∞∞∞∞∞∞∞
| TEXT | V | PAGE | LINE | POEM | ||||
| COMBINE ( 1 1) | ||||||||
| With which they dare combine | 1 | 131 | 33 | SHOULD | ||||
| COME ( 34 32) | ||||||||
| When that deep blush would come o’er thee, | 1 | 66 | 14 | SONG | ||||
| Come down to your brow | 1 | 108 | 77 | ALAAR | ||||
| And come down to your brow | 1 | 108 | 77F | ALAAR | ||||
| Gay fire-fly of the night we come and go, | 1 | 114 | 248 | ALAAR | ||||
| And so come down again | 1 | 141 | 43 | FAIRY1 | ||||
| O, when will come the morrow? | 1 | 162 | 38 | FAIRY2 | ||||
| “Sure thou art come o’er far-off seas, | 1 | 184 | 29 | IRENE1 | ||||
| Sure thou art come o’er far-off seas, | 1 | 187 | 32 | IRENE2 | ||||
| Eternal dews come down in drops, | 1 | 193 | 46 | NISB | ||||
| Eternal dews come down in gems! | 1 | 193 | 48 | NISB | ||||
| Eternal dews come down in drops. | 1 | 196 | 25 | NISE | ||||
| Yet tho’ no holy rays come down | 1 | 199 | 20 | CITYA | ||||
| No holy rays from heaven come down | 1 | 199 | 2013 | CITYA | ||||
| No rays from the holy heaven come down | 1 | 201 | 12 | CITYH | ||||
| Brethren, I come from lands afar | 1 | 211 | 1 | EPIG | ||||
| Come let us to bed | 1 | 250 | 70 | POLI | ||||
| LALAGE. Poor Lalage! — and is it come to this? | 1 | 262 | 56 | POLI | ||||
| With your betrothed. You come, Sir, at a time | 1 | 266 | 58 | POLI | ||||
| In days that are to come? | 1 | 274 | 74 | POLI | ||||
| Now prythee, leave me — hither doth come a person | 1 | 280 | 41 | POLI | ||||
| So — so — you’re dead eh? come now — come now, Ugo! | 1 | 283 | 72 | POLI | ||||
| You smell, Sir, yes you smell — come now be quick! | 1 | 285 | 118 | POLI | ||||
| [LALAGE.] I come. And now the hour is come | 1 | 287 | 54 | POLI | ||||
| Mere puppets they, who come and go | 1 | 325 | 12 | WORM | ||||
| Come, let the burial rite be read — | 1 | 336 | 5 | LENK | ||||
| Come never again, | 1 | 349 | 15 | EULA | ||||
| Many a thought will come to memory. | 1 | 393 | 16 | MODC | ||||
| To come down and see: | 1 | 399 | 11 | LOU | ||||
| And has come past the stars of the Lion, | 1 | 417 | 44 | ULA | ||||
| Come up, in despite of the Lion, | 1 | 417 | 47 | ULA | ||||
| Come up, through the lair of the Lion, | 1 | 417 | 49 | ULA | ||||
| Come to life and fade away; | 1 | 450 | 6 | ALE | ||||
| COMES ( 18 18) | ||||||||
| Comes o’er me in these lonely hours, | 1 | 31 | 137 | TAMA | ||||
| Comes o’er me, with the mingled voice | 1 | 37 | 340 | TAMA | ||||
| There comes, when that sun will from him part, | 1 | 38 | 368 | TAMA | ||||
| Comes o’er me, with the mingled voice | 1 | 44 | 340 | TAMB | ||||
| There comes a sullenness of heart | 1 | 51 | 198 | TAMF | ||||
| I know — for death, who comes for me | 1 | 52 | 218 | TAMF | ||||
| There comes a sullenness of heart | 1 | 59 | 192 | TAMH | ||||
| I know — for Death who comes for me | 1 | 60 | 223 | TAMH | ||||
| Comes down — still down — and down | 1 | 140 | 15 | FAIRY1 | ||||
| Where comes no storm | 1 | 224 | 12 | SLEEP | ||||
| POLITIAN. Be still! — it comes again! | 1 | 270 | 69 | POLI | ||||
| Hist! hist! it comes again! | 1 | 270 | 78 | POLI | ||||
| With what excessive fragrance the zephyr comes | 1 | 279 | 15 | POLI | ||||
| POLITIAN ’Tis he — he comes himself! | 1 | 280 | 38 | POLI | ||||
| She comes not, and the spirit of the place | 1 | 286 | 11 | POLI | ||||
| She comes not and the moon is high in Heaven! | 1 | 286 | 21 | POLI | ||||
| She comes. | 1 | 287 | 54 | POLI | ||||
| Comes down with the rush of a storm, | 1 | 326 | 36 | WORM | ||||
| COMETH ( 1 1) | ||||||||
| But what is this? — it cometh — and it brings | 1 | 107 | 48 | ALAAR | ||||
| COMETS ( 1 1) | ||||||||
| By the comets who were cast | 1 | 103 | 91 | ALAAR | ||||
| COMFORTED ( 1 1) | ||||||||
| Be comforted! I know — I know it all, | 1 | 272 | 7 | POLI | ||||
| COMING ( 5 5) | ||||||||
| To the sound of the coming darkness (known | 1 | 38 | 372 | TAMA | ||||
| To the sound of the coming darkness (known | 1 | 52 | 203 | TAMF | ||||
| To the sound of the coming darkness (known | 1 | 59 | 197 | TAMH | ||||
| And sees the darkness coming as a cloud — | 1 | 107 | 46 | ALAAR | ||||
| Lo! one is coming down | 1 | 162 | 51 | FAIRY2 | ||||
| COMMAND ( 6 6) | ||||||||
| With thoughts such feeling can command; | 1 | 34 | 256 | TAMA | ||||
| Command me, sir! what wouldst thou have me do? | 1 | 268 | 9 | POLI | ||||
| Command me, sir! | 1 | 268 | 14 | POLI | ||||
| Are all at my command, | 1 | 307 | 5 | BRIDA | ||||
| Are all at my command, | 1 | 308 | 4 | BRIDF | ||||
| Are all at my command, | 1 | 308 | 29 | BRIDA | ||||
| COMMANDING ( 2 2) | ||||||||
| (Logic and common usage so commanding) | 1 | 148 | 2 | ELIZA | ||||
| So loud, so lady-like, and so commanding! | 1 | 278 | 62 | POLI | ||||
| COMMENCING ( 1 1) | ||||||||
| of commencing a rhythm | 1 | 393 | 14 | MODC | ||||
| COMMEND ( 1 1) | ||||||||
| No foot of man,) commend thyself to God! | 1 | 322 | 15 | SILE | ||||
| COMMINGLED ( 2 1) | ||||||||
| Commingled with pansies — | 1 | 458 | 64 | ANNIE | ||||
| Commingled with pansy — | 1 | 458 | 64A | ANNIE | ||||
| COMMITTED ( 1 1) | ||||||||
| Dead, so to say, but having just committed | 1 | 283 | 75 | POLI | ||||
| COMMON ( 8 8) | ||||||||
| From us in life — but common — which doth lie | 1 | 78 | 21 | STAN | ||||
| My passions from a common spring — | 1 | 146 | 4 | ALONE | ||||
| (Logic and common usage so commanding) | 1 | 148 | 2 | ELIZA | ||||
| From common passions | 1 | 259 | 64 | POLI | ||||
| And she had not common sense — of that I’m sure | 1 | 277 | 34 | POLI | ||||
| Had common sense or understanding when | 1 | 277 | 37 | POLI | ||||
| In common sequence set, the letters lying, | 1 | 389 | 17 | VALA | ||||
| Do tell I when shall we I make common I sense men I | 1 | 394 | 1 | MODD | ||||
| COMMUNING ( 2 2) | ||||||||
| In secret communing held — as he with it, | 1 | 77 | 2 | STAN | ||||
| His spirit is communing with an angel's. | 1 | 400 | 18 | MLS | ||||
| COMPANY ( 2 2) | ||||||||
| Thy riotous company, too — fellows low born — | 1 | 258 | 20 | POLI | ||||
| And sought his company. They speak of him | 1 | 259 | 58 | POLI | ||||
| COMPARE ( 1 1) | ||||||||
| Can compare with the bright-eyed Eulalie's | 1 | 349 | 13 | EULA | ||||
| COMPASSION ( 2 2) | ||||||||
| Had deem'd him, in compassion, aught | 1 | 34 | 249 | TAMA | ||||
| Had deem'd him, in compassion, aught | 1 | 44 | 249 | TAMB | ||||
| COMPELS ( 2 1) | ||||||||
| What a world of solemn thought their monody compels! | 1 | 437 | 72 | BELLSEG | ||||
| What a world of solemn thought their monody compels! | 1 | 437 | 72A-H7 | BELLSEG | ||||
| COMPLETE ( 1 1) | ||||||||
| Complete at night what he began A.M. | 1 | 11 | 53 | TEMP | ||||
| COMPLETELY ( 1 1) | ||||||||
| completely done for — I’ll die! | 1 | 253 | 17 | POLI | ||||
| COMPLEX ( 1 1) | ||||||||
| Man is a 1 complex, 1 compound, 1 compost, 1 | 1 | 339 | 1 | HEX | ||||
| COMPOSE ( 1 1) | ||||||||
| Compose a sound delighting all to hear — | 1 | 389 | 18 | VALA | ||||
| COMPOSED ( 1 1) | ||||||||
| can be com-/posed in English] | 1 | 393 | 23/24 | MODC | ||||
| COMPOSEDLY ( 2 2) | ||||||||
| And I rest so composedly, | 1 | 456 | 13 | ANNIE | ||||
| And I lie so composedly, | 1 | 459 | 85 | ANNIE | ||||
| COMPOST ( 1 1) | ||||||||
| Man is a 1 complex, 1 compound, 1 compost, 1 | 1 | 339 | 1 | HEX | ||||
| COMPOUND ( 1 1) | ||||||||
| Man is a 1 complex, 1 compound, 1 compost, 1 | 1 | 339 | 1 | HEX | ||||
| COMPREHEND ( 2 1) | ||||||||
| If one could merely comprehend the plot. | 1 | 389 | 128C | VALA | ||||
| If one could merely comprehend the plot. | 1 | 390 | 12 | VALG | ||||
| CON ( 1 1) | ||||||||
| Twirls into trunk-paper the while you con it.” | 1 | 425 | 8 | DUNCE | ||||
| CONCEALED ( 1 1) | ||||||||
| Of the dear names that lie concealed within ’t. | 1 | 425 | 14 | DUNCE | ||||
| CONCEIVE ( 1 1) | ||||||||
| Of those, who hardly will conceive | 1 | 34 | 258 | TAMA | ||||
| CONDESCEND ( 1 1) | ||||||||
| The wretch not even to deign to condescend | 1 | 276 | 17 | POLI | ||||
| CONDESCENSION ( 1 1) | ||||||||
| To one with such an air of condescension. | 1 | 277 | 33 | POLI | ||||
| CONDOR ( 4 3) | ||||||||
| Of late, eternal Condor years | 1 | 128 | 11 | ROMG | ||||
| O, then the eternal Condor years | 1 | 128 | 11C | ROMG | ||||
| O, then the eternal Condor years | 1 | 157 | 35 | INTRO | ||||
| Flapping from out their Condor wings | 1 | 325 | 15 | WORM | ||||
| CONDUCT ( 1 1) | ||||||||
| His conduct there has damned him in my eyes. | 1 | 249 | 36 | POLI | ||||
| CONFESS ( 4 4) | ||||||||
| Still does my heart confess thy power | 1 | 17 | 4 | OCT | ||||
| Now the unhappy shall confess | 1 | 192 | 27 | NISA | ||||
| Now each visiter shall confess | 1 | 193 | 27 | NISB | ||||
| Now each visiter shall confess | 1 | 195 | 9 | NISE | ||||
| CONFIDENCE ( 1 1) | ||||||||
| And confidence — his vows — my ruin — think — think | 1 | 263 | 88 | POLI | ||||
| CONFOUNDED ( 1 1) | ||||||||
| Ugo, a most confounded stupid man. | 1 | 248 | 13 | POLI | ||||
| CONFUSED ( 1 1) | ||||||||
| Crowding, confused became | 1 | 32 | 176 | TAMA | ||||
| CONFUSEDLY ( 3 3) | ||||||||
| Crowding confusedly became | 1 | 42 | 176 | TAMB | ||||
| And so, confusedly, became | 1 | 50 | 148 | TAMF | ||||
| And, so, confusedly, became | 1 | 57 | 125 | TAMH | ||||
| CONNIVINGLY ( 1 1) | ||||||||
| Connivingly my dreaming-book. | 1 | 158 | 66 | INTRO | ||||
| CONQUERED ( 2 2) | ||||||||
| And conquered her scruples and gloom; | 1 | 418 | 74 | ULA | ||||
| Is conquered at last. | 1 | 456 | 6 | ANNIE | ||||
| CONQUERER’S ( 1 1) | ||||||||
| Had gilded with a conquerer's name, | 1 | 35 | 272 | TAMA | ||||
| CONQUEROR ( 3 2) | ||||||||
| Who entereth herein, a conqueror hath bin; | 1 | 319 | 1 | COUP | ||||
| And its hero the Conqueror Worm. | 1 | 326 | 40 | WORM | ||||
| Its hero the Conqueror Worm. | 1 | 326 | 40ABDH | WORM | ||||
| CONSCIENCE ( 3 3) | ||||||||
| Gives me these qualms of conscience. Be a man! | 1 | 255 | 82 | POLI | ||||
| Like the grim shadow Conscience, solemn and noiseless. | 1 | 274 | 56 | POLI | ||||
| What say of it? what say of CONSCIENCE grim, | 1 | 320 | 1 | MOTTO | ||||
| CONSCIENCE’ ( 2 1) | ||||||||
| Why dost thou turn so pale? Not Conscience’ self, | 1 | 274 | 60 | POLI | ||||
| Why dost thou tremble thus? Not Conscience’ self, | 1 | 274 | 60Ax | POLI | ||||
| CONSCIOUS ( 3 3) | ||||||||
| A conscious slumber seems to take, | 1 | 183 | 14 | IRENE1 | ||||
| A conscious slumber seems to take, | 1 | 187 | 14 | IRENE2 | ||||
| I was not conscious of it. It is a fashion, | 1 | 257 | 8 | POLI | ||||
| CONSEQUENCE ( 2 2) | ||||||||
| The consequence of yestereve's debauch — | 1 | 255 | 81 | POLI | ||||
| The consequence of any longer stay | 1 | 285 | 120 | POLI | ||||
| CONSIDERATION ( 2 2) | ||||||||
| For now, upon consideration, I think | 1 | 284 | 91 | POLI | ||||
| Demanding due consideration, Ugo, | 1 | 284 | 96 | POLI | ||||
| CONSPIRD ( 4 4) | ||||||||
| The wild, the beautiful, conspire | 1 | 34 | 254 | TAMA | ||||
| The wild, the terrible conspire | 1 | 44 | 255 | TAMB | ||||
| The wild, the terrible, conspire | 1 | 51 | 175 | TAMF | ||||
| The wild — the terrible conspire | 1 | 58 | 163 | TAMH | ||||
| CONSTANT ( 3 1) | ||||||||
| It trembled to one constant star again. | 1 | 112 | 197ACE | ALAAR | ||||
| Shall be a constant theme of praise, | 1 | 235 | 7 | THOUA | ||||
| Shall be a constant theme for praise, | 1 | 235 | 7D | THOUJ | ||||
| CONSTITUTION ( 1 1) | ||||||||
| The constitution as late hours and wine. | 1 | 258 | 16 | POLI | ||||
| CONSUMMATION ( 1 1) | ||||||||
| Think you, the consummation of these nuptials? | 1 | 250 | 55 | POLI | ||||
| CONTAIN ( 4 4) | ||||||||
| Of varied being, which contain | 1 | 32 | 165 | TAMA | ||||
| Of varied being which contain | 1 | 41 | 165 | TAMB | ||||
| The world and all it did contain, | 1 | 49 | 140 | TAMF | ||||
| The world, and all it did contain | 1 | 57 | 117 | TAMH | ||||
| CONTEMN ( 1 1) | ||||||||
| A heaven that God doth not contemn | 1 | 199 | 14 | CITYA | ||||
| CONTEMPLATION ( 3 3) | ||||||||
| Of lofty contemplation left to Time | 1 | 228 | 2 | COLIS | ||||
| and is lost in the contemplation of the jewels | 1 | 276 | 3d | POLI | ||||
| Of lofty contemplation left to Time | 1 | 286 | 3 | POLI | ||||
| CONTEMPTUOUS ( 1 1) | ||||||||
| and regarding her/ mistress with a contemptuous look. | 1 | 260 | 15/16d | POLI | ||||
| CONTENT ( 2 2) | ||||||||
| Here he may revel to his heart's content, | 1 | 10 | 49 | TEMP | ||||
| Honesty, poverty, and true content, | 1 | 254 | 54 | POLI | ||||
| CONTENTED ( 1 1) | ||||||||
| (Never-contented things!) | 1 | 141 | 44 | FAIRY1 | ||||
| CONTENTEDLY ( 1 1) | ||||||||
| And I rest so contentedly, | 1 | 459 | 89 | ANNIE | ||||
| CONTINUALLY ( 2 2) | ||||||||
| Serenest skies continually | 1 | 237 | 13 | TOF | ||||
| Continually in her chamber with clasped hands | 1 | 249 | 48 | POLI | ||||
| CONTINUES ( 1 1) | ||||||||
| LALAGE continues to/ read.) | 1 | 260 | 16/17d | POLI | ||||
| CONTINUING ( 1 1) | ||||||||
| Continuing — as dreams have been to me | 1 | 68 | 10 | DREA | ||||
| CONTRADICTION ( 1 1) | ||||||||
| Besides my innate love of contradiction; | 1 | 148 | 6 | ELIZA | ||||
| CONTRIVE ( 1 1) | ||||||||
| Contrive to stir a little? let me help you? | 1 | 285 | 112 | POLI | ||||
| CONTROL ( 1 0) | ||||||||
| My spirit spurn'd control, | 1 | 79 | .2A | ADRE | ||||
| CONTROUL ( 1 1) | ||||||||
| Those thoughts I would controul, | 1 | 75 | 13 | IMIT | ||||
| CONVERSE ( 4 4) | ||||||||
| The moment's converse, in her eyes | 1 | 34 | 227 | TAMA | ||||
| The moment's converse: in her eyes | 1 | 43 | 227 | TAMB | ||||
| The moments’ converse — in her eyes | 1 | 50 | 160 | TAMF | ||||
| The moment's converse; in her eyes | 1 | 58 | 148 | TAMH | ||||
| COOL ( 1 1) | ||||||||
| Some have left the cool glade, and | 1 | 110 | 140 | ALAAR | ||||
| COPE ( 1 1) | ||||||||
| To shun the fate, with which to cope | 1 | 26 | 4 | TAMA | ||||
| CORE ( 1 1) | ||||||||
| burned into my bosom's core; | 1 | 367 | 74 | RAVEN | ||||
| CORNICE ( 2 1) | ||||||||
| Lurk'd in each cornice, round each architrave — | 1 | 106 | 31 | ALAAR | ||||
| Lurked in each cornice, round each architrave — | 1 | 106 | 318 | ALAAR | ||||
| CORNICES ( 3 2) | ||||||||
| These shattered cornices — this wreck — this ruin — | 1 | 229 | 29 | COLIS | ||||
| These shatter'd cornices — this wreck — this ruin — | 1 | 229 | 29FGHK | COLIS | ||||
| These shattered cornices, this wreck, this ruin, | 1 | 287 | 36 | POLI | ||||
| CORONET ( 1 1) | ||||||||
| A vacant coronet — | 1 | 335 | 19 | LENA | ||||
| CORPORATE ( 1 1) | ||||||||
| He is the corporate Silence: dread him not! | 1 | 322 | 10 | SILE | ||||
| CORPSE ( 2 2) | ||||||||
| The day is very sultry — and that a corpse | 1 | 285 | 115 | POLI | ||||
| No matter! — not ungraceful in a corpse. | 1 | 285 | 125 | POLI | ||||
| CORROSIVE ( 2 2) | ||||||||
| By the corrosive Hours to Fate and me? | 1 | 229 | 32 | COLIS | ||||
| By the corrosive hours to Fate and me? | 1 | 287 | 39 | POLI | ||||
| CORSLET ( 1 1) | ||||||||
| The corslet on his bosom bold | 1 | 301 | 3 | PARO | ||||
| COST ( 2 2) | ||||||||
| And dove-tailed coat, obtained at cost; while then | 1 | 11 | 67 | TEMP | ||||
| D’ye hear — a cross which never cost a zecchin | 1 | 252 | 105 | POLI | ||||
| COSTLY ( 1 1) | ||||||||
| Of her “costly broider'd pall") | 1 | 206 | 14 | PAEAN | ||||
| COT ( 1 1) | ||||||||
| Something he spoke of the old cot: | 1 | 39 | 399 | TAMA | ||||
| COTTAGER ( 3 3) | ||||||||
| A cottager, I mark'd a throne | 1 | 33 | 205 | TAMA | ||||
| A cottager, I mark'd a throne | 1 | 42 | 205 | TAMB | ||||
| A cottager, I mark'd a throne | 1 | 57 | 130 | TAMH | ||||
| COUCH ( 6 3) | ||||||||
| Weary, I laid me on a couch to rest — | 1 | 6 | 2 | POET | ||||
| Here where on ivory couch the Caesar sate | 1 | 228 | 21.IABC | COLIS | ||||
| Here, where on golden couch the monarch lolled, | 1 | 228 | 22D | COLIS | ||||
| Here, where on ivory couch the monarch loll'd, | 1 | 228 | 22FK | COLIS | ||||
| Here where on ivory couch the Caesar sate | 1 | 286 | 27 | POLI | ||||
| Into a western couch of thunder-cloud; | 1 | 446 | 49 | TOHEL | ||||
| COUCHES ( 1 1) | ||||||||
| On violet couches faint away. | 1 | 160 | 15 | MYST | ||||
| COULD ( 39 36) | ||||||||
| Tho’ then its passion could not be: | 1 | 30 | 111 | TAMA | ||||
| The which I could not love the less, | 1 | 47 | 81 | TAMF | ||||
| Could ever bribe me to define, | 1 | 48 | 94 | TAMF | ||||
| How could I from that water bring | 1 | 48 | 96 | TAMF | ||||
| When hope, the eagle that tower'd, could see | 1 | 51 | 193 | TAMF | ||||
| When Hope, the eagle that tower'd, could see | 1 | 59 | 187 | TAMH | ||||
| When towering Eagle-Hope could see | 1 | 59 | 187D | TAMH | ||||
| Of Loveliness could see. | 1 | 66 | 8 | SONG | ||||
| Of mine own thought — what more could I have seen? | 1 | 68 | 18 | DREA | ||||
| What could there be more purely bright | 1 | 80 | 15 | ADRE | ||||
| The which I could not love the less; | 1 | 84 | 3 | LAKEA | ||||
| For him who thence could solace bring | 1 | 85 | 19 | LAKEA | ||||
| Whose wild’ring thought could even make | 1 | 85 | 21 | LAKEA | ||||
| Could teach or bribe me to define — | 1 | 86 | 16 | LAKEF | ||||
| For him who thence could solace bring | 1 | 86 | 20 | LAKEF | ||||
| Whose solitary soul could make | 1 | 86 | 22 | LAKEF | ||||
| And long'd to rest, yet could but sparkle there! | 1 | 108 | 59 | ALAAR | ||||
| Could angels be blest?) | 1 | 109 | 89 | ALAAR | ||||
| Alone could see the phantom in the skies, | 1 | 114 | 254 | ALAAR | ||||
| As others saw — I could not bring | 1 | 146 | 3 | ALONE | ||||
| My sorrow — I could not awaken | 1 | 146 | 6 | ALONE | ||||
| I could not love except where Death | 1 | 157 | 31 | INTRO | ||||
| If I could dwell | 1 | 176 | 45 | ISRG | ||||
| But the dream — it could not last! | 1 | 214 | TA-G | PARA | ||||
| What could have put that creature in your head? | 1 | 253 | 24 | POLI | ||||
| And pure as beautiful, how could she think — | 1 | 254 | 46 | POLI | ||||
| How could she dream, being herself all truth | 1 | 254 | 47 | POLI | ||||
| Most singular! I could not think it possible | 1 | 265 | 25 | POLI | ||||
| So little time could so much alter one! | 1 | 265 | 26 | POLI | ||||
| Thou askest me if I could speak of love, | 1 | 272 | 10 | POLI | ||||
| Could the dishonoured Lalage abide? | 1 | 273 | 26 | POLI | ||||
| Could you not, think you, by a desperate effort, | 1 | 285 | 111 | POLI | ||||
| Would God I could awaken! | 1 | 308 | 37 | BRIDA | ||||
| Would God I could awaken! | 1 | 309 | 28 | BRIDF | ||||
| Could fling, all lavishly and free, | 1 | 385 | 2 | FSO | ||||
| If one could merely understand the plot. | 1 | 389 | 12 | VALA | ||||
| If one could merely comprehend the plot. | 1 | 389 | 12BC | VALA | ||||
| If one could merely comprehend the plot. | 1 | 390 | 12 | VALG | ||||
| Could hope to utter. And I! my spells are broken. | 1 | 407 | 16 | MARB | ||||
| COULDN’T ( 1 1) | ||||||||
| He thinks I’ll have him — but oh no! — I couldn’t. | 1 | 277 | 46 | POLI | ||||
| COULDST ( 3 3) | ||||||||
| O still more happy maiden who couldst die! | 1 | 260 | 13 | POLI | ||||
| Lest I behold thee not; thou couldst not go | 1 | 275 | 93 | POLI | ||||
| I knew thou wouldst not, couldst not, durst not go. | 1 | 275 | 100 | POLI | ||||
| COUNT ( 26 26) | ||||||||
| As for the Count San Ozzo who knocked me down | 1 | 248 | 4 | POLI | ||||
| Well, master Rupert what have you done with the count? | 1 | 248 | 17 | POLI | ||||
| RUPERT You think the Count Castiglione altered — | 1 | 249 | 30 | POLI | ||||
| At all events the Count Castiglione | 1 | 251 | 81 | POLI | ||||
| You do not mean to say the count my master | 1 | 251 | 84 | POLI | ||||
| Of the Count. I’m (hiccup!) done with You Jacinto! | 1 | 251 | 89 | POLI | ||||
| JACINTA. The count Castiglione, your sweet master | 1 | 252 | 118 | POLI | ||||
| SAN OZZO Sir Count, | 1 | 254 | 26 | POLI | ||||
| The Count San Ozzo. | 1 | 256 | 92 | POLI | ||||
| The wine or the ashes! Ugo, send word to the Count | 1 | 257 | 114 | POLI | ||||
| Ha! ha! ha! ha! — Ugo send word to the Count | 1 | 257 | 115 | POLI | ||||
| Sir Count! what art thou dreaming? he's not well! | 1 | 258 | 33 | POLI | ||||
| For he's sure the Count Castiglione never | 1 | 262 | 52 | POLI | ||||
| As I was walking with the Count San Ozzo | 1 | 265 | 28 | POLI | ||||
| “And tell the Count Castiglione I want him.” | 1 | 278 | 64 | POLI | ||||
| Demanded but to die! — what sayeth the Count? | 1 | 279 | 10 | POLI | ||||
| No mortal eyes have seen! — what said the Count? | 1 | 279 | 18 | POLI | ||||
| The Count Castiglione will not fight, | 1 | 280 | 29 | POLI | ||||
| Unto the Count — it is exceeding just | 1 | 280 | 36 | POLI | ||||
| didst say, Sir Count? | 1 | 281 | 64 | POLI | ||||
| I wish to see the Count — he’ll not admit me — | 1 | 283 | 64 | POLI | ||||
| I’ll make this idiot go and tell the Count | 1 | 283 | 70 | POLI | ||||
| In saying “Sir Count, your worthy servant Ugo | 1 | 284 | 86 | POLI | ||||
| I will inform the Count — but not so fast — | 1 | 284 | 93 | POLI | ||||
| Unto the Count — ha! — do you take me Sir! | 1 | 284 | 103 | POLI | ||||
| The Count as I directed — you've departed | 1 | 285 | 133 | POLI | ||||
| COUNTENANCE ( 1 1) | ||||||||
| of the countenance it wore, | 1 | 366 | 44 | RAVEN | ||||
| COUNTER ( 1 1) | ||||||||
| As this for a neat, frisky counter-hopper; | 1 | 10 | 48 | TEMP | ||||
| COUNTER-HOPPER ( 1 1) | ||||||||
| As this for a neat, frisky counter-hopper; | 1 | 10 | 48 | TEMP | ||||
| COUNTERS ( 2 1) | ||||||||
| And hop o’er counters with a Vestris air, | 1 | 11 | 52 | TEMP | ||||
| And hop o’er counters with a Vester's air, | 1 | 11 | 52C | TEMP | ||||
| COUNTRY ( 1 1) | ||||||||
| In my own country all the way | 1 | 162 | 30 | FAIRY2 | ||||
| COUNT’S ( 1 1) | ||||||||
| And pride should have a fall. The count's a rake | 1 | 250 | 67 | POLI | ||||
| COUNTS ( 1 1) | ||||||||
| (As she counts, | 1 | 277 | 30d | POLI | ||||
| COUPLING ( 1 1) | ||||||||
| How my heart beats in coupling those two words!) | 1 | 445 | 27 | TOHEL | ||||
| COURAGE ( 1 1) | ||||||||
| Thy servant maid! — but courage! — 'tis but a viper | 1 | 262 | 57 | POLI | ||||
| COURSE ( 6 4) | ||||||||
| He then, of course, must shake his foot instead. | 1 | 12 | 84 | TEMP | ||||
| Of our boyhood, his course hath run: | 1 | 39 | 385 | TAMA | ||||
| When first Al Aaraaf knew her course to be | 1 | 115 | 255 | ALAAR | ||||
| When first Tophet-Nour knew her course to be | 1 | 115 | 25532 | ALAAR | ||||
| When first the phantom's course was found to be | 1 | 115 | 255LMQ | ALAAR | ||||
| COURSES ( 1 1) | ||||||||
| And goads him to these courses. They say the Duke | 1 | 249 | 44 | POLI | ||||
| COURT ( 1 1) | ||||||||
| the camp — the court | 1 | 268 | 21 | POLI | ||||
| COURTS ( 1 1) | ||||||||
| To me, Politian, of thy camps and courts. | 1 | 268 | 28 | POLI | ||||
| COUSIN ( 8 8) | ||||||||
| His cousin Alessandra. She was the friend | 1 | 250 | 58 | POLI | ||||
| To my cousin Alessandra? Honor's the thing! | 1 | 255 | 77 | POLI | ||||
| Thy happiness! — what ails thee, cousin of mine? | 1 | 257 | 6 | POLI | ||||
| CASTIGLIONE Nothing, fair cousin, nothing — | 1 | 258 | 17 | POLI | ||||
| CASTIGLIONE Cousin! fair cousin! — madam! | 1 | 258 | 34 | POLI | ||||
| Castiglione! call your cousin hither | 1 | 266 | 56 | POLI | ||||
| Of brother, friend and cousin meet, — | 1 | 382 | 12 | VANE | ||||
| COVERED ( 1 1) | ||||||||
| She covered me warm, | 1 | 458 | 80 | ANNIE | ||||
| COVERING ( 1 1) | ||||||||
| And their moony covering | 1 | 141 | 30 | FAIRY1 | ||||
| COVETED ( 2 2) | ||||||||
| Coveted her and me. | 1 | 477 | 12 | LEEE | ||||
| Coveted her and me. | 1 | 479 | 12 | LEEE | ||||
| COWARD ( 5 4) | ||||||||
| I do believe thee! — coward, I do believe thee! | 1 | 281 | 70 | POLI | ||||
| CASTIGLIONE. Ha! — coward! — this may not be! | 1 | 281 | 71 | POLI | ||||
| I am the veriest coward. O pity me! | 1 | 282 | 73 | POLI | ||||
| I am — I am — a coward. O pity me! | 1 | 282 | 73B | POLI | ||||
| Called him a coward on yesterday forenoon, | 1 | 283 | 67 | POLI | ||||
| COWARDICE ( 1 1) | ||||||||
| Dost hear? with cowardice — thou wilt not fight me? | 1 | 282 | 91 | POLI | ||||
| CRACK ( 1 1) | ||||||||
| At the masquerade, and afterwards crack a bottle | 1 | 257 | 119 | POLI | ||||
| CRADLED ( 2 2) | ||||||||
| Its spirit cradled me to sleep, | 1 | 29 | 71 | TAMA | ||||
| Its spirit cradled me to sleep, | 1 | 40 | 71 | TAMB | ||||
| CRAG ( 3 3) | ||||||||
| Upon a mountain crag, young Angelo — | 1 | 112 | 191 | ALAAR | ||||
| From crag to crag down the precipitous Time, | 1 | 377 | 2 | LINES | ||||
| CRASH ( 1 1) | ||||||||
| Hear the far generations — how they crash | 1 | 377 | 1 | LINES | ||||
| CRAVE ( 3 2) | ||||||||
| Good day! — I crave your patronage however | 1 | 255 | 60 | POLI | ||||
| I crave thy pardon — indeed I am not well — | 1 | 258 | 35 | POLI | ||||
| I crave your pardon — indeed I am not well — | 1 | 258 | 35Ax | POLI | ||||
| CRAVEN ( 1 1) | ||||||||
| thou,” I said, “art sure no craven, | 1 | 366 | 45 | RAVEN | ||||
| CRAVING ( 2 2) | ||||||||
| O craving heart for the lost flowers | 1 | 45 | 21 | TAMF | ||||
| O craving heart, for the lost flowers | 1 | 54 | 21 | TAMH | ||||
| CRAWLING ( 1 1) | ||||||||
| A crawling shape intrude! | 1 | 326 | 26 | WORM | ||||
| CREAM ( 1 1) | ||||||||
| Fill with mingled cream and amber, | 1 | 450 | 1 | ALE | ||||
| CREASES ( 1 1) | ||||||||
| And then you will find your money in creases! | 1 | 378 | 4 | WALL | ||||
| CREATURE ( 1 1) | ||||||||
| What could have put that creature in your head? | 1 | 253 | 24 | POLI | ||||
| CREATURES ( 2 2) | ||||||||
| Who “had the sweetest voice of all God's creatures,” | 1 | 406 | 15 | MARA | ||||
| Who has “the sweetest voice of all God's creatures,” | 1 | 407 | 15 | MARB | ||||
| CREEP ( 7 5) | ||||||||
| How bright! and yet to creep | 1 | 53 | 247 | TAMF | ||||
| How few! and how they creep | 1 | 131 | 21 | SHOULD | ||||
| How bright! and yet to creep | 1 | 131 | 21D | SHOULD | ||||
| No icy worms about her creep: | 1 | 185 | 62 | IRENE1 | ||||
| Soft may the worms about her creep! | 1 | 188 | 39E | IRENE2 | ||||
| Soft may the worms about her creep! | 1 | 188 | 47 | IRENE2 | ||||
| How few! yet how they creep | 1 | 452 | 16 | TAKE | ||||
| CREEPING ( 1 1) | ||||||||
| Where wild flowers, creeping, | 1 | 110 | 136 | ALAAR | ||||
| CREPT ( 2 2) | ||||||||
| How was it that Ambition crept, | 1 | 53 | 235 | TAMF | ||||
| How was it that Ambition crept, | 1 | 61 | 240 | TAMH | ||||
| CRESCENT ( 4 3) | ||||||||
| His target was the crescent shell | 1 | 301 | 7 | PARO | ||||
| Out of which a miraculous crescent | 1 | 416 | 35 | ULA | ||||
| Ont of which a miraculous crescent | 1 | 416 | 35D | ULA | ||||
| Astarte's bediamonded crescent, | 1 | 417 | 37 | ULA | ||||
| CREST ( 1 1) | ||||||||
| “Though thy crest be shorn and shaven, | 1 | 366 | 45 | RAVEN | ||||
| CRESTED ( 1 1) | ||||||||
| Triumphant, o’er the crested palls, | 1 | 188 | 52 | IRENE2 | ||||
| CRIED ( 2 2) | ||||||||
| “Wretch,” I cried, “thy God hath lent thee — | 1 | 368 | 81 | RAVEN | ||||
| And I cried — “It was surely October, | 1 | 418 | 85 | ULA | ||||
| CRIES ( 1 1) | ||||||||
| A voice from out the Future cries, | 1 | 214 | 10 | PARA | ||||
| CRIME ( 10 7) | ||||||||
| Is more than crime may dare to dream, | 1 | 26 | 5 | TAMA | ||||
| And bade it first to dream of crime, | 1 | 31 | 149 | TAMA | ||||
| When falsehood were a ten-fold crime, | 1 | 32 | 190 | TAMA | ||||
| And bade it first to dream of crime. | 1 | 41 | 149 | TAMB | ||||
| My heart would feel to be a crime | 1 | 128 | 20 | ROMG | ||||
| My heart hath fear'd to be a crime | 1 | 128 | 20C | ROMG | ||||
| My heart half fear'd to be a crime | 1 | 157 | 44 | INTRO | ||||
| From me — to titled age and crime, | 1 | 215 | 20.3B | PARA | ||||
| From Love — to titled age and crime, | 1 | 215 | 20.3CEGLO | PARA | ||||
| I feel it more than half a crime | 1 | 222 | 2 | SERE | ||||
| CRIMSON ( 2 1) | ||||||||
| “And wave this crimson canopy, | 1 | 184 | 35 | IRENE1 | ||||
| “And wave the crimson canopy, | 1 | 184 | 35C | IRENE1 | ||||
| CRISIS ( 1 1) | ||||||||
| Thank Heaven! the crisis — | 1 | 456 | 1 | ANNIE | ||||
| CRISPED ( 6 2) | ||||||||
| The leaves they were crisped and sere — | 1 | 415 | 2 | ULA | ||||
| The leaves they were crisped and sere — | 1 | 415 | 2AJ | ULA | ||||
| The leaves they were crisped and sere — | 1 | 415 | 2BCG | ULA | ||||
| As the leaves that were crisped and sere — | 1 | 418 | 83 | ULA | ||||
| As the leaves that were crisped and sere — | 1 | 418 | 83AK | ULA | ||||
| As the leaves that were crisped and sere — | 1 | 418 | 83BCG | ULA | ||||
| CROAKING ( 1 1) | ||||||||
| Meant in croaking “Nevermore.” | 1 | 367 | 72 | RAVEN | ||||
| CROCODILE ( 1 1) | ||||||||
| Their crocodile dew, | 1 | 335 | 18 | LENA | ||||
| CROSS ( 9 9) | ||||||||
| (Ah! will they cross me in my angrier path?) | 1 | 105 | 138 | ALAAR | ||||
| You certainly see double. Here's a cross | 1 | 251 | 103 | POLI | ||||
| A cross of rubies, you oaf! a cross of rubies! | 1 | 251 | 104 | POLI | ||||
| D’ye hear — a cross which never cost a zecchin | 1 | 252 | 105 | POLI | ||||
| (draws a cross-handled dagger and raises it on high;) | 1 | 264 | 13d | POLI | ||||
| Thy raiments and thy ebony cross affright me! | 1 | 264 | 101 | POLI | ||||
| Behold the cross wherewith a vow like mine | 1 | 264 | 106 | POLI | ||||
| Several persons cross and recross the stage rapid-/ly. | 1 | 275 | 26/27d | POLI | ||||
| CROSS-HANDLED ( 1 1) | ||||||||
| (draws a cross-handled dagger and raises it on high.) | 1 | 264 | 13d | POLI | ||||
| CROUCHED ( 1 1) | ||||||||
| Low crouched on Earth, some violets lie, | 1 | 193 | 42 | NISB | ||||
| CROUCHES ( 3 3) | ||||||||
| And crouches to a keeper's hand — | 1 | 44 | 253 | TAMB | ||||
| And crouches to a keeper's hand, | 1 | 50 | 173 | TAMF | ||||
| And crouches to a keeper's hand — | 1 | 58 | 161 | TAMH | ||||
| CROWD ( 5 4) | ||||||||
| Not one, of all the crowd, to pry | 1 | 72 | 3 | SPIRD | ||||
| Where all my love is folly and the crowd | 1 | 104 | 135 | ALAAR | ||||
| That crowd around my earthly path — | 1 | 236 | 2 | TOF | ||||
| That crowd around my earthly path — | 1 | 236 | 14.2BC | TOF | ||||
| By a crowd that seize it not, | 1 | 325 | 20 | WORM | ||||
| CROWDED ( 1 1) | ||||||||
| Ianthe, beauty crowded on me then, | 1 | 113 | 225 | ALAAR | ||||
| CROWDING ( 3 2) | ||||||||
| Crowding, confused became | 1 | 32 | 176 | TAMA | ||||
| Crowding confusedly became | 1 | 42 | 176 | TAMB | ||||
| Crowding around my earthly path — | 1 | 236 | 2A | TOF | ||||
| CROWN ( 13 13) | ||||||||
| We walk'd together on the crown | 1 | 33 | 214 | TAMA | ||||
| As nuptial dowry — a queen's crown, | 1 | 34 | 244 | TAMA | ||||
| We walk'd together on the crown | 1 | 43 | 214 | TAMB | ||||
| As nuptial dowry a queen's crown | 1 | 44 | 244 | TAMB | ||||
| We walk'd together on the crown | 1 | 50 | 151 | TAMF | ||||
| And donn'd a visionary crown — | 1 | SO | 168 | TAMF | ||||
| We walk'd together on the crown | 1 | 58 | 139 | TAMH | ||||
| And donn'd a visionary crown —— | 1 | 58 | 156 | TAMH | ||||
| Wearing its own deep feeling as a crown. | 1 | 78 | 32 | STAN | ||||
| Sat gently on these columns as a crown — | 1 | 106 | 21 | ALAAR | ||||
| With its centre on the crown | 1 | 140 | 16 | FAIRY1 | ||||
| With its centre on the crown | 1 | 162 | 52 | FAIRY2 | ||||
| And on the spectral mountain's crown | 1 | 223 | 12 | SERE | ||||
| CROWNS ( 2 2) | ||||||||
| And laughter crowns the festive hour | 1 | 17 | 2 | OCT | ||||
| Less than five thousand crowns! | 1 | 252 | 106 | POLI | ||||
| CRUCIFIX ( 5 5) | ||||||||
| Fills me with dread — thy ebony crucifix | 1 | 263 | 81 | POLI | ||||
| Hast thou a crucifix fit for this thing? | 1 | 264 | 97 | POLI | ||||
| A crucifix whereon to register | 1 | 264 | 98 | POLI | ||||
| Stand back! I have a crucifix myself, — | 1 | 264 | 102 | POLI | ||||
| I have a crucifix! Methinks ’twere fitting | 1 | 264 | 103 | POLI | ||||
| CRUEL ( 2 2) | ||||||||
| This mockery is most cruel! — most cruel indeed! | 1 | 272 | 4 | POLI | ||||
| CRUMBLING ( 3 2) | ||||||||
| These crumbling walls; these tottering arcades — | 1 | 229 | 26A-D | COLIS | ||||
| These vague entablatures — this crumbling frieze — | 1 | 229 | 28 | COLIS | ||||
| These crumbling walls — these tottering arcades | 1 | 286 | 33 | POLI | ||||
| CRUSH ( 4 4) | ||||||||
| Gurgled in my pleas'd ear the crush | 1 | 28 | 66 | TAMA | ||||
| Gurgled in my pleas'd ear the crush | 1 | 40 | 66 | TAMB | ||||
| Gurgled within my ear the crush | 1 | 47 | 65 | TAMF | ||||
| Gurgled within my ear the crush | 1 | 55 | 61 | TAMH | ||||
| CRY ( 9 8) | ||||||||
| I’ll neither laugh with one or cry with t’other, | 1 | 10 | 26 | TEMP | ||||
| I’ll neither laugh with one nor cry with t’other, | 1 | 10 | 26C | TEMP | ||||
| And leap within me at the cry) | 1 | 28 | 58 | TAMA | ||||
| The battle-cry of victory! | 1 | 28 | 59 | TAMA | ||||
| And leap within me at the cry!) | 1 | 47 | 57 | TAMF | ||||
| The battle cry of victory. | 1 | 47 | 58 | TAMF | ||||
| And leap within me at the cry) | 1 | 55 | 53 | TAMH | ||||
| The battle-cry of Victory! | 1 | SS | 54 | TAMH | ||||
| Wakening the broad welkin with his loud battle cry; | 1 | 341 | 2 | CAMP | ||||
| CRYSTAL ( 4 3) | ||||||||
| Leave tenantless thy crystal home, and fly, | 1 | 105 | 143 | ALAAR | ||||
| Far down within the crystal of the lake | 1 | 107 | 39.1B | ALAAR | ||||
| Of crystal, wandering water, | 1 | 134 | 2 | TOFO | ||||
| And crystal lakes, and over-arching forests, | 1 | 274 | 70 | POLI | ||||
| CRYSTALLINE ( 3 3) | ||||||||
| Let us bathe in this crystalline light! | 1 | 417 | 63 | ULA | ||||
| With a crystalline delight; | 1 | 435 | 8 | BELLSEG | ||||
| Upon those crystalline, celestial spheres! | 1 | 446 | 43 | TOHEL | ||||
| CULTURED ( 1 1) | ||||||||
| The fullness of a cultured mind, | 1 | 386 | 17 | FSO | ||||
| CUMBER ( 1 1) | ||||||||
| That cumber them too — | 1 | 109 | 87 | ALAAR | ||||
| CUP ( 1 1) | ||||||||
| Drinking the cup of pleasure to the dregs. | 1 | 259 | 60 | POLI | ||||
| CUPID ( 1 1) | ||||||||
| With Indian Cupid down the holy river — | 1 | 102 | 79 | ALAAR | ||||
| CURE ( 1 1) | ||||||||
| To cure his love — was cured of all beside — | 1 | 150 | 8 | ACROS | ||||
| CURED ( 1 1) | ||||||||
| To cure his love — was cured of all beside — | 1 | 150 | 8 | ACROS | ||||
| CURIOUS ( 1 1) | ||||||||
| Over many a quaint and curious | 1 | 364 | 2 | RAVEN | ||||
| CURL ( 8 4) | ||||||||
| For no ripples curl, alas! | 1 | 200 | 37 | CITYA | ||||
| For no ripples curl, alas! | 1 | 202 | 36 | CITYH | ||||
| No murmuring ripples curl, alas! | 1 | 202 | 36C | CITYH | ||||
| Can vie with the modest Eulalie's most unregarded curl — | 1 | 349 | 12 | EULA | ||||
| most unregarded curl — | 1 | 349 | 12AZ | EULA | ||||
| most humble and careless curl — | 1 | 349 | 12Y | EULA | ||||
| most humble and careless curl. | 1 | 349 | 13 | EULA | ||||
| most vagrant and careless curl. | 1 | 349 | 13Y | EULA | ||||
| CURLED ( 1 1) | ||||||||
| Rich clouds, for canopies, about her curled — | 1 | 100 | 36 | ALAAR | ||||
| CURLS ( 1 1) | ||||||||
| Toss back his fine curls from his forehead fair | 1 | 11 | S1 | TEMP | ||||
| CURRENT ( 1 1) | ||||||||
| And spite all dogmas current in all ages, | 1 | 11 | 77 | TEMP | ||||
| CURRENTS ( 1 1) | ||||||||
| Their sulphurous currents down Yaanek, | 1 | 416 | 16 | ULA | ||||
| CURSE ( 1 1) | ||||||||
| It was my choice or chance or curse | 1 | 147 | 1 | LEA | ||||
| CURTAIN ( 4 4) | ||||||||
| Which thro’ some tatter'd curtain pries | 1 | 162 | 32 | FAIRY2 | ||||
| And wave the curtain canopy | 1 | 187 | 24 | IRENE2 | ||||
| The curtain, a funeral pall, | 1 | 326 | 35 | WORM | ||||
| rustling of each purple curtain | 1 | 365 | 13 | RAVEN | ||||
| CURTSEY ( 2 2) | ||||||||
| Then “yes ma’am” I reply, and curtsey thus | 1 | 278 | 65 | POLI | ||||
| One in a thousand for a dainty curtsey. | 1 | 278 | 67 | POLI | ||||
| CUSHIONED ( 1 1) | ||||||||
| Straight I wheeled a cushioned seat | 1 | 367 | 68 | RAVEN | ||||
| CUSHION’S ( 1 1) | ||||||||
| On the cushion's velvet lining | 1 | 368 | 76 | RAVEN | ||||
| CUT ( 3 3) | ||||||||
| The youth who cut the ribbon for her shoes! | 1 | 11 | 58 | TEMP | ||||
| UGO. I’m going to cut — | 1 | 251 | 92 | POLI | ||||
| UGO. To cut you altogether! | 1 | 251 | 93 | POLI | ||||
| CYCLES ( 1 1) | ||||||||
| “What tho’ in worlds which sightless cycles run, | 1 | 104 | 133 | ALAAR | ||||
| CYPRESS ( 2 2) | ||||||||
| Of cypress, I roamed with my Soul — | 1 | 416 | 11 | ULA | ||||
| Of cypress, with Psyche, my Soul. | 1 | 416 | 12 | ULA | ||||
∞∞∞∞∞∞∞
Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
∞∞∞∞∞∞∞
[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)