ||||||||
| Into the sunlit ether, caught the ray | 1 | 106 | 8 | ALAAR | ||||
| Caught from some unhappy master | 1 | 367 | 63 | RAVEN | ||||
| CAUSE ( 9 9) | ||||||||
| The cause — but none are near to pry | 1 | 71 | 3 | SPIRA | ||||
| To adopt the cause for better or worse | 1 | 147 | 2 | LEA | ||||
| To give thee cause for grief, my honoured friend. | 1 | 268 | 8 | POLI | ||||
| Than in thy cause to scoff at this same glory | 1 | 273 | 40 | POLI | ||||
| BALDAZZAR. That knowing no cause of quarrel or of feud | 1 | 279 | 11 | POLI | ||||
| Of any feud existing, or any cause | 1 | 279 | 20 | POLI | ||||
| Having no cause for quarrel. | 1 | 280 | 30 | POLI | ||||
| He should have cause for quarrel. | 1 | 280 | 37 | POLI | ||||
| It is — it is — most true. In such a cause | 1 | 282 | 72 | POLI | ||||
| CAVERN ( 1 1) | ||||||||
| From a cavern not very far | 1 | 457 | 43 | ANNIE | ||||
| CAVERNOUS ( 1 1) | ||||||||
| Aghast, the echoes from their cavernous lairs | 1 | 378 | 4 | LINES | ||||
| CAVES ( 1 1) | ||||||||
| And chasms, and caves, and Titan woods, | 1 | 344 | 10 | ROUTE | ||||
| CEAS’D ( 5 3) | ||||||||
| The storm had ceas’d — and I awoke — | 1 | 29 | 70 | TAMA | ||||
| The storm had ceas’d & I awoke — | 1 | 40 | 70 | TAMB | ||||
| She ceas’d — and buried then her burning cheek | 1 | 104 | 118 | ALAAR | ||||
| Methought, Ianthe, then I ceas’d to soar | 1 | 114 | 237A | ALAAR | ||||
| Methought, my sweet one, then I ceas’d to soar | 1 | 114 | 237CE | ALAAR | ||||
| CEASE ( 1 1) | ||||||||
| Still form a synonym for Truth. — Cease trying! | 1 | 390 | 19 | VALG | ||||
| CEASED ( 4 3) | ||||||||
| I mean the reign of manners hath long ceased, | 1 | 9 | 3 | TEMP | ||||
| Methought, my sweet one, then I ceased to soar | 1 | 114 | 237 | ALAAR | ||||
| Have ceased, with the fever | 1 | 457 | 21AB | ANNIE | ||||
| Have ceased, with the fever | 1 | 457 | 27 | ANNIE | ||||
| CEASING ( 1 1) | ||||||||
| Ceasing their hymns, attend the spell | 1 | 175 | 6 | ISRG | ||||
| CEDARS ( 1 0) | ||||||||
| And million cedars to and fro, | 1 | 183 | 18BC | IRENE1 | ||||
| CELESTIAL ( 1 1) | ||||||||
| Upon those crystalline, celestial spheres! | 1 | 446 | 43 | TOHEL | ||||
| CELLS ( 2 2) | ||||||||
| From the silver tinkling cells | 1 | 434 | 5 | BELLSC | ||||
| Oh, from out the sounding cells | 1 | 436 | 25 | BELLSEG | ||||
| CENSER ( 1 1) | ||||||||
| perfumed from an unseen censer | 1 | 368 | 79 | RAVEN | ||||
| CENTRE ( 4 3) | ||||||||
| Within the centre of that hall to breathe | 1 | 108 | 56 | ALAAR | ||||
| Within the centre of this hall to breathe | 1 | 108 | 56F | ALAAR | ||||
| With its centre on the crown | 1 | 140 | 16 | FAIRY1 | ||||
| With its centre on the crown | 1 | 162 | 52 | FAIRY2 | ||||
| CENTURIES ( 2 2) | ||||||||
| By buried centuries of pomp and power! | 1 | 228 | 3 | COLIS | ||||
| By buried centuries of pomp and power! | 1 | 286 | 4 | POLI | ||||
| CENTURY ( 1 1) | ||||||||
| Scene — Rome in the (16th] century. | 1 | 247 | 1d | POLI | ||||
| CERTAIN ( 1 1) | ||||||||
| And at the best I’m certain, Madam, you cannot | 1 | 262 | 54 | POLI | ||||
| CERTAINLY ( 2 2) | ||||||||
| You certainly see double. Here's a cross | 1 | 251 | 103 | POLI | ||||
| Is certainly gone mad! | 1 | 252 | 116 | POLI | ||||
| CHAIN ( 2 1) | ||||||||
| A chain, by linked light from Heaven let down, | 1 | 106 | 20N* | ALAAR | ||||
| And rays from God shot down that meteor chain | 1 | 106 | 24 | ALAAR | ||||
| CHAIN’D ( 5 4) | ||||||||
| Ambition is elain’d down — nor fed | 1 | 34 | 252 | TAMA | ||||
| Lion Ambition is chain’d down, | 1 | 44 | 252 | TAMB | ||||
| Lion ambition is chain’d down, | 1 | 50 | 172 | TAMF | ||||
| Lion ambition is chain’d down — | 1 | 58 | 160 | TAMH | ||||
| Was all on Earth my chain’d sight | 1 | 66 | 7A | SONG | ||||
| CHAINS ( 4 4) | ||||||||
| Which hangs like chains of pearls on Hermon hill.” | 1 | 261 | 34 | POLI | ||||
| But hug the glorious chains I wore. | 1 | 384 | 4 | KING | ||||
| That hangs like chains of pearl on Hermon hill” | 1 | 406 | 10 | MARA | ||||
| That hangs like chains of pearl on Hermon hill” — | 1 | 407 | 10 | MARB | ||||
| CHAIR ( 2 2) | ||||||||
| JACINTA (a servant maid) leans carelessly upon a chair. | 1 | 260 | 7d | POLI | ||||
| (JACINTA seats herself... upon the chair, | 1 | 260 | 14d | POLI | ||||
| CHALDEE ( 3 2) | ||||||||
| O charms more potent than the rapt Chaldee | 1 | 228 | 15 | COLIS | ||||
| O spells more potent than the rapt Chaldee | 1 | 228 | 15B | COLIS | ||||
| O spells more potent than the rapt Chaldee | 1 | 286 | 19 | POLI | ||||
| CHALLENGE ( 2 2) | ||||||||
| Cannot accept the challenge. | 1 | 279 | 22 | POLI | ||||
| Virtues that challenge envy's praise, | 1 | 386 | 7 | FSO | ||||
| CHAMBER ( 21 17) | ||||||||
| That chamber chang’d for one more holy — | 1 | 185 | 65 | IRENE1 | ||||
| That chamber changed for one more holy — | 1 | 185 | 658 | IRENE1 | ||||
| Flit through thy chamber in and out, | 1 | 187 | 23 | IRENE2 | ||||
| This chamber changed for one more holy, | 1 | 188 | 40 | IRENE2 | ||||
| This chamber chang’d for one more holy, | 1 | 188 | 40F | IRENE2 | ||||
| Continually in her chamber with clasped hands | 1 | 249 | 48 | POLI | ||||
| Of her chamber-window sobbing upon her knees | 1 | 250 | 51 | POLI | ||||
| rapping at my chamber door — | 1 | 364 | 4 | RAVEN | ||||
| tapping, at my chamber door — | 1 | 364 | 4G | RAVEN | ||||
| “tapping at my chamber door — | 1 | 365 | 5 | RAVEN | ||||
| entrance at my chamber door — | 1 | 365 | 16 | RAVEN | ||||
| entrance at my chamber door; — | 1 | 365 | 17 | RAVEN | ||||
| tapping at my chamber door, | 1 | 365 | 22 | RAVEN | ||||
| Back into the chamber turning, | 1 | 366 | 31 | RAVEN | ||||
| Then into the chamber turning, | 1 | 366 | 31ABCEFHLP | RAVEN | ||||
| perched above my chamber door — | 1 | 366 | 40 | RAVEN | ||||
| just above my chamber door — | 1 | 366 | 41 | RAVEN | ||||
| bird above his chamber door — | 1 | 367 | 52 | RAVEN | ||||
| bust above his chamber door, | 1 | 367 | 53 | RAVEN | ||||
| just above my chamber door; | 1 | 369 | 104 | RAVEN | ||||
| Through the chamber of my brain — | 1 | 450 | 4 | ALE | ||||
| CHAMBERS ( 2 1) | ||||||||
| Through the grey chambers to my song, | 1 | 206 | 28.3A | PAEAN | ||||
| His lordship's chambers — show his lordship to them! | 1 | 267 | 66 | POLI | ||||
| CHAMBER-WINDOW ( 1 1) | ||||||||
| Of her chamber-window sobbing upon her knees | 1 | 250 | 51 | POLI | ||||
| CHAMOIS ( 1 1) | ||||||||
| With chamois, I would seize his den | 1 | 28 | 43 | TAMA | ||||
| CHANCE ( 2 2) | ||||||||
| Because divided it may chance be shaken) | 1 | 10 | 46 | TEMP | ||||
| It was my choice or chance or curse | 1 | 147 | 1 | LEA | ||||
| CHANG’D ( 2 1) | ||||||||
| That chamber chang’d for one more holy — | 1 | 185 | 65 | IRENE1 | ||||
| This chamber chang’d for one more holy, | 1 | 188 | 40F | IRENE2 | ||||
| CHANGE ( 3 3) | ||||||||
| Will change me, and as politicians do | 1 | 10 | 39 | TEMP | ||||
| And of so gentle blood? Here is a change | 1 | 249 | 25 | POLI | ||||
| The lady Alessandra. I made a change | 1 | 276 | 25 | POLI | ||||
| CHANGED ( 5 3) | ||||||||
| That chamber changed for one more holy — | 1 | 185 | 65B | IRENE1 | ||||
| This chamber changed for one more holy, | 1 | 188 | 40 | IRENE2 | ||||
| This bed being changed for one more holy, | 1 | 188 | 40DE | IRENE2 | ||||
| The sands of Time are changed to golden grains, | 1 | 269 | 41 | POLI | ||||
| but/ his purpose is changed before reaching him. | 1 | 281 | 29/30d | POLI | ||||
| CHANGING ( 3 3) | ||||||||
| That you are changing sadly your dominion — | 1 | 9 | 2 | TEMP | ||||
| Forever changing places — | 1 | 140 | 8 | FAIRY1 | ||||
| Forever changing places! | 1 | 162 | 48 | FAIRY2 | ||||
| CHAOS ( 2 2) | ||||||||
| A chaos of deep passion from his birth! | 1 | 68 | 8 | DREA | ||||
| I left so late was into chaos hurl’d — | 1 | 114 | 234 | ALAAR | ||||
| CHARACTER ( 1 1) | ||||||||
| You were wrong — it being not the character | 1 | 265 | 21 | POLI | ||||
| CHARM ( 3 2) | ||||||||
| Shall charm thee — as a token, | 1 | 72 | 26 | SPIRA | ||||
| The smile of love — soft friendship's charm — | 1 | 81 | 12.1B | HAPP | ||||
| Bore burthen to the charm the maiden sang: | 1 | 108 | 67 | ALAAR | ||||
| CHARMION ( 1 1) | ||||||||
| With gentle names — Eiros and Charmion! | 1 | 261 | 26 | POLI | ||||
| CHARMS ( 3 3) | ||||||||
| Think that he deem’d thy charms divine; | 1 | 226 | 16 | FANNY | ||||
| O charms more potent than the rapt Chaldee | 1 | 228 | 15 | COLIS | ||||
| Transforming all! Thy charms shall please no more — | 1 | 311 | 10 | ZANTE | ||||
| CHART ( 1 1) | ||||||||
| Unrolling as a chart unto my view — | 1 | 113 | 223 | ALAAR | ||||
| CHAS’D ( 1 0) | ||||||||
| With its Phantom chas’d for evermore, | 1 | 325 | 19BCD | WORM | ||||
| CHASED ( 1 1) | ||||||||
| With its Phantom chased for evermore, | 1 | 325 | 19 | WORM | ||||
| CHASMS ( 1 1) | ||||||||
| And chasms, and caves, and Titan woods, | 1 | 344 | 10 | ROUTE | ||||
| CHASTEN’D ( 1 1) | ||||||||
| Like guilty beauty, chasten’d, and more fair: | 1 | 101 | 65 | ALAAR | ||||
| CHEATED ( 1 1) | ||||||||
| And having cheated ladies, dance with them; | 1 | 11 | 54 | TEMP | ||||
| CHECK ( 1 1) | ||||||||
| To check the power that governs here. | 1 | 384 | 8 | KING | ||||
| CHEEK ( 6 5) | ||||||||
| The flush on her bright cheek, to me, | 1 | 34 | 230 | TAMA | ||||
| The flush on her bright cheek to me | 1 | 43 | 230 | TAMB | ||||
| The flush upon her cheek to me, | 1 | 50 | 163 | TAMF | ||||
| The flush on her bright cheek, to me | 1 | 58 | 151 | TAMH | ||||
| She ceas’d — and buried then her burning cheek | 1 | 104 | 118 | ALAAR | ||||
| Her cheek was flushing, and her lips apart; | 1 | 108 | 53CEF | ALAAR | ||||
| CHEEKS ( 4 4) | ||||||||
| Her cheeks were flushing, and her lips apart; | 1 | 108 | 53 | ALAAR | ||||
| It speaks of sunken eyes, and wasted cheeks, | 1 | 262 | 64 | POLI | ||||
| “Yon heir, whose cheeks of pallid hue | 1 | 335 | 15 | LENA | ||||
| These cheeks where the worm never dies, | 1 | 417 | 43 | ULA | ||||
| CHEERED ( 1 1) | ||||||||
| Hath cheered me as a lovely beam | 1 | 79 | 11 | ADRE | ||||
| CHERISH ( 1 1) | ||||||||
| With a thought I then did cherish. | 1 | 75 | 20 | IMIT | ||||
| CHERISHED ( 1 1) | ||||||||
| Whom thou hast cherished to sting thee to the soul! | 1 | 262 | 58 | POLI | ||||
| CHERUB ( 2 1) | ||||||||
| And every sculptur’d cherub thereabout | 1 | 106 | 32 | ALAAR | ||||
| And ev’ry sculptur’d cherub thereabout | 1 | 106 | 32CE | ALAAR | ||||
| CHIDING ( 1 1) | ||||||||
| While all the world were chiding, | 1 | 79 | 10 | ADRE | ||||
| CHILD ( 24 15) | ||||||||
| My own voice, silly child! was swelling | 1 | 28 | 56 | TAMA | ||||
| The child of Nature, without care, | 1 | 29 | 76 | TAMA | ||||
| The child of Nature, without care, | 1 | 40 | 76 | TAMB | ||||
| My own voice, silly child, was swelling | 1 | 47 | 55 | TAMF | ||||
| My own voice, silly child! — was swelling | 1 | 55 | 51 | TAMH | ||||
| A child — with a most knowing eye. | 1 | 128 | 10 | ROMG | ||||
| A child — with a most knowing eye. | 1 | 156 | 10 | INTRO | ||||
| Thrilling to think, poor child of sin! | 1 | 188 | 59 | IRENE2 | ||||
| Nor thrill to think, poor child of sin! | 1 | 188 | 59DE | IRENE2 | ||||
| We would not deem thee child of earth, | 1 | 224 | 9 | SLEEP | ||||
| For the dear child | 1 | 335 | 36 | LENA | ||||
| Leaving thee wild for the dear child | 1 | 337 | 16 | LENK | ||||
| I was a child and she was a child, | 1 | 477 | 7 | LEEA | ||||
| She was a child and I was a child, | 1 | 477 | 7BCEFH | LEEA | ||||
| She was a child and I was a child, | 1 | 477 | 7DK | LEEA | ||||
| She was a child and I was a child, | 1 | 478 | 7 | LEEE | ||||
| I was a child and she was a child, | 1 | 478 | 7AGSL | LEEE | ||||
| She was a child and I was a child, | 1 | 478 | 7DK | LEEE | ||||
| CHILDHOOD ( 5 5) | ||||||||
| Ev’n childhood knows the human heart; | 1 | 30 | 126 | TAMA | ||||
| In childhood but he knew me not. | 1 | 39 | 398 | TAMA | ||||
| Then — in my childhood — in the dawn | 1 | 146 | 9 | ALONE | ||||
| In childhood, many an idle stone — | 1 | 185 | 70 | IRENE1 | ||||
| In childhood, many an idle stone — | 1 | 188 | 56 | IRENE2 | ||||
| CHILDHOOD’S ( 1 1) | ||||||||
| From childhood's hour I have not been | 1 | 146 | 1 | ALONE | ||||
| CHILDISH ( 3 3) | ||||||||
| For they were childish, without sin, | 1 | 30 | 116 | TAMA | ||||
| For they were childish and upright — | 1 | 49 | 119 | TAMF | ||||
| For they were childish and upright — | 1 | 56 | 92 | TAMH | ||||
| CHILDREN ( 1 1) | ||||||||
| DI BROGLIO. Children, we disagree. | 1 | 259 | 64 | POLI | ||||
| CHILL ( 1 1) | ||||||||
| That palpitate like the chill seas | 1 | 195 | 15 | NISE | ||||
| CHILLING ( 8 4) | ||||||||
| A wind blew out of a cloud, chilling | 1 | 477 | 15 | LEEA | ||||
| Chilling my Annabel Lee; | 1 | 477 | 16EFH | LEEA | ||||
| That the wind came out of the cloud, chilling | 1 | 478 | 25EFH | LEEA | ||||
| Chilling and killing my Annabel Lee. | 1 | 478 | 26 | LEEA | ||||
| A wind blew out of a cloud, chilling | 1 | 479 | 15A-DGJKL | LEEE | ||||
| Chilling my Annabel Lee; | 1 | 479 | 16 | LEEE | ||||
| That the wind came out of the cloud, chilling | 1 | 479 | 25 | LEEE | ||||
| Chilling and killing my Annabel Lee. | 1 | 479 | 26A-DGJKL | LEEE | ||||
| CHILLY ( 12 11) | ||||||||
| The torrent of the chilly air | 1 | 28 | 65 | TAMA | ||||
| Her smile is chilly, and her beam | 1 | 38 | 378 | TAMA | ||||
| The torrent of the chilly air, | 1 | 47 | 64 | TAMF | ||||
| Her smile is chilly, and her beam | 1 | 52 | 209 | TAMF | ||||
| The torrent of the chilly air | 1 | 55 | 60 | TAMH | ||||
| Her smile is chilly — and her beam, | 1 | 60 | 203 | TAMH | ||||
| And hath been ever, on the chilly earth, | 1 | 68 | 7 | DREA | ||||
| Or spell had bound me — ’twas the chilly wind | 1 | 69 | 21 | DREA | ||||
| Is chilly — and these melancholy boughs | 1 | 274 | 63 | POLI | ||||
| Is chilly — and these melancholy bowers | 1 | 274 | 63A | POLI | ||||
| Their still waters — still and chilly | 1 | 344 | 19 | ROUTE | ||||
| Their sad waters, sad and chilly | 1 | 344 | 23 | ROUTE | ||||
| CHIME ( 2 2) | ||||||||
| With its interminable chime | 1 | 46 | 24 | TAMF | ||||
| With its interminable chime, | 1 | 54 | 24 | TAMH | ||||
| CHIMED ( 1 1) | ||||||||
| Chimed in with my desires and bade me stay! | 1 | 271 | 108 | POLI | ||||
| CHIMING ( 1 1) | ||||||||
| To the rhyming and the chiming of the bells! | 1 | 436 | 35 | BELLSEG | ||||
| CHOICE ( 5 4) | ||||||||
| It was my choice or chance or curse | 1 | 147 | 1 | LEA | ||||
| You’re not to have the wine, only your choice. | 1 | 256 | 99 | POLI | ||||
| Down in the hall, Sir, — you’re to have your choice | 1 | 256 | 101 | POLI | ||||
| If I should die for it — to have my choice | 1 | 257 | 113 | POLI | ||||
| If I should die for it — and I to have my choice | 1 | 257 | 113Ax | POLI | ||||
| CHOIR ( 2 2) | ||||||||
| And they say (the starry choir | 1 | 174 | 12 | ISRA | ||||
| And they say (the starry choir | 1 | 176 | 16 | ISRG | ||||
| CHOKES ( 1 1) | ||||||||
| And the light laughter chokes the sigh, | 1 | 184 | 46 | IRENE1 | ||||
| CHURCH ( 2 2) | ||||||||
| And to the church-yard bore me, | 1 | 307 | 16 | BRIDA | ||||
| And to the church-yard bore me, | 1 | 309 | 16 | BRIDF | ||||
| CHURCH-YARD ( 2 2) | ||||||||
| And to the church-yard bore me, | 1 | 307 | 16 | BRIDA | ||||
| And to the church-yard bore me, | 1 | 309 | 16 | BRIDF | ||||
| CILIARY ( 1 1) | ||||||||
| I don’t, a super(hiccup)ciliary somebody | 1 | 250 | 65 | POLI | ||||
| CIRCASSY ( 2 2) | ||||||||
| Springs from the gems of Circassy — | 1 | 99 | 4 | ALAAR | ||||
| While the silver winds of Circassy | 1 | 160 | 14 | MYST | ||||
| CIRCLE ( 1 1) | ||||||||
| Through a circle that ever returneth in | 1 | 326 | 21 | WORM | ||||
| CIRCULAR ( 1 1) | ||||||||
| A window of one circular diamond, there, | 1 | 106 | 22 | ALAAR | ||||
| CIRCULATION ( 1 1) | ||||||||
| When such reports have been in circulation | 1 | 277 | 28 | POLI | ||||
| CIRCUMFERENCE ( 2 2) | ||||||||
| While its wide circumference | 1 | 140 | 18 | FAIRY1 | ||||
| For that wide circumference | 1 | 162 | 57 | FAIRY2 | ||||
| CIRCUMSTANCE ( 1 1) | ||||||||
| That you should tell the circumstance yourself | 1 | 284 | 102 | POLI | ||||
| CITIES ( 5 5) | ||||||||
| Of all the cities, and I’ve seen no few — | 1 | 10 | 41 | TEMP | ||||
| Above all cities? in her hand | 1 | 37 | 329 | TAMA | ||||
| Above all cities? in her hand | 1 | 44 | 329 | TAMB | ||||
| Above all cities? in her hand | 1 | 59 | 167 | TAMH | ||||
| Tenantless cities of the desert too! | 1 | 113 | 224 | ALAAR | ||||
| CITIZENS ( 1 1) | ||||||||
| The eyes of the citizens. I’ll follow thee — | 1 | 282 | 87 | POLI | ||||
| CITY ( 4 4) | ||||||||
| In a strange city, all alone, | 1 | 199 | 2 | CITYA | ||||
| In a strange city lying alone | 1 | 201 | 2 | CITYH | ||||
| To the imperial city. | 1 | 259 | 44 | POLI | ||||
| For in the eternal city thou shalt do me | 1 | 268 | 34 | POLI | ||||
| CLAD ( 2 2) | ||||||||
| But stay! these walls — these ivy-clad arcades — | 1 | 229 | 26 | COLIS | ||||
| Clad all in white, upon a violet bank | 1 | 445 | 17 | TOHEL | ||||
| CLAIM’D ( 3 3) | ||||||||
| I claim’d and won usurpingly — | 1 | 27 | 32 | TAMA | ||||
| I claim’d and won usurpingly — | 1 | 46 | 33 | TAMF | ||||
| I claim’d and won usurpingly — | 1 | 54 | 29 | TAMH | ||||
| CLAIMED ( 1 0) | ||||||||
| I claimed and won usurpingly — | 1 | 54 | 29E | TAMH | ||||
| CLAMBER ( 1 1) | ||||||||
| Such hilarious visions clamber | 1 | 450 | 3 | ALE | ||||
| CLAMBER’D ( 1 1) | ||||||||
| I clamber’d to the tottering height,) | 1 | 38 | 352 | TAMA | ||||
| CLAMOR ( 2 1) | ||||||||
| in the clamor of the bells — | 1 | 437 | 65A-D | BELLSEG | ||||
| In the clamor and the clangor of the bells. | 1 | 437 | 69 | BELLSEG | ||||
| CLAMOROUS ( 1 1) | ||||||||
| In a clamorous appealing to the mercy of the fire — | 1 | 436 | 44 | BELLSEG | ||||
| CLANG ( 1 1) | ||||||||
| How they clang and clash and roar! | 1 | 436 | 54 | BELLSEG | ||||
| CLANGING ( 1 1) | ||||||||
| And the clanging, | 1 | 437 | 59 | BELLSEG | ||||
| CLANGOR ( 2 1) | ||||||||
| In the clamor and the clangor of the bells. | 1 | 437 | 69 | BELLSEG | ||||
| In the anger and the clangor of the bells. | 1 | 437 | 69A-D | BELLSEG | ||||
| CLASH ( 1 1) | ||||||||
| How they clang and clash and roar! | 1 | 436 | 54 | BELLSEG | ||||
| CLASP ( 3 3) | ||||||||
| It shall clasp a sainted maiden | 1 | 368 | 94 | RAVEN | ||||
| Clasp a rare and radiant maiden | 1 | 368 | 95 | RAVEN | ||||
| Them with a tighter clasp? | 1 | 452 | 20 | TAKE | ||||
| CLASPED ( 1 1) | ||||||||
| Continually in her chamber with clasped hands | 1 | 249 | 48 | POLI | ||||
| CLASSIC ( 1 1) | ||||||||
| Thy hyacinth hair, thy classic face, | 1 | 166 | 7 | HELF | ||||
| CLAW ( 1 1) | ||||||||
| The luckless query from a Member's claw! | 1 | 10 | 20 | TEMP | ||||
| CLEAR ( 10 7) | ||||||||
| For the night, tho’ clear, shall frown: | 1 | 71 | 11 | SPIRA | ||||
| The night — tho’ clear — shall frown — | 1 | 72 | 11 | SPIRD | ||||
| From Balbec, and the stilly, clear abyss | 1 | 107 | 37 | ALAAR | ||||
| From Balbec and the stilly, clear abyss | 1 | 107 | 37B | ALAAR | ||||
| From Balbec, and thy stilly, clear abyss | 1 | 107 | 37E7 | ALAAR | ||||
| Fair river! in thy bright, clear flow | 1 | 134 | 1 | TOFO | ||||
| By this clear stream, | 1 | 159 | 5 | MYST | ||||
| On the clear waters there that flow, | 1 | 184 | 57 | IRENE1 | ||||
| And hark! the sounds so low yet clear, | 1 | 185 | 25.1BC | IRENE1 | ||||
| Sings its wild death song, sweet and clear, | 1 | 225 | 2 | FANNY | ||||
| CLEAREST ( 1 1) | ||||||||
| To springs that lie clearest | 1 | 110 | 130 | ALAAR | ||||
| CLIFF ( 3 3) | ||||||||
| No cliff beyond him in the sky, | 1 | 51 | 194 | TAMF | ||||
| No cliff beyond him in the sky, | 1 | 59 | 188 | TAMH | ||||
| From the red cliff of the mountain — | 1 | 146 | 14 | ALONE | ||||
| CLIMATE ( 1 1) | ||||||||
| LALAGE. “It in another climate, so he said, | 1 | 260 | 5 | POLI | ||||
| CLIME ( 6 4) | ||||||||
| And Death to some more happy clime | 1 | 200 | 57 | CITYA | ||||
| From Love, and from our misty clime | 1 | 215 | 20.5B | PARA | ||||
| From me, and from our misty clime | 1 | 215 | 20.5CEGLO | PARA | ||||
| Not on God's altar, in any time or clime, | 1 | 272 | 18 | POLI | ||||
| From a wild weird clime that lieth, sublime, | 1 | 344 | 7 | ROUTE | ||||
| Beyond this bounded earthly clime, | 1 | 386 | 10 | FSO | ||||
| CLIMES ( 2 2) | ||||||||
| In climes of mine imagining — apart | 1 | 68 | 16 | DREA | ||||
| In the ultimate climes of the Pole — | 1 | 416 | 17 | ULA | ||||
| CLING ( 6 4) | ||||||||
| Which would cling to thee forever. | 1 | 71 | 18 | SPIRA | ||||
| Which would cling to thee for ever. | 1 | 72 | 18 | SPIRD | ||||
| “And cling around about us as a garment, | 1 | 229 | 45 | COLIS | ||||
| “And cling around about us now and ever, | 1 | 229 | 45A | COLIS | ||||
| “And cling around about us like a garment, | 1 | 229 | 45E | COLIS | ||||
| And cling around about us as a garment | 1 | 287 | 52 | POLI | ||||
| CLOAK ( 2 2) | ||||||||
| As she threw off her cloak, yon moon | 1 | 161 | 22 | FAIRY2 | ||||
| His cloak, of a thousand mingled hues, | 1 | 301 | 5 | PARO | ||||
| CLOSE ( 3 3) | ||||||||
| I close the portrait with the name of Pitts, | 1 | 12 | 92 | TEMP | ||||
| close by the 1 Down East | 1 | 394 | 3 | MODD | ||||
| The soft head bows, the sweet eyes close; | 1 | 404 | 10 | PHYS | ||||
| CLOSED ( 2 1) | ||||||||
| Above the closed and fringed lid | 1 | 187 | 26 | IRENE2 | ||||
| Above the closed and fringed lid | 1 | 187 | 26GHK | IRENE2 | ||||
| CLOSING ( 5 4) | ||||||||
| Would seem to my half closing eye | 1 | 28 | 51 | TAMA | ||||
| Appear’d to my half-closing eye | 1 | 46 | 50 | TAMF | ||||
| Appeared to my half-closing eye | 1 | 55 | 46 | TAMH | ||||
| Seem’d then to my half-closing eye | 1 | 55 | 46E | TAMH | ||||
| With half closing eyes, | 1 | 108 | 73 | ALAAR | ||||
| CLOTHE ( 1 0) | ||||||||
| “And clothe us in a robe of more than glory.” | 1 | 229 | 46A | COLIS | ||||
| CLOTHING ( 2 2) | ||||||||
| “Clothing us in a robe of more than glory.” | 1 | 229 | 46 | COLIS | ||||
| Clothing us in a robe of more than glory. | 1 | 287 | 53 | POLI | ||||
| CLOUD ( 17 13) | ||||||||
| Flashing from cloud that hover’d o’er, | 1 | 28 | 50 | TAMA | ||||
| Of the pale cloud therein, whose hue | 1 | 37 | 320 | TAMA | ||||
| A fleecy cloud, | 1 | 74 | 13 | STAR | ||||
| Still think my terrors but the thunder cloud, | 1 | 104 | 136 | ALAAR | ||||
| And sees the darkness coming as a cloud — | 1 | 107 | 46 | ALAAR | ||||
| And the cloud that took the form | 1 | 147 | 20 | ALONE | ||||
| And not a cloud obscured the sky, | 1 | 217 | 6 | HYMN | ||||
| Like sunburst through the ebon cloud, | 1 | 225 | 7 | FANNY | ||||
| Into a western couch of thunder-cloud; | 1 | 446 | 49 | TOHEL | ||||
| A wind blew out of a cloud, chilling | 1 | 477 | 15 | LEEA | ||||
| A wind blew out of a cloud by night | 1 | 477 | 15EFH | LEEA | ||||
| That the wind came out of the cloud by night, | 1 | 478 | 25 | LEEA | ||||
| That the wind came out of the cloud, chilling | 1 | 478 | 25EFH | LEEA | ||||
| A wind blew out of a cloud by night | 1 | 479 | 15 | LEEE | ||||
| A wind blew out of a cloud, chilling | 1 | 479 | 15A-DGJKL | LEEE | ||||
| That the wind came out of the cloud, chilling | 1 | 479 | 25 | LEEE | ||||
| That the wind came out of the cloud by night | 1 | 479 | 25A-DGJKL | LEEE | ||||
| CLOUDS ( 9 8) | ||||||||
| From clouds that hung, like banners, o’er, | 1 | 46 | 49 | TAMF | ||||
| From clouds that hung, like banners, o’er, | 1 | 55 | 45 | TAMH | ||||
| Rich clouds, for canopies, about her curled — | 1 | 100 | 36 | ALAAR | ||||
| There the gorgeous clouds do fly, | 1 | 192 | 38 | NISA | ||||
| No wind in Heaven, and clouds do fly, | 1 | 193 | 36 | NISB | ||||
| Ah, by no wind those clouds are driven | 1 | 196 | 17 | NISE | ||||
| Now, when clouds of Fate o’ercast | 1 | 217 | 9A-D | HYMN | ||||
| From the evil taint of clouds? — and he did say? | 1 | 280 | 27 | POLI | ||||
| Amid the clouds of glory, far away | 1 | 407 | 31 | MARA | ||||
| CLOUDY ( 2 2) | ||||||||
| And cloudy-looking woods, | 1 | 140 | 2 | FAIRY1 | ||||
| And cloudy-looking woods | 1 | 162 | 42 | FAIRY2 | ||||
| CLOUDY-LOOKING ( 2 2) | ||||||||
| And cloudy-looking woods, | 1 | 140 | 2 | FAIRY1 | ||||
| And cloudy-looking woods | 1 | 162 | 42 | FAIRY2 | ||||
| CLUB ( 1 1) | ||||||||
| Never! — oh never! — what would they say at the club? | 1 | 255 | 70 | POLI | ||||
| CLUNG ( 4 2) | ||||||||
| And zone that clung around her gentle waist | 1 | 108 | 54 | ALAAR | ||||
| And zone that clung about her gentle waist | 1 | 108 | 54F | ALAAR | ||||
| More beauty clung around her column’d wall | 1 | 113 | 216 | ALAAR | ||||
| More beauty clung around her columned wall | 1 | 113 | 216A | ALAAR | ||||
| CLUTCH ( 1 1) | ||||||||
| And thus I clutch thee — thus! —— | 1 | 275 | 102 | POLI | ||||
| CLUTCHES ( 1 1) | ||||||||
| (clutches his sword and staggers toward POLITIAN, | 1 | 281 | 29d | POLI | ||||
| CLYTIA ( 1 1) | ||||||||
| And Clytia pondering between many a sun, | 1 | 102 | 68 | ALAAR | ||||
| COAT ( 2 2) | ||||||||
| And dove-tailed coat, obtained at cost; while then | 1 | 11 | 67 | TEMP | ||||
| Was once the locust's coat of gold, | 1 | 301 | 4 | PARO | ||||
| COFFIN ( 1 0) | ||||||||
| Thus on the coffin loud and long | 1 | 206 | 28.1A | PAEAN | ||||
| COILING ( 1 1) | ||||||||
| Thus the bright snake coiling | 1 | 399 | 8 | LOU | ||||
| COLD ( 8 7) | ||||||||
| Or who so cold, so callous to refuse | 1 | 11 | 57 | TEMP | ||||
| ’Twere better than the cold reality | 1 | 68 | SAB | DREA | ||||
| Of the brighter, cold moon, | 1 | 74 | 5 | STAR | ||||
| On her cold smile; | 1 | 74 | 10 | STAR | ||||
| Too cold — too cold for me — | 1 | 74 | 11 | STAR | ||||
| Beneath the cold moon, | 1 | 111 | 151 | ALAAR | ||||
| Piercing cold evening's sable shroud | 1 | 225 | 9 | FANNY | ||||
| COLDER ( 1 1) | ||||||||
| Than that colder, lowly light. | 1 | 74 | 23 | STAR | ||||
| COLDLY ( 1 1) | ||||||||
| Too coldly — or the stars — howe’er it was | 1 | 69 | 25 | DREA | ||||
| COLISEUM ( 3 2) | ||||||||
| Lone amphitheatre! Grey Coliseum! | 1 | 228 | .1A | COLIS | ||||
| POLITIAN. Shall meet me here within the Coliseum! | 1 | 285 | 1 | POLI | ||||
| Interior of the Coliseum. | 1 | 285 | 29d | POLI | ||||
| COLLAR ( 1 1) | ||||||||
| In short his shirt-collar, his look, his tone is | 1 | 11 | 71 | TEMP | ||||
| COLOR ( 1 1) | ||||||||
| And all the opal’d air in color bound. | 1 | 101 | 41 | ALAAR | ||||
| COLOSSAL ( 6 2) | ||||||||
| All of the famed, and the colossal left | 1 | 229 | 31 | COLIS | ||||
| All of the great, and the colossal left | 1 | 229 | 31A-D | COLIS | ||||
| All of the grand, and the colossal left | 1 | 229 | 31E | COLIS | ||||
| All of the proud, and the colossal left | 1 | 229 | 31FK | COLIS | ||||
| All of the fam’d, and the colossal left | 1 | 229 | 31GH | COLIS | ||||
| All of the great and the colossal left | 1 | 287 | 38 | POLI | ||||
| COLOURING ( 1 1) | ||||||||
| Dreams! in their vivid colouring of life — | 1 | 69 | 29 | DREA | ||||
| COLUMN ( 2 2) | ||||||||
| Here, where a hero fell, a column falls! | 1 | 228 | 17 | COLIS | ||||
| Here where a hero fell, a column falls | 1 | 286 | 22 | POLI | ||||
| COLUMN’D ( 1 1) | ||||||||
| More beauty clung around her column’d wall | 1 | 113 | 216 | ALAAR | ||||
| COLUMNED ( 1 0) | ||||||||
| More beauty clung around her columned wall | 1 | 113 | 216A | ALAAR | ||||
| COLUMNS ( 3 2) | ||||||||
| Of gorgeous columns on th’ unburthen’d air, | 1 | 106 | 12 | ALAAR | ||||
| Of gorgeous columns on th’ unburthened air, | 1 | 106 | 128 | ALAAR | ||||
| Sat gently on these columns as a crown — | 1 | 106 | 21 | ALAAR | ||||
∞∞∞∞∞∞∞
Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
∞∞∞∞∞∞∞
[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)