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| TEXT | V | PAGE | LINE | POEM | ||||
| GREEK ( 2 2) | ||||||||
| Called — I forget the heathenish Greek name — | 1 | 148 | 14 | ELIZA | ||||
| (VIII. Lines to show that “a truly Greek hexameter” | 1 | 393 | 23 | MODC | ||||
| GREEN ( 5 5) | ||||||||
| The Elfin from the green grass, and from me | 1 | 91 | 13 | SCI | ||||
| The dimness of this world: that greyish green | 1 | 106 | 29 | ALAAR | ||||
| Among the green leaves as they shake | 1 | 128 | 3 | ROMG | ||||
| Among the green leaves as they shake | 1 | 156 | 3 | INTRO | ||||
| A green isle in the sea, love, | 1 | 214 | 3 | PARA | ||||
| GREENER ( 1 1) | ||||||||
| And greener fields than in yon world above, | 1 | 114 | 229 | ALAAR | ||||
| GREENEST ( 1 1) | ||||||||
| In the greenest of our valleys | 1 | 315 | 1 | HAUNT | ||||
| GREENWOOD ( 1 0) | ||||||||
| The Elfin from the greenwood, and from me | 1 | 91 | 13BC | SCI | ||||
| GREW ( 11 11) | ||||||||
| We grew in age, and love together, | 1 | 30 | 120 | TAMA | ||||
| We grew in age and love together, | 1 | 49 | 123 | TAMF | ||||
| We grew in age — and love — together — | 1 | 56 | 96 | TAMH | ||||
| Perhaps my brain grew dizzy — but the world | 1 | 114 | 233 | ALAAR | ||||
| Then grew paler as it fell | 1 | 192 | 25 | NISA | ||||
| But she grew in feeble health, | 1 | 206 | 11 | PAEAN | ||||
| Presently my soul grew stronger; | 1 | 365 | 19 | RAVEN | ||||
| Then, methought, the air grew denser, | 1 | 368 | 79 | RAVEN | ||||
| Then my heart it grew ashen and sober | 1 | 418 | 82 | ULA | ||||
| Roses that grew in an enchanted garden, | 1 | 445 | 9 | TOHEL | ||||
| But he grew old — | 1 | 463 | 7 | ELDOR | ||||
| GREY ( 14 8) | ||||||||
| Witness the murmur of the grey twilight | 1 | 107 | 41 | ALAAR | ||||
| But, Angelo, than thine grey Time unfurl'd | 1 | 114 | 251 | ALAAR | ||||
| But, truly, Angelo, grey Time unfurl'd | 1 | 114 | 251A | ALAAR | ||||
| The black hath mellow'd into grey, | 1 | 158 | 48 | INTRO | ||||
| Grey towers are mouldering into rest, | 1 | 183 | 11 | IRENE1 | ||||
| Grey towers are mouldering into rest; | 1 | 187 | 12D | IRENE2 | ||||
| Through the grey chambers to my song, | 1 | 206 | 28.3A | PAEAN | ||||
| Are where thy grey eye glances, | 1 | 215 | 23 | PARA | ||||
| Lone amphitheatre! Grey Coliseum! | 1 | 228 | .1A | COLIS | ||||
| In years, but grey in fame. I have not seen him, | 1 | 259 | 47 | POLI | ||||
| In years, but grey in fame. I never saw him, | 1 | 259 | 47A | POLI | ||||
| In years, but grey in reputation. I have not seen him, | 1 | 259 | 47Ax | POLI | ||||
| These stones, alas! these grey stones are they all | 1 | 287 | 37 | POLI | ||||
| By the grey woods, — by the swamp | 1 | 344 | 27 | ROUTE | ||||
| GREYBEARD ( 2 2) | ||||||||
| Why not an imp the greybeard hath, | 1 | 158 | 63 | INTRO | ||||
| And even the greybeard will o’erlook | 1 | 158 | 65 | INTRO | ||||
| GREYISH ( 1 1) | ||||||||
| The dimness of this world: that greyish green | 1 | 106 | 29 | ALAAR | ||||
| GRIEF ( 13 8) | ||||||||
| And blossom of the fairy plant, in grief | 1 | 101 | 61 | ALAAR | ||||
| Disconsolate linger — grief that hangs her head, | 1 | 101 | 62 | ALAAR | ||||
| Disconsolate linger — grief that hangs her he, | 1 | 101 | 62E | ALAAR | ||||
| While yet my vapid joy and grief | 1 | 158 | 61 | INTRO | ||||
| Thou! thy truest type of grief | 1 | 160 | 26 | MYST | ||||
| Thy grief — if any — thy love | 1 | 174 | 31 | ISRA | ||||
| Thy grief, thy joy, thy hate, thy love, | 1 | 176 | 37 | ISRG | ||||
| To give thee cause for grief, my honoured friend. | 1 | 268 | 8 | POLI | ||||
| From grief and moan | 1 | 336 | 57 | LENA | ||||
| From grief and moan to a golden throne | 1 | 337 | 22H | LENK | ||||
| From grief and groan to a golden throne | 1 | 337 | 22J | LENK | ||||
| From grief and moan to a gold throne | 1 | 337 | 26C | LENK | ||||
| From grief and groan to a golden throne | 1 | 337 | 26FGL | LENK | ||||
| GRIEVE ( 4 4) | ||||||||
| I should so grieve about this little matter | 1 | 255 | 67 | POLI | ||||
| To grieve thee or to vex thee? — I am sorry. | 1 | 261 | 37 | POLI | ||||
| BALDAZZAR. Politian, it doth grieve me | 1 | 268 | 6 | POLI | ||||
| POLITIAN. Baldazzar, it does grieve me | 1 | 268 | 7 | POLI | ||||
| GRIEVES ( 1 1) | ||||||||
| Thy presence grieves me — go! — thy priestly raiment | 1 | 263 | 80 | POLI | ||||
| GRIEVOUSLY ( 1 1) | ||||||||
| Am I not — am I not sorely —grievously tempted | 1 | 282 | 83 | POLI | ||||
| GRIM ( 5 5) | ||||||||
| Whether with grim Heraclitus of yore | 1 | 9 | 13 | TEMP | ||||
| Like the grim shadow Conscience, solemn and noiseless. | 1 | 274 | 56 | POLI | ||||
| What say of it? what say of CONSCIENCE grim, | 1 | 320 | 1 | MOTTO | ||||
| Ghastly grim and ancient Raven | 1 | 366 | 46 | RAVEN | ||||
| What this grim, ungainly, ghastly, | 1 | 367 | 71 | RAVEN | ||||
| GRIMACE ( 1 1) | ||||||||
| But speak to him, he’ll make you such grimace, | 1 | 11 | 63 | TEMP | ||||
| GRIN ( 1 1) | ||||||||
| The page of life and grin at the dog-ears, | 1 | 10 | 17 | TEMP | ||||
| GROAN ( 6 3) | ||||||||
| From moan and groan to a golden throne | 1 | 337 | 22 | LENK | ||||
| From grief and groan to a golden throne | 1 | 337 | 22J | LENK | ||||
| From moan and groan to a golden throne | 1 | 337 | 26DE | LENK | ||||
| From grief and groan to a golden throne | 1 | 337 | 26FGL | LENK | ||||
| That groan as they roll down Mount Yaanek, | 1 | 416 | 18 | ULA | ||||
| Is a groan. | 1 | 437 | 78 | BELLSEG | ||||
| GROAN’D ( 1 0) | ||||||||
| It was the dead who groan'd within. | 1 | 188 | 60E | IRENE2 | ||||
| GROANED ( 1 1) | ||||||||
| It was the dead who groaned within. | 1 | 188 | 60 | IRENE2 | ||||
| GROANING ( 3 2) | ||||||||
| To the moaning and the groaning of the bells. | 1 | 438 | 112 | BELLSEG | ||||
| The moaning and groaning, | 1 | 456 | 19 | ANNIE | ||||
| The moaning and groaning, | 1 | 456 | 25AB | ANNIE | ||||
| GROUND ( S 4) | ||||||||
| Thy memory no more! Accursed ground | 1 | 311 | 11 | ZANTE | ||||
| Thy memory no more! Accursed ground | 1 | 311 | 11A-F | ZANTE | ||||
| Feet under ground — | 1 | 457 | 42 | ANNIE | ||||
| Down under ground. | 1 | 457 | 44 | ANNIE | ||||
| No spot of ground | 1 | 463 | 11 | ELDOR | ||||
| GROVE ( 3 3) | ||||||||
| Else how when in the holy grove, | 1 | 52 | 226 | TAMF | ||||
| Else how, when in the holy grove | 1 | 60 | 231 | TAMH | ||||
| In many a star-lit grove, or moon-lit dell; | 1 | 108 | 63 | ALAAR | ||||
| GROW ( 2 2) | ||||||||
| Whose failing sight will grow dim | 1 | 36 | 316 | TAMA | ||||
| The sands of Time grow dimmer as they run, | 1 | 105 | 140 | ALAAR | ||||
| GROWING ( 6 6) | ||||||||
| Till growing bold, he laugh'd and leapt | 1 | 53 | 237 | TAMF | ||||
| Till growing bold, he laughed and leapt | 1 | 61 | 242 | TAMH | ||||
| From the growing of grass | 1 | 110 | 125 | ALAAR | ||||
| On my grave is growing or grown — | 1 | 137 | 18 | TOMB | ||||
| That my voice is growing weak — | 1 | 206 | 15 | PAEAN | ||||
| BALDAZZAR. The hour is growing late — | 1 | 271 | 88 | POLI | ||||
| GROWL ( 2 2) | ||||||||
| But, taking one by each hand, merely growl. | 1 | 10 | 28 | TEMP | ||||
| Ah growl, say you, my friend, and pray at what? | 1 | 10 | 29 | TEMP | ||||
| GROWN ( 5 3) | ||||||||
| On my grave is growing or grown — | 1 | 137 | 18 | TOMB | ||||
| Where Love is a grown god — | 1 | 174 | 19 | ISRA | ||||
| Where Love's a grown-up God — | 1 | 176 | 25 | ISRG | ||||
| Where Love is a grown God — | 1 | 176 | 25C | ISRG | ||||
| And Love's a grown-up God — | 1 | 176 | 25DE | ISRG | ||||
| GROWN-UP ( 2 1) | ||||||||
| Where Love's a grown-up God — | 1 | 176 | 25 | ISRG | ||||
| And Love's a grown-up God — | 1 | 176 | 25DE | ISRG | ||||
| GROWS ( 6 4) | ||||||||
| Grows dim around me — death is near. | 1 | 27 | 16 | TAMA | ||||
| Bow'd down with its own glory grows. | 1 | 52 | 216 | TAMF | ||||
| (Drear path, alas! where grows | 1 | 237 | 3 | TOF | ||||
| (Sad path, alas! where grows | 1 | 237 | 3A | TOF | ||||
| (Sad path, alas! where grows | 1 | 237 | 14.3BC | TOF | ||||
| POLITIAN. This weakness grows upon me. I am faint, | 1 | 279 | 1 | POLI | ||||
| GUARD ( 2 2) | ||||||||
| Fairies guard the Queen of May, | 1 | 302 | 1 | MAY | ||||
| These should be thine, to guard and shield, | 1 | 386 | 25 | FSO | ||||
| GUESSING ( 3 2) | ||||||||
| And lest the guessing throw the fool in fits, | 1 | 12 | 91 | TEMP | ||||
| This I sat engaged in guessing, | 1 | 367 | 73 | RAVEN | ||||
| Thus I sat engaged in guessing, | 1 | 367 | 73HU | RAVEN | ||||
| GUIDE ( 6 5) | ||||||||
| Of Beauty, which did guide it, through | 1 | 33 | 211 | TAMA | ||||
| Of Beauty, which did guide it thro’ | 1 | 42 | 211 | TAMB | ||||
| Thy grace did guide, to thins and thee; | 1 | 217 | 8 | HYMN | ||||
| Thy love did guide to thine and thee; | 1 | 217 | 8A-D | HYMN | ||||
| God guide the soul that ne’er forgets. C. . A | 1 | 403 | 8 | PHYS | ||||
| That cannot but guide us aright | 1 | 418 | 70 | ULA | ||||
| GUIDING ( 1 1) | ||||||||
| A lonely spirit guiding. | 1 | 79 | 12 | ADRE | ||||
| GUILELESS ( 1 1) | ||||||||
| The grandeur of a guileless soul, | 1 | 386 | 21 | FSO | ||||
| GUILT ( 1 1) | ||||||||
| Lest the stars totter in the guilt of man!” | 1 | 105 | 150 | ALAAR | ||||
| GUILTY ( 2 2) | ||||||||
| Like guilty beauty, chasten'd, and more fair: | 1 | 101 | 65 | ALAAR | ||||
| What guilty spirit, in what shrubbery dim, | 1 | 112 | 174 | ALAAR | ||||
| GUISE ( 5 5) | ||||||||
| But mystically, in such guise, | 1 | 33 | 225 | TAMA | ||||
| Ere, in a peasant's lowly guise, | 1 | 38 | 360 | TAMA | ||||
| But mystically, in such guise, | 1 | 43 | 225 | TAMB | ||||
| But mystically, in such guise | 1 | 50 | 158 | TAMF | ||||
| But mystically — in such guise | 1 | 58 | 146 | TAMH | ||||
| GUITAR ( 1 1) | ||||||||
| Who play'd on the guitar! most excellent wine! | 1 | 250 | 66 | POLI | ||||
| GULF ( 3 3) | ||||||||
| And in its gulf a fitting grave | 1 | 85 | 18 | LAKEA | ||||
| And in its gulf a fitting grave | 1 | 86 | 19 | LAKEF | ||||
| (Dim gulf!) my spirit hovering lies | 1 | 214 | 12 | PARA | ||||
| GULISTAN C 1 1) | ||||||||
| With Persian Saadi in his Gulistan: | 1 | 113 | 209 | ALAAR | ||||
| GURGLED C 4 4) | ||||||||
| Gurgled in my pleas'd ear the crush | 1 | 28 | 66 | TAMA | ||||
| Gurgled in my pleas'd ear the crush | 1 | 40 | 66 | TAMB | ||||
| Gurgled within my ear the crush | 1 | 47 | 65 | TAMF | ||||
| Gurgled within my ear the crush | 1 | SS | 61 | TAMH | ||||
| GUSH C 2 1) | ||||||||
| What a gush of euphony voluminously wells! | 1 | 436 | 26 | BELLSEG | ||||
| What a gush of euphony voluminously wells! | 1 | 436 | 26A-HJ | BELLSEG | ||||
| GUSH’D C 2 2) | ||||||||
| Gush'd shoutingly a thousand rills, | 1 | 33 | 220 | TAMA | ||||
| Gush'd shoutingly a thousand rills, | 1 | 43 | 220 | TAMB | ||||
| GUSHING ( 3 2) | ||||||||
| Fountains were gushing music as they fell | 1 | 108 | 62 | ALAAR | ||||
| Are gushing — strange! with tears — | 1 | 136 | 10 | TOMB | ||||
| Be gushing, oh! with tears | 1 | 136 | 10A | TOMB | ||||
| GUY ( 2 2) | ||||||||
| And, Guy de Vere, | 1 | 335 | 9 | LENA | ||||
| And, Guy De Vere, hast thou no tear? | 1 | 336 | 3 | LENK | ||||
| HA ( 51 51) | ||||||||
| Ha! ha! ha! ha! — a most superlative joke! | 1 | 253 | 2 | POLI | ||||
| Ha! ha! ha! ha! — Oh, I shall die of laughing! | 1 | 253 | 4 | POLI | ||||
| Not you! — ha! ha! ha! ha! — I’ll die, I’ll die! | 1 | 253 | 7 | POLI | ||||
| Ha! ha! you understand? | 1 | 254 | 31 | POLI | ||||
| You merry devil! ha! ha! he makes me laugh | I | 255 | 64 | POLI | ||||
| Ha! ha! ha! ha! too bad upon my soul! | 1 | 257 | 111 | POLI | ||||
| Ha! ha! ha! ha! — Ugo send word to the Count | 1 | 257 | 115 | POLI | ||||
| With him and the buffo-singer. Ha! ha! ha! | 1 | 257 | 120 | POLI | ||||
| Ha! ha! ha! ha! I can’t be angry with him! | 1 | 257 | 122 | POLI | ||||
| Ha! here at least's a friend — too much a friend | 1 | 262 | 59 | POLI | ||||
| CASTIGLIONE. Ha! ha! — now did I? | 1 | 265 | 19 | POLI | ||||
| Having just arrived in Rome. Ha! ha! he is altered! | 1 | 265 | 31 | POLI | ||||
| DUKE. Ah — ha! most welcome | 1 | 266 | 52 | POLI | ||||
| What need we more? Ha! glory! — now speak not of it! | 1 | 273 | 35 | POLI | ||||
| My womanly weakness. Ha! ha! thou, art not gone — | 1 | 275 | 98 | POLI | ||||
| Having given thee no offence. Ha! — am I right? | 1 | 281 | 55 | POLI | ||||
| CASTIGLIONE. Ha! — draw? — and villain? | 1 | 281 | 58 | POLI | ||||
| Didst say thou darest not? Ha! | 1 | 281 | 66 | POLI | ||||
| CASTIGLIONE. Ha! — coward! — this may not be! | 1 | 281 | 71 | POLI | ||||
| The matter possible. Ha! ha! I have it! | 1 | 283 | 63 | POLI | ||||
| Unto the Count — ha! — do you take me Sir! | 1 | 284 | 103 | POLI | ||||
| And all that sort of thing — ha! ha! ha! ha! | 1 | 285 | 135 | POLI | ||||
| HABILIMENTS ( 1 0) | ||||||||
| To thy habiliments — they are over plain | 1 | 258 | 24A2x | POLI | ||||
| HABITS ( 1 1) | ||||||||
| His low debaucheries — his gambling habits | 1 | 249 | 40 | POLI | ||||
| HADES ( 1 0) | ||||||||
| All Hades from a thousand thrones | 1 | 200 | 558 | CITYA | ||||
| HAD’ST ( 1 1) | ||||||||
| But that in heav’n thou had'st thy birth, | 1 | 224 | 11 | SLEEP | ||||
| HAGGARD ( 2 1) | ||||||||
| Thy looks are haggard — nothing so wears away | 1 | 258 | 15 | POLI | ||||
| And the seraphs, all haggard and wan, | 1 | 326 | 37A | WORM | ||||
| HAIL ( 1 1) | ||||||||
| Of all who hail thy presence as the morning — | 1 | 400 | 1 | MLS | ||||
| HAIR ( 21 15) | ||||||||
| Hath nestled in my very hair. | 1 | 46 | 44 | TAMF | ||||
| In the tangles of Love's very hair? | 1 | 53 | 238 | TAMF | ||||
| Have nestled in my very hair. | 1 | 55 | 40 | TAMH | ||||
| Hath nestled in my very hair. | 1 | 55 | 40CE | TAMH | ||||
| In the tangles of Love's very hair? | 1 | 61 | 243 | TAMH | ||||
| In the tangles of Love's brilliant hair? | 1 | 61 | 243E | TAMH | ||||
| Like woman's hair 'mid pearls, until, afar, | 1 | 100 | 33 | ALAAR | ||||
| The fairy light that kiss'd her golden hair | 1 | 108 | 58 | ALAAR | ||||
| The brilliant light that kiss'd her golden hair | 1 | 108 | 58F | ALAAR | ||||
| And looks so sweetly down on Beauty's hair — | 1 | 112 | 187 | ALAAR | ||||
| So softly that no single silken hair | 1 | 113 | 212 | ALAAR | ||||
| Thy hair is lifted by the moon | 1 | 161 | 7 | FAIRY2 | ||||
| Thy hyacinth hair, thy classic face, | 1 | 166 | 7 | HELF | ||||
| And the life upon her hair. | 1 | 206 | 28A | PAEAN | ||||
| Here, where the dames of Rome their gilded hair | 1 | 228 | 20 | COLIS | ||||
| Here, where the dames of Rome their yellow hair | 1 | 228 | 20A-D | COLIS | ||||
| Here where the dames of Rome their yellow hair | 1 | 286 | 25 | POLI | ||||
| Upon her hair, | 1 | 336 | 42 | LENA | ||||
| The life upon her yellow hair, but not within her eyes — | 1 | 337 | 18 | LENK | ||||
| The life upon her yellow hair, but not upon her eyes — | 1 | 337 | 18C | LENK | ||||
| The life still there upon her hair, | 1 | 337 | 19 | LENK | ||||
| HAIRED ( 1 1) | ||||||||
| Till the yellow-haired young Eulalie | 1 | 349 | 5 | EULA | ||||
| HALF ( 27 22) | ||||||||
| Would seem to my half closing eye | 1 | 28 | 51 | TAMA | ||||
| Laughing at her half silly wiles, | 1 | 30 | 129 | TAMA | ||||
| Of half the world, as all my own, | 1 | 33 | 206 | TAMA | ||||
| Of half the world as all my own | 1 | 42 | 206 | TAMB | ||||
| Appear'd to my half-closing eye | 1 | 46 | 50 | TAMF | ||||
| Appeared to my half-closing eye | 1 | 55 | 46 | TAMH | ||||
| Seem'd then to my half-closing eye | 1 | 55 | 46E | TAMH | ||||
| Of half the world as all my own, | 1 | 57 | 131 | TAMH | ||||
| But I will half believe that wild light fraught | 1 | 77 | 11 | STAN | ||||
| With half closing eyes, | 1 | 108 | 73 | ALAAR | ||||
| One half the garden of her globe was flung | 1 | 113 | 222 | ALAAR | ||||
| And half I wish'd to be again of men.” | 1 | 113 | 226 | ALAAR | ||||
| And half I wished to be again of men.” | 1 | 113 | 226E | ALAAR | ||||
| My heart half fear'd to be a crime | 1 | 157 | 44 | INTRO | ||||
| He would not sing one half as well — | 1 | 175 | 41 | ISRA | ||||
| One half as passionately, | 1 | 175 | 42 | ISRA | ||||
| He might not sing one half so well | 1 | 177 | 48C | ISRG | ||||
| One half so passionately, | 1 | 177 | 49C | ISRG | ||||
| I feel it more than half a crime | 1 | 222 | 2 | SERE | ||||
| The day is not half done, — stay I can tell | 1 | 276 | 7 | POLI | ||||
| And then if he's not gone in half a moment | 1 | 278 | 80 | POLI | ||||
| Over fabric half so fair! | 1 | 315 | 8 | HAUNT | ||||
| “Half an idea in the profoundest sonnet. | 1 | 425 | 2 | DUNCE | ||||
| I saw thee half reclining; while the moon | 1 | 445 | 18 | TOHEL | ||||
| I see thee half reclining; while the moon | 1 | 445 | 18B | TOHEL | ||||
| The angels, not half so happy in Heaven, | 1 | 478 | 21 | LEEA | ||||
| The angels, not half so happy in Heaven, | 1 | 479 | 21 | LEEE | ||||
| HALF-CLOSING ( 3 2) | ||||||||
| Appear'd to my half-closing eye | 1 | 46 | 50 | TAMF | ||||
| Appeared to my half-closing eye | 1 | 55 | 46 | TAMH | ||||
| Seem'd then to my half-closing eye | 1 | 55 | 46E | TAMH | ||||
| HALIDOM ( 1 1) | ||||||||
| POLITIAN. Now by my halidom | 1 | 281 | 69 | POLI | ||||
| HALL ( 8 7) | ||||||||
| Within the centre of that hall to breathe | 1 | 108 | 56 | ALAAR | ||||
| Within the centre of this hall to breathe | 1 | 108 | 56F | ALAAR | ||||
| On th’ Arabesque carving of a gilded hall | 1 | 113 | 204 | ALAAR | ||||
| “For strangely — fearfully in this hall | 1 | 184 | 39 | IRENE1 | ||||
| Down in the hall, Sir, — you’re to have your choice | 1 | 256 | 101 | POLI | ||||
| ROME. — A Hall in a Palace. ALESSANDRA and CASTIGLIONE. | 1 | 257 | 16d | POLI | ||||
| Thy presence is expected in the hall | 1 | 271 | 89 | POLI | ||||
| [The Hall of Di Broglio's Palace. UGO and SAN OZZO.] | 1 | 282 | 30d | POLI | ||||
| HALLOW’D ( 4 3) | ||||||||
| The hallow'd mem’ry of those years | 1 | 31 | 136 | TAMA | ||||
| And hallow'd all the beauty twice again, | 1 | 106 | 25 | ALAAR | ||||
| Amid its hallow'd mirth, | 1 | 336 | 51 | LENA | ||||
| amid its hallow'd mirth | 1 | 337 | 22G | LENK | ||||
| HALLOWED ( 3 2) | ||||||||
| To join the all-hallowed mirth | 1 | 207 | 35 | PAEAN | ||||
| amid its hallowed mirth | 1 | 337 | 22C-FL | LENK | ||||
| amid its hallowed mirth | 1 | 337 | 23 | LENK | ||||
| HALLS ( 9 7) | ||||||||
| And Nesace is in her halls again. | 1 | 107 | 51 | ALAAR | ||||
| I left her gorgeous halls — nor mourn'd to leave. | 1 | 113 | 201 | ALAAR | ||||
| I left her gorgeous halls — nor mourun'd to leave. | 1 | 113 | 201E | ALAAR | ||||
| Over hamlets, over halls, | 1 | 140 | 20 | FAIRY1 | ||||
| Over hamlets, and rich halls, | 1 | 140 | 20CP | FAIRY1 | ||||
| Drowsily over halls — | 1 | 162 | 59 | FAIRY2 | ||||
| Up domes — up spires — up kingly halls — | 1 | 200 | 26 | CITYA | ||||
| Up domes — up spires — up kingly halls — | 1 | 201 | 17 | CITYH | ||||
| How, in thy father's halls, among the maidens | 1 | 272 | 24 | POLI | ||||
| HALO ( 2 2) | ||||||||
| Halo of Hell! and with a pain | 1 | 45 | 19 | TAMF | ||||
| Halo of Hell! and with a pain | 1 | 54 | 19 | TAMH | ||||
| HAMADRYAD ( 2 1) | ||||||||
| And driven the Hamadryad from the wood | 1 | 91 | 10 | SCI | ||||
| And driv’n the Hamadryad from the wood | 1 | 91 | 10ADE | SCI | ||||
| HAMLETS ( 3 2) | ||||||||
| Embrac'd two hamlets — those our own — | 1 | 33 | 222 | TAMA | ||||
| Over hamlets, over halls, | 1 | 140 | 20 | FAIRY1 | ||||
| Over hamlets, and rich halls, | 1 | 140 | 20CF | FAIRY1 | ||||
| HAND ( 33 29) | ||||||||
| But, taking one by each hand, merely growl. | 1 | 10 | 28 | TEMP | ||||
| The pretty little hand that sold her tape, | 1 | 11 | 56 | TEMP | ||||
| Her own fair hand had rear'd around, | 1 | 33 | 219 | TAMA | ||||
| Above all cities? in her hand | 1 | 37 | 329 | TAMA | ||||
| Her magic hand had rear'd around | 1 | 43 | 219 | TAMB | ||||
| And crouches to a keeper's hand — | 1 | 44 | 253 | TAMB | ||||
| Above all cities? in her hand | 1 | 44 | 329 | TAMB | ||||
| And crouches to a keeper's hand, | 1 | 50 | 173 | TAMF | ||||
| And I held within my hand | 1 | 53 | 245 | TAMF | ||||
| And crouches to a keeper's hand — | 1 | 58 | 161 | TAMH | ||||
| Above all cities? in her hand | 1 | 59 | 167 | TAMH | ||||
| And I hold within my hand | 1 | 131 | 19 | SHOULD | ||||
| And I held within my hand | 1 | 131 | 19D | SHOULD | ||||
| The agate lamp within thy hand! | 1 | 166 | 13 | HELF | ||||
| The folded scroll within thy hand! | 1 | 166 | 13ABC | HELF | ||||
| The agate book within thy hand! | 1 | 166 | 13G | HELF | ||||
| The hand that traced inexorable rage; | 1 | 221 | 2 | ENIGMA | ||||
| (places her hand on his shoulder) | 1 | 258 | 30d | POLI | ||||
| Your hand from off my shoulder, if you please. | 1 | 258 | 36 | POLI | ||||
| on/ which lie some books and a hand mirror. | 1 | 260 | 5/ 6d | POLI | ||||
| Will hand them toyour Grace. I would retire. | 1 | 267 | 64 | POLI | ||||
| To die ere I have lived! — Stay — stay thy hand, | 1 | 279 | 3 | POLI | ||||
| Hold off — thy sacred hand! — avaunt I say! | 1 | 281 | 62 | POLI | ||||
| Hold off — hold off thy hand! — avaunt I say! | 1 | 281 | 62B | POLI | ||||
| Hold off thy hand — with that beloved name | 1 | 281 | 67 | POLI | ||||
| For in the fight I will not raise a hand | 1 | 282 | 79 | POLI | ||||
| Lend me your hand, Sir, do! | 1 | 285 | 122 | POLI | ||||
| The ring is on my hand, | 1 | 307 | 1 | BRIDA | ||||
| The ring is on my hand, | 1 | 308 | 1 | BRIDF | ||||
| Lo! the ring is on my hand, | 1 | 308 | 25 | BRIDA | ||||
| The pen falls powerless from my shivering hand. | 1 | 407 | 17 | MARB | ||||
| The pen falls powerless from my shivering hand — | 1 | 407 | 22 | MARA | ||||
| And I hold within my hand | 1 | 452 | 14 | TAKE | ||||
| HANDLED ( 1 1) | ||||||||
| (draws a cross-handled dagger and raises it on high.) | 1 | 264 | 13d | POLI | ||||
| HANDS ( 4 4) | ||||||||
| Continually in her chamber with clasped hands | 1 | 249 | 48 | POLI | ||||
| (he hands her his own.) | 1 | 264 | 5d | POLI | ||||
| upon one/ of her hands, which is ungloved. | 1 | 276 | 3/ 4d | POLI | ||||
| Keeps your cash in your hands, | 1 | 378 | 6 | WALL | ||||
| HANG ( 4 3) | ||||||||
| So eagerly around about to hang | 1 | 101 | 45 | ALAAR | ||||
| But hang on the heart. | 1 | 109 | 99CE | ALAAR | ||||
| “Not all the memories that hang upon | 1 | 229 | 44 | COLIS | ||||
| Not all the memories that hang upon | 1 | 287 | 51 | POLI | ||||
| HANGING ( 1 1) | ||||||||
| and looks at a watch hanging ily her side,) | 1 | 276 | Sd | POLI | ||||
| HANGS ( 8 6) | ||||||||
| How it hangs upon the trees, | 1 | 73 | 27 | SPIRD | ||||
| To a fervor by the moon beam that hangs o’er, | 1 | 77 | 10 | STAN | ||||
| Disconsolate linger — grief that hangs her head, | 1 | 101 | 62 | ALAAR | ||||
| Disconsolate linger — grief that hangs her he, | 1 | 101 | 62E | ALAAR | ||||
| To the lone oak that nodding hangs, | 1 | 183 | 208C | IRENE1 | ||||
| Which hangs like chains of pearls on Hermon hill.” | 1 | 261 | 34 | POLI | ||||
| That hangs like chains of pearl on Hermon hill” | 1 | 406 | 10 | MARA | ||||
| That hangs like chains of pearl on Hermon hill” — | 1 | 407 | 10 | MARB | ||||
| HAPLESS ( 4 4) | ||||||||
| My passions, from that hapless hour, | 1 | 29 | 78 | TAMA | ||||
| My passions, from that hapless hour | 1 | 40 | 78 | TAMB | ||||
| My passions from that hapless hour | 1 | 47 | 69 | TAMF | ||||
| My passions, from that hapless hour, | 1 | 55 | 65 | TAMH | ||||
| HAPLY ( 3 3) | ||||||||
| Thus, haply, while in sleep she dream'd | 1 | 36 | 293 | TAMA | ||||
| As in a leader, haply — Power | 1 | 37 | 344 | TAMA | ||||
| As in a leader, haply; Power | 1 | 45 | 344 | TAMB | ||||
| HAPPIER ( 7 5) | ||||||||
| To seek a shelter in some happier star? | 1 | 91 | 11 | SCI | ||||
| To seek for shelter in some happier star? | 1 | 91 | 11BC | SCI | ||||
| Are happier, sweet, than I — | 1 | 136 | 6 | TOMB | ||||
| Are happier, sweet, than I, | 1 | 137 | 6 | TOMD | ||||
| Upon a far-off happier sea: | 1 | 200 | 40 | CITYA | ||||
| Upon some far-off happier sea — | 1 | 202 | 39 | CITYH | ||||
| Upon a far-off happier sea — | 1 | 202 | 39C | CITYH | ||||
| HAPPIEST ( 7 7) | ||||||||
| The happiest day — the happiest hour | 1 | 81 | 1 | HAPP | ||||
| The happiest day — the happiest hour | 1 | 81 | 13 | HAPP | ||||
| Now happiest, loveliest in yon lovely Earth, | 1 | 100 | 30 | ALAAR | ||||
| Oh, I’m the happiest, happiest man in Rome! | 1 | 257 | 2 | POLI | ||||
| HAPPILY ( 2 1) | ||||||||
| And so it lies happily, | 1 | 458 | 67 | ANNIE | ||||
| And so I lie happily, | 1 | 458 | 67A | ANNIE | ||||
| HAPPINESS ( 7 6) | ||||||||
| Though happiness around thee lay, | 1 | 66 | 3 | SONG | ||||
| Though happiness around thee lay, | 1 | 66 | 15 | SONG | ||||
| Thy happiness! — what ails thee, cousin of mine? | 1 | 257 | 6 | POLI | ||||
| Is Happiness now, and will be Freedom hereafter | 1 | 274 | 73 | POLI | ||||
| Of archangels, in happiness wrapt. | 1 | 304 | 3 | HARK | ||||
| What a world of happiness their harmony foretells! | 1 | 435 | 17 | BELLSEG | ||||
| What a world of happiness their harmony foretells! | 1 | 435 | 17A-HJ | BELLSEG | ||||
| HAPPY ( 34 31) | ||||||||
| And happy beauty (for to me | 1 | 32 | 161 | TAMA | ||||
| Peacefully happy — yet alone — | 1 | 33 | 223 | TAMA | ||||
| And happy beauty — (for to me | 1 | 41 | 161 | TAMB | ||||
| I have been happy — tho’ but in a dream. | 1 | 69 | 27 | DREA | ||||
| I have been happy — tho’ in a dream. | 1 | 69 | 27A | DREA | ||||
| I have been happy — and I love the theme — | 1 | 69 | 28 | DREA | ||||
| To happy flowers that night — and tree to tree; | 1 | 108 | 61 | ALAAR | ||||
| And Death to some more happy clime | 1 | 200 | 57 | CITYA | ||||
| Oh! I am very happy! — sad? — not I | 1 | 257 | 2.1A | POLI | ||||
| Will make thee mine. Oh, I am very happy! | 1 | 257 | 4 | POLI | ||||
| When I am very happy. Did I sigh? | 1 | 257 | 10 | POLI | ||||
| O happy land! She died! — the maiden died! | 1 | 260 | 12 | POLI | ||||
| O still more happy maiden who couldst die! | 1 | 260 | 13 | POLI | ||||
| Said “I am most superlatively happy | 1 | 277 | 42 | POLI | ||||
| And I am happy now! | 1 | 307 | 6 | BRIDA | ||||
| And who is happy now! | 1 | 307 | 12 | BRIDA | ||||
| “O, I am happy now!” | 1 | 307 | 18 | BRIDA | ||||
| And I am happy now. | 1 | 308 | 5 | BRIDF | ||||
| If I am not happy now! | 1 | 308 | 24 | BRIDA | ||||
| And I must be happy now! | 1 | 308 | 30 | BRIDA | ||||
| That droves me happy now! | 1 | 308 | 36 | BRIDA | ||||
| May not be happy now! | 1 | 308 | 42 | BRIDA | ||||
| And who is happy now. | 1 | 309 | 12 | BRIDF | ||||
| “Oh, I am happy now!” | 1 | 309 | 19 | BRIDF | ||||
| That I am happy now! — | 1 | 309 | 25 | BRIDF | ||||
| That proves me happy now! | 1 | 309 | 27 | BRIDF | ||||
| May not be happy now. | 1 | 309 | 33 | BRIDF | ||||
| Wanderers in that happy valley, | 1 | 316 | 17 | HAUNT | ||||
| All wanderers in that happy valley, | 1 | 316 | 17A | HAUNT | ||||
| Thine should be length of happy days, | 1 | 385 | 5 | FSO | ||||
| In a happy Runic rhyme, | 1 | 438 | 106 | BELLSEG | ||||
| The happy flowers and the repining trees, | 1 | 446 | 33 | TOHEL | ||||
| The angels, not half so happy in Heaven, | 1 | 478 | 21 | LEEA | ||||
| The angels, not half so happy in Heaven, | 1 | 479 | 21 | LEEE | ||||
| HARD ( 2 2) | ||||||||
| BENITO. Faith that's a question, Ugo, hard to answer, | 1 | 248 | 2 | POLI | ||||
| It was hard by the dim lake of Auber, | 1 | 416 | 6 | ULA | ||||
| HARDLY ( 3 2) | ||||||||
| Of those, who hardly will conceive | 1 | 34 | 258 | TAMA | ||||
| I hardly have had time for cares | 1 | 128 | 14ABJ | ROMG | ||||
| I hardly know myself. Stay! was it not | 1 | 264 | 2 | POLI | ||||
| HARK ( 3 2) | ||||||||
| And hark! the sounds so low yet clear, | 1 | 185 | 25.18C | IRENE1 | ||||
| Hark, echo! — Hark, echo! | 1 | 304 | 1 | HARK | ||||
| HARKEN ( 2 2) | ||||||||
| To those whose spirits harken) as one | 1 | 52 | 204 | TAMF | ||||
| To those whose spirits harken) as one | 1 | 60 | 198 | TAMH | ||||
| HARK’N ( 1 1) | ||||||||
| To those whose spirits hark’n) as one | 1 | 38 | 373 | TAMA | ||||
| HARM ( 2 2) | ||||||||
| To keep me from harm — | 1 | 458 | 82 | ANNIE | ||||
| To shield me from harm. | 1 | 458 | 84 | ANNIE | ||||
| HARMONY ( 4 3) | ||||||||
| On the harmony there? | 1 | 109 | 111 | ALAAR | ||||
| The prince of harmony and starling sense, | 1 | 222 | 9 | ENIGMA | ||||
| What a world of happiness their harmony foretells! | 1 | 435 | 17 | BELLSEG | ||||
| What a world of happiness their harmony foretells! | 1 | 435 | 17A-HJ | BELLSEG | ||||
| HAPP ( 1 1) | ||||||||
| With a strange sound, as of a harp-string broken | 1 | 78 | 23 | STAN | ||||
| HARPER ( 2 2) | ||||||||
| Than even the seraph harper, Israfel, | 1 | 406 | 14 | MARA | ||||
| Than even the seraph harper, Israfel, | 1 | 407 | 14 | MARB | ||||
| HARP-STRING ( 1 1) | ||||||||
| With a strange sound, as of a harp-string broken | 1 | 78 | 23 | STAN | ||||
| HARSHEST ( 1 1) | ||||||||
| Whose harshest idea | 1 | 109 | 102 | ALAAR | ||||
| HAST ( 19 17) | ||||||||
| The venom thou hast pour'd on me — | 1 | 81 | 11 | HAPP | ||||
| Hast thou not dragged Diana from her car? | 1 | 91 | 9 | SCI | ||||
| Hast thou not dragg'd Diana from her car? | 1 | 91 | 9A-E | SCI | ||||
| Hast thou not spoilt a story in each star? | 1 | 91 | 11F | SCI | ||||
| Hast thou not torn the Naiad from her flood, | 1 | 91 | 12 | SCI | ||||
| Thou hest bound many eyes | 1 | 110 | 116 | ALAAR | ||||
| Thou hest not seen my brow, | 1 | 131 | 28 | SHOULD | ||||
| Oh, lady dear, hast thou no fear? | 1 | 187 | 30 | IRENE2 | ||||
| Maria! thou hest heard my hymn! | 1 | 217 | 2 | HYMN | ||||
| ALESSANDRA. Methinks thou hast a singular way of showing | 1 | 257 | 5 | POLI | ||||
| For thou hast served me long and ever been | 1 | 261 | 38 | POLI | ||||
| Thou hast not spoken lately of thy wedding. | 1 | 262 | 42 | POLI | ||||
| Whom thou hast cherished to sting thee to the soul! | 1 | 262 | 58 | POLI | ||||
| Thou hast no end to gain — no heart to break — | 1 | 263 | 71 | POLI | ||||
| MONK. Refuge thou hest, | 1 | 263 | 73 | POLI | ||||
| Hast thou a crucifix fit for this thing? | 1 | 264 | 97 | POLI | ||||
| Hath without doubt arisen: thou hast been urged | 1 | 280 | 49 | POLI | ||||
| Hast thou .no tear? | 1 | 335 | 10 | LENA | ||||
| And, Guy De Vere, hast thou no tear? | 1 | 336 | 3 | LENK | ||||
| HASTE ( 1 1) | ||||||||
| From the wild energy of wanton haste | 1 | 108 | 52 | ALAAR | ||||
| HASTEN ( 2 1) | ||||||||
| Ah, hasten! — ah, let us not linger! | 1 | 417 | 54 | ULA | ||||
| Oh, hasten! — oh, let us not linger! | 1 | 417 | 54A-DFG | ULA | ||||
| HAT ( 1 1) | ||||||||
| [Took) off his hat, and, making a low bow, | 1 | 277 | 41 | POLI | ||||
| HATE ( 7 7) | ||||||||
| That soul will hate the ev’ning mist | 1 | 38 | 370 | TAMA | ||||
| That soul will hate the evening mist, | 1 | 52 | 201 | TAMF | ||||
| That soul will hate the ev’ning mist | 1 | 59 | 195 | TAMH | ||||
| Thy grief, thy joy, thy hate, thy love, | 1 | 176 | 37 | ISRG | ||||
| I hate — I loathe the name; I do abhor | 1 | 273 | 31 | POLI | ||||
| To say how thou dost scorn — how thou dost hate | 1 | 275 | 97 | POLI | ||||
| I hate all humble people! — and then she talked | 1 | 277 | 32 | POLI | ||||
| HATED ( 6 5) | ||||||||
| That hated portion, with the fame, | 1 | 27 | 25 | TAMA | ||||
| And they hated her for her pride — | 1 | 206 | 10 | PAEAN | ||||
| And hated her for her pride, | 1 | 335 | 21 | LENA | ||||
| and ye hated her for her pride; | 1 | 336 | 8 | LENK | ||||
| and hated her for her pride; | 1 | 336 | 8D-L | LENK | ||||
| No footstep stirred: the hated world all slept, | 1 | 445 | 25 | TOHEL | ||||
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Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
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[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)