∞∞∞∞∞∞∞
TEXT | V | PAGE | LINE | POEM | ||||
HEIRS ( 1 1) | ||||||||
By rivals loved, and mourned by heirs. | 1 | 386 | 8 | FSO | ||||
HELD ( 9 8) | ||||||||
Philosophers have often held dispute | 1 | 11 | 73 | TEMP | ||||
And I have held to mem’ry's eye | 1 | 29 | 98 | TAMA | ||||
I held no doubt — I knew no fear | 1 | 34 | 241 | TAMA | ||||
Awake, that I had held a thought | 1 | 36 | 295 | TAMA | ||||
So have I held to Memory's eye | 1 | 41 | 98 | TAMB | ||||
I held no doubt, I knew no fear | 1 | 43 | 241 | TAMB | ||||
And I held within my hand | 1 | 53 | 245 | TAMF | ||||
In secret communing held — as he with it, | 1 | 77 | 2 | STAN | ||||
And I held within my hand | 1 | 131 | 19D | SHOULD | ||||
HELEN ( 4 4) | ||||||||
Helen, thy beauty is to me | 1 | 165 | 1 | HELF | ||||
Helen, like thy human eye | 1 | 192 | 29 | NISA | ||||
And Helen, like thy human eye, | 1 | 193 | 41 | NISB | ||||
Helen, thy soul is riven, | 1 | 206 | 34 | PAEAN | ||||
HELL ( 16 14) | ||||||||
Not Hell shall make me fear again. | 1 | 27 | 29 | TAMA | ||||
Halo of Hell! and with a pain | 1 | 45 | 19 | TAMF | ||||
Not Hell shall make me fear again) | 1 | 45 | 20 | TAMF | ||||
Upon me with the touch of Hell, | 1 | 46 | 47 | TAMF | ||||
Halo of Hell! and with a pain | 1 | 54 | 19 | TAMH | ||||
Not Hell shall make me fear again — | 1 | 54 | 20 | TAMH | ||||
Upon me with the touch of Hell, | 1 | 55 | 43 | TAMH | ||||
O, I defy thee, Hell, to show | 1 | 60 | 219 | TAMH | ||||
and yet how far from Hell! | 1 | 111 | 173 | ALAAR | ||||
Hell rising from a thousand thrones | 1 | 200 | 55 | CITYA | ||||
Hell, rising from a thousand thrones, | 1 | 202 | 52 | CITYH | ||||
POLITIAN. Now s’Death and Hell! | 1 | 282 | 82 | POLI | ||||
From Hell unto a high estate | 1 | 337 | 21 | LENK | ||||
From Hell unto a high estate | 1 | 337 | 25CaD-GL | LENK | ||||
From Hell into a high estate | 1 | 337 | 25Cb | LENK | ||||
From the Hell of the planetary souls?” | 1 | 419 | 104 | ULA | ||||
HELM ( 1 1) | ||||||||
She throws aside the sceptre — leaves the helm, | 1 | 100 | 27 | ALAAR | ||||
HELMET ( 1 1) | ||||||||
His blue-bell helmet, we have heard, | 1 | 301 | 1 | PARO | ||||
HELP ( 3 3) | ||||||||
God help me, it has been my lot to know, | 1 | 11 | 60 | TEMP | ||||
Contrive to stir a little? let me help you? | 1 | 285 | 112 | POLI | ||||
For we cannot help agreeing | 1 | 367 | 51 | RAVEN | ||||
HELPS ( 1 1) | ||||||||
(UGO sits, and helps himself to wine. Enter RUPERT.) | 1 | 248 | 23d | POLI | ||||
HENCE ( 3 2) | ||||||||
Down, down that town shall settle hence, | 1 | 200 | 54 | CITYA | ||||
Down, down that town shall settle hence, | 1 | 202 | 51 | CITYH | ||||
The bridegroom — gets this night hence! | 1 | 287 | 59Ax | POLI | ||||
HENCEFORTH ( 1 1) | ||||||||
Henceforth I hold thy flower-enamelled shore, | 1 | 311 | 12 | ZANTE | ||||
iERACLITUS ( 2 1) | ||||||||
Whether with grim Heraclitus of yore | 1 | 9 | 13 | TEMP | ||||
Whether with Heraclitus of yore | 1 | 9 | 13D | TEMP | ||||
ERE ( 66 52) | ||||||||
Here he may revel to his heart's content, | 1 | 10 | 49 | TEMP | ||||
And here, in thought, to thee — | 1 | 104 | 110 | ALAAR | ||||
Here Nature speaks, and ev’n ideal things | 1 | 104 | 128BCE | ALAAR | ||||
Here Nature speaks, and even ideal things | 1 | 104 | 128F | ALAAR | ||||
Here sate he with his love — his dark eye bent | 1 | 112 | 194 | ALAAR | ||||
A brighter dwelling-place is here for thee — | 1 | 114 | 228 | ALAAR | ||||
Beauty's eye is here the bluest | 1 | 160 | 18 | MYST | ||||
Here, dearest, where the moonbeam fell | 1 | 161 | 2 | FAIRY2 | ||||
Sit down, sit down — how came we here? | 1 | 161 | 9 | FAIRY2 | ||||
The night and the wonders here? | 1 | 162 | 40 | FAIRY2 | ||||
“O lady sweet! how camest thou here? | 1 | 184 | 26 | IRENE1 | ||||
Why and what art thou dreaming here? | 1 | 187 | 31 | IRENE2 | ||||
Here, where a hero fell, a column falls! | 1 | 228 | 17 | COLIS | ||||
Here, where the mimic eagle glared in gold, | 1 | 228 | 18 | COLIS | ||||
Here, where the dames of Rome their gilded hair | 1 | 228 | 20 | COLIS | ||||
Here, where the dames of Rome their yellow hair | 1 | 228 | 20A-D | COLIS | ||||
Here where on ivory couch the Caesar sate | 1 | 228 | 21.1ABC | COLIS | ||||
Here where on ivory throne the Caesar sate | 1 | 228 | 21.1D | COLIS | ||||
Here where on golden throne the Caesar sate | 1 | 228 | 21.1FK | COLIS | ||||
Here, where on golden throne the monarch lolled, | 1 | 228 | 22 | COLIS | ||||
Here, where on golden throne the monarch loll’d, | 1 | 228 | 22ACGH | COLIS | ||||
Here, where on golden couch the monarch lolled, | 1 | 228 | 22D | COLIS | ||||
Here, where on ivory couch the monarch loll’d, | 1 | 228 | 22FK | COLIS | ||||
And of so gentle blood? Here is a change | 1 | 249 | 25 | POLI | ||||
Tells me I’m pretty — drunken dolt look here! | 1 | 251 | 82 | POLI | ||||
JACINTA. Here! — look here! | 1 | 251 | 83 | POLI | ||||
JACINTA. Here! here! — look here! | 1 | 251 | 83Ax | POLI | ||||
UGO. Look here! — I’ll take my oath | 1 | 251 | 86 | POLI | ||||
Will you not see the jewels — look you here! | 1 | 251 | 95 | POLI | ||||
here is some wine my lord — | 1 | 255 | 87 | POLI | ||||
JACINTA Yes, Ma’am, I’m here. | 1 | 260 | 1 | POLI | ||||
Ha! here at least's a friend — too much a friend | 1 | 262 | 59 | POLI | ||||
Be not too positive. Whom have we here? | 1 | 266 | 43 | POLI | ||||
If such there be, my friend Baldazzar here — | 1 | 267 | 62 | POLI | ||||
Baldazzar! — ah! — my friend Baldazzar here | 1 | 267 | 63 | POLI | ||||
And beautiful Lalage! — turn here thine eyes! | 1 | 272 | 9 | POLI | ||||
The wedding is to be at dark, and here | 1 | 276 | 6 | POLI | ||||
“Ugo you villain! — look you here, you rascal! | 1 | 278 | 74 | POLI | ||||
“What are you doing here? Begone you ugly | 1 | 278 | 76 | POLI | ||||
CASTIGLIONE. The Earl of Leicester here! | 1 | 280 | 45 | POLI | ||||
Dost thou not? that I am here. | 1 | 280 | 47 | POLI | ||||
Here is no let or hindrance to thy weapon — | 1 | 282 | 81 | POLI | ||||
POLITIAN. Shall meet me here within the Coliseum! | 1 | 285 | 1 | POLI | ||||
Here where a hero fell, a column falls | 1 | 286 | 22 | POLI | ||||
Here where the mimic eagle glared in gold | 1 | 286 | 23 | POLI | ||||
Here where the dames of Rome their yellow hair | 1 | 286 | 25 | POLI | ||||
Here where on ivory couch the Caesar sate | 1 | 286 | 27 | POLI | ||||
Here where on golden throne the monarch lolled | 1 | 286 | 29 | POLI | ||||
Here is a ring, as token | 1 | 309 | 24 | BRIDF | ||||
And thus the sad Soul that here passes | 1 | 345 | 49 | ROUTE | ||||
Nameless here for evermore. | 1 | 365 | 12 | RAVEN | ||||
here I opened wide the door; | 1 | 365 | 23 | RAVEN | ||||
Open here I flung the shutter, | 1 | 366 | 37 | RAVEN | ||||
tempest tossed thee here ashore, | 1 | 368 | 86 | RAVEN | ||||
To check the power that governs here. | 1 | 384 | 8 | KING | ||||
Here once, through an alley Titanic, | 1 | 416 | 10 | ULA | ||||
(Though once we had journeyed down here) | 1 | 416 | 27 | ULA | ||||
That I journeyed — I journeyed down here! — | 1 | 418 | 87 | ULA | ||||
That I brought a dread burden down here — | 1 | 418 | 88 | ULA | ||||
Ah, what demon hath tempted me here? | 1 | 418 | 90 | ULA | ||||
Oh, what demon has tempted me here? | 1 | 418 | 90A-DF | ULA | ||||
Ah, what demon has tempted me here? | 1 | 418 | 90G | ULA | ||||
Here blandly reposes, | 1 | 458 | 54 | ANNIE | ||||
HEREAFTER ( 2 2) | ||||||||
By all my wishes now — my fears hereafter — | 1 | 273 | 37 | POLI | ||||
Is Happiness now, and will be Freedom hereafter | 1 | 274 | 73 | POLI | ||||
HEREIN ( 1 1) | ||||||||
Who entereth herein, a conqueror hath bin; | 1 | 319 | 1 | COUP | ||||
HERE’S ( 3 3) | ||||||||
You certainly see double. Here's a cross | 1 | 251 | 103 | POLI | ||||
Jacinta! Here's a far sterner story | 1 | 261 | 20 | POLI | ||||
Then here's the White Eagle, full daring is he, | 1 | 342 | 3 | CAMP | ||||
HERITAGE ( 4 4) | ||||||||
Aye — the same thing heritage hath giv’n | 1 | 27 | 33 | TAMA | ||||
The heritage of kingly mind | 1 | 46 | 36 | TAMF | ||||
The heritage of a kingly mind, | 1 | 54 | 32 | TAMH | ||||
We paus’d before the heritage of men, | 1 | 115 | 259 | ALAAR | ||||
HERMON ( 3 3) | ||||||||
Which hangs like chains of pearls on Hermon hill.” | 1 | 261 | 34 | POLI | ||||
That hangs like chains of pearl on Hermon hill” | 1 | 406 | 10 | MARA | ||||
That hangs like chains of pearl on Hermon hill” — | 1 | 407 | 10 | MARB | ||||
HERO ( 4 3) | ||||||||
Here, where a hero fell, a column falls! | 1 | 228 | 17 | COLIS | ||||
Here where a hero fell, a column falls | 1 | 286 | 22 | POLI | ||||
And its hero the Conqueror Worm. | 1 | 326 | 40 | WORM | ||||
Its hero the Conqueror Worm. | 1 | 326 | 40ABDH | WORM | ||||
HESITATING ( 2 2) | ||||||||
(hesitating.) | 1 | 253 | 19d | POLI | ||||
hesitating then no longer, | 1 | 365 | 19 | RAVEN | ||||
HESITATINGLY ( 1 1) | ||||||||
(hesitatingly.) | 1 | 255 | 33d | POLI | ||||
HEXAMETER ( 1 1) | ||||||||
(VIII. Lines to show that “a truly Greek hexameter” | 1 | 393 | 23 | MODC | ||||
HEY ( 1 1) | ||||||||
DI BROGLIO. My son, I’ve news for thee! — hey? — | 1 | 259 | 38 | POLI | ||||
HICCUP ( 18 18) | ||||||||
UGO. Oh! is that you Benito (hiccup) are they gone? | 1 | 248 | 1 | POLI | ||||
(hiccup) where is the buffo-singer? | 1 | 248 | 8 | POLI | ||||
Are all the fiddlers off (hiccup) | 1 | 248 | 10 | POLI | ||||
UGO. Sirrah! I said not so, or else I (hiccup) lied. | 1 | 248 | 14 | POLI | ||||
Oh, I am sadly altered when I’m (hiccup) drunk. | 1 | 249 | 29 | POLI | ||||
My master in this matter? very good (hiccup) wine! | 1 | 250 | 63 | POLI | ||||
I don’t, a super(hiccup)ciliary somebody | 1 | 250 | 65 | POLI | ||||
And drinks none but the very (hiccup!) best of wine. | 1 | 250 | 69 | POLI | ||||
UGO. Sweetheart, I fear me (hiccup!) very much | 1 | 250 | 78 | POLI | ||||
(hiccup!) that you | 1 | 250 | 78 | POLI | ||||
UGO. (Hiccup!) where? | 1 | 251 | 83 | POLI | ||||
UGO. Jacinta! (hiccup!) why, Jacinta! | 1 | 251 | 83 | POLI | ||||
Of the Count. I’m (hiccup!) done with You Jacinta! | 1 | 251 | 89 | POLI | ||||
O you vile wretch! I’ll (hiccup!) not have you Jacinto! | 1 | 251 | 90 | POLI | ||||
I’m in despair! I’ll (hiccup!) do some desperate deed! | 1 | 251 | 91 | POLI | ||||
UGO. I see, oh I (hiccup!) see it all. 1 252 107 POLI | ||||||||
Gave you the jewels! How (hiccup!) came you by the ring? | 1 | 252 | 117 | POLI | ||||
Again (hiccup!) at the jewels! | 1 | 252 | 123 | POLI | ||||
HID ( 2 2) | ||||||||
And yet it need not be — (that object) hid | 1 | 78 | 20 | STAN | ||||
’Neath which thy slumb’ring soul lies hid, | 1 | 187 | 27 | IRENE2 | ||||
HIDDEN ( 3 3) | ||||||||
How by what hidden deeds of might, | 1 | 38 | 351 | TAMA | ||||
To look upon the face hidden by yon lattice — | 1 | 271 | 102 | POLI | ||||
From the thing that lies hidden in these wolds — | 1 | 418 | 100 | ULA | ||||
HIDEOUS ( 1 1) | ||||||||
A hideous throng rush out forever | 1 | 317 | 47 | HAUNT | ||||
HIDEOUSLY ( 1 1) | ||||||||
On seas less hideously serene. | 1 | 202 | 41 | CITYH | ||||
HIE ( 1 1) | ||||||||
O! hie thee away | 1 | 110 | 129 | ALAAR | ||||
HIGH ( 41 33) | ||||||||
The mystic empire and high power | 1 | 32 | 186 | TAMA | ||||
There is a power in the high spirit | 1 | 32 | 191 | TAMA | ||||
Of a high mountain, which look’d down | 1 | 33 | 215 | TAMA | ||||
To follow my high fate among | 1 | 34 | 237 | TAMA | ||||
(For short the time my high hope lent | 1 | 35 | 269 | TAMA | ||||
Shine on his path, in her high noon; | 1 | 38 | 377 | TAMA | ||||
There is a power in the high spirit | 1 | 42 | 191 | TAMB | ||||
Of a high mountain which look’d down | 1 | 43 | 215 | TAMB | ||||
To follow my high fate among | 1 | 43 | 237 | TAMB | ||||
Of a high mountain which look’d down | 1 | 50 | 152 | TAMF | ||||
Of a high mountain which look’d down | 1 | 58 | 140 | TAMH | ||||
From their high thrones in the heaven, | 1 | 72 | 13 | SPIRD | ||||
That high tone of the spirit which hath striv’n | 1 | 78 | 29 | STAN | ||||
And, amid incense and high spiritual hymns, | 1 | 100 | 28 | ALAAR | ||||
The star hath ridden high | 1 | 103 | 107 | ALAAR | ||||
But ah! not so when, thus, in realms on high | 1 | 104 | 130 | ALAAR | ||||
But ah! not so when in the realms on high | 1 | 104 | 130B | ALAAR | ||||
High on a mountain of enamell’d head — | 1 | 105 | 1 | ALAAR | ||||
So shake the very Heaven on high | 1 | 128 | 12 | ROMG | ||||
So shake the very air on high | 1 | 128 | 12ABJ | ROMG | ||||
So shook the very Heavens on high, | 1 | 128 | 12C | ROMG | ||||
So shake the very Heavens on high | 1 | 128 | 12EF | ROMG | ||||
So shook the very Heavens on high, | 1 | 157 | 36 | INTRO | ||||
While from the high towers of the town | 1 | 200 | 43 | CITYA | ||||
“Not all the magic of our high renown — | 1 | 229 | 41 | COLIS | ||||
And high descent. We’ll have him at the wedding. | 1 | 259 | 50 | POLI | ||||
(draws a cross-handled dagger and raises it on high,.) | 1 | 264 | 13d | POLI | ||||
Of the hollow and high-sounding vanities | 1 | 268 | 30 | POLI | ||||
She comes not and the moon is high in Heaven! | 1 | 286 | 21 | POLI | ||||
Not all the magic of our high renown | 1 | 287 | 48 | POLI | ||||
Was the lance which he proudly wav’d on high. | 1 | 302 | 10 | PARO | ||||
Assailed the monarch's high estate. | 1 | 316 | 34 | HAUNT | ||||
Assail’d the monarch's high estate. | 1 | 316 | 34EFGL | HAUNT | ||||
Mimes, in the form of God on high, | 1 | 325 | 9 | WORM | ||||
From Hell unto a high estate | 1 | 337 | 21 | LENK | ||||
From Hell unto a high estate | 1 | 337 | 25CaD-GL | LENK | ||||
From Hell into a high estate | 1 | 337 | 25Cb | LENK | ||||
I scarce know which to prize most high — | 1 | 380 | 3 | KATE | ||||
The blotting utterly from out high heaven | 1 | 400 | 3 | MLS | ||||
So that her high-born kinsmen came | 1 | 477 | 17 | LEEA | ||||
So that her high-born kinsman came | 1 | 477 | 17KL | LEEA | ||||
HIGH-BORN ( 2 1) | ||||||||
So that her high-born kinsmen came | 1 | 477 | 17 | LEEA | ||||
So that her high-born kinsman came | 1 | 477 | 17KL | LEEA | ||||
HIGHBORN ( 2 1) | ||||||||
So that her highborn kinsmen came | 1 | 479 | 17 | LEEE | ||||
So that her highborn kinsman came | 1 | 479 | 17KL | LEEE | ||||
HIGHER ( 4 4) | ||||||||
’Twere folly still to hope for higher Heaven! | 1 | 68 | 12 | DREA | ||||
Leaping higher, higher, higher, | 1 | 436 | 46 | BELLSEG | ||||
HIGHEST ( 5 4) | ||||||||
The highest hope of pride, and power, | 1 | 81 | 3 | HAPP | ||||
Inmate of highest stars, where erst it sham’d | 1 | 101 | 51 | ALAAR | ||||
Inmate of highest stars, where erst it shamed | 1 | 101 | 51H | ALAAR | ||||
In her highest noon | 1 | 173 | 7 | ISRA | ||||
In her highest noon, | 1 | 175 | 9 | ISRG | ||||
HIGH-SOUNDING ( 1 1) | ||||||||
Of the hollow and high-sounding vanities | 1 | 268 | 30 | POLI | ||||
HILARIOUS ( 2 2) | ||||||||
A most hilarious man. Be not, my son, | 1 | 265 | 23 | POLI | ||||
Such hilarious visions clamber | 1 | 450 | 3 | ALE | ||||
HILL ( 6 6) | ||||||||
And the wisp upon the hill | 1 | 71 | 24 | SPIRA | ||||
And the mist upon the hill | 1 | 73 | 24 | SPIRD | ||||
O’er hill and glen dissolves in air; | 1 | 225 | 4 | FANNY | ||||
Which hangs like chains of pearls on Hermon hill.” | 1 | 261 | 34 | POLI | ||||
That hangs like chains of pearl on Hermon hill” | 1 | 406 | 10 | MARA | ||||
That hangs like chains of pearl on Hermon hill” — | 1 | 407 | 10 | MARB | ||||
HILLS ( 12 11) | ||||||||
Of rock and forest, on the hills — | 1 | 33 | 217 | TAMA | ||||
The dwindled hills, whence amid bowers | 1 | 33 | 218 | TAMA | ||||
Of rock & forest on the hills; | 1 | 43 | 217 | TAMB | ||||
The dwindled hills, whence, amid bowers | 1 | 43 | 218 | TAMB | ||||
Of rock and forest on the hills — | 1 | 50 | 154 | TAMF | ||||
The dwindled hills! begirt with bowers | 1 | 50 | 155 | TAMF | ||||
Of rock and forest, on the hills — | 1 | 58 | 142 | TAMH | ||||
The dwindled hills! begirt with bowers | 1 | 58 | 143 | TAMH | ||||
It lit on hills Achaian, and there dwelt) | 1 | 100 | 34 | ALAAR | ||||
It lit on hills Archaian, and there dwelt) | 1 | 100 | 34C | ALAAR | ||||
“Over the hills and far away.” | 1 | 193 | 46 | NISA | ||||
In the visionary hills! | 1 | 378 | 5 | LINES | ||||
HIND ( 1 1) | ||||||||
Castiglione but some peasant hind | 1 | 254 | 49 | POLI | ||||
HINDERING ( 2 1) | ||||||||
Each hindering thing: | 1 | 109 | 93 | ALAAR | ||||
All hindering things: | 1 | 109 | 93F | ALAAR | ||||
HINDRANCE ( 1 1) | ||||||||
Here is no let or hindrance to thy weapon — | 1 | 282 | 81 | POLI | ||||
HINT ( 2 2) | ||||||||
No swellings hint that winds may be | 1 | 200 | 39 | CITYA | ||||
No heavings hint that winds have been | 1 | 202 | 40 | CITYH | ||||
HINTED ( 2 1) | ||||||||
As the star-dials hinted of morn — | 1 | 416 | 32 | ULA | ||||
And the star-dials hinted of morn — | 1 | 416 | 32C | ULA | ||||
HIST ( 5 5) | ||||||||
Sitteth in Heaven. — Hist! hist! thou canst not say | 1 | 269 | 50 | POLI | ||||
Hist! hist! it comes again! | 1 | 270 | 78 | POLI | ||||
LALAGE. Hist! hush! within the gloom | 1 | 273 | 53 | POLI | ||||
HISTORIES ( 1 1) | ||||||||
What wild heart-histories seemed to lie enwritten | 1 | 446 | 42 | TOHEL | ||||
HISTORY ( 1 1) | ||||||||
She died. Thus endeth the history — and her maids | 1 | 261 | 24 | POLI | ||||
HITHER ( 4 4) | ||||||||
Just now on the staircase as I came up hither, | 1 | 248 | 5 | POLI | ||||
Castiglione! call your cousin hither | 1 | 266 | 56 | POLI | ||||
Now prythee, leave me — hither doth come a person | 1 | 280 | 41 | POLI | ||||
And hither and thither fly — | 1 | 325 | 11 | WORM | ||||
HITHERWARD ( 1 0) | ||||||||
Headlong hitherward o’er the starry sea — | 1 | 115 | 256LM0 | ALAAR | ||||
HO ( 4 4) | ||||||||
CASTIGLIONE. What ho! Benito! Rupert! | 1 | 267 | 65 | POLI | ||||
RUPERT. What ho! Benito! did you say to-night? | 1 | 275 | 1 | POLI | ||||
What ho! What hot this fellow is dancing mad; | 1 | 329 | 1 | WHAT | ||||
HOLD ( 15 11) | ||||||||
Because to his cat's eyes I hold a glass | 1 | 12 | 87 | TEMP | ||||
And I hold within my hand | 1 | 131 | 19 | SHOULD | ||||
But hold! — these dark, these perishing arcades — | 1 | 229 | 26FK | COLIS | ||||
By all I hold most sacred and most solemn — | 1 | 273 | 36 | POLI | ||||
Hold him a villain? — thus much, I prythee, say | 1 | 280 | 35 | POLI | ||||
Hold off — thy sacred hand! — avaunt I say! | 1 | 281 | 62 | POLI | ||||
Hold off — hold off thy hand! — avaunt I say! | 1 | 281 | 62B | POLI | ||||
Hold off thy hand — with that beloved name | 1 | 281 | 67 | POLI | ||||
Henceforth I hold thy flower-enamelled shore, | 1 | 311 | 12 | ZANTE | ||||
And hold this maxim all life long, | 1 | 384 | 11 | KING | ||||
Search narrowly these words, which hold a treasure | 1 | 389 | 5 | VALA | ||||
Search narrowly the lines! — they hold a treasure | 1 | 389 | 5 | VALG | ||||
Search narrowly these lines! — they hold a treasure | 1 | 389 | 5D | VALG | ||||
And I hold within my hand | 1 | 452 | 14 | TAKE | ||||
HOLDING ( 1 1) | ||||||||
(going and holding u2. the jewels.) | 1 | 252 | 28d | POLI | ||||
HOLDS ( 6 3) | ||||||||
(Such language holds the solemn sea | 1 | 214 | 17 | PARA | ||||
(Such language holds the breaking sea | 1 | 214 | 178 | PARA | ||||
A midnight vigil holds the swarthy bat! | 1 | 228 | 19 | COLIS | ||||
A secret vigil holds the swarthy bat! | 1 | 228 | 19B | COLIS | ||||
A secret vigil holds the swarthy bat | 1 | 286 | 24 | POLI | ||||
Search narrowly this rhyme! — which holds a treasure | 1 | 389 | SF | VALG | ||||
HOLIER ( 7 6) | ||||||||
There were no holier thoughts than thine. | 1 | 41 | 150 | TAMB | ||||
Its fount is holier — more divine — | 1 | 45 | 10 | TAMF | ||||
Its fount is holier — more divine — | 1 | 54 | 10 | TAMH | ||||
And with a holier lustre the quiet moon | 1 | 269 | 49 | POLI | ||||
Burned there a holier fire than burneth now | 1 | 272 | 19 | POLI | ||||
A holier odor | 1 | 458 | 61 | ANNIE | ||||
A holier odor about me, | 1 | 458 | 61A | ANNIE | ||||
HOLILY ( 1 1) | ||||||||
Thrillingly, holily | 1 | 393 | 4 | MODC | ||||
HOLLOW ( 2 1) | ||||||||
From out whose hollow-sounding door | 1 | 188 | 57D | IRENE2 | ||||
Of the hollow and high-sounding vanities | 1 | 268 | 30 | POLI | ||||
HOLLOW-SOUNDING ( 1 0) | ||||||||
From out whose hollow-sounding door | 1 | 188 | 57D | IRENE2 | ||||
HOLY ( 23 17) | ||||||||
I have sent for thee, holy friar, | 1 | 26 | 1 | TAMA | ||||
Say, holy father, breathes there yet | 1 | 51 | 177 | TAMF | ||||
Else how when in the holy grove, | 1 | 52 | 226 | TAMF | ||||
Else how, when in the holy grove | 1 | 60 | 231 | TAMH | ||||
That holy dream — that holy dream, | 1 | 79 | 9 | ADRE | ||||
With Indian Cupid down the holy river — | 1 | 102 | 79 | ALAAR | ||||
And they, and ev’ry mossy spring were holy | 1 | 112 | 188 | ALAAR | ||||
Thou! thy framing is so holy | 1 | 160 | 28 | MYST | ||||
Are Holy-Land! | 1 | 166 | 15 | HELF | ||||
“For the holy Jesus’ sake! | 1 | 184 | 38 | IRENE1 | ||||
That chamber chang’d for one more holy — | 1 | 185 | 65 | IRENE1 | ||||
That chamber changed for one more holy — | 1 | 185 | 658 | IRENE1 | ||||
This chamber changed for one more holy, | 1 | 188 | 40 | IRENE2 | ||||
This bed being changed for one more holy, | 1 | 188 | 40DE | IRENE2 | ||||
This chamber chang’d for one more holy, | 1 | 188 | 40F | IRENE2 | ||||
Yet tho’ no holy rays come down | 1 | 199 | 20 | CITYA | ||||
No holy rays from heaven come down | 1 | 199 | 208 | CITYA | ||||
No rays from the holy heaven come down | 1 | 201 | 12 | CITYH | ||||
From thy holy throne above. | 1 | 217 | .4A-D | HYMN | ||||
The Holy Evangelists. | 1 | 261 | 30 | POLI | ||||
Not that! Not that! — I tell thee, holy man, | 1 | 264 | 100 | POLI | ||||
In the Vatican — within the holy walls | 1 | 280 | 44.3A8 | POLI | ||||
HOLY-LAND ( 1 1) | ||||||||
Are Holy-Land! | 1 | 166 | 15 | HELF | ||||
HOME ( 26 23) | ||||||||
That bore me from my home, more gay; | 1 | 36 | 302 | TAMA | ||||
I reach’d my home — my home no more — | 1 | 39 | 392 | TAMA | ||||
I reach’d my home — what home? above, | 1 | 52 | 213 | TAMF | ||||
My home — my hope — my early love, | 1 | 52 | 214 | TAMF | ||||
I reach’d my home — my home no more — | 1 | 60 | 213 | TAMH | ||||
From mine own home, with beings that have been | 1 | 68 | 17 | DREA | ||||
Leave tenantless thy crystal home, and fly, | 1 | 105 | 143 | ALAAR | ||||
Thy Naiad airs have brought me home | 1 | 166 | 8 | HELF | ||||
Glides, spectre-like, unto his marble home, | 1 | 229 | 23 | COLIS | ||||
Why, Cas! I’ve got a string of beads at home | 1 | 253 | 11 | POLI | ||||
And I’ll go home and send you in a trice | 1 | 253 | 15 | POLI | ||||
SAN OZZO. He's right again. My lord, I’m going home, | 1 | 255 | 58 | POLI | ||||
And mother in Heaven! think of our quiet home, | 1 | 263 | 84 | POLI | ||||
Against thee, Earl of Leicester. Strike thou home — | 1 | 282 | 80 | POLI | ||||
Strike home. I will not fight thee. | 1 | 282 | 82 | POLI | ||||
Glides spectre-like unto his marble home 1 286 30 POLI | ||||||||
And round about his home the glory | 1 | 316 | 37 | HAUNT | ||||
I have reached my home but newly | 1 | 344 | 20.5A | ROUTE | ||||
I have journeyed home but newly | 1 | 344 | 38.5A | ROUTE | ||||
I have wandered home but newly | 1 | 345 | 55 | ROUTE | ||||
I have wandered home but newly | 1 | 345 | 55D | ROUTE | ||||
On this home by Horror haunted — | 1 | 368 | 88 | RAVEN | ||||
Lighting my lonely pathway home that night, | 1 | 446 | 53 | TOHEL | ||||
HOMEWARD ( 2 2) | ||||||||
And homeward turn’d his soften’d eye. | 1 | 51 | 196 | TAMF | ||||
And homeward turn’d his soften’d eye. | 1 | 59 | 190 | TAMH | ||||
HONEST ( 1 1) | ||||||||
That I might dare be honest! | 1 | 254 | 51 | POLI | ||||
HONESTY ( 1 1) | ||||||||
Honesty, poverty, and true content, | 1 | 254 | 54 | POLI | ||||
HONESTY’S ( 1 1) | ||||||||
Besides you’re right — Oh! honesty's the thing! | 1 | 254 | 53 | POLI | ||||
HONIED ( 1 1) | ||||||||
All other loveliness: its honied dew | 1 | 101 | 52 | ALAAR | ||||
HONOR ( 6 6) | ||||||||
By the most sacred ties of honor bound | 1 | 255 | 76 | POLI | ||||
I can not pawn my honor! and Lalage | 1 | 255 | 78 | POLI | ||||
Is lowly born — I can not pawn my honor. | 1 | 255 | 79 | POLI | ||||
My honor — my honor. | 1 | 255 | 80 | POLI | ||||
Let her reign in Peace and Honor — | 1 | 302 | 2 | MAY | ||||
HONOR’S ( 1 1) | ||||||||
To my cousin Alessandra? Honor's the thing! | 1 | 255 | 77 | POLI | ||||
HONOUR ( 1 1) | ||||||||
Your honour said, and in the second, Sir, | 1 | 283 | 57 | POLI | ||||
HONOURED ( 2 2) | ||||||||
Di Broglio's haughty and time-honoured line! | 1 | 255 | 74 | POLI | ||||
To give thee cause for grief, my honoured friend. | 1 | 268 | 8 | POLI | ||||
HONOURS ( 1 1) | ||||||||
With the ancestral honours of thy house, | 1 | 273 | 29 | POLI | ||||
HOP ( 2 1) | ||||||||
And hop o’er counters with a Vestris air, | 1 | 11 | 52 | TEMP | ||||
And hop o’er counters with a Vester's air, | 1 | 11 | 52C | TEMP | ||||
HOPE ( 54 47) | ||||||||
The mournful hope that every throb | 1 | 17 | 8 | OCT | ||||
But ’twas not with the drunken hope, | 1 | 26 | 2 | TAMA | ||||
But hope is not a gift of thine; | 1 | 27 | 12 | TAMA | ||||
If I Fan hope (O God! I can) | 1 | 27 | 13 | TAMA | ||||
On which my ev’ry hope and thought | 1 | 30 | 114 | TAMA | ||||
(For short the time my high hope lent | 1 | 35 | 269 | TAMA | ||||
The undying hope which now oppress’d | 1 | 44 | 245 | TAMB | ||||
You call it hope — that fire of fire! | 1 | 45 | 7 | TAMF | ||||
If I can hope (O God! I can) | 1 | 45 | 9 | TAMF | ||||
On which my ev’ry hope and thought | 1 | 49 | 117 | TAMF | ||||
On earth of all we hope in Heaven! | 1 | 51 | 184 | TAMF | ||||
When hope, the eagle that tower’d, could see | 1 | 51 | 193 | TAMF | ||||
My home — my hope — my early love, | 1 | 52 | 214 | TAMF | ||||
You call it hope — that fire of fire! | 1 | 54 | 7 | TAMH | ||||
If I can hope — Oh God! I can — | 1 | 54 | 9 | TAMH | ||||
On which my every hope and thought | 1 | 56 | 90 | TAMH | ||||
On Earth, of all we hope in Heaven! | 1 | 59 | 178 | TAMH | ||||
When Hope, the eagle that tower’d, could see | 1 | 59 | 187 | TAMH | ||||
When towering Eagle-Hope could see | 1 | 59 | 187D | TAMH | ||||
’Twere folly still to hope for higher Heaven! | 1 | 68 | 12 | DREA | ||||
Than young Hope in his sunniest hour hath known. | 1 | 69 | 34 | DREA | ||||
With light like Hope to mortals giv’n, | 1 | 71 | 14 | SPIRA | ||||
With light like Hope to mortals given — | 1 | 72 | 14 | SPIRD | ||||
For that bright hope at last | 1 | 75 | 15 | IMIT | ||||
The highest hope of pride, and power, | 1 | 81 | 3 | HAPP | ||||
Bright hope itself has fled at last, | 1 | 81 | 12.28 | HAPP | ||||
But were that hope of pride and power | 1 | 82 | 17 | HAPP | ||||
With many a mutter’d “hope to be forgiven” | 1 | 105 | 5 | ALAAR | ||||
They fell: for Heaven to them no hope imparts | 1 | 115 | 263 | ALAAR | ||||
With young Hope at her side, | 1 | 206 | 22 | PAEAN | ||||
Ah, starry Hope! that didst arise | 1 | 214 | 8 | PARA | ||||
Young Hope! thou did'st arise | 1 | 214 | 8B | PARA | ||||
And the star of Hope did rise | 1 | 214 | 8C-G | PARA | ||||
Oh starry Hope! thou didst arise | 1 | 214 | 8H | PARA | ||||
Of Joy departed — Hope, the Seraph Hope, | 1 | 262 | 66 | POLI | ||||
By all I scorn on earth and hope in heaven — | 1 | 273 | 38 | POLI | ||||
Shall wait upon thee, and the angel Hope | 1 | 274 | 81 | POLI | ||||
In the budding of my Paradisal Hope! | 1 | 279 | 7 | POLI | ||||
My hope in Heaven! | 1 | 287 | 64 | POLI | ||||
With young hope at her side, | 1 | 335 | 34 | LENA | ||||
with Hope that flew beside, | 1 | 337 | 15 | LENK | ||||
so, when Hope he would adjure | 1 | 367 | 64ABC | RAVEN | ||||
Till the dirges of his Hope | 1 | 367 | 65 | RAVEN | ||||
the sweet Hope he dared adjure — | 1 | 367 | 6SABC | RAVEN | ||||
Do tell! when may we hope to make men of sense | 1 | 394 | 25 | MODC | ||||
Hourly for hope — for life — ah! above all, | 1 | 400 | 5 | MLS | ||||
Would hope to utter. Ah, Marie Louise! | 1 | 406 | 16 | MARA | ||||
Could hope to utter. And I! my spells are broken. | 1 | 407 | 16 | MARB | ||||
All pride — all thought of power — all hope of fame — | 1 | 407 | 18 | MARA | ||||
With Hope and in Beauty to-night — | 1 | 417 | 65 | ULA | ||||
How dark a wo! yet how sublime a hope! | 1 | 446 | 44 | TOHEL | ||||
They fill my soul with Beauty (which is Hope,) | 1 | 446 | 61 | TOHEL | ||||
Yet if hope has flown away | 1 | 451 | 6 | TAKE | ||||
HOPELESS ( 1 1) | ||||||||
Yes! tho’ that long dream were of hopeless sorrow, | 1 | 68 | 4 | DREA | ||||
HOPELESSNESS ( 1 1) | ||||||||
A sullen hopelessness of heart. | 1 | 38 | 369 | TAMA | ||||
HOPES ( 13 10) | ||||||||
And my proud hopes had reach’d a throne | 1 | 38 | 348 | TAMA | ||||
My early hopes? no — they | 1 | 53 | 249 | TAMF | ||||
My early hopes? no — they | 1 | 131 | 23 | SHOULD | ||||
With sweet hopes of thee and thine! | 1 | 218 | 12 | HYMN | ||||
I’ the budding of my hopes — give me to live, | 1 | 279 | 7A | POLI | ||||
In the budding of my hopes — give me to live, | 1 | 279 | 78 | POLI | ||||
How many thoughts of what entombed hopes! | 1 | 311 | 6 | ZANTE | ||||
How many thoughts of what entombed hopes! | 1 | 311 | 6ADF | ZANTE | ||||
A play of hopes and fears, | 1 | 325 | 6 | WORM | ||||
as my Hopes have flown before.” | 1 | 367 | 59 | RAVEN | ||||
Bright with all hopes that Heaven can give. | 1 | 386 | 28 | FSO | ||||
And my hopes are dying | 1 | 399 | 5 | LOU | ||||
They have not left me (as my hopes have) since. | 1 | 446 | 54 | TOHEL | ||||
HOPPER ( 1 1) | ||||||||
As this for a neat, frisky counter-hopper; | 1 | 10 | 48 | TEMP | ||||
HORIZON’S ( 2 2) | ||||||||
O’er th’ horizon's fiery wall — | 1 | 192 | 42 | NISA | ||||
O’er th’ horizon's fiery wall — | 1 | 193 | 40 | NISB | ||||
HORN ( 2 2) | ||||||||
Arose with a duplicate horn — | 1 | 416 | 36 | ULA | ||||
Distinct with its duplicate horn. | 1 | 417 | 38 | ULA | ||||
HORNED ( 5 2) A | ||||||||
Lit by the wan light of the horned moon, | 1 | 229 | 24 | COLIS | ||||
Lit by the wan light of the horned moon, | 1 | 229 | 24A-CKL | COLIS | ||||
Lit by the wan-light of the horn’d moon, | 1 | 229 | 24H | COLIS | ||||
Lit by the wanlight of the horned moon, | 1 | 229 | 24J | COLIS | ||||
Lit by the wan light of the horned moon | 1 | 286 | 31 | POLI | ||||
HORRIBLE ( 10 5) | ||||||||
How horrible a monody there floats | 1 | 434 | 11 | BELLSB | ||||
How horrible a monody there floats | 1 | 435 | 12 | BELLSC | ||||
With that horrible throbbing | 1 | 457 | 22 | ANNIE | ||||
At heart: — ah, that horrible, | 1 | 457 | 23 | ANNIE | ||||
Horrible throbbing! | 1 | 457 | 24 | ANNIE | ||||
The horrible throbbing | 1 | 457 | 28A | ANNIE | ||||
Horrible throbbing | 1 | 457 | 288 | ANNIE | ||||
At heart: — oh, that horrible, | 1 | 457 | 29A | ANNIE | ||||
At heart: — O, that horrible, | 1 | 457 | 298 | ANNIE | ||||
Horrible throbbing! | 1 | 457 | 30AB | ANNIE | ||||
HORRIFIED ( 2 1) | ||||||||
Too much horrified to speak, | 1 | 436 | 41 | BELLSEG | ||||
Much too horrified to speak, | 1 | 436 | 41A-D | BELLSEG | ||||
HORROR ( 4 4) | ||||||||
With horror and awe! | 1 | 263 | 82 | POLI | ||||
And Horror the soul of the plot. | 1 | 326 | 24 | WORM | ||||
On this home by Horror haunted — | 1 | 368 | 88 | RAVEN | ||||
What a horror they outpour | 1 | 436 | 55 | BELLSEG | ||||
HOT ( 1 1) | ||||||||
In very hot weather won’t — keep, you take me, Sir? | 1 | 285 | 116 | POLI | ||||
HOUR ( 45 43) | ||||||||
And laughter crowns the festive hour | 1 | 17 | 2 | OCT | ||||
That I have call’d thee at this hour: | 1 | 27 | 6 | TAMA | ||||
I had not thought, until this hour | 1 | 27 | 17 | TAMA | ||||
The infant monarch of the hour — | 1 | 28 | 45 | TAMA | ||||
My passions, from that hapless hour, | 1 | 29 | 78 | TAMA | ||||
Which left me in an evil hour, | 1 | 32 | 174 | TAMA | ||||
Of Genius, at its natal hour; | 1 | 32 | 188 | TAMA | ||||
There — in that hour — a thought came o’er | 1 | 34 | 234 | TAMA | ||||
My Ada. In that peaceful hour, | 1 | 36 | 286 | TAMA | ||||
And felt, with ev’ry flying hour, | 1 | 36 | 301 | TAMA | ||||
As if ’twere not the dying hour | 1 | 37 | 342 | TAMA | ||||
Withering at the ev’ning hour. | 1 | 39 | 391 | TAMA | ||||
My passions, from that hapless hour | 1 | 40 | 78 | TAMB | ||||
Which left me in an evil hour — | 1 | 42 | 174 | TAMB | ||||
There, in that hour, a thought came o’er | 1 | 43 | 234 | TAMB | ||||
Kind solace in a dying hour! | 1 | 45 | 1 | TAMF | ||||
As if ’twere not their parting hour | 1 | 45 | 342 | TAMB | ||||
My passions from that hapless hour | 1 | 47 | 69 | TAMF | ||||
Kind solace in a dying hour! | 1 | 53 | 1 | TAMH | ||||
My passions, from that hapless hour, | 1 | 55 | 65 | TAMH | ||||
The minute — the hour — the day — oppress | 1 | 58 | 137 | TAMH | ||||
’Twas once and only once and the wild hour | 1 | 69 | 19 | DREA | ||||
Than young Hope in his sunniest hour hath known. | 1 | 69 | 34 | DREA | ||||
Into thine hour of secrecy. | 1 | 71 | 4 | SPIRA | ||||
Into thine hour of secrecy: | 1 | 72 | 4 | SPIRD | ||||
And yet that spirit knew not — in the hour | 1 | 77 | 7 | STAN | ||||
Each hour before us — but then only bid | 1 | 78 | 22 | STAN | ||||
The happiest day — the happiest hour | 1 | 81 | 1 | HAPP | ||||
The happiest day — the happiest hour | 1 | 81 | 13 | HAPP | ||||
Ev’n then I felt — that brightest hour | 1 | 82 | 19 | HAPP | ||||
So like its own above that, to this hour, | 1 | 101 | 57 | ALAAR | ||||
And years I left behind me in an hour. | 1 | 113 | 220 | ALAAR | ||||
And when an hour with calmer wings | 1 | 128 | 16 | ROMG | ||||
Of if an hour with calmer wing | 1 | 128 | 16C | ROMG | ||||
That little hour with lyre and rhyme | 1 | 128 | 18CD | ROMG | ||||
From childhood's hour I have not been | 1 | 146 | 1 | ALONE | ||||
Or if an hour with calmer wing | 1 | 157 | 40 | INTRO | ||||
That little hour with lyre and rhyme | 1 | 157 | 42 | INTRO | ||||
So sweet the hour — so calm the time, | 1 | 222 | 1 | SERE | ||||
Sleep on, sleep on, another hour — | 1 | 224 | 1 | SLEEP | ||||
And golden sands proclaim the hour | 1 | 224 | 15 | SLEEP | ||||
To say the truth about an hour ago | 1 | 265 | 27 | POLI | ||||
BALDAZZAR. The hour is growing late — | 1 | 271 | 88 | POLI | ||||
UGO. Get up? I can’t — Sir, I’ve been dead an hour | 1 | 284 | 107 | POLI | ||||
CLALAGE.3 I come. And now the hour is come | 1 | 287 | 54 | POLI | ||||
HOURI ( 4 2) | ||||||||
Where Houri glances are — | 1 | 174 | 20 | ISRA | ||||
Where the Houri glances are | 1 | 176 | 26 | ISRG | ||||
Where Houri glances are | 1 | 176 | 26C | ISRG | ||||
And the Houri glances are | 1 | 176 | 26DE | ISRG | ||||
HOURLY ( 2 2) | ||||||||
Hourly in Rome — Politian, Earl of Leicester! | 1 | 259 | 42 | POLI | ||||
Hourly for hope — for life — ah! above all, | 1 | 400 | 5 | MLS | ||||
HOURS ( 28 22) | ||||||||
Each fit to furnish forth four hours debate. | 1 | 10 | 22 | TEMP | ||||
Comes o’er me in these lonely hours, | 1 | 31 | 137 | TAMA | ||||
And sunshine of my summer hours! | 1 | 45 | 22 | TAMF | ||||
And sunshine of my summer hours! | 1 | 54 | 22 | TAMH | ||||
As sprang that yellow star from downy hours | 1 | 105 | 155 | ALAAR | ||||
These star-litten hours — | 1 | 109 | 83 | ALAAR | ||||
Nor long the measure of my falling hours, | 1 | 114 | 241 | ALAAR | ||||
The very hours are breathing low — | 1 | 200 | 52 | CITYA | ||||
The hours are breathing faint and low — | 1 | 202 | 49 | CITYH | ||||
And all mine hours are trances, | 1 | 215 | 21A | PARA | ||||
And all my hours are trances, | 1 | 215 | 218-6 | PARA | ||||
Now all my hours are trances, | 1 | 215 | 217 | PARA | ||||
Now all my hours are trances, | 1 | 215 | 21LQ | PARA | ||||
When the Hours flew brightly by, | 1 | 217 | 5 | HYMN | ||||
When my hours flew gently by, | 1 | 217 | 5A-D | HYMN | ||||
And him whose song revives departed hours, | 1 | 222 | 12 | ENIGMA | ||||
By the corrosive Hours to Fate and me? | 1 | 229 | 32 | COLIS | ||||
Late hours and wine, Castiglione, — these | 1 | 258 | 13 | POLI | ||||
The constitution as late hours and wine. | 1 | 258 | 16 | POLI | ||||
Wears it away like evil hours and wine. | 1 | 258 | 18 | POLI | ||||
Approaches, and the Hours are breathing low, | 1 | 269 | 40 | POLI | ||||
To a minute how many hours there are between | 1 | 276 | 8 | POLI | ||||
Six hours! why I can very easily do | 1 | 276 | 10 | POLI | ||||
The whole of my errands in two hours at farthest! | 1 | 276 | 11 | POLI | ||||
By the corrosive hours to Fate and me? | 1 | 287 | 39 | POLI | ||||
How many memories of what radiant hours | 1 | 311 | 3 | ZANTE | ||||
How many mem’ries of what radiant hours | 1 | 311 | 3BC | ZANTE | ||||
I saw but them — saw only them for hours — | 1 | 446 | 40 | TOHEL | ||||
HOUSE ( 1 | ||||||||
With the ancestral honours | 1 | 273 | 29 | POLI |
∞∞∞∞∞∞∞
Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
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[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)