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TEXT | V | PAGE | LINE | POEM | ||||
COMBINE ( 1 1) | ||||||||
With which they dare combine | 1 | 131 | 33 | SHOULD | ||||
COME ( 34 32) | ||||||||
When that deep blush would come o’er thee, | 1 | 66 | 14 | SONG | ||||
Come down to your brow | 1 | 108 | 77 | ALAAR | ||||
And come down to your brow | 1 | 108 | 77F | ALAAR | ||||
Gay fire-fly of the night we come and go, | 1 | 114 | 248 | ALAAR | ||||
And so come down again | 1 | 141 | 43 | FAIRY1 | ||||
O, when will come the morrow? | 1 | 162 | 38 | FAIRY2 | ||||
“Sure thou art come o’er far-off seas, | 1 | 184 | 29 | IRENE1 | ||||
Sure thou art come o’er far-off seas, | 1 | 187 | 32 | IRENE2 | ||||
Eternal dews come down in drops, | 1 | 193 | 46 | NISB | ||||
Eternal dews come down in gems! | 1 | 193 | 48 | NISB | ||||
Eternal dews come down in drops. | 1 | 196 | 25 | NISE | ||||
Yet tho’ no holy rays come down | 1 | 199 | 20 | CITYA | ||||
No holy rays from heaven come down | 1 | 199 | 2013 | CITYA | ||||
No rays from the holy heaven come down | 1 | 201 | 12 | CITYH | ||||
Brethren, I come from lands afar | 1 | 211 | 1 | EPIG | ||||
Come let us to bed | 1 | 250 | 70 | POLI | ||||
LALAGE. Poor Lalage! — and is it come to this? | 1 | 262 | 56 | POLI | ||||
With your betrothed. You come, Sir, at a time | 1 | 266 | 58 | POLI | ||||
In days that are to come? | 1 | 274 | 74 | POLI | ||||
Now prythee, leave me — hither doth come a person | 1 | 280 | 41 | POLI | ||||
So — so — you’re dead eh? come now — come now, Ugo! | 1 | 283 | 72 | POLI | ||||
You smell, Sir, yes you smell — come now be quick! | 1 | 285 | 118 | POLI | ||||
[LALAGE.] I come. And now the hour is come | 1 | 287 | 54 | POLI | ||||
Mere puppets they, who come and go | 1 | 325 | 12 | WORM | ||||
Come, let the burial rite be read — | 1 | 336 | 5 | LENK | ||||
Come never again, | 1 | 349 | 15 | EULA | ||||
Many a thought will come to memory. | 1 | 393 | 16 | MODC | ||||
To come down and see: | 1 | 399 | 11 | LOU | ||||
And has come past the stars of the Lion, | 1 | 417 | 44 | ULA | ||||
Come up, in despite of the Lion, | 1 | 417 | 47 | ULA | ||||
Come up, through the lair of the Lion, | 1 | 417 | 49 | ULA | ||||
Come to life and fade away; | 1 | 450 | 6 | ALE | ||||
COMES ( 18 18) | ||||||||
Comes o’er me in these lonely hours, | 1 | 31 | 137 | TAMA | ||||
Comes o’er me, with the mingled voice | 1 | 37 | 340 | TAMA | ||||
There comes, when that sun will from him part, | 1 | 38 | 368 | TAMA | ||||
Comes o’er me, with the mingled voice | 1 | 44 | 340 | TAMB | ||||
There comes a sullenness of heart | 1 | 51 | 198 | TAMF | ||||
I know — for death, who comes for me | 1 | 52 | 218 | TAMF | ||||
There comes a sullenness of heart | 1 | 59 | 192 | TAMH | ||||
I know — for Death who comes for me | 1 | 60 | 223 | TAMH | ||||
Comes down — still down — and down | 1 | 140 | 15 | FAIRY1 | ||||
Where comes no storm | 1 | 224 | 12 | SLEEP | ||||
POLITIAN. Be still! — it comes again! | 1 | 270 | 69 | POLI | ||||
Hist! hist! it comes again! | 1 | 270 | 78 | POLI | ||||
With what excessive fragrance the zephyr comes | 1 | 279 | 15 | POLI | ||||
POLITIAN ’Tis he — he comes himself! | 1 | 280 | 38 | POLI | ||||
She comes not, and the spirit of the place | 1 | 286 | 11 | POLI | ||||
She comes not and the moon is high in Heaven! | 1 | 286 | 21 | POLI | ||||
She comes. | 1 | 287 | 54 | POLI | ||||
Comes down with the rush of a storm, | 1 | 326 | 36 | WORM | ||||
COMETH ( 1 1) | ||||||||
But what is this? — it cometh — and it brings | 1 | 107 | 48 | ALAAR | ||||
COMETS ( 1 1) | ||||||||
By the comets who were cast | 1 | 103 | 91 | ALAAR | ||||
COMFORTED ( 1 1) | ||||||||
Be comforted! I know — I know it all, | 1 | 272 | 7 | POLI | ||||
COMING ( 5 5) | ||||||||
To the sound of the coming darkness (known | 1 | 38 | 372 | TAMA | ||||
To the sound of the coming darkness (known | 1 | 52 | 203 | TAMF | ||||
To the sound of the coming darkness (known | 1 | 59 | 197 | TAMH | ||||
And sees the darkness coming as a cloud — | 1 | 107 | 46 | ALAAR | ||||
Lo! one is coming down | 1 | 162 | 51 | FAIRY2 | ||||
COMMAND ( 6 6) | ||||||||
With thoughts such feeling can command; | 1 | 34 | 256 | TAMA | ||||
Command me, sir! what wouldst thou have me do? | 1 | 268 | 9 | POLI | ||||
Command me, sir! | 1 | 268 | 14 | POLI | ||||
Are all at my command, | 1 | 307 | 5 | BRIDA | ||||
Are all at my command, | 1 | 308 | 4 | BRIDF | ||||
Are all at my command, | 1 | 308 | 29 | BRIDA | ||||
COMMANDING ( 2 2) | ||||||||
(Logic and common usage so commanding) | 1 | 148 | 2 | ELIZA | ||||
So loud, so lady-like, and so commanding! | 1 | 278 | 62 | POLI | ||||
COMMENCING ( 1 1) | ||||||||
of commencing a rhythm | 1 | 393 | 14 | MODC | ||||
COMMEND ( 1 1) | ||||||||
No foot of man,) commend thyself to God! | 1 | 322 | 15 | SILE | ||||
COMMINGLED ( 2 1) | ||||||||
Commingled with pansies — | 1 | 458 | 64 | ANNIE | ||||
Commingled with pansy — | 1 | 458 | 64A | ANNIE | ||||
COMMITTED ( 1 1) | ||||||||
Dead, so to say, but having just committed | 1 | 283 | 75 | POLI | ||||
COMMON ( 8 8) | ||||||||
From us in life — but common — which doth lie | 1 | 78 | 21 | STAN | ||||
My passions from a common spring — | 1 | 146 | 4 | ALONE | ||||
(Logic and common usage so commanding) | 1 | 148 | 2 | ELIZA | ||||
From common passions | 1 | 259 | 64 | POLI | ||||
And she had not common sense — of that I’m sure | 1 | 277 | 34 | POLI | ||||
Had common sense or understanding when | 1 | 277 | 37 | POLI | ||||
In common sequence set, the letters lying, | 1 | 389 | 17 | VALA | ||||
Do tell I when shall we I make common I sense men I | 1 | 394 | 1 | MODD | ||||
COMMUNING ( 2 2) | ||||||||
In secret communing held — as he with it, | 1 | 77 | 2 | STAN | ||||
His spirit is communing with an angel's. | 1 | 400 | 18 | MLS | ||||
COMPANY ( 2 2) | ||||||||
Thy riotous company, too — fellows low born — | 1 | 258 | 20 | POLI | ||||
And sought his company. They speak of him | 1 | 259 | 58 | POLI | ||||
COMPARE ( 1 1) | ||||||||
Can compare with the bright-eyed Eulalie's | 1 | 349 | 13 | EULA | ||||
COMPASSION ( 2 2) | ||||||||
Had deem’d him, in compassion, aught | 1 | 34 | 249 | TAMA | ||||
Had deem’d him, in compassion, aught | 1 | 44 | 249 | TAMB | ||||
COMPELS ( 2 1) | ||||||||
What a world of solemn thought their monody compels! | 1 | 437 | 72 | BELLSEG | ||||
What a world of solemn thought their monody compels! | 1 | 437 | 72A-H7 | BELLSEG | ||||
COMPLETE ( 1 1) | ||||||||
Complete at night what he began A.M. | 1 | 11 | 53 | TEMP | ||||
COMPLETELY ( 1 1) | ||||||||
completely done for — I’ll die! | 1 | 253 | 17 | POLI | ||||
COMPLEX ( 1 1) | ||||||||
Man is a 1 complex, 1 compound, 1 compost, 1 | 1 | 339 | 1 | HEX | ||||
COMPOSE ( 1 1) | ||||||||
Compose a sound delighting all to hear — | 1 | 389 | 18 | VALA | ||||
COMPOSED ( 1 1) | ||||||||
can be com-/posed in English] | 1 | 393 | 23/24 | MODC | ||||
COMPOSEDLY ( 2 2) | ||||||||
And I rest so composedly, | 1 | 456 | 13 | ANNIE | ||||
And I lie so composedly, | 1 | 459 | 85 | ANNIE | ||||
COMPOST ( 1 1) | ||||||||
Man is a 1 complex, 1 compound, 1 compost, 1 | 1 | 339 | 1 | HEX | ||||
COMPOUND ( 1 1) | ||||||||
Man is a 1 complex, 1 compound, 1 compost, 1 | 1 | 339 | 1 | HEX | ||||
COMPREHEND ( 2 1) | ||||||||
If one could merely comprehend the plot. | 1 | 389 | 128C | VALA | ||||
If one could merely comprehend the plot. | 1 | 390 | 12 | VALG | ||||
CON ( 1 1) | ||||||||
Twirls into trunk-paper the while you con it.” | 1 | 425 | 8 | DUNCE | ||||
CONCEALED ( 1 1) | ||||||||
Of the dear names that lie concealed within ’t. | 1 | 425 | 14 | DUNCE | ||||
CONCEIVE ( 1 1) | ||||||||
Of those, who hardly will conceive | 1 | 34 | 258 | TAMA | ||||
CONDESCEND ( 1 1) | ||||||||
The wretch not even to deign to condescend | 1 | 276 | 17 | POLI | ||||
CONDESCENSION ( 1 1) | ||||||||
To one with such an air of condescension. | 1 | 277 | 33 | POLI | ||||
CONDOR ( 4 3) | ||||||||
Of late, eternal Condor years | 1 | 128 | 11 | ROMG | ||||
O, then the eternal Condor years | 1 | 128 | 11C | ROMG | ||||
O, then the eternal Condor years | 1 | 157 | 35 | INTRO | ||||
Flapping from out their Condor wings | 1 | 325 | 15 | WORM | ||||
CONDUCT ( 1 1) | ||||||||
His conduct there has damned him in my eyes. | 1 | 249 | 36 | POLI | ||||
CONFESS ( 4 4) | ||||||||
Still does my heart confess thy power | 1 | 17 | 4 | OCT | ||||
Now the unhappy shall confess | 1 | 192 | 27 | NISA | ||||
Now each visiter shall confess | 1 | 193 | 27 | NISB | ||||
Now each visiter shall confess | 1 | 195 | 9 | NISE | ||||
CONFIDENCE ( 1 1) | ||||||||
And confidence — his vows — my ruin — think — think | 1 | 263 | 88 | POLI | ||||
CONFOUNDED ( 1 1) | ||||||||
Ugo, a most confounded stupid man. | 1 | 248 | 13 | POLI | ||||
CONFUSED ( 1 1) | ||||||||
Crowding, confused became | 1 | 32 | 176 | TAMA | ||||
CONFUSEDLY ( 3 3) | ||||||||
Crowding confusedly became | 1 | 42 | 176 | TAMB | ||||
And so, confusedly, became | 1 | 50 | 148 | TAMF | ||||
And, so, confusedly, became | 1 | 57 | 125 | TAMH | ||||
CONNIVINGLY ( 1 1) | ||||||||
Connivingly my dreaming-book. | 1 | 158 | 66 | INTRO | ||||
CONQUERED ( 2 2) | ||||||||
And conquered her scruples and gloom; | 1 | 418 | 74 | ULA | ||||
Is conquered at last. | 1 | 456 | 6 | ANNIE | ||||
CONQUERER’S ( 1 1) | ||||||||
Had gilded with a conquerer's name, | 1 | 35 | 272 | TAMA | ||||
CONQUEROR ( 3 2) | ||||||||
Who entereth herein, a conqueror hath bin; | 1 | 319 | 1 | COUP | ||||
And its hero the Conqueror Worm. | 1 | 326 | 40 | WORM | ||||
Its hero the Conqueror Worm. | 1 | 326 | 40ABDH | WORM | ||||
CONSCIENCE ( 3 3) | ||||||||
Gives me these qualms of conscience. Be a man! | 1 | 255 | 82 | POLI | ||||
Like the grim shadow Conscience, solemn and noiseless. | 1 | 274 | 56 | POLI | ||||
What say of it? what say of CONSCIENCE grim, | 1 | 320 | 1 | MOTTO | ||||
CONSCIENCE’ ( 2 1) | ||||||||
Why dost thou turn so pale? Not Conscience’ self, | 1 | 274 | 60 | POLI | ||||
Why dost thou tremble thus? Not Conscience’ self, | 1 | 274 | 60Ax | POLI | ||||
CONSCIOUS ( 3 3) | ||||||||
A conscious slumber seems to take, | 1 | 183 | 14 | IRENE1 | ||||
A conscious slumber seems to take, | 1 | 187 | 14 | IRENE2 | ||||
I was not conscious of it. It is a fashion, | 1 | 257 | 8 | POLI | ||||
CONSEQUENCE ( 2 2) | ||||||||
The consequence of yestereve's debauch — | 1 | 255 | 81 | POLI | ||||
The consequence of any longer stay | 1 | 285 | 120 | POLI | ||||
CONSIDERATION ( 2 2) | ||||||||
For now, upon consideration, I think | 1 | 284 | 91 | POLI | ||||
Demanding due consideration, Ugo, | 1 | 284 | 96 | POLI | ||||
CONSPIRD ( 4 4) | ||||||||
The wild, the beautiful, conspire | 1 | 34 | 254 | TAMA | ||||
The wild, the terrible conspire | 1 | 44 | 255 | TAMB | ||||
The wild, the terrible, conspire | 1 | 51 | 175 | TAMF | ||||
The wild — the terrible conspire | 1 | 58 | 163 | TAMH | ||||
CONSTANT ( 3 1) | ||||||||
It trembled to one constant star again. | 1 | 112 | 197ACE | ALAAR | ||||
Shall be a constant theme of praise, | 1 | 235 | 7 | THOUA | ||||
Shall be a constant theme for praise, | 1 | 235 | 7D | THOUJ | ||||
CONSTITUTION ( 1 1) | ||||||||
The constitution as late hours and wine. | 1 | 258 | 16 | POLI | ||||
CONSUMMATION ( 1 1) | ||||||||
Think you, the consummation of these nuptials? | 1 | 250 | 55 | POLI | ||||
CONTAIN ( 4 4) | ||||||||
Of varied being, which contain | 1 | 32 | 165 | TAMA | ||||
Of varied being which contain | 1 | 41 | 165 | TAMB | ||||
The world and all it did contain, | 1 | 49 | 140 | TAMF | ||||
The world, and all it did contain | 1 | 57 | 117 | TAMH | ||||
CONTEMN ( 1 1) | ||||||||
A heaven that God doth not contemn | 1 | 199 | 14 | CITYA | ||||
CONTEMPLATION ( 3 3) | ||||||||
Of lofty contemplation left to Time | 1 | 228 | 2 | COLIS | ||||
and is lost in the contemplation of the jewels | 1 | 276 | 3d | POLI | ||||
Of lofty contemplation left to Time | 1 | 286 | 3 | POLI | ||||
CONTEMPTUOUS ( 1 1) | ||||||||
and regarding her/ mistress with a contemptuous look. | 1 | 260 | 15/16d | POLI | ||||
CONTENT ( 2 2) | ||||||||
Here he may revel to his heart's content, | 1 | 10 | 49 | TEMP | ||||
Honesty, poverty, and true content, | 1 | 254 | 54 | POLI | ||||
CONTENTED ( 1 1) | ||||||||
(Never-contented things!) | 1 | 141 | 44 | FAIRY1 | ||||
CONTENTEDLY ( 1 1) | ||||||||
And I rest so contentedly, | 1 | 459 | 89 | ANNIE | ||||
CONTINUALLY ( 2 2) | ||||||||
Serenest skies continually | 1 | 237 | 13 | TOF | ||||
Continually in her chamber with clasped hands | 1 | 249 | 48 | POLI | ||||
CONTINUES ( 1 1) | ||||||||
LALAGE continues to/ read.) | 1 | 260 | 16/17d | POLI | ||||
CONTINUING ( 1 1) | ||||||||
Continuing — as dreams have been to me | 1 | 68 | 10 | DREA | ||||
CONTRADICTION ( 1 1) | ||||||||
Besides my innate love of contradiction; | 1 | 148 | 6 | ELIZA | ||||
CONTRIVE ( 1 1) | ||||||||
Contrive to stir a little? let me help you? | 1 | 285 | 112 | POLI | ||||
CONTROL ( 1 0) | ||||||||
My spirit spurn’d control, | 1 | 79 | .2A | ADRE | ||||
CONTROUL ( 1 1) | ||||||||
Those thoughts I would controul, | 1 | 75 | 13 | IMIT | ||||
CONVERSE ( 4 4) | ||||||||
The moment's converse, in her eyes | 1 | 34 | 227 | TAMA | ||||
The moment's converse: in her eyes | 1 | 43 | 227 | TAMB | ||||
The moments’ converse — in her eyes | 1 | 50 | 160 | TAMF | ||||
The moment's converse; in her eyes | 1 | 58 | 148 | TAMH | ||||
COOL ( 1 1) | ||||||||
Some have left the cool glade, and | 1 | 110 | 140 | ALAAR | ||||
COPE ( 1 1) | ||||||||
To shun the fate, with which to cope | 1 | 26 | 4 | TAMA | ||||
CORE ( 1 1) | ||||||||
burned into my bosom's core; | 1 | 367 | 74 | RAVEN | ||||
CORNICE ( 2 1) | ||||||||
Lurk’d in each cornice, round each architrave — | 1 | 106 | 31 | ALAAR | ||||
Lurked in each cornice, round each architrave — | 1 | 106 | 318 | ALAAR | ||||
CORNICES ( 3 2) | ||||||||
These shattered cornices — this wreck — this ruin — | 1 | 229 | 29 | COLIS | ||||
These shatter’d cornices — this wreck — this ruin — | 1 | 229 | 29FGHK | COLIS | ||||
These shattered cornices, this wreck, this ruin, | 1 | 287 | 36 | POLI | ||||
CORONET ( 1 1) | ||||||||
A vacant coronet — | 1 | 335 | 19 | LENA | ||||
CORPORATE ( 1 1) | ||||||||
He is the corporate Silence: dread him not! | 1 | 322 | 10 | SILE | ||||
CORPSE ( 2 2) | ||||||||
The day is very sultry — and that a corpse | 1 | 285 | 115 | POLI | ||||
No matter! — not ungraceful in a corpse. | 1 | 285 | 125 | POLI | ||||
CORROSIVE ( 2 2) | ||||||||
By the corrosive Hours to Fate and me? | 1 | 229 | 32 | COLIS | ||||
By the corrosive hours to Fate and me? | 1 | 287 | 39 | POLI | ||||
CORSLET ( 1 1) | ||||||||
The corslet on his bosom bold | 1 | 301 | 3 | PARO | ||||
COST ( 2 2) | ||||||||
And dove-tailed coat, obtained at cost; while then | 1 | 11 | 67 | TEMP | ||||
D’ye hear — a cross which never cost a zecchin | 1 | 252 | 105 | POLI | ||||
COSTLY ( 1 1) | ||||||||
Of her “costly broider’d pall") | 1 | 206 | 14 | PAEAN | ||||
COT ( 1 1) | ||||||||
Something he spoke of the old cot: | 1 | 39 | 399 | TAMA | ||||
COTTAGER ( 3 3) | ||||||||
A cottager, I mark’d a throne | 1 | 33 | 205 | TAMA | ||||
A cottager, I mark’d a throne | 1 | 42 | 205 | TAMB | ||||
A cottager, I mark’d a throne | 1 | 57 | 130 | TAMH | ||||
COUCH ( 6 3) | ||||||||
Weary, I laid me on a couch to rest — | 1 | 6 | 2 | POET | ||||
Here where on ivory couch the Caesar sate | 1 | 228 | 21.IABC | COLIS | ||||
Here, where on golden couch the monarch lolled, | 1 | 228 | 22D | COLIS | ||||
Here, where on ivory couch the monarch loll’d, | 1 | 228 | 22FK | COLIS | ||||
Here where on ivory couch the Caesar sate | 1 | 286 | 27 | POLI | ||||
Into a western couch of thunder-cloud; | 1 | 446 | 49 | TOHEL | ||||
COUCHES ( 1 1) | ||||||||
On violet couches faint away. | 1 | 160 | 15 | MYST | ||||
COULD ( 39 36) | ||||||||
Tho’ then its passion could not be: | 1 | 30 | 111 | TAMA | ||||
The which I could not love the less, | 1 | 47 | 81 | TAMF | ||||
Could ever bribe me to define, | 1 | 48 | 94 | TAMF | ||||
How could I from that water bring | 1 | 48 | 96 | TAMF | ||||
When hope, the eagle that tower’d, could see | 1 | 51 | 193 | TAMF | ||||
When Hope, the eagle that tower’d, could see | 1 | 59 | 187 | TAMH | ||||
When towering Eagle-Hope could see | 1 | 59 | 187D | TAMH | ||||
Of Loveliness could see. | 1 | 66 | 8 | SONG | ||||
Of mine own thought — what more could I have seen? | 1 | 68 | 18 | DREA | ||||
What could there be more purely bright | 1 | 80 | 15 | ADRE | ||||
The which I could not love the less; | 1 | 84 | 3 | LAKEA | ||||
For him who thence could solace bring | 1 | 85 | 19 | LAKEA | ||||
Whose wild’ring thought could even make | 1 | 85 | 21 | LAKEA | ||||
Could teach or bribe me to define — | 1 | 86 | 16 | LAKEF | ||||
For him who thence could solace bring | 1 | 86 | 20 | LAKEF | ||||
Whose solitary soul could make | 1 | 86 | 22 | LAKEF | ||||
And long’d to rest, yet could but sparkle there! | 1 | 108 | 59 | ALAAR | ||||
Could angels be blest?) | 1 | 109 | 89 | ALAAR | ||||
Alone could see the phantom in the skies, | 1 | 114 | 254 | ALAAR | ||||
As others saw — I could not bring | 1 | 146 | 3 | ALONE | ||||
My sorrow — I could not awaken | 1 | 146 | 6 | ALONE | ||||
I could not love except where Death | 1 | 157 | 31 | INTRO | ||||
If I could dwell | 1 | 176 | 45 | ISRG | ||||
But the dream — it could not last! | 1 | 214 | TA-G | PARA | ||||
What could have put that creature in your head? | 1 | 253 | 24 | POLI | ||||
And pure as beautiful, how could she think — | 1 | 254 | 46 | POLI | ||||
How could she dream, being herself all truth | 1 | 254 | 47 | POLI | ||||
Most singular! I could not think it possible | 1 | 265 | 25 | POLI | ||||
So little time could so much alter one! | 1 | 265 | 26 | POLI | ||||
Thou askest me if I could speak of love, | 1 | 272 | 10 | POLI | ||||
Could the dishonoured Lalage abide? | 1 | 273 | 26 | POLI | ||||
Could you not, think you, by a desperate effort, | 1 | 285 | 111 | POLI | ||||
Would God I could awaken! | 1 | 308 | 37 | BRIDA | ||||
Would God I could awaken! | 1 | 309 | 28 | BRIDF | ||||
Could fling, all lavishly and free, | 1 | 385 | 2 | FSO | ||||
If one could merely understand the plot. | 1 | 389 | 12 | VALA | ||||
If one could merely comprehend the plot. | 1 | 389 | 12BC | VALA | ||||
If one could merely comprehend the plot. | 1 | 390 | 12 | VALG | ||||
Could hope to utter. And I! my spells are broken. | 1 | 407 | 16 | MARB | ||||
COULDN’T ( 1 1) | ||||||||
He thinks I’ll have him — but oh no! — I couldn’t. | 1 | 277 | 46 | POLI | ||||
COULDST ( 3 3) | ||||||||
O still more happy maiden who couldst die! | 1 | 260 | 13 | POLI | ||||
Lest I behold thee not; thou couldst not go | 1 | 275 | 93 | POLI | ||||
I knew thou wouldst not, couldst not, durst not go. | 1 | 275 | 100 | POLI | ||||
COUNT ( 26 26) | ||||||||
As for the Count San Ozzo who knocked me down | 1 | 248 | 4 | POLI | ||||
Well, master Rupert what have you done with the count? | 1 | 248 | 17 | POLI | ||||
RUPERT You think the Count Castiglione altered — | 1 | 249 | 30 | POLI | ||||
At all events the Count Castiglione | 1 | 251 | 81 | POLI | ||||
You do not mean to say the count my master | 1 | 251 | 84 | POLI | ||||
Of the Count. I’m (hiccup!) done with You Jacinto! | 1 | 251 | 89 | POLI | ||||
JACINTA. The count Castiglione, your sweet master | 1 | 252 | 118 | POLI | ||||
SAN OZZO Sir Count, | 1 | 254 | 26 | POLI | ||||
The Count San Ozzo. | 1 | 256 | 92 | POLI | ||||
The wine or the ashes! Ugo, send word to the Count | 1 | 257 | 114 | POLI | ||||
Ha! ha! ha! ha! — Ugo send word to the Count | 1 | 257 | 115 | POLI | ||||
Sir Count! what art thou dreaming? he's not well! | 1 | 258 | 33 | POLI | ||||
For he's sure the Count Castiglione never | 1 | 262 | 52 | POLI | ||||
As I was walking with the Count San Ozzo | 1 | 265 | 28 | POLI | ||||
“And tell the Count Castiglione I want him.” | 1 | 278 | 64 | POLI | ||||
Demanded but to die! — what sayeth the Count? | 1 | 279 | 10 | POLI | ||||
No mortal eyes have seen! — what said the Count? | 1 | 279 | 18 | POLI | ||||
The Count Castiglione will not fight, | 1 | 280 | 29 | POLI | ||||
Unto the Count — it is exceeding just | 1 | 280 | 36 | POLI | ||||
didst say, Sir Count? | 1 | 281 | 64 | POLI | ||||
I wish to see the Count — he’ll not admit me — | 1 | 283 | 64 | POLI | ||||
I’ll make this idiot go and tell the Count | 1 | 283 | 70 | POLI | ||||
In saying “Sir Count, your worthy servant Ugo | 1 | 284 | 86 | POLI | ||||
I will inform the Count — but not so fast — | 1 | 284 | 93 | POLI | ||||
Unto the Count — ha! — do you take me Sir! | 1 | 284 | 103 | POLI | ||||
The Count as I directed — you’ve departed | 1 | 285 | 133 | POLI | ||||
COUNTENANCE ( 1 1) | ||||||||
of the countenance it wore, | 1 | 366 | 44 | RAVEN | ||||
COUNTER ( 1 1) | ||||||||
As this for a neat, frisky counter-hopper; | 1 | 10 | 48 | TEMP | ||||
COUNTER-HOPPER ( 1 1) | ||||||||
As this for a neat, frisky counter-hopper; | 1 | 10 | 48 | TEMP | ||||
COUNTERS ( 2 1) | ||||||||
And hop o’er counters with a Vestris air, | 1 | 11 | 52 | TEMP | ||||
And hop o’er counters with a Vester's air, | 1 | 11 | 52C | TEMP | ||||
COUNTRY ( 1 1) | ||||||||
In my own country all the way | 1 | 162 | 30 | FAIRY2 | ||||
COUNT’S ( 1 1) | ||||||||
And pride should have a fall. The count's a rake | 1 | 250 | 67 | POLI | ||||
COUNTS ( 1 1) | ||||||||
(As she counts, | 1 | 277 | 30d | POLI | ||||
COUPLING ( 1 1) | ||||||||
How my heart beats in coupling those two words!) | 1 | 445 | 27 | TOHEL | ||||
COURAGE ( 1 1) | ||||||||
Thy servant maid! — but courage! — 'tis but a viper | 1 | 262 | 57 | POLI | ||||
COURSE ( 6 4) | ||||||||
He then, of course, must shake his foot instead. | 1 | 12 | 84 | TEMP | ||||
Of our boyhood, his course hath run: | 1 | 39 | 385 | TAMA | ||||
When first Al Aaraaf knew her course to be | 1 | 115 | 255 | ALAAR | ||||
When first Tophet-Nour knew her course to be | 1 | 115 | 25532 | ALAAR | ||||
When first the phantom's course was found to be | 1 | 115 | 255LMQ | ALAAR | ||||
COURSES ( 1 1) | ||||||||
And goads him to these courses. They say the Duke | 1 | 249 | 44 | POLI | ||||
COURT ( 1 1) | ||||||||
the camp — the court | 1 | 268 | 21 | POLI | ||||
COURTS ( 1 1) | ||||||||
To me, Politian, of thy camps and courts. | 1 | 268 | 28 | POLI | ||||
COUSIN ( 8 8) | ||||||||
His cousin Alessandra. She was the friend | 1 | 250 | 58 | POLI | ||||
To my cousin Alessandra? Honor's the thing! | 1 | 255 | 77 | POLI | ||||
Thy happiness! — what ails thee, cousin of mine? | 1 | 257 | 6 | POLI | ||||
CASTIGLIONE Nothing, fair cousin, nothing — | 1 | 258 | 17 | POLI | ||||
CASTIGLIONE Cousin! fair cousin! — madam! | 1 | 258 | 34 | POLI | ||||
Castiglione! call your cousin hither | 1 | 266 | 56 | POLI | ||||
Of brother, friend and cousin meet, — | 1 | 382 | 12 | VANE | ||||
COVERED ( 1 1) | ||||||||
She covered me warm, | 1 | 458 | 80 | ANNIE | ||||
COVERING ( 1 1) | ||||||||
And their moony covering | 1 | 141 | 30 | FAIRY1 | ||||
COVETED ( 2 2) | ||||||||
Coveted her and me. | 1 | 477 | 12 | LEEE | ||||
Coveted her and me. | 1 | 479 | 12 | LEEE | ||||
COWARD ( 5 4) | ||||||||
I do believe thee! — coward, I do believe thee! | 1 | 281 | 70 | POLI | ||||
CASTIGLIONE. Ha! — coward! — this may not be! | 1 | 281 | 71 | POLI | ||||
I am the veriest coward. O pity me! | 1 | 282 | 73 | POLI | ||||
I am — I am — a coward. O pity me! | 1 | 282 | 73B | POLI | ||||
Called him a coward on yesterday forenoon, | 1 | 283 | 67 | POLI | ||||
COWARDICE ( 1 1) | ||||||||
Dost hear? with cowardice — thou wilt not fight me? | 1 | 282 | 91 | POLI | ||||
CRACK ( 1 1) | ||||||||
At the masquerade, and afterwards crack a bottle | 1 | 257 | 119 | POLI | ||||
CRADLED ( 2 2) | ||||||||
Its spirit cradled me to sleep, | 1 | 29 | 71 | TAMA | ||||
Its spirit cradled me to sleep, | 1 | 40 | 71 | TAMB | ||||
CRAG ( 3 3) | ||||||||
Upon a mountain crag, young Angelo — | 1 | 112 | 191 | ALAAR | ||||
From crag to crag down the precipitous Time, | 1 | 377 | 2 | LINES | ||||
CRASH ( 1 1) | ||||||||
Hear the far generations — how they crash | 1 | 377 | 1 | LINES | ||||
CRAVE ( 3 2) | ||||||||
Good day! — I crave your patronage however | 1 | 255 | 60 | POLI | ||||
I crave thy pardon — indeed I am not well — | 1 | 258 | 35 | POLI | ||||
I crave your pardon — indeed I am not well — | 1 | 258 | 35Ax | POLI | ||||
CRAVEN ( 1 1) | ||||||||
thou,” I said, “art sure no craven, | 1 | 366 | 45 | RAVEN | ||||
CRAVING ( 2 2) | ||||||||
O craving heart for the lost flowers | 1 | 45 | 21 | TAMF | ||||
O craving heart, for the lost flowers | 1 | 54 | 21 | TAMH | ||||
CRAWLING ( 1 1) | ||||||||
A crawling shape intrude! | 1 | 326 | 26 | WORM | ||||
CREAM ( 1 1) | ||||||||
Fill with mingled cream and amber, | 1 | 450 | 1 | ALE | ||||
CREASES ( 1 1) | ||||||||
And then you will find your money in creases! | 1 | 378 | 4 | WALL | ||||
CREATURE ( 1 1) | ||||||||
What could have put that creature in your head? | 1 | 253 | 24 | POLI | ||||
CREATURES ( 2 2) | ||||||||
Who “had the sweetest voice of all God's creatures,” | 1 | 406 | 15 | MARA | ||||
Who has “the sweetest voice of all God's creatures,” | 1 | 407 | 15 | MARB | ||||
CREEP ( 7 5) | ||||||||
How bright! and yet to creep | 1 | 53 | 247 | TAMF | ||||
How few! and how they creep | 1 | 131 | 21 | SHOULD | ||||
How bright! and yet to creep | 1 | 131 | 21D | SHOULD | ||||
No icy worms about her creep: | 1 | 185 | 62 | IRENE1 | ||||
Soft may the worms about her creep! | 1 | 188 | 39E | IRENE2 | ||||
Soft may the worms about her creep! | 1 | 188 | 47 | IRENE2 | ||||
How few! yet how they creep | 1 | 452 | 16 | TAKE | ||||
CREEPING ( 1 1) | ||||||||
Where wild flowers, creeping, | 1 | 110 | 136 | ALAAR | ||||
CREPT ( 2 2) | ||||||||
How was it that Ambition crept, | 1 | 53 | 235 | TAMF | ||||
How was it that Ambition crept, | 1 | 61 | 240 | TAMH | ||||
CRESCENT ( 4 3) | ||||||||
His target was the crescent shell | 1 | 301 | 7 | PARO | ||||
Out of which a miraculous crescent | 1 | 416 | 35 | ULA | ||||
Ont of which a miraculous crescent | 1 | 416 | 35D | ULA | ||||
Astarte's bediamonded crescent, | 1 | 417 | 37 | ULA | ||||
CREST ( 1 1) | ||||||||
“Though thy crest be shorn and shaven, | 1 | 366 | 45 | RAVEN | ||||
CRESTED ( 1 1) | ||||||||
Triumphant, o’er the crested palls, | 1 | 188 | 52 | IRENE2 | ||||
CRIED ( 2 2) | ||||||||
“Wretch,” I cried, “thy God hath lent thee — | 1 | 368 | 81 | RAVEN | ||||
And I cried — “It was surely October, | 1 | 418 | 85 | ULA | ||||
CRIES ( 1 1) | ||||||||
A voice from out the Future cries, | 1 | 214 | 10 | PARA | ||||
CRIME ( 10 7) | ||||||||
Is more than crime may dare to dream, | 1 | 26 | 5 | TAMA | ||||
And bade it first to dream of crime, | 1 | 31 | 149 | TAMA | ||||
When falsehood were a ten-fold crime, | 1 | 32 | 190 | TAMA | ||||
And bade it first to dream of crime. | 1 | 41 | 149 | TAMB | ||||
My heart would feel to be a crime | 1 | 128 | 20 | ROMG | ||||
My heart hath fear’d to be a crime | 1 | 128 | 20C | ROMG | ||||
My heart half fear’d to be a crime | 1 | 157 | 44 | INTRO | ||||
From me — to titled age and crime, | 1 | 215 | 20.3B | PARA | ||||
From Love — to titled age and crime, | 1 | 215 | 20.3CEGLO | PARA | ||||
I feel it more than half a crime | 1 | 222 | 2 | SERE | ||||
CRIMSON ( 2 1) | ||||||||
“And wave this crimson canopy, | 1 | 184 | 35 | IRENE1 | ||||
“And wave the crimson canopy, | 1 | 184 | 35C | IRENE1 | ||||
CRISIS ( 1 1) | ||||||||
Thank Heaven! the crisis — | 1 | 456 | 1 | ANNIE | ||||
CRISPED ( 6 2) | ||||||||
The leaves they were crisped and sere — | 1 | 415 | 2 | ULA | ||||
The leaves they were crisped and sere — | 1 | 415 | 2AJ | ULA | ||||
The leaves they were crisped and sere — | 1 | 415 | 2BCG | ULA | ||||
As the leaves that were crisped and sere — | 1 | 418 | 83 | ULA | ||||
As the leaves that were crisped and sere — | 1 | 418 | 83AK | ULA | ||||
As the leaves that were crisped and sere — | 1 | 418 | 83BCG | ULA | ||||
CROAKING ( 1 1) | ||||||||
Meant in croaking “Nevermore.” | 1 | 367 | 72 | RAVEN | ||||
CROCODILE ( 1 1) | ||||||||
Their crocodile dew, | 1 | 335 | 18 | LENA | ||||
CROSS ( 9 9) | ||||||||
(Ah! will they cross me in my angrier path?) | 1 | 105 | 138 | ALAAR | ||||
You certainly see double. Here's a cross | 1 | 251 | 103 | POLI | ||||
A cross of rubies, you oaf! a cross of rubies! | 1 | 251 | 104 | POLI | ||||
D’ye hear — a cross which never cost a zecchin | 1 | 252 | 105 | POLI | ||||
(draws a cross-handled dagger and raises it on high;) | 1 | 264 | 13d | POLI | ||||
Thy raiments and thy ebony cross affright me! | 1 | 264 | 101 | POLI | ||||
Behold the cross wherewith a vow like mine | 1 | 264 | 106 | POLI | ||||
Several persons cross and recross the stage rapid-/ly. | 1 | 275 | 26/27d | POLI | ||||
CROSS-HANDLED ( 1 1) | ||||||||
(draws a cross-handled dagger and raises it on high.) | 1 | 264 | 13d | POLI | ||||
CROUCHED ( 1 1) | ||||||||
Low crouched on Earth, some violets lie, | 1 | 193 | 42 | NISB | ||||
CROUCHES ( 3 3) | ||||||||
And crouches to a keeper's hand — | 1 | 44 | 253 | TAMB | ||||
And crouches to a keeper's hand, | 1 | 50 | 173 | TAMF | ||||
And crouches to a keeper's hand — | 1 | 58 | 161 | TAMH | ||||
CROWD ( 5 4) | ||||||||
Not one, of all the crowd, to pry | 1 | 72 | 3 | SPIRD | ||||
Where all my love is folly and the crowd | 1 | 104 | 135 | ALAAR | ||||
That crowd around my earthly path — | 1 | 236 | 2 | TOF | ||||
That crowd around my earthly path — | 1 | 236 | 14.2BC | TOF | ||||
By a crowd that seize it not, | 1 | 325 | 20 | WORM | ||||
CROWDED ( 1 1) | ||||||||
Ianthe, beauty crowded on me then, | 1 | 113 | 225 | ALAAR | ||||
CROWDING ( 3 2) | ||||||||
Crowding, confused became | 1 | 32 | 176 | TAMA | ||||
Crowding confusedly became | 1 | 42 | 176 | TAMB | ||||
Crowding around my earthly path — | 1 | 236 | 2A | TOF | ||||
CROWN ( 13 13) | ||||||||
We walk’d together on the crown | 1 | 33 | 214 | TAMA | ||||
As nuptial dowry — a queen's crown, | 1 | 34 | 244 | TAMA | ||||
We walk’d together on the crown | 1 | 43 | 214 | TAMB | ||||
As nuptial dowry a queen's crown | 1 | 44 | 244 | TAMB | ||||
We walk’d together on the crown | 1 | 50 | 151 | TAMF | ||||
And donn’d a visionary crown — | 1 | SO | 168 | TAMF | ||||
We walk’d together on the crown | 1 | 58 | 139 | TAMH | ||||
And donn’d a visionary crown —— | 1 | 58 | 156 | TAMH | ||||
Wearing its own deep feeling as a crown. | 1 | 78 | 32 | STAN | ||||
Sat gently on these columns as a crown — | 1 | 106 | 21 | ALAAR | ||||
With its centre on the crown | 1 | 140 | 16 | FAIRY1 | ||||
With its centre on the crown | 1 | 162 | 52 | FAIRY2 | ||||
And on the spectral mountain's crown | 1 | 223 | 12 | SERE | ||||
CROWNS ( 2 2) | ||||||||
And laughter crowns the festive hour | 1 | 17 | 2 | OCT | ||||
Less than five thousand crowns! | 1 | 252 | 106 | POLI | ||||
CRUCIFIX ( 5 5) | ||||||||
Fills me with dread — thy ebony crucifix | 1 | 263 | 81 | POLI | ||||
Hast thou a crucifix fit for this thing? | 1 | 264 | 97 | POLI | ||||
A crucifix whereon to register | 1 | 264 | 98 | POLI | ||||
Stand back! I have a crucifix myself, — | 1 | 264 | 102 | POLI | ||||
I have a crucifix! Methinks ’twere fitting | 1 | 264 | 103 | POLI | ||||
CRUEL ( 2 2) | ||||||||
This mockery is most cruel! — most cruel indeed! | 1 | 272 | 4 | POLI | ||||
CRUMBLING ( 3 2) | ||||||||
These crumbling walls; these tottering arcades — | 1 | 229 | 26A-D | COLIS | ||||
These vague entablatures — this crumbling frieze — | 1 | 229 | 28 | COLIS | ||||
These crumbling walls — these tottering arcades | 1 | 286 | 33 | POLI | ||||
CRUSH ( 4 4) | ||||||||
Gurgled in my pleas’d ear the crush | 1 | 28 | 66 | TAMA | ||||
Gurgled in my pleas’d ear the crush | 1 | 40 | 66 | TAMB | ||||
Gurgled within my ear the crush | 1 | 47 | 65 | TAMF | ||||
Gurgled within my ear the crush | 1 | 55 | 61 | TAMH | ||||
CRY ( 9 8) | ||||||||
I’ll neither laugh with one or cry with t’other, | 1 | 10 | 26 | TEMP | ||||
I’ll neither laugh with one nor cry with t’other, | 1 | 10 | 26C | TEMP | ||||
And leap within me at the cry) | 1 | 28 | 58 | TAMA | ||||
The battle-cry of victory! | 1 | 28 | 59 | TAMA | ||||
And leap within me at the cry!) | 1 | 47 | 57 | TAMF | ||||
The battle cry of victory. | 1 | 47 | 58 | TAMF | ||||
And leap within me at the cry) | 1 | 55 | 53 | TAMH | ||||
The battle-cry of Victory! | 1 | SS | 54 | TAMH | ||||
Wakening the broad welkin with his loud battle cry; | 1 | 341 | 2 | CAMP | ||||
CRYSTAL ( 4 3) | ||||||||
Leave tenantless thy crystal home, and fly, | 1 | 105 | 143 | ALAAR | ||||
Far down within the crystal of the lake | 1 | 107 | 39.1B | ALAAR | ||||
Of crystal, wandering water, | 1 | 134 | 2 | TOFO | ||||
And crystal lakes, and over-arching forests, | 1 | 274 | 70 | POLI | ||||
CRYSTALLINE ( 3 3) | ||||||||
Let us bathe in this crystalline light! | 1 | 417 | 63 | ULA | ||||
With a crystalline delight; | 1 | 435 | 8 | BELLSEG | ||||
Upon those crystalline, celestial spheres! | 1 | 446 | 43 | TOHEL | ||||
CULTURED ( 1 1) | ||||||||
The fullness of a cultured mind, | 1 | 386 | 17 | FSO | ||||
CUMBER ( 1 1) | ||||||||
That cumber them too — | 1 | 109 | 87 | ALAAR | ||||
CUP ( 1 1) | ||||||||
Drinking the cup of pleasure to the dregs. | 1 | 259 | 60 | POLI | ||||
CUPID ( 1 1) | ||||||||
With Indian Cupid down the holy river — | 1 | 102 | 79 | ALAAR | ||||
CURE ( 1 1) | ||||||||
To cure his love — was cured of all beside — | 1 | 150 | 8 | ACROS | ||||
CURED ( 1 1) | ||||||||
To cure his love — was cured of all beside — | 1 | 150 | 8 | ACROS | ||||
CURIOUS ( 1 1) | ||||||||
Over many a quaint and curious | 1 | 364 | 2 | RAVEN | ||||
CURL ( 8 4) | ||||||||
For no ripples curl, alas! | 1 | 200 | 37 | CITYA | ||||
For no ripples curl, alas! | 1 | 202 | 36 | CITYH | ||||
No murmuring ripples curl, alas! | 1 | 202 | 36C | CITYH | ||||
Can vie with the modest Eulalie's most unregarded curl — | 1 | 349 | 12 | EULA | ||||
most unregarded curl — | 1 | 349 | 12AZ | EULA | ||||
most humble and careless curl — | 1 | 349 | 12Y | EULA | ||||
most humble and careless curl. | 1 | 349 | 13 | EULA | ||||
most vagrant and careless curl. | 1 | 349 | 13Y | EULA | ||||
CURLED ( 1 1) | ||||||||
Rich clouds, for canopies, about her curled — | 1 | 100 | 36 | ALAAR | ||||
CURLS ( 1 1) | ||||||||
Toss back his fine curls from his forehead fair | 1 | 11 | S1 | TEMP | ||||
CURRENT ( 1 1) | ||||||||
And spite all dogmas current in all ages, | 1 | 11 | 77 | TEMP | ||||
CURRENTS ( 1 1) | ||||||||
Their sulphurous currents down Yaanek, | 1 | 416 | 16 | ULA | ||||
CURSE ( 1 1) | ||||||||
It was my choice or chance or curse | 1 | 147 | 1 | LEA | ||||
CURTAIN ( 4 4) | ||||||||
Which thro’ some tatter’d curtain pries | 1 | 162 | 32 | FAIRY2 | ||||
And wave the curtain canopy | 1 | 187 | 24 | IRENE2 | ||||
The curtain, a funeral pall, | 1 | 326 | 35 | WORM | ||||
rustling of each purple curtain | 1 | 365 | 13 | RAVEN | ||||
CURTSEY ( 2 2) | ||||||||
Then “yes ma’am” I reply, and curtsey thus | 1 | 278 | 65 | POLI | ||||
One in a thousand for a dainty curtsey. | 1 | 278 | 67 | POLI | ||||
CUSHIONED ( 1 1) | ||||||||
Straight I wheeled a cushioned seat | 1 | 367 | 68 | RAVEN | ||||
CUSHION’S ( 1 1) | ||||||||
On the cushion's velvet lining | 1 | 368 | 76 | RAVEN | ||||
CUT ( 3 3) | ||||||||
The youth who cut the ribbon for her shoes! | 1 | 11 | 58 | TEMP | ||||
UGO. I’m going to cut — | 1 | 251 | 92 | POLI | ||||
UGO. To cut you altogether! | 1 | 251 | 93 | POLI | ||||
CYCLES ( 1 1) | ||||||||
“What tho’ in worlds which sightless cycles run, | 1 | 104 | 133 | ALAAR | ||||
CYPRESS ( 2 2) | ||||||||
Of cypress, I roamed with my Soul — | 1 | 416 | 11 | ULA | ||||
Of cypress, with Psyche, my Soul. | 1 | 416 | 12 | ULA |
∞∞∞∞∞∞∞
Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
∞∞∞∞∞∞∞
[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)