∞∞∞∞∞∞∞
TEXT | V | PAGE | LINE | POEM | ||||
HOVER ( 1 1) | ||||||||
Round his fate will hover | 1 | 399 | 13 | LOU | ||||
HOVER’D ( 1 1) | ||||||||
Flashing from cloud that hover’d o’er, | 1 | 28 | 50 | TAMA | ||||
HOVERING ( 2 2) | ||||||||
Young dreams still hovering on their drowsy flight — | 1 | 111 | 158 | ALAAR | ||||
(Dim gulf!) my spirit hovering lies | 1 | 214 | 12 | PARA | ||||
HOW ( 90 85) | ||||||||
(O how would my wild heart rejoice | 1 | 28 | 57 | TAMA | ||||
I lov’d — and O, how tenderly! | 1 | 30 | 108 | TAMA | ||||
How by what hidden deeds of might, | 1 | 38 | 351 | TAMA | ||||
(O how my spirit would rejoice | 1 | 47 | 56 | TAMF | ||||
How could I from that water bring | 1 | 48 | 96 | TAMF | ||||
My solitary soul — how make | 1 | 48 | 98 | TAMB | ||||
How now! why tremble, man of gloom, | 1 | 51 | 179 | TAMF | ||||
Else how when in the holy grove, | 1 | 52 | 226 | TAMF | ||||
How was it that Ambition crept, | 1 | 53 | 235 | TAMF | ||||
How bright! and yet to creep | 1 | 53 | 247 | TAMF | ||||
(O! how my spirit would rejoice, | 1 | 55 | 52 | TAMH | ||||
Else how, when in the holy grove | 1 | 60 | 231 | TAMH | ||||
How was it that Ambition crept, | 1 | 61 | 240 | TAMH | ||||
How it hangs upon the trees, | 1 | 73 | 27 | SPIRD | ||||
How should he love thee? or how deem thee wise, | 1 | 91 | 5 | SCI | ||||
How shall he love thee? or how deem thee wise, | 1 | 91 | 5BC | SCI | ||||
How solemnly pervading the calm air! | 1 | 104 | 123 | ALAAR | ||||
(O! how, without you, Love! | 1 | 109 | 88 | ALAAR | ||||
and yet how far from Hell! | 1 | 111 | 173 | ALAAR | ||||
“Ianthe, dearest, see! how dim that ray! | 1 | 113 | 198 | ALAAR | ||||
How lovely 'tis to look so far away! | 1 | 113 | 199 | ALAAR | ||||
How drowsily it weigh’d them into night! | 1 | 113 | 207 | ALAAR | ||||
How few! and how they creep | 1 | 131 | 21 | SHOULD | ||||
How bright! and yet to creep | 1 | 131 | 21D | SHOULD | ||||
I laugh to think how poor | 1 | 131 | 37 | SHOULD | ||||
And then, how deep! — O, deep! | 1 | 140 | 27 | FAIRY1 | ||||
Sit down, sit down — how came we here? | 1 | 161 | 9 | FAIRY2 | ||||
How fantastically it fell | 1 | 162 | 26 | FAIRY2 | ||||
How they put out the starlight | 1 | 162 | 49 | FAIRY2 | ||||
How statue-like I see thee stand, | 1 | 166 | 12 | HELF | ||||
“O lady sweet! how camest thou here? | 1 | 184 | 26 | IRENE1 | ||||
How shall the burial rite be read? | 1 | 205 | 1 | PAEAN | ||||
RUPERT. How will she bear | 1 | 250 | 54 | POLI | ||||
Gave you the jewels! How (hiccup!) came you by the ring? | 1 | 252 | 117 | POLI | ||||
And pure as beautiful, how could she think — | 1 | 254 | 46 | POLI | ||||
How could she dream, being herself all truth | 1 | 254 | 47 | POLI | ||||
CASTIGLIONE. How, Sir! — not have it? — | 1 | 256 | 96 | POLI | ||||
Oh, beautiful! — most beautiful! — how like | 1 | 260 | 10 | POLI | ||||
How fares good Ugo? — and when is it to be? | 1 | 262 | 43 | POLI | ||||
How much I was mistaken! I always thought | 1 | 266 | 41 | POLI | ||||
Again! — again! — how solemnly it falls | 1 | 269 | 56 | POLI | ||||
How, in thy father's halls, among the maidens | 1 | 272 | 24 | POLI | ||||
My seared and blighted name, how would it tally | 1 | 273 | 28 | POLI | ||||
To say how thou dost scorn — how thou dost hate | 1 | 275 | 97 | POLI | ||||
To a minute how many hours there are between | 1 | 276 | 8 | POLI | ||||
For I dream — I know not how! | 1 | 308 | 38 | BRIDA | ||||
For I dream I know not how, | 1 | 309 | 29 | BRIDF | ||||
How many memories of what radiant hours | 1 | 311 | 3 | ZANTE | ||||
How many mem’ries of what radiant hours | 1 | 311 | 3BC | ZANTE | ||||
How many scenes of what departed bliss! | 1 | 311 | 5 | ZANTE | ||||
How many thoughts of what entombed hopes! | 1 | 311 | 6 | ZANTE | ||||
How many thoughts of what entombed hopes! | 1 | 311 | 6ADF | ZANTE | ||||
How many visions of a maiden that is | 1 | 311 | 7 | ZANTE | ||||
How shall the ritual, then, be read? | 1 | 335 | 24 | LENA | ||||
The requiem how be sung | 1 | 335 | 25 | LENA | ||||
How shall the ritual then be read — | 1 | 337 | 10 | LENK | ||||
the requiem how be sung | 1 | 337 | 10 | LENK | ||||
Hear the far generations — how they crash | 1 | 377 | 1 | LINES | ||||
Trash of all trash! — how can a lady don it? | 1 | 425 | 5 | DUNCE | ||||
How fairy-like a melody there floats | 1 | 434 | 3 | BELLSB | ||||
How fairy-like a melody there swells | 1 | 434 | 4 | BELLSC | ||||
How horrible a monody there floats | 1 | 434 | 11 | BELLSB | ||||
How I shudder at the notes | 1 | 434 | 15 | BELLSB | ||||
How they tinkle, tinkle, tinkle, | 1 | 435 | 4 | BELLSEG | ||||
How horrible a monody there floats | 1 | 435 | 12 | BELLSC | ||||
How I shudder at the notes | 1 | 435 | 15 | BELLSC | ||||
How they ring out their delight! — | 1 | 435 | 19 | BELLSEG | ||||
How it swells! | 1 | 436 | 27 | BELLSEG | ||||
How it dwells | 1 | 436 | 28 | BELLSEG | ||||
On the Future!, — how it tells | 1 | 436 | 29 | BELLSEG | ||||
How they scream out their affright! | 1 | 436 | 40 | BELLSEG | ||||
How they clang and clash and roar! | 1 | 436 | 54 | BELLSEG | ||||
How the danger ebbs and flows: — | 1 | 437 | 60 | BELLSEG | ||||
How the danger sinks and swells, | 1 | 437 | 64 | BELLSEG | ||||
How we shiver with affright | 1 | 437 | 74 | BELLSEG | ||||
I must not say how many — but not many. | 1 | 445 | 2 | TOHEL | ||||
How my heart beats in coupling those two words!) | 1 | 445 | 27 | TOHEL | ||||
How dark a wo! yet how sublime a hope! | 1 | 446 | 44 | TOHEL | ||||
How silently serene a sea of pride! | 1 | 446 | 45 | TOHEL | ||||
How daring an ambition! yet how deep — | 1 | 446 | 46 | TOHEL | ||||
How fathomless a capacity for love! | 1 | 446 | 47 | TOHEL | ||||
What care I how time advances? | 1 | 450 | 7 | ALE | ||||
How few! yet how they creep | 1 | 452 | 16 | TAKE | ||||
HOWE’ER ( 1 1) | ||||||||
Too coldly — or the stars — howe’er it was | 1 | 69 | 25 | DREA | ||||
HOWEVER ( 2 2) | ||||||||
Its atomies, however, | 1 | 141 | 39 | FAIRY1 | ||||
Good day! — I crave your patronage however | 1 | 255 | 60 | POLI | ||||
HUE ( 2 2) | ||||||||
Of the pale cloud therein, whose hue | 1 | 37 | 320 | TAMA | ||||
“Yon heir, whose cheeks of pallid hue | 1 | 335 | 15 | LENA | ||||
HUES ( 1 1) | ||||||||
His cloak, of a thousand mingled hues, | 1 | 301 | 5 | PARO | ||||
HUG ( 1 1) | ||||||||
But hug the glorious chains I wore. | 1 | 384 | 4 | KING | ||||
HUGE ( 2 2) | ||||||||
Huge moons there wax and wane — | 1 | 140 | 5 | FAIRY1 | ||||
Huge moons — see! wax and wane | 1 | 162 | 45 | FAIRY2 | ||||
HUM ( 4 4) | ||||||||
The hum of suitors, the mix’d tone | 1 | 29 | 68 | TAMA | ||||
The hum of suitors & the tone | 1 | 40 | 68 | TAMB | ||||
The hum of suitors, and the tone | 1 | 47 | 67 | TAMF | ||||
The hum of suitors — and the tone | 1 | 55 | 63 | TAMH | ||||
HUMAN ( 29 26) | ||||||||
Triumphantly with human kind. | 1 | 28 | 37 | TAMA | ||||
Ev’n childhood knows the human heart; | 1 | 30 | 126 | TAMA | ||||
Nothing have I with human hearts. | 1 | 37 | 346 | TAMA | ||||
And I have naught with human hearts. I... .] | 1 | 45 | 346 | TAMB | ||||
Triumphantly with human kind. | 1 | 46 | 38 | TAMF | ||||
Of human battle, where my voice, | 1 | 47 | 54 | TAMF | ||||
O human love! thou spirit given | 1 | 51 | 183 | TAMF | ||||
A snare in every human path — | 1 | 52 | 225 | TAMF | ||||
Triumphantly with human kind. | 1 | 54 | 34 | TAMH | ||||
Of human battle, where my voice, | 1 | 55 | 50 | TAMH | ||||
Of human battle (near me swelling.) | 1 | 55 | SOE | TAMH | ||||
O, human love! thou spirit given, | 1 | 59 | 177 | TAMH | ||||
A snare in every human path — | 1 | 60 | 230 | TAMH | ||||
Helen, like thy human eye | 1 | 192 | 29 | NISA | ||||
And Helen, like thy human eye, | 1 | 193 | 41 | NISB | ||||
In myriad types of the human eye — | 1 | 196 | 21 | NISE | ||||
Have seized on human brains, still not believing | 1 | 283 | 62 | POLI | ||||
Some human memories and tearful lore, | 1 | 322 | 8 | SILE | ||||
Some human memories a tearful lore, | 1 | 322 | 8A | SILE | ||||
In human gore imbued. | 1 | 326 | 32 | WORM | ||||
To the weak human eye unclosed; | 1 | 345 | 46 | ROUTE | ||||
To the weak human eye enclosed; | 1 | 345 | 468 | ROUTE | ||||
that no living human being | 1 | 367 | 51 | RAVEN | ||||
A thought arose within the human brain | 1 | 406 | 4 | MARA | ||||
Beyond the utterance of the human tongue: | 1 | 406 | s | MARA | ||||
A thought arose within the human brain | 1 | 407 | 4 | MARB | ||||
Beyond the utterance of the human tongue; | 1 | 407 | 5 | MARB | ||||
On the human heart a stone — | 1 | 437 | 85 | BELLSEG | ||||
They are neither brute nor human, | 1 | 437 | 87 | BELLSEG | ||||
HUMANITY ( 1 1) | ||||||||
In Truth — in Virtue — in Humanity — | 1 | 400 | 7 | MLS | ||||
HUMBLE ( 14 9) | ||||||||
Of fervent prayer and humble love, | 1 | 217 | .3A-D | HYMN | ||||
I kneel, an altered and an humble man, | 1 | 228 | 7 | COLIS | ||||
I stand, an altered and an humble man, | 1 | 228 | TB | COLIS | ||||
I kneel, an alter’d and an humble man, | 1 | 228 | TFGHK | COLIS | ||||
The humble tiller of some humble field | 1 | 254 | 50 | POLI | ||||
CASTIGLIONE Sweet, gentle humble Lalage! | 1 | 258 | 31Ax | POLI | ||||
Sit down! — for I am humble, most humble. | 1 | 260 | 4 | POLI | ||||
She was a peasant girl, she was so humble. | 1 | 277 | 31 | POLI | ||||
I hate all humble people! — and then she talked | 1 | 277 | 32 | POLI | ||||
I stand, an altered and an humble man | 1 | 286 | 8 | POLI | ||||
most humble and careless curl — | 1 | 349 | 12Y | EULA | ||||
most humble and careless curl. | 1 | 349 | 13 | EULA | ||||
HUMBLER ( 1 1) | ||||||||
An humbler heart — a deeper wo. | 1 | 60 | 221 | TAMH | ||||
HUMBLES ( 1 1) | ||||||||
As humbles her to the dust. | 1 | 249 | 47 | POLI | ||||
HUMBLILY ( 1 1) | ||||||||
Virginal Lilian, rigidly, humblily, dutiful; | 1 | 393 | 2 | MODC | ||||
HUMILIATION ( 1 1) | ||||||||
That in this deep humiliation I perish. | 1 | 282 | 78 | POLI | ||||
HUMILITY ( 1 1) | ||||||||
In deep humility I own that now | 1 | 406 | 17 | MARA | ||||
HUMMING ( 1 1) | ||||||||
Was plumed with the down of the humming-bird, | 1 | 301 | 2 | PARO | ||||
HUMMING-BIRD ( 1 1) | ||||||||
Was plumed with the down of the humming-bird, | 1 | 301 | 2 | PARO | ||||
HUMOUR ( 1 1) | ||||||||
Along the road — such oddity — such humour | 1 | 266 | 35 | POLI | ||||
HUMOURS ( 1 1) | ||||||||
Give way unto these humours. Be thyself! | 1 | 267 | 3 | POLI | ||||
HUMS ( 1 1) | ||||||||
Thus hums the moon within her ear, | 1 | 184 | 25 | IRENE1 | ||||
HUNG ( 4 4) | ||||||||
From clouds that hung, like banners, o’er, | 1 | 46 | 49 | TAMF | ||||
From clouds that hung, like banners, o’er, | 1 | 55 | 45 | TAMH | ||||
What time upon her airy bounds I hung | 1 | 113 | 221 | ALAAR | ||||
That rose — that what d’ye call it — that hung | 1 | 161 | 12 | FAIRY2 | ||||
HUNTER ( 1 1) | ||||||||
A mountain hunter, I had known | 1 | 39 | 397 | TAMA | ||||
HURL’D ( 1 1) | ||||||||
I left so late was into chaos hurl’d — | 1 | 114 | 234 | ALAAR | ||||
HURRIED ( 1 1) | ||||||||
And hurried madly on my way: | 1 | 36 | 300 | TAMA | ||||
HURRIEDLY ( 5 5) | ||||||||
Came hurriedly upon me, telling | 1 | 28 | 54 | TAMA | ||||
Came hurriedly upon me, telling | 1 | 46 | 53 | TAMF | ||||
Came hurriedly upon me, telling | 1 | 55 | 49 | TAMH | ||||
All hurriedly she knelt upon a bed | 1 | 101 | 42 | ALAAR | ||||
(Arising hurriedly.) | 1 | 263 | 13d | POLI | ||||
HURRY ( 2 2) | ||||||||
What need is there of hurry? I’ll answer for it | 1 | 276 | 4 | POLI | ||||
Or he would not be in a hurry — he would have stopped — | 1 | 277 | 39 | POLI | ||||
HUSBAND ( 1 1) | ||||||||
And Alessandra's husband. | 1 | 258 | 22 | POLI | ||||
HUSH ( 1 1) | ||||||||
LALAGE. Hist! hush! within the gloom | 1 | 273 | 53 | POLI | ||||
HUSH’D ( 1 0) | ||||||||
’Tis hush’d and all is still! | 1 | 270 | 79Ax | POLI | ||||
HUSHED ( 1 1) | ||||||||
BALDAZZAR. ’Tis hushed and all is still! | 1 | 270 | 86 | POLI | ||||
HUTS ( 1 1) | ||||||||
Two mossy huts of the Taglay. | 1 | 43 | 223 | TAMB | ||||
HYACINTH ( 1 1) | ||||||||
Thy hyacinth hair, thy classic face, | 1 | 166 | 7 | HELF | ||||
HYACINTHINE 1 1 1) | ||||||||
O hyacinthine isle! O purple Zante! | 1 | 311 | 13 | ZANTE | ||||
HYMEN ( 1 1) | ||||||||
Or Hymen, Time, and Destiny | 1 | 157 | 33 | INTRO | ||||
HYMN ( 2 2) | ||||||||
Heard not the stirring summons of that hynn? | 1 | 112 | 175 | ALAAR | ||||
Maria! thou halt heard my hymn! | 1 | 217 | 2 | HYMN | ||||
HYMNS ( 2 2) | ||||||||
And, amid incense and high spiritual hymns, | 1 | 100 | 28 | ALAAR | ||||
Ceasing their hymns, attend the spell | 1 | 175 | 6 | ISRG | ||||
I’ ( 5 3) | ||||||||
SAN OZZO. An excellent joke! I’ faith an excellent joke! | 1 | 253 | 1 | POLI | ||||
I’ the pouts? Kiss her, Castiglione! kiss her, | 1 | 259 | 39 | POLI | ||||
“Bore a bright golden flower, but not i’ this soil!” | 1 | 260 | 6 | POLI | ||||
Thus speaketh one Ferdinand i’ the words of the play — | 1 | 261 | 16C | POLI | ||||
I’ the budding of my hopes — give me to live, | 1 | 279 | 7A | POLI | ||||
TAMBIC ( 1 1) | ||||||||
[II. An “iambic line” | 1 | 393 | 6 | MODC | ||||
IANTHE ( 4 3) | ||||||||
“Ianthe, dearest, see! how dim that ray! | 1 | 113 | 198 | ALAAR | ||||
Ianthe, beauty crowded on me then, | 1 | 113 | 225 | ALAAR | ||||
“But, list, Ianthe! when the air so soft | 1 | 114 | 231 | ALAAR | ||||
Methought, Ianthe, then I ceas’d to soar | 1 | 114 | 237A | ALAAR | ||||
ICY ( 2 2) | ||||||||
No icy worms about her creep: | 1 | 185 | 62 | IRENE1 | ||||
In the icy air of night! | 1 | 435 | 5 | BELLSEG | ||||
IDEA ( 1 1) | ||||||||
The bright idea, or bright dear-eye, | 1 | 380 | 4 | KATE | ||||
IDEA ( 5 5) | ||||||||
Idea which bindest life around, | 1 | 51 | 189 | TAMF | ||||
Idea! which bindest life around | 1 | 59 | 183 | TAMH | ||||
Whence sprang the “Idea of Beauty” into birth, | 1 | 100 | 31 | ALAAR | ||||
Whose harshest idea | 1 | 109 | 102 | ALAAR | ||||
“Half an idea in the profoundest sonnet. | 1 | 425 | 2 | DUNCE | ||||
IDEAL ( 11 8) | ||||||||
The “beau ideal” fancied for Adonis. | 1 | 11 | 72 | TEMP | ||||
The sunshine, and the calm — the ideal | 1 | 32 | 167 | TAMA | ||||
Which, ideal, still may be | 1 | 36 | 304 | TAMA | ||||
The sunshine, 6 the calm — th’ ideal | 1 | 41 | 167 | TAMB | ||||
The good, the bad, the ideal, | 1 | 49 | 143 | TAMF | ||||
That was new pleasure —— the ideal, | 1 | 57 | 120 | TAMH | ||||
All Nature speaks, and ev’n ideal things | 1 | 104 | 128 | ALAAR | ||||
Here Nature speaks, and ev’n ideal things | 1 | 104 | 128BCE | ALAAR | ||||
There Nature speaks, and even ideal things | 1 | 104 | 128D | ALAAR | ||||
Here Nature speaks, and even ideal things | 1 | 104 | 128F | ALAAR | ||||
The unsatisfactory and ideal thing. | 1 | 273 | 32 | POLI | ||||
IDEAS ( 1 1) | ||||||||
I’ve heard before that such ideas as these | 1 | 283 | 61 | POLI | ||||
IDEOT ( 1 1) | ||||||||
“You silly, sulky, dirty, stupid ideot! | 1 | 278 | 77 | POLI | ||||
IDIOT ( 2 2) | ||||||||
CASTIGLIONE. What does the idiot mean? | 1 | 256 | 100 | POLI | ||||
I’ll make this idiot go and tell the Count | 1 | 283 | 70 | POLI | ||||
IDLE ( 11 10) | ||||||||
The idle words, which, as a dream | 1 | 34 | 239 | TAMA | ||||
The idle words which, as a dream, | 1 | 43 | 239 | TAMB | ||||
I have no time for idle cares | 1 | 128 | 14 | ROMG | ||||
I had no time for idle cares, | 1 | 128 | 14C | ROMG | ||||
For, being an idle boy lang syne, | 1 | 157 | 19 | INTRO | ||||
I had no time for idle cares, | 1 | 157 | 38 | INTRO | ||||
An idle longing night and day | 1 | 158 | 54 | INTRO | ||||
In childhood, many an idle stone — | 1 | 185 | 70 | IRENE1 | ||||
In childhood, many an idle stone — | 1 | 188 | 56 | IRENE2 | ||||
Shake off the idle fancies that beset thee, | 1 | 267 | 4 | POLI | ||||
“You good-for-nothing, idle, lazy scoundrel! | 1 | 278 | 75 | POLI | ||||
IDLENESS ( 1 1) | ||||||||
In vacant idleness of woe. | 1 | 39 | 395 | TAMA | ||||
IDOL ( 2 2) | ||||||||
I wander’d of the idol, Love, | 1 | 52 | 227 | TAMF | ||||
I wandered of the idol, Love, | 1 | 61 | 232 | TAMH | ||||
IDOLATRY ( 2 2) | ||||||||
Of her that heart's idolatry — | 1 | 33 | 202 | TAMA | ||||
Of her, that heart's idolatry! | 1 | 42 | 202 | TAMB | ||||
IDOL’S ( 2 2) | ||||||||
In each idol's diamond eye, | 1 | 200 | 34 | CITYA | ||||
In each idol's diamond eye — | 1 | 202 | 33 | CITYH | ||||
IF ( 62 53) | ||||||||
And always keep from laughing if I can; | 1 | 11 | 62C | TEMP | ||||
If I can tell exactly what about. | 1 | 11 | 80 | TEMP | ||||
But if he won’t he shall, the stupid elf, | 1 | 12 | 90 | TEMP | ||||
But if he won’t he shall, a stupid elf, | 1 | 12 | 90C | TEMP | ||||
If I can hope (O God! I can) | 1 | 27 | 13 | TAMA | ||||
As if ’twere not the dying hour | 1 | 37 | 342 | TAMA | ||||
If I can hope (O God! I can) | 1 | 45 | 9 | TAMF | ||||
As if ’twere not their parting hour | 1 | 45 | 342 | TAMB | ||||
As if my words were the Simoom! | 1 | 51 | 180 | TAMF | ||||
If my peace hath flown away | 1 | 53 | 239 | TAMF | ||||
If I can hope — Oh God! I can — | 1 | 54 | 9 | TAMH | ||||
Of if an hour with calmer wing | 1 | 128 | 16C | ROMG | ||||
If my peace hath fled away | 1 | 130 | 13 | SHOULD | ||||
If my peace hath flown away | 1 | 130 | 13BD | SHOULD | ||||
Each poet — if a poet — in pursuing | 1 | 148 | 7 | ELIZA | ||||
Ah! if that language from thy heart arise, | 1 | 149 | 5 | ACROS | ||||
Or if an hour with calmer wing | 1 | 157 | 40 | INTRO | ||||
If with thee be broken hearts, | 1 | 160 | 22 | MYST | ||||
Thy grief — if any — thy love | 1 | 174 | 31 | ISRA | ||||
If I did dwell where Israfel | 1 | 175 | 39 | ISRA | ||||
If I could dwell | 1 | 176 | 45 | ISRG | ||||
If I did dwell | 1 | 176 | 45C | ISRG | ||||
As if the towers had thrown aside, | 1 | 200 | 47 | CITYA | ||||
As if the turret-tops had given | 1 | 200 | 49 | CITYA | ||||
As if the towers had thrust aside, | 1 | 202 | 44 | CITYH | ||||
As if their tops had feebly given | 1 | 202 | 46 | CITYH | ||||
Madam Jacinta if you please, Sir Ugo! | 1 | 250 | 77 | POLI | ||||
JACINTA. What if he did friend Ugo? | 1 | 251 | 85 | POLI | ||||
What if he did? | 1 | 251 | 86 | POLI | ||||
Dolt I’m not sure you see — or if you see | 1 | 251 | 102 | POLI | ||||
A purer heart! If ever woman fell | 1 | 254 | 40 | POLI | ||||
If ever plighted vows most sacredly | 1 | 254 | 42 | POLI | ||||
If I should die for it — to have my choice | 1 | 257 | 113 | POLI | ||||
If I should die for it — and I to have my choice | 1 | 257 | 113Ax | POLI | ||||
Your hand from off my shoulder, if you please. | 1 | 258 | 36 | POLI | ||||
LALAGE. If there be balm | 1 | 261 | 30 | POLI | ||||
We differed indeed. If I now recollect | 1 | 265 | 17 | POLI | ||||
If such there be, my friend Baldazzar here — | 1 | 267 | 62 | POLI | ||||
Be still! — the voice, if I mistake not greatly, | 1 | 269 | 61 | POLI | ||||
Thou askest me if I could speak of love, | 1 | 272 | 10 | POLI | ||||
If he had not been a fool he would have stopped — | 1 | 277 | 40 | POLI | ||||
and remains with his foot in it, as if stupified.) | 1 | 278 | 23d | POLI | ||||
And then if he's not gone in half a moment | 1 | 278 | 80 | POLI | ||||
If that we meet at all, it were as well | 1 | 280 | 44.1AB | POLI | ||||
SAN OZZO. D——d if he does that's flat! | 1 | 282 | 48 | POLI | ||||
Damned if you do? — look you, you ignoramus | 1 | 283 | 51 | POLI | ||||
If so pray let me know! | 1 | 283 | 54 | POLI | ||||
That he's deceased — if so the game is up. | 1 | 283 | 71 | POLI | ||||
I’ll mar this bridal if at the altar's foot | 1 | 287 | 61 | POLI | ||||
I’ll mar this wedding if at the altar's foot | 1 | 287 | 61Ax | POLI | ||||
If I am not happy now! | 1 | 308 | 24 | BRIDA | ||||
That one word, as if his soul | 1 | 367 | 56 | RAVEN | ||||
prophet still, if bird or devil! — | 1 | 368 | 85 | RAVEN | ||||
prophet still, if bird or devil! | 1 | 368 | 91 | RAVEN | ||||
if, within the distant Aidenn, | 1 | 368 | 93 | RAVEN | ||||
If one could merely understand the plot. | 1 | 389 | 12 | VALA | ||||
If one could merely comprehend the plot. | 1 | 389 | 12BC | VALA | ||||
If one could merely comprehend the plot. | 1 | 390 | 12 | VALG | ||||
And now, as if in mockery of that boast, | 1 | 406 | 6 | MARA | ||||
And now, as if in mockery of that boast, | 1 | 407 | 6 | MARB | ||||
Yet if hope has flown away | 1 | 451 | 6 | TAKE | ||||
“If you seek for Eldorado!” | 1 | 463 | 24 | ELDOR | ||||
IGNORAMUS ( 1 1) | ||||||||
Damned if you do? — look you, you ignoramus | 1 | 283 | 51 | POLI | ||||
IGNORANT ( 2 2) | ||||||||
Being ignorant of one important rule, | 1 | 148 | 12 | ELIZA | ||||
And others — the ignorant, stupid, villain! — | 1 | 276 | 22 | POLI | ||||
II ( 1 1) | ||||||||
CII. An “iambic line” | 1 | 393 | 6 | MODC | ||||
III ( 1 1) | ||||||||
(III. “Dactylic lines in which we find natural feet” — | 1 | 393 | 8 | MODC | ||||
ILL ( 13 11) | ||||||||
Of some ill demon, with a power | 1 | 32 | 173 | TAMA | ||||
The worst ill of mortality, | 1 | 36 | 305 | TAMA | ||||
Of an ill demon with a power | 1 | 42 | 173 | TAMB | ||||
From ev’ry depth of good and ill | 1 | 146 | 11 | ALONE | ||||
In joy and wo — in good and ill — | 1 | 217 | 3 | HYMN | ||||
Which brings no ill. | 1 | 224 | 16 | SLEEP | ||||
Ill suit the like with old Di Broglio's heir | 1 | 258 | 21 | POLI | ||||
Thro’ good and ill — thro’ weal and wo I love thee. | 1 | 272 | 15 | POLI | ||||
And much I fear me ill — it will not do | 1 | 279 | 2 | POLI | ||||
Haunted by ill angels only, | 1 | 343 | 2 | ROUTE | ||||
Haunted by ill angels only, | 1 | 344 | 20.2A | ROUTE | ||||
Haunted by ill angels only, | 1 | 344 | 38.2A | ROUTE | ||||
Haunted by ill angels only, | 1 | 345 | 52 | ROUTE | ||||
ILLNESS ( 1 1) | ||||||||
And the lingering illness | 1 | 456 | 3 | ANNIE | ||||
ILLUMINE ( 1 1) | ||||||||
Their office is to illumine and enkindle — | 1 | 446 | 57 | TOHEL | ||||
ILLUSTRATING ( 3 3) | ||||||||
(V. Line illustrating the “error ... | 1 | 393 | 14 | MODC | ||||
(VI. Line illustrating (in the syllable son) | 1 | 393 | 17 | MODC | ||||
[VII. Line illustrating (in the last word) a foot | 1 | 393 | 20 | MODC | ||||
IMAGE ( 10 8) | ||||||||
With her own image, my fond breast — | 1 | 34 | 246 | TAMA | ||||
Thine image and a name — a name! | 1 | 50 | 149 | TAMF | ||||
Thine image and — a name — a name! | 1 | 57 | 126 | TAMH | ||||
Its image on my spirit, or the moon | 1 | 69 | 23 | DREA | ||||
Thy image may be, | 1 | 110 | 113 | ALAAR | ||||
Thine image may be, | 1 | 110 | 113F | ALAAR | ||||
Her image deeply lies — | 1 | 135 | 12 | TOPO | ||||
Her image lightly lies — | 1 | 135 | 12A | TOPO | ||||
An image of Elysium lies: | 1 | 222 | 6 | SERE | ||||
Made in his image a mannikin merely to madden it? | 1 | 393 | 11 | MODC | ||||
IMAGINARY ( 2 1) | ||||||||
Inclines of mine imaginary apart | 1 | 68 | 16A | DREA | ||||
In hearkening to imaginary sounds | 1 | 268 | 24 | POLI | ||||
IMAGINATION’S ( 1 1) | ||||||||
The bard that paints imagination's powers, | 1 | 222 | 11 | ENIGMA | ||||
IMAGINING ( 4 4) | ||||||||
Solace to my imagining? | 1 | 48 | 97 | TAMF | ||||
In climes of mine imagining — apart | 1 | 68 | 16 | DREA | ||||
To his dark imagining; | 1 | 85 | 20 | LAKEA | ||||
To his lone imagining — | 1 | 86 | 21 | LAKEF | ||||
IMBIB’D ( 1 1) | ||||||||
My soul imbib’d unhallow’d feeling; | 1 | 28 | 47 | TAMA | ||||
IMBIBE ( 1 1) | ||||||||
Which with my mother's milk I did imbibe, | 1 | 268 | 12 | POLI | ||||
IMBUED ( 3 3) | ||||||||
Imbued with all the beauty | 1 | 174 | 22 | ISRA | ||||
Imbued with all the beauty | 1 | 176 | 27 | ISRG | ||||
In human gore imbued. | 1 | 326 | 32 | WORM | ||||
IMITATING ( 1 1) | ||||||||
Who would be men by imitating apes. | 1 | 10 | 34 | TEMP | ||||
IMMEMORIAL ( 1 1) | ||||||||
Of my most immemorial year: | 1 | 416 | 5 | ULA | ||||
IMMORTAL ( 1 1) | ||||||||
Stable, opaque, immortal — all by dint | 1 | 425 | 13 | DUNCE | ||||
IMMORTALITY ( 1 1) | ||||||||
Beyond that death no immortality | 1 | 111 | 170 | ALAAR | ||||
IMP ( 3 3) | ||||||||
Why not an imp the greybeard hath, | 1 | 158 | 63 | INTRO | ||||
There is an imp would follow me even there! | 1 | 268 | 16 | POLI | ||||
There is an imp hath followed me even there! | 1 | 268 | 17 | POLI | ||||
IMPARTS ( 4 4) | ||||||||
Its venom secretly imparts; | 1 | 37 | 345 | TAMA | ||||
Its venom secretly imparts — | 1 | 45 | 345 | TAMB | ||||
But two: they fell: for Heaven no grace imparts | 1 | 112 | 176 | ALAAR | ||||
They fell: for Heaven to them no hope imparts | 1 | 115 | 263 | ALAAR | ||||
IMPASSION’D ( 2 2) | ||||||||
Which ev’n to my impassion’d mind, | 1 | 29 | 92 | TAMA | ||||
Which, ev’n to this impassion’d mind, | 1 | 41 | 92 | TAMB | ||||
IMPEDING ( 1 1) | ||||||||
Seen but in beauty — not impeding sight | 1 | 100 | 38 | ALAAR | ||||
IMPELS ( 1 1) | ||||||||
Of the rapture that impels | 1 | 436 | 30 | BELLSEG | ||||
IMPERATIVE ( 1 1) | ||||||||
A sacred vow, imperative, and urgent, | 1 | 263 | 94 | POLI | ||||
IMPERIAL ( 1 1) | ||||||||
To the imperial city. | 1 | 259 | 44 | POLI | ||||
IMPLORE ( 3 3) | ||||||||
your forgiveness I implore; | 1 | 365 | 20 | RAVEN | ||||
tell me truly, I implore — | 1 | 368 | 88 | RAVEN | ||||
tell me — tell me, I implore!” | 1 | 368 | 89 | RAVEN | ||||
IMPORTANCE ( 1 1) | ||||||||
One of the last importance. Do you not think | 1 | 284 | 97 | POLI | ||||
IMPORTANT ( 1 1) | ||||||||
Being ignorant of one important rule, | 1 | 148 | 12 | ELIZA | ||||
IMPOSSIBLE ( 1 1) | ||||||||
Besides, you know it was impossible | 1 | 276 | 27 | POLI | ||||
IMPOTENT ( 1 1) | ||||||||
“We are not impotent — we pallid stones. | 1 | 229 | 39 | COLIS | ||||
IMPROPRIETIES ( 1 1) | ||||||||
Barring some trivial improprieties, | 1 | 249 | 32 | POLI | ||||
IMPUDENT ( 1 1) | ||||||||
The impudent varlet not to answer me! | 1 | 276 | 16 | POLI | ||||
IMPUDENTLY ( 1 1) | ||||||||
So impudently in my face, | 1 | 161 | 15 | FAIRY2 | ||||
INCENSE ( 7 7) | ||||||||
Were incense — then a goodly gift — | 1 | 30 | 115 | TAMA | ||||
Were incense — then a goodly gift — | 1 | 49 | 118 | TAMF | ||||
With incense of burnt offerings, | 1 | 53 | 229 | TAMF | ||||
Were incense — then a goodly gift, | 1 | 56 | 91 | TAMH | ||||
With incense of burnt offerings | 1 | 61 | 234 | TAMH | ||||
And, amid incense and high spiritual hymns, | 1 | 100 | 28 | ALAAR | ||||
To breathe the incense of those slumbering roses? | 1 | 445 | 24 | TOHEL | ||||
INCLINES ( 1 0) | ||||||||
Inclines of mine imaginary apart | 1 | 68 | 16A | DREA | ||||
INCORPORATE ( 1 1) | ||||||||
There are some qualities — some incorporate things, | 1 | 322 | 1 | SILE | ||||
INCUMBENT ( 1 1) | ||||||||
Incumbent on night | 1 | 109 | 108 | ALAAR | ||||
INDEED ( 21 20) | ||||||||
I crave thy pardon — indeed I am not well — | 1 | 258 | 35 | POLI | ||||
I crave your pardon — indeed I am not well — | 1 | 258 | 35Ax | POLI | ||||
Indeed she is very troublesome. | 1 | 261 | 35 | POLI | ||||
LALAGE. Jewels! Jacinta, — now indeed, Jacinta, | 1 | 262 | 48 | POLI | ||||
CASTIGLIONE. Indeed | 1 | 264 | 1 | POLI | ||||
We differed indeed. If I now recollect | 1 | 265 | 17 | POLI | ||||
Thou must not — nay indeed, indeed, thou shalt not | 1 | 267 | 2 | POLI | ||||
Of a long journey — the — indeed I had better | 1 | 267 | 71 | POLI | ||||
Of the Earl, mirthful indeed! — which of us said | 1 | 267 | 77 | POLI | ||||
BALDAZZAR. Indeed I hear not. | 1 | 269 | 51 | POLI | ||||
This mockery is most cruel! — most cruel indeed! | 1 | 272 | 4 | POLI | ||||
I am indeed! — but after all I think | 1 | 276 | 20 | POLI | ||||
For the better I think — indeed I’m sure of it — | 1 | 276 | 26 | POLI | ||||
Worth serving indeed — oh she has airs and graces | 1 | 278 | 59 | POLI | ||||
A different thing — a different thing indeed! | 1 | 278 | 70 | POLI | ||||
Avaunt — I will not fight thee — indeed I dare not. | 1 | 281 | 63 | POLI | ||||
POLITIAN Alas! — I do — indeed I pity thee. | 1 | 282 | 74 | POLI | ||||
CASTIGLIONE. Now this indeed is just! | 1 | 282 | 92 | POLI | ||||
Be candid with me — is it indeed a fact | 1 | 283 | 73 | POLI | ||||
Indeed I cannot will not answer for | 1 | 285 | 119 | POLI | ||||
INDIAN ( 1 1) | ||||||||
With Indian Cupid down the holy river — | 1 | 102 | 79 | ALAAR | ||||
INDIGNANT ( 5 3) | ||||||||
Indignant from the tomb Both take | 1 | 184 | 47 | IRENE1 | ||||
[th’ indignant ghost is riven — | 1 | 336 | 56 | LENA | ||||
the indignant ghost is riven — | 1 | 337 | 20 | LENK | ||||
th’ indignant ghost is riven — | 1 | 337 | 24Ca | LENK | ||||
the indignant ghost is riven — | 1 | 337 | 24Cb-GL | LENK | ||||
INDITED ( 1 1) | ||||||||
(Indited in the language that he sung.) | 1 | 221 | 6 | ENIGMA | ||||
INDULGED ( 1 1) | ||||||||
Thou has indulged | 1 | 257 | 11 | POLI | ||||
INEXORABLE ( 1 1) | ||||||||
The hand that traced inexorable rage; | 1 | 221 | 2 | ENIGMA | ||||
INFANCY ( 4 4) | ||||||||
Such as in infancy was mine | 1 | 30 | 110 | TAMA | ||||
In infancy, which seen, recall | 1 | 31 | 141 | TAMA | ||||
Love as in infancy was mine — | 1 | 48 | 114 | TAMF | ||||
Love — as in infancy was mine — | 1 | 56 | 87 | TAMH | ||||
INFANCY’S ( 1 1) | ||||||||
And raise his infancy's delight, | 1 | 35 | 281 | TAMA | ||||
INFANT ( 4 3) | ||||||||
The infant monarch of the hour — | 1 | 28 | 45 | TAMA | ||||
My infant spirit would awake | 1 | 48 | 89 | TAMF | ||||
My infant spirit would awake | 1 | 85 | 11 | LAKEA | ||||
My infant spirit would awake | 1 | 85 | 11C | LAKEF | ||||
INFELICITY ( 1 1) | ||||||||
“I think not so — her infelicity | 1 | 261 | 18 | POLI | ||||
INFINITE ( 1 1) | ||||||||
Ev’n then who knew that as infinite | 1 | 47 | 77 | TAMF | ||||
INFINITY ( 5 4) | ||||||||
She look’d into Infinity — and knelt. | 1 | 100 | 35 | ALAAR | ||||
Have dream’d for thy Infinity | 1 | 103 | 104 | ALAAR | ||||
Have dreamed for thy Infinity | 1 | 103 | 104E | ALAAR | ||||
By that infinity with which my wife | 1 | 467 | 13 | MOTHB | ||||
By that infinity with which my wife | 1 | 467 | 13 | MOTHC | ||||
INFLUENCE ( 2 2) | ||||||||
But left its influence with me still. | 1 | 30 | 101 | TAMA | ||||
An influence dewy, drowsy, dim, | 1 | 183 | 9 | IRENE1 | ||||
INFORM ( 1 1) , | ||||||||
I will inform the Count — but not so fast — | 1 | 284 | 93 | POLI | ||||
INGRATITUDE ( 1 1) | ||||||||
Be all ingratitude requited. | 1 | 161 | 19 | FAIRY2 | ||||
INHERIT ( 9 8) | ||||||||
Shame said'st thou? Aye I did inherit | 1 | 27 | 24 | TAMA | ||||
To know the fate it will inherit) | 1 | 32 | 192 | TAMA | ||||
To know the fate it will inherit) | 1 | 42 | 192 | TAMB | ||||
O yearning heart! (I did inherit | 1 | 45 | 15 | TAMF | ||||
O yearning heart! I did inherit | 1 | 54 | 15 | TAMH | ||||
Let none of earth inherit | 1 | 75 | 11 | IMIT | ||||
Another brow may ev’n inherit | 1 | 81 | 10 | HAPP | ||||
Another brow may e’en inherit | 1 | 81 | 10B | HAPP | ||||
Which from my forefathers I did inherit, | 1 | 268 | 11 | POLI | ||||
INMATE ( 2 1) | ||||||||
Inmate of highest stars, where erst it sham’d | 1 | 101 | 51 | ALAAR | ||||
Inmate of highest stars, where erst it shamed | 1 | 101 | S1H | ALAAR | ||||
INNATE ( 6 6) | ||||||||
My innate nature — be it so: | 1 | 29 | 81 | TAMA | ||||
The soul which feels its innate right — | 1 | 32 | 185 | TAMA | ||||
My innate nature — be it so: | 1 | 40 | 81 | TAMB | ||||
My innate nature — be it so: | 1 | 47 | 72 | TAMF | ||||
My innate nature — be it so: | 1 | 56 | 68 | TAMH | ||||
Besides my innate love of contradiction; | 1 | 148 | 6 | ELIZA | ||||
INNOCENCE ( 1 1) | ||||||||
That did to death the innocence | 1 | 337 | 12 | LENK | ||||
INSPIRD ( 1 1) | ||||||||
(With glory — such as might inspire | 1 | 35 | 273 | TAMA | ||||
INSTALLED ( 2 2) | ||||||||
And fill my heart of hearts, where Death installed you | 1 | 467 | 7 | MOTHB | ||||
Filling my heart of hearts, where God installed you, | 1 | 467 | 7 | MOTHC | ||||
INSTANCE ( 1 1) | ||||||||
For instance, and my present noble mistress | 1 | 276 | 24 | POLI | ||||
INSTANT ( 2 1) | ||||||||
not an instant stopped or stayed he; | 1 | 366 | 39ABCEFHJLNPQU | RAVEN | ||||
And in an instant all things disappeared. | 1 | 446 | 29 | TOHEL | ||||
INSTEAD ( 4 2) | ||||||||
Instead of two sides, Bob has nearly eight, | 1 | 10 | 21 | TEMP | ||||
Instead of two sides, Job has nearly eight, | 1 | 10 | 21CD | TEMP | ||||
He then, of course, must shake his foot instead. | 1 | 12 | 84 | TEMP | ||||
Stern Despair returned, instead of | 1 | 367 | 65ABC | RAVEN | ||||
INSULT ( 1 1) | ||||||||
For public insult in the streets — before | 1 | 282 | 86 | POLI | ||||
INTELLECTUALITY ( 2 2) | ||||||||
In the mad pride of intellectuality, | 1 | 406 | 2 | MARA | ||||
In the mad pride of intellectuality, | 1 | 407 | 2 | MARB | ||||
INTENSER ( 5 5) | ||||||||
Burn’d with a still intenser glow; | 1 | 29 | 84 | TAMA | ||||
Burn’d with a still intenser glow | 1 | 40 | 84 | TAMB | ||||
Burn’d with a still intenser glow, | 1 | 47 | 75 | TAMF | ||||
Burn’d with a still intenser glow | 1 | 56 | 71 | TAMH | ||||
Thrills with intenser love than I for thee. | 1 | 272 | 17 | POLI | ||||
INTENT ( 1 1) | ||||||||
To its most desperate intent,) | 1 | 35 | 270 | TAMA | ||||
INTENTION ( 1 1) | ||||||||
What is it you mean? is it your fixed intention | 1 | 283 | 52 | POLI | ||||
INTERFERE ( 1 1) | ||||||||
No subject vice dare interfere, | 1 | 384 | 7 | KING | ||||
INTERIOR ( 1 1) | ||||||||
Interior of the Coliseum. | 1 | 285 | 29d | POLI | ||||
INTERMINABLE ( 3 3) | ||||||||
With its interminable chime | 1 | 46 | 24 | TAMF | ||||
With its interminable chime, | 1 | 54 | 24 | TAMH | ||||
Of interminable pride — | 1 | 75 | 2 | IMIT | ||||
INTERMITS ( 3 3) | ||||||||
The pulse beats ten and intermits. | 1 | 403 | 1 | PHYS | ||||
The pulse beats ten and intermits. | 1 | 403 | 5 | PHYS | ||||
The pulse beats ten and intermits. | 1 | 403 | 7 | PHYS | ||||
INTERPRETED ( 1 1) | ||||||||
Shall not be interpreted. | 1 | 192 | 10 | NISA | ||||
INTERTWINE ( 2 2) | ||||||||
Whose entablatures intertwine | 1 | 200 | 29 | CITYA | ||||
Whose wreathed friezes intertwine | 1 | 201 | 22 | CITYH | ||||
INTIMATE ( 2 2) | ||||||||
Two separate yet most intimate things. | 1 | 50 | 150 | TAMF | ||||
Two separate — yet most intimate things. | 1 | 57 | 127 | TAMH |
∞∞∞∞∞∞∞
Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
∞∞∞∞∞∞∞
[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)