∞∞∞∞∞∞∞
TEXT | V | PAGE | LINE | POEM | ||||
INTO ( 43 36) | ||||||||
Bow’d from its wild pride into shame. | 1 | 45 | 14 | TAMF | ||||
Which fallest into the soul like rain | 1 | 51 | 185 | TAMF | ||||
Bow’d from its wild pride into shame. | 1 | 54 | 14 | TAMH | ||||
Which fall'st into the soul like rain | 1 | 59 | 179 | TAMH | ||||
Into thine hour of secrecy. | 1 | 71 | 4 | SPIRA | ||||
Into thine hour of secrecy: | 1 | 72 | 4 | SPIRD | ||||
Whence sprang the “Idea of Beauty” into birth, | 1 | 100 | 31 | ALAAR | ||||
She look’d into Infinity — and knelt. | 1 | 100 | 35 | ALAAR | ||||
And died, ere scarce exalted into birth, | 1 | 102 | 71 | ALAAR | ||||
Into the sunlit ether, caught the ray | 1 | 106 | 8 | ALAAR | ||||
Look’d out above into the purple air, | 1 | 106 | 23 | ALAAR | ||||
Looked out above into the purple air, | 1 | 106 | 23E | ALAAR | ||||
How drowsily it weigh’d them into night! | 1 | 113 | 207 | ALAAR | ||||
I left so late was into chaos hurl’d — | 1 | 114 | 234 | ALAAR | ||||
Into a shower dissever, | 1 | 141 | 40 | FAIRY1 | ||||
The black hath mellow’d into grey, | 1 | 158 | 48 | INTRO | ||||
And shook it into pieces — so | 1 | 161 | 18 | FAIRY2 | ||||
Into the darkness of a room, | 1 | 162 | 33 | FAIRY2 | ||||
Grey towers are mouldering into rest, | 1 | 183 | 11 | IRENE1 | ||||
Into the universal valley. | 1 | 187 | 8 | IRENE2 | ||||
The ruin moulders into rest; | 1 | 187 | 12 | IRENE2 | ||||
Grey towers are mouldering into rest; | 1 | 187 | 12D | IRENE2 | ||||
And tumbled him into bed. | 1 | 248 | 20 | POLI | ||||
As of one who entered madly into life, | 1 | 259 | 59 | POLI | ||||
with a window open and looking into/ a garden. | 1 | 260 | 4/ Sd | POLI | ||||
(LALAGE bursts into tears | 1 | 262 | 23d | POLI | ||||
Into my heart of hearts! that eloquent voice | 1 | 269 | 57 | POLI | ||||
Into my heart of hearts! that voice — that voice | 1 | 269 | 57AB | POLI | ||||
Into the dust — so we descend together. | 1 | 273 | 44 | POLI | ||||
From Hell into a high estate | 1 | 337 | 25Cb | LENK | ||||
Into seas without a shore; | 1 | 344 | 14 | ROUTE | ||||
Deep into that darkness peering, | 1 | 365 | 25 | RAVEN | ||||
Back into the chamber turning, | 1 | 366 | 31 | RAVEN | ||||
Then into the chamber turning, | 1 | 366 | 31ABCEFHLP | RAVEN | ||||
my sad fancy into smiling, | 1 | 366 | 43 | RAVEN | ||||
my sad fancy into smiling, | 1 | 367 | 67 | RAVEN | ||||
all my sad soul into smiling, | 1 | 367 | 67ABCEFHJLNPQRUW | RAVEN | ||||
all my fancy into smiling, | 1 | 367 | 67S | RAVEN | ||||
burned into my bosom's core; | 1 | 367 | 74 | RAVEN | ||||
“Get thee back into the tempest | 1 | 369 | 98 | RAVEN | ||||
No billow breaking into foam | 1 | 386 | 11 | FSO | ||||
Twirls into trunk-paper the while you con it.” | 1 | 425 | 8 | DUNCE | ||||
Into a western couch of thunder-cloud; | 1 | 446 | 49 | TOHEL | ||||
INTOXICATED ( 1 1) | ||||||||
Enter BENITO meeting UGO intoxicated. | 1 | 248 | 5d | POLI | ||||
INTRUDE ( 2 2) | ||||||||
Upon thy slumber shall intrude, | 1 | 223 | 23 | SERE | ||||
A crawling shape intrude! | 1 | 326 | 26 | WORM | ||||
INURNED ( 1 1) | ||||||||
Inurned and entombed! — now, in a tone | 1 | 263 | 67 | POLI | ||||
INVISIBLE ( 1 1) | ||||||||
Invisible Wo! | 1 | 325 | 16 | WORM | ||||
IRENE ( 6 2) | ||||||||
Irene, with her destinies, | 1 | 184 | 23C | IRENE1 | ||||
Irenë, with her destinies! | 1 | 184 | 24 | IRENE1 | ||||
Irenë, with her Destinies! | 1 | 187 | 17 | IRENE2 | ||||
Irené and her Destinies! | 1 | 187 | 17D | IRENE2 | ||||
Irene and her Destinies! | 1 | 187 | 17E | IRENE2 | ||||
Irené, with her Destinies! | 1 | 187 | 17F | IRENE2 | ||||
IRON ( 9 9) | ||||||||
Ev’n then, who deem’d this iron heart | 1 | 29 | 86 | TAMA | ||||
Ev’n then who deem’d this iron heart | 1 | 40 | 86 | TAMB | ||||
Hath left his iron gate ajar, | 1 | 52 | 221 | TAMF | ||||
E’en then who knew this iron heart | 1 | 56 | 73 | TAMH | ||||
Hath left his iron gate ajar, | 1 | 60 | 226 | TAMH | ||||
With the antique iron un.” | 1 | 328 | 3 | STYL | ||||
The heavy iron bells! | 1 | 434 | 9 | BELLSC | ||||
The heavy iron bells! | 1 | 434 | 10 | BELLSB | ||||
Iron bells! | 1 | 437 | 71 | BELLSEG | ||||
IRREVOCABLE ( 1 1) | ||||||||
An irrevocable vow — | 1 | 307 | 20 | BRIDA | ||||
ISABEL ( 3 3) | ||||||||
Sit down beside me, Isabel, | 1 | 161 | 1 | FAIRY2 | ||||
Did you not say so, Isabel? | 1 | 162 | 25 | FAIRY2 | ||||
Isabel! do you not fear | 1 | 162 | 39 | FAIRY2 | ||||
ISLAND ( 1 1) | ||||||||
Just o’er that one bright island smile. | 1 | 237 | 14 | TOF | ||||
ISLE ( S 5) | ||||||||
Stole o’er my senses in that lovely isle | 1 | 113 | 211 | ALAAR | ||||
A green isle in the sea, love, | 1 | 214 | 3 | PARA | ||||
Like some enchanted far-off isle | 1 | 237 | 9 | TOF | ||||
Fair isle, that from the fairest of all flowers, | 1 | 311 | 1 | ZANTE | ||||
O hyacinthine isle! O purple Zante! | 1 | 311 | 13 | ZANTE | ||||
ISLES ( 2 1) | ||||||||
At the many star-isles | 1 | 110 | 134 | ALAAR | ||||
At the myriad star-isles | 1 | 110 | 134F | ALAAR | ||||
ISN’T ( 2 2) | ||||||||
I’ve been a thinking, isn’t that the phrase? | 1 | 9 | 9 | TEMP | ||||
And yet it isn’t, Ugo, there's a riddle! | 1 | 250 | 75 | POLI | ||||
ISOLA ( 2 2) | ||||||||
Isola d’oro! — Fior di Levante! | 1 | 102 | 77 | ALAAR | ||||
“Isola d’orol Fior di Levante!” | 1 | 311 | 14 | ZANTE | ||||
ISRAFEL ( 6 6) | ||||||||
As the angel Israfel — | 1 | 173 | 4 | ISRA | ||||
As the angel Israfel, | 1 | 175 | 4 | ISRG | ||||
If I did dwell where Israfel | 1 | 175 | 39 | ISRA | ||||
Where Israfel | 1 | 176 | 46 | ISRG | ||||
Than even the seraph harper, Israfel, | 1 | 406 | 14 | MARA | ||||
Than even the seraph harper, Israfel, | 1 | 407 | 14 | MARB | ||||
ISRAFELI ( 2 2) | ||||||||
Israfeli, who despisest | 1 | 174 | 25 | ISRA | ||||
Israfeli, who despisest | 1 | 176 | 30 | ISRG | ||||
ISRAFELI’S ( 2 2) | ||||||||
That Israfeli's fire | 1 | 174 | 14 | ISRA | ||||
That Israfeli's fire | 1 | 176 | 18 | ISRG | ||||
IS’T ( 2 2) | ||||||||
Is’t not a pity in so young a man | 1 | 249 | 24 | POLI | ||||
As tell me, Sir, at once what is’t you mean. | 1 | 265 | 12 | POLI | ||||
ITALIAN ( 4 1) | ||||||||
By the slow Italian streams | 1 | 215 | 26A | PARA | ||||
By the far Italian streams | 1 | 215 | 26B | PARA | ||||
By what Italian streams | 1 | 215 | 26CEGL0! | PARA | ||||
Italian tones made only to be murmured | 1 | 407 | 8 | MARB | ||||
ITALY ( 1 1) | ||||||||
Or one more worthy Italy, methinks | 1 | 279 | 17 | POLI | ||||
IV ( 1 1) | ||||||||
[IV. A “trochaic line"] | 1 | 393 | 12 | MODC | ||||
IVORY ( 5 2) | ||||||||
Here where on ivory couch the Caesar sate | 1 | 228 | 21.1ABC | COLIS | ||||
Here where on ivory throne the Caesar sate | 1 | 228 | 21.1D | COLIS | ||||
Here, where on ivory couch the monarch loll’d, | 1 | 228 | 22FK | COLIS | ||||
Here where on ivory couch the Caesar sate | 1 | 286 | 27 | POLI | ||||
Her bosom is an ivory throne, | 1 | 384 | 5 | KING | ||||
IVY ( 3 3) | ||||||||
Of sculptur’d ivy and stone flowers — | 1 | 200 | 25 | CITYA | ||||
Of sculptured ivy and stone flowers — | 1 | 201 | 20 | CITYH | ||||
But stay! these walls — these ivy-clad arcades — | 1 | 229 | 26 | COLIS | ||||
IVY-CLAD ( 1 1) | ||||||||
But stay! these walls — these ivy-clad arcades — | 1 | 229 | 26 | COLIS | ||||
JACINTA ( 40 37) | ||||||||
(Jacinta tells me this). | 1 | 249 | 49 | POLI | ||||
(Jacinta tells me this) and listens aghast | 1 | 249 | 49Ax | POLI | ||||
(Enter JACINTA) | 1 | 250 | 28d | POLI | ||||
Jacinta! is it you? | 1 | 250 | 74 | POLI | ||||
I was Jacinta yesternight, but now | 1 | 250 | 76 | POLI | ||||
Madam Jacinta if you please, Sir Ugo! | 1 | 250 | 77 | POLI | ||||
UGO. Jacinta! (hiccup!) why, Jacinta! | 1 | 251 | 83 | POLI | ||||
Of the Count. I’m (hiccup!) done with You Jacinta! | 1 | 251 | 89 | POLI | ||||
O you vile wretch! I’ll (hiccup!) not have you Jacinta! | 1 | 251 | 90 | POLI | ||||
I’m none Jacinta. | 1 | 251 | 94 | POLI | ||||
I’m going Jacinta. | 1 | 251 | 94Ax | POLI | ||||
UGO. Jacinta! | 1 | 252 | 120 | POLI | ||||
UGO. What dear Jacinta? | 1 | 252 | 121 | POLI | ||||
UGO. Oh, nonsense, sweet Jacinta, let me look | 1 | 252 | 122 | POLI | ||||
UGO. Sweet, dear, Jacinta! madame Jacinta. | 1 | 252 | 125 | POLI | ||||
LALAGE. Jacinta! is it thou? | 1 | 260 | 1 | POLI | ||||
LALAGE. I did not know, Jacinta, you were in waiting. | 1 | 260 | 2 | POLI | ||||
JACINTA (a servant maid) leans carelessly upon a chair. | 1 | 260 | 7d | POLI | ||||
Jacinta! | 1 | 260 | 14 | POLI | ||||
(JACINTA seats herself... upon the chair, | 1 | 260 | 14d | POLI | ||||
(JACINTA returns no answer, | 1 | 261 | 1d | POLI | ||||
Jacinta! Here's a far sterner story | 1 | 261 | 20 | POLI | ||||
Jacinta! This is a far sterner story | 1 | 261 | 20Ax | POLI | ||||
Rainbow and Dove! — Jacinta! | 1 | 261 | 27 | POLI | ||||
(re-enter JACINTA, and throws a volume on the table.) | 1 | 261 | 27d | POLI | ||||
LALAGE. Wilt thou, my good Jacinta, be so kind | 1 | 261 | 28 | POLI | ||||
EJACINTA] There, ma’am, 's the book. | 1 | 261 | 35 | POLI | ||||
LALAGE What didst thou say, Jacinta? Have I done aught | 1 | 261 | 36 | POLI | ||||
LALAGE. What didst thou say, Jacinta? Now I bethink me | 1 | 262 | 41 | POLI | ||||
Thou needest, Jacinta? | 1 | 262 | 45 | POLI | ||||
LALAGE. Jewels! Jacinta, — now indeed, Jacinta, | 1 | 262 | 48 | POLI | ||||
(Enter JACINTA fantastically dressed, | 1 | 275 | 32d | POLI | ||||
and without/ noticing JACINTA.) | 1 | 277 | 12/13d | POLI | ||||
Or would she, now — I ask you now, Jacinta, | 1 | 277 | 35 | POLI | ||||
To see you, Madam Jacinta.” Well I don’t know | 1 | 277 | 43 | POLI | ||||
“Jacinta, get me this” — “D’ye hear? — bring that” | 1 | 278 | 63 | POLI | ||||
(Exit UGO followed ?I_ JACINTA | 1 | 279 | 3d | POLI | ||||
JACKASS ( 1 1) | ||||||||
“Get out you jackass! — out you vagabond!” | 1 | 278 | 79 | POLI | ||||
JANGLING ( 1 1) | ||||||||
In the jangling | 1 | 437 | 62 | BELLSEG | ||||
JERRY ( 1 1) | ||||||||
Their bright eyes on his Tom and Jerry brim | 1 | 11 | 66 | TEMP | ||||
JEST ( 2 2) | ||||||||
To take things seriously or all in jest; | 1 | 9 | 12 | TEMP | ||||
And quiet all away in jest — | 1 | 157 | 30 | INTRO | ||||
JESTS ( 1 1) | ||||||||
with these ribald jests | 1 | 253 | 20 | POLI | ||||
JESUS’ ( 1 1) | ||||||||
“For the holy Jesus’ sake! | 1 | 184 | 38 | IRENE1 | ||||
JEW ( 2 2) | ||||||||
Jew or | downright | upright | nutmegs | | 1 | 394 | 6 | MODD | ||||
Jew, or downright upright nutmegs out of a pine-knot? | 1 | 394 | 28 | MODC | ||||
JEWELL’D ( 5 2) | ||||||||
A feeling not the jewell’d mine | 1 | 48 | 93 | TAMF | ||||
A feeling not the jewell’d mine | 1 | 86 | 15CE | LAKEF | ||||
To seek for treasure in the jewell’d skies, | 1 | 91 | 7A-E | SCI | ||||
Not the gaily-jewell’d dead | 1 | 200 | 35 | CITYA | ||||
Not the gayly-jewell’d dead | 1 | 202 | 34G | CITYH | ||||
JEWELLED ( 3 3) | ||||||||
A feeling not the jewelled mine | 1 | 86 | 15 | LAKEF | ||||
To seek for treasure in the jewelled skies, | 1 | 91 | 7 | SCI | ||||
Not the gaily-jewelled dead | 1 | 202 | 34 | CITYH | ||||
JEWELS ( 21 20) | ||||||||
Amid the jewels of my throne, | 1 | 45 | 18 | TAMF | ||||
Amid the Jewels of my throne, | 1 | 54 | 18 | TAMH | ||||
(Showing/ some jewels) | 1 | 251 | 2/ 3d | POLI | ||||
Gave you those jewels! | 1 | 251 | 85 | POLI | ||||
Will you not see the jewels — look you here! | 1 | 251 | 95 | POLI | ||||
(going and holding up the jewels.) | 1 | 252 | 28d | POLI | ||||
The richest vintner's daughter owning these jewels! | 1 | 252 | 111 | POLI | ||||
(All of her jewels! — every one of them!) | 1 | 252 | 115 | POLI | ||||
Gave you the jewels! How (hiccup!) came you by the ring? | 1 | 252 | 117 | POLI | ||||
Again (hiccup!) at the jewels! | 1 | 252 | 123 | POLI | ||||
She has any more jewels — no — no she gave me all. | 1 | 262 | 40 | POLI | ||||
Be always throwing those jewels in my teeth. | 1 | 262 | 47 | POLI | ||||
LALAGE. Jewels! Jacinta, — now indeed, Jacinta, | 1 | 262 | 48 | POLI | ||||
I thought not of the jewels. | 1 | 262 | 49 | POLI | ||||
Have use for jewels now. But I might have sworn it. | 1 | 262 | 55 | POLI | ||||
and is lost in the contemplation of the jewels | 1 | 276 | 3d | POLI | ||||
She gave you all these jewels? | 1 | 277 | 38 | POLI | ||||
She gave you all them jewels? | 1 | 277 | 38Ax | POLI | ||||
Satins and jewels grand, | 1 | 307 | 3 | BRIDA | ||||
Satins and jewels grand | 1 | 308 | 3 | BRIDF | ||||
Satins and jewels grand, | 1 | 308 | 27 | BRIDA | ||||
JINGLING ( 1 1) | ||||||||
From the jingling and the tinkling of the bells. | 1 | 435 | 14 | BELLSEG | ||||
JOB ( 1 0) | ||||||||
Instead of two sides, Job has nearly eight, | 1 | 10 | 21CD | TEMP | ||||
JOE ( 1 1) | ||||||||
Joe Locke is a greater; in short, | 1 | 151 | 6 | LOCKE | ||||
JOHN ( 3 1) | ||||||||
John Locke was a notable name; | 1 | 151 | 5 | LOCKE | ||||
John Locke is a notable name; | 1 | 151 | 58 | LOCKE | ||||
John Locke was a very great name; | 1 | 151 | 5C | LOCKE | ||||
JOIN ( 2 1) | ||||||||
To join the all-hallowed mirth | 1 | 207 | 35 | PAEAN | ||||
To join the untainted mirth | 1 | 207 | 35A | PAEAN | ||||
JOKE ( 5 5) | ||||||||
SAN OZZO. An excellent joke! I’ faith an excellent joke! | 1 | 253 | 1 | POLI | ||||
Ha! ha! ha! ha! — a most superlative joke! | 1 | 253 | 2 | POLI | ||||
CASTIGLIONE I meant it for no joke. | 1 | 253 | 5 | POLI | ||||
SAN OZZO. Oh no! oh no! — you meant it for no joke. | 1 | 253 | 6 | POLI | ||||
JOURNEY ( 3 3) | ||||||||
Of a feign’d journey, were again | 1 | 36 | 290 | TAMA | ||||
Such an account he gave me of his journey! | 1 | 265 | 32 | POLI | ||||
Of a long journey — the — indeed I had better | 1 | 267 | 71 | POLI | ||||
JOURNEYED ( 5 4) | ||||||||
I have journeyed home but newly | 1 | 344 | 38.5A | ROUTE | ||||
(Though once we had journeyed down here) | 1 | 416 | 27 | ULA | ||||
That I journeyed — I journeyed down here! — | 1 | 418 | 87 | ULA | ||||
Had journeyed long, | 1 | 463 | 4 | ELDOR | ||||
JOVE ( 1 1) | ||||||||
The unimaginable might of Jove. | 1 | 393 | 7 | MODC | ||||
JOY ( 14 14) | ||||||||
The world — its joy — its share of pain | 1 | 32 | 163 | TAMA | ||||
The world — its joy — its share of pain | 1 | 41 | 163 | TAMB | ||||
Its joy — its little lot of pain | 1 | 57 | 119 | TAMH | ||||
For joy to my heart | 1 | 74 | 18 | STAR | ||||
I have dreamed of joy departed — | 1 | 79 | 2 | ADRE | ||||
Of Science dims the mirror of our joy — | 1 | 111 | 164 | ALAAR | ||||
My heart to joy at the same tone — | 1 | 146 | 7 | ALONE | ||||
While yet my vapid joy and grief | 1 | 158 | 61 | INTRO | ||||
Joy so peacefully departs, | 1 | 160 | 23 | MYST | ||||
Like joy upon sorrow! | 1 | 162 | 37 | FAIRY2 | ||||
Thy grief, thy joy, thy hate, thy love, | 1 | 176 | 37 | ISRG | ||||
In joy and wo — in good and ill — | 1 | 217 | 3 | HYMN | ||||
Of Joy departed — Hope, the Seraph Hope, | 1 | 262 | 66 | POLI | ||||
Of health, joy, peace, in store for thee. | 1 | 385 | 4 | FSO | ||||
JOY’S ( 1 1) | ||||||||
Joy's voice so peacefully departed | 1 | 100 | 8 | ALAAR | ||||
JOYS ( 3 3) | ||||||||
No more a mourner — but the radiant Joys | 1 | 274 | 80 | POLI | ||||
Enduring joys and fleeting cares, | 1 | 385 | 6 | FSO | ||||
Which has in others’ joys a part, | 1 | 386 | 15 | FSO | ||||
JUDAEAN ( 2 2) | ||||||||
O spells more sure than e’er Judaean king | 1 | 228 | 13 | COLIS | ||||
O spells more sure than e’er Judaean king | 1 | 286 | 17 | POLI | ||||
JUDGMENT ( 1 1) | ||||||||
(You see I yield unto your better judgment) | 1 | 284 | 98 | POLI | ||||
JULY ( 2 2) | ||||||||
It was a July midnight; and from out | 1 | 445 | 3 | TOHEL | ||||
Was it not Fate, that, on this July midnight — | 1 | 445 | 21 | TOHEL | ||||
JUNE ( 7 5) | ||||||||
Like flowers by the low breath of June! | 1 | 161 | 8 | FAIRY2 | ||||
Midnight in the sweet month of June, | 1 | 183 | 2 | IRENE1 | ||||
At midnight in the month of June, | 1 | 183 | 2BC | IRENE1 | ||||
At midnight, in the month of June, | 1 | 186 | 1 | IRENE2 | ||||
In June she died — in June | 1 | 206 | 29 | PAEAN | ||||
Thou died'st in thy life's June — | 1 | 206 | 29A | PAEAN | ||||
JUST ( 13 12) | ||||||||
But, just like any other dream, | 1 | 58 | 133 | TAMH | ||||
Just now so fairy-like and well. | 1 | 161 | 3 | FAIRY2 | ||||
Just o’er that one bright island smile. | 1 | 237 | 14 | TOF | ||||
Just now on the staircase as I came up hither, | 1 | 248 | 5 | POLI | ||||
Having just arrived in Rome. Ha! ha! he is altered! | 1 | 265 | 31 | POLI | ||||
Unto the Count — it is exceeding just | 1 | 280 | 36 | POLI | ||||
CASTIGLIONE. Now this indeed is just! | 1 | 282 | 92 | POLI | ||||
CASTIGLIONE. Now this — now this is just! | 1 | 282 | 928 | POLI | ||||
Most righteous, and most just, avenging Heaven! | 1 | 282 | 93 | POLI | ||||
Dead, so to say, but having just committed | 1 | 283 | 75 | POLI | ||||
just above my chamber door — | 1 | 366 | 41 | RAVEN | ||||
just above my chamber door; | 1 | 369 | 104 | RAVEN | ||||
In just such a bed. | 1 | 457 | 52 | ANNIE | ||||
KEEN ( 3 3) | ||||||||
Seraphs in all but “Knowledge,” the keen light | 1 | 111 | 159 | ALAAR | ||||
So keen a relish for the beautiful | 1 | 269 | 44 | POLI | ||||
So that the blade be keen — the blow be sure, | 1 | 275 | 104 | POLI | ||||
KEEP ( 12 10) | ||||||||
And always keep from laughing when I can; | 1 | 11 | 62 | TEMP | ||||
And always keep from laughing if I can; | 1 | 11 | 62C | TEMP | ||||
And all we seek to keep — hath flown; | 1 | 39 | 387 | TAMA | ||||
And all we seek to keep hath flown — | 1 | 60 | 210 | TAMH | ||||
To keep watch with delight | 1 | 109 | 110 | ALAAR | ||||
Which thy vigilance keep — | 1 | 110 | 119 | ALAAR | ||||
Heaven have her in its sacred keep! | 1 | 188 | 39 | IRENE2 | ||||
Heaven have her in its sacred keep! | 1 | 188 | 47E | IRENE2 | ||||
To keep watch above the flowers, | 1 | 195 | 6 | NISE | ||||
I’ll keep the wine, and he may have the ashes. | 1 | 257 | 116 | POLI | ||||
In very hot weather won’t — keep, you take me, Sir? | 1 | 285 | 116 | POLI | ||||
To keep me from harm — | 1 | 458 | 82 | ANNIE | ||||
KEEPER’S ( 3 3) | ||||||||
And crouches to a keeper's hand — | 1 | 44 | 253 | TAMB | ||||
And crouches to a keeper's hand, | 1 | 50 | 173 | TAMF | ||||
And crouches to a keeper's hand — | 1 | 58 | 161 | TAMH | ||||
KEEPING ( 4 4) | ||||||||
Keeping time, time, time, | 1 | 435 | 9 | BELLSEG | ||||
Keeping time, time, time, | 1 | 438 | 95 | BELLSEG | ||||
Keeping time, time, time, | 1 | 438 | 99 | BELLSEG | ||||
Keeping time, time, time, | 1 | 438 | 104 | BELLSEG | ||||
KEEPS ( 3 3) | ||||||||
That keeps, from the dreamer, | 1 | 108 | 70 | ALAAR | ||||
Keeps her secluded from society | 1 | 254 | 29 | POLI | ||||
Keeps your cash in your hands, | 1 | 378 | 6 | WALL | ||||
KICKS ( 1 1) | ||||||||
and kicks the bandbox to and/ fro | 1 | 276 | 18/19d | POLI | ||||
KILLING ( 4 2) | ||||||||
Chilling and killing my Annabel Lee. | 1 | 478 | 26 | LEEA | ||||
And killing my Annabel Lee. | 1 | 478 | 26EFH | LEEA | ||||
And killing my Annabel Lee. | 1 | 479 | 26 | LEEE | ||||
Chilling and killing my Annabel Lee. | 1 | 479 | 26A-DGJKL | LEEE | ||||
KIND ( 14 13) | ||||||||
Triumphantly with human kind. | 1 | 28 | 37 | TAMA | ||||
No need to quiet her kind fears — | 1 | 31 | 134 | TAMA | ||||
Kind solace in a dying hour! | 1 | 45 | 1 | TAMF | ||||
Triumphantly with human kind. | 1 | 46 | 38 | TAMF | ||||
Kind solace in a dying hour! | 1 | 53 | 1 | TAMH | ||||
Triumphantly with human kind. | 1 | 54 | 34 | TAMH | ||||
(A kind which, upon trial, | 1 | 140 | 13 | FAIRY1 | ||||
So beautiful and kind. | 1 | 249 | 35 | POLI | ||||
LALAGE. Wilt thou, my good Jacinta, be so kind | 1 | 261 | 28 | POLI | ||||
DUKE. Look you, Castiglione, be so kind | 1 | 265 | 11 | POLI | ||||
A kind and gentle office, and a Power — | 1 | 269 | 35 | POLI | ||||
And sociable, and all that kind of thing | 1 | 283 | 50 | POLI | ||||
Quaff, oh quaff this kind nepenthe | 1 | 368 | 83 | RAVEN | ||||
Let me quaff this kind nepenthe | 1 | 368 | 83ACE | RAVEN | ||||
KINDLED ( 1 1) | ||||||||
As hath been kindled within it. Methinks the air | 1 | 269 | 45 | POLI | ||||
KINDLING ( 4 3) | ||||||||
That kindling thought — did not the beam | 1 | 33 | 210 | TAMA | ||||
(That kindling thought) — did not the beam | 1 | 42 | 210 | TAMB | ||||
And in thine eye a kindling light | 1 | 66 | 5 | SONG | ||||
And in thine eye the kindling light | 1 | 66 | SA | SONG | ||||
KING ( 17 15) | ||||||||
Its way to Heaven, from garden of a king: | 1 | 102 | 73 | ALAAR | ||||
The king Napoleon — | 1 | 130 | 4 | SHOULD | ||||
Long life to our King, | 1 | 219 | 7 | LATIN | ||||
Who is king but Epiphanes? | 1 | 220 | 1 | SONGA | ||||
O spells more sure than e’er Judaean king | 1 | 228 | 13 | COLIS | ||||
O spells more sure than e’er Judaean king | 1 | 286 | 17 | POLI | ||||
The wit and wisdom of their king. | 1 | 316 | 32 | HAUNT | ||||
Beside the King of Heaven!” | 1 | 336 | 59 | LENA | ||||
beside the King of Heaven: — | 1 | 337 | 22 | LENK | ||||
beside the King of Heaven!” | 1 | 337 | 26C-GL | LENK | ||||
So wills its King, who hath forbid | 1 | 345 | 47 | ROUTE | ||||
So wills the King, who hath forbid | 1 | 345 | 47AB | ROUTE | ||||
The only king by right divine | 1 | 384 | 1 | KING | ||||
Is Ellen King, and were she mine | 1 | 384 | 2 | KING | ||||
The King — Ix King — can do no wrong. | 1 | 384 | 12 | KING | ||||
And their king it is who tolls: — | 1 | 437 | 89 | BELLSEG | ||||
KINGDOM ( 11 11) | ||||||||
A kingdom for a broken — heart. | 1 | 39 | 406 | TAMA | ||||
In a kingdom by the sea, | 1 | 477 | 2 | LEEE | ||||
In this kingdom by the sea; | 1 | 477 | 8 | LEEA | ||||
In this kingdom by the sea, | 1 | 477 | 14 | LEEA | ||||
In this kingdom by the sea. | 1 | 477 | 20 | LEEA | ||||
In a kingdom by the sea, | 1 | 478 | 2 | LEEE | ||||
In this kingdom by the sea, | 1 | 478 | 8 | LEEE | ||||
In this kingdom by the sea) | 1 | 478 | 24 | LEEA | ||||
In this kingdom by the sea, | 1 | 479 | 14 | LEEE | ||||
In this kingdom by the sea. | 1 | 479 | 20 | LEEE | ||||
In this kingdom by the sea) | 1 | 479 | 24 | LEEE | ||||
KINGLY ( 6 6) | ||||||||
The heirdom of a kingly mind — | 1 | 27 | 35 | TAMA | ||||
The heritage of kingly mind | 1 | 46 | 36 | TAMF | ||||
The heritage of a kingly mind, | 1 | 54 | 32 | TAMH | ||||
Up domes — up spires — up kingly halls — | 1 | 200 | 26 | CITYA | ||||
Up domes — up spires — up kingly halls — | 1 | 201 | 17 | CITYH | ||||
I’d worship Kings and kingly state, | 1 | 384 | 10 | KING | ||||
KINGS ( 1 1) | ||||||||
I’d worship Kings and kingly state, | 1 | 384 | 10 | KING | ||||
KINSMAN ( 2 0) | ||||||||
So that her high-born kinsman came | 1 | 477 | 17KL | LEEA | ||||
So that her highborn kinsman came | 1 | 479 | 17KL | LEEE | ||||
KINSMEN ( 2 2) | ||||||||
So that her high-born kinsmen came | 1 | 477 | 17 | LEEA | ||||
So that her highborn kinsmen came | 1 | 479 | 17 | LEEE | ||||
KISS ( 10 4) | ||||||||
Or that the thrill of a single kiss | 1 | 136 | 11 | TOMB | ||||
That the tremor of one kiss | 1 | 136 | 11A | TOMB | ||||
I’ the pouts? Kiss her, Castiglione! kiss her, | 1 | 259 | 39 | POLI | ||||
In the pouts? Kiss her, Castiglione! kiss her, | 1 | 259 | 39A | POLI | ||||
In the pouts? Kiss her, Castiglione, you dog! | 1 | 259 | 39Ax | POLI | ||||
Kiss her and make it up, I say, this minute! | 1 | 259 | 40Ax | POLI | ||||
Take this kiss upon the brow! | 1 | 451 | 1 | TAKE | ||||
Take this kiss upon thy brow! | 1 | 451 | 1C | TAKE | ||||
KISS’D ( 2 1) | ||||||||
The fairy light that kiss’d her golden hair | 1 | 108 | 58 | ALAAR | ||||
The brilliant light that kiss’d her golden hair | 1 | 108 | 58F | ALAAR | ||||
KISSED ( 4 4) | ||||||||
And he kissed my pallid brow — | 1 | 307 | 14 | BRIDA | ||||
And he kissed my pallid brow, | 1 | 309 | 14 | BRIDF | ||||
Thus I pacified Psyche and kissed her, | 1 | 418 | 72 | ULA | ||||
She tenderly kissed me, | 1 | 458 | 73 | ANNIE | ||||
KISSES ( 2 2) | ||||||||
The breath of those kisses | 1 | 109 | 86 | ALAAR | ||||
Those kisses of true love | 1 | 109 | 90 | ALAAR | ||||
KNEE ( 6 6) | ||||||||
Why do the people bow the knee, | 1 | 51 | 181 | TAMB | ||||
Thus on my banded knee I answer thee. | 1 | 272 | 13 | POLI | ||||
Not mother, with her first born on her knee, | 1 | 272 | 16 | POLI | ||||
(throwing himself upon his knee.) | 1 | 273 | 32d | POLI | ||||
and he falls/ upon his knee at the feet of the Earl.) | 1 | 281 | 30/31d | POLI | ||||
Thus on my bonded knee. It were most fitting | 1 | 282 | 77 | POLI | ||||
KNEEL ( 4 3) | ||||||||
I kneel, an altered and an humble man, | 1 | 228 | 7 | COLIS | ||||
I kneel, an alter’d and an humble man, | 1 | 228 | 7FGHK | COLIS | ||||
Attend thee ever; and I will kneel to thee | 1 | 274 | 82 | POLI | ||||
And are far up in Heaven — the stars I kneel to | 1 | 446 | 62 | TOHEL | ||||
KNEELING ( 1 1) | ||||||||
(kneeling.) | 1 | 272 | 15d | POLI | ||||
KNEES ( 2 2) | ||||||||
Uprear’d its purple stem around her knees: | 1 | 101 | 49 | ALAAR | ||||
Of her chamber-window sobbing upon her knees | 1 | 250 | 51 | POLI | ||||
KNELL ( 5 3) | ||||||||
Upon thy emptiness, — a knell. | 1 | 46 | 26 | TAMB | ||||
Upon the emptiness — a knell. | 1 | 54 | 26 | TAMH | ||||
Give a trickle and a tinkle and a knell. | 1 | 196 | 27.3C | NISE | ||||
For the words rang as a knell, | 1 | 309 | 9 | BRIDF | ||||
For the words rang like a knell, | 1 | 309 | 9BCD | BRIDF | ||||
KNELLS ( 4 4) | ||||||||
Hear the knells! | 1 | 434 | 11 | BELLSC | ||||
As he knells, knells, knells, | 1 | 438 | 105 | BELLSEG | ||||
KNELT ( 2 2) | ||||||||
She look’d into Infinity — and knelt. | 1 | 100 | 35 | ALAAR | ||||
All hurriedly she knelt upon a bed | 1 | 101 | 42 | ALAAR | ||||
KNEW ( 21 19) | ||||||||
I held no doubt — I knew no fear | 1 | 34 | 241 | TAMA | ||||
I knew not woman's heart, alas! | 1 | 36 | 297 | TAMA | ||||
In childhood but he knew me not. | 1 | 39 | 398 | TAMA | ||||
I held no doubt, I knew no fear | 1 | 43 | 241 | TAMB | ||||
Ev’n then who knew that as infinite | 1 | 47 | 77 | TAMF | ||||
E’en then who knew this iron heart | 1 | 56 | 73 | TAMH | ||||
And yet that spirit knew not — in the hour | 1 | 77 | 7 | STAN | ||||
A soul that knew it well. | 1 | 82 | 24 | HAPP | ||||
(The fabled nectar that the heathen knew) | 1 | 101 | 53 | ALAAR | ||||
Awoke that slept — or knew that he was there. | 1 | 113 | 213 | ALAAR | ||||
Awoke that slept — or knew that it was there. | 1 | 113 | 213CE | ALAAR | ||||
When first Al Aaraaf knew her course to be | 1 | 115 | 255 | ALAAR | ||||
When first Tophet-Nour knew her course to be | 1 | 115 | 255J2 | ALAAR | ||||
The words you used were that the Earl you knew | 1 | 265 | 18 | POLI | ||||
DUKE. That did you, Sir, and well I knew at the time | 1 | 265 | 20 | POLI | ||||
I knew your father well, my lord Politian. | 1 | 266 | 55 | POLI | ||||
O speak to me! I knew thou wouldst not go! | 1 | 275 | 99 | POLI | ||||
I knew thou wouldst not, couldst not, durst not go. | 1 | 275 | 100 | POLI | ||||
For we knew not the month was October, | 1 | 416 | 23 | ULA | ||||
And thus are dearer than the mother I knew | 1 | 467 | 12 | MOTHB | ||||
Are thus more precious than the one I knew, | 1 | 467 | 12 | MOTHC | ||||
KNIGHT ( 5 3) | ||||||||
Like the knight Pinto — Mendez Ferdinando — | 1 | 390 | 18 | VALG | ||||
(Like the knight Pinto — Mendez Ferdinando) — | 1 | 390 | 18D | VALG | ||||
Like the knight Pinto (Mendez Ferdinando) — | 1 | 390 | 18F | VALG | ||||
A gallant knight, | 1 | 463 | 2 | ELDOR | ||||
This knight so bold — | 1 | 463 | 8 | ELDOR | ||||
KNOCKED ( 2 2) | ||||||||
Who knocked over a thousand so fine | 1 | 219 | 8 | LATIN | ||||
As for the Count San Ozzo who knocked me down | 1 | 248 | 4 | POLI | ||||
KNOT ( 4 4) | ||||||||
And yet there is in this no Gordian knot | 1 | 389 | 10 | VALA | ||||
And yet there is in this no Gordian knot | 1 | 390 | 10 | VALG | ||||
out of a I pine-knot ( | 1 | 394 | 6 | MODD | ||||
Jew, or downright upright nutmegs out of a pine-knot? | 1 | 394 | 28 | MODC | ||||
KNOW ( 42 42) | ||||||||
God help me, it has been my lot to know, | 1 | 11 | 60 | TEMP | ||||
Might know the secret of a spirit | 1 | 27 | 22 | TAMA | ||||
To know the fate it will inherit) | 1 | 32 | 192 | TAMA | ||||
Yes! I was proud — and ye who know | 1 | 33 | 195 | TAMA | ||||
For all we live to know — is known; | 1 | 39 | 386 | TAMA | ||||
To know the fate it will inherit) | 1 | 42 | 192 | TAMB | ||||
Yes! I was proud & ye who know | 1 | 42 | 195 | TAMB | ||||
I know — for death, who comes for me | 1 | 52 | 218 | TAMF | ||||
Know thou the secret of a spirit | 1 | 54 | 13 | TAMH | ||||
For all we live to know is known | 1 | 60 | 209 | TAMH | ||||
I know — for Death who comes for me | 1 | 60 | 223 | TAMH | ||||
Who livest — that we know — | 1 | 103 | 98 | ALAAR | ||||
For what (to them) availeth it to know | 1 | 111 | 166 | ALAAR | ||||
You know that most enormous flower — | 1 | 161 | 11 | FAIRY2 | ||||
So like a thing alive you know, | 1 | 161 | 16 | FAIRY2 | ||||
Say do you know? | 1 | 220 | 2 | SONGA | ||||
Say do you know? | 1 | 220 | 4 | SONGA | ||||
SAN OZZO. I know it — very! | 1 | 253 | 19 | POLI | ||||
The Duke your father, as you very well know, | 1 | 254 | 28 | POLI | ||||
And know him well — nor learned nor mirthful he. | 1 | 259 | 62 | POLI | ||||
LALAGE. I did not know, Jacinta, you were in waiting. | 1 | 260 | 2 | POLI | ||||
I hardly know myself. Stay! was it not | 1 | 264 | 2 | POLI | ||||
Be comforted! I know — I know it all, | 1 | 272 | 7 | POLI | ||||
Knowing what I know, and seeing what I have seen. | 1 | 272 | 11 | POLI | ||||
Besides, you know it was impossible | 1 | 276 | 27 | POLI | ||||
To see you, Madam Jacinta.” Well I don’t know | 1 | 277 | 43 | POLI | ||||
I know what thou wouldst say — send not the message — | 1 | 280 | 39 | POLI | ||||
If so pray let me know! | 1 | 283 | 54 | POLI | ||||
UGO. I’ll let you know | 1 | 283 | 54 | POLI | ||||
Made way with himself — that's felo de se you know — | 1 | 284 | 89 | POLI | ||||
More decorous, you know, — you understand me? | 1 | 284 | 100 | POLI | ||||
For I dream — I know not how! | 1 | 308 | 38 | BRIDA | ||||
For I dream I know not how, | 1 | 309 | 29 | BRIDF | ||||
I scarce know which to prize most high — | 1 | 380 | 3 | KATE | ||||
Well I know, now, this dim lake of Auber — | 1 | 418 | 91 | ULA | ||||
Well I know, now, this dank tarn of Auber — | 1 | 418 | 93 | ULA | ||||
Sadly, I know | 1 | 456 | 7 | ANNIE | ||||
That a maiden there lived whom you may know | 1 | 477 | 3 | LEEE | ||||
That a maiden there lived whom you may know | 1 | 478 | 3 | LEEE | ||||
Yes! — that was the reason (as all men know, | 1 | 478 | 23 | LEEA | ||||
Yes! that was the reason (as all men know, | 1 | 479 | E3 | LEEE | ||||
KNOWEST ( 3 2) | ||||||||
A few days more, thou knowest, my Alessandra, | 1 | 257 | 3 | POLI | ||||
Thou speakest to me of love. Knowest thou the land | 1 | 274 | 65 | POLI | ||||
Thou spokest to me of love. Knowest thou the land | 1 | 274 | 65A | POLI | ||||
KNOWING ( 6 6) | ||||||||
A child — with a most knowing eye. | 1 | 128 | 10 | ROMG | ||||
A child — with a most knowing eye. | 1 | 156 | 10 | INTRO | ||||
(looking knowing.) | 1 | 252 | 3d | POLI | ||||
Knowing what I know, and seeing what I have seen. | 1 | 272 | 11 | POLI | ||||
BALDAZZAR. That knowing no cause of quarrel or of feud | 1 | 279 | 11 | POLI | ||||
(Knowing her love) | 1 | 459 | 87 | ANNIE | ||||
KNOWLEDGE ( 3 3) | ||||||||
Till secrecy shall knowledge be | 1 | 104 | 116 | ALAAR | ||||
Seraphs in all but “Knowledge,” the keen light | 1 | 111 | 159 | ALAAR | ||||
Displays the deepest knowledge of the mind; | 1 | 221 | 4 | ENIGMA | ||||
KNOWN ( 34 30) | ||||||||
Of flow’rs which we have known before | 1 | 31 | 140 | TAMA | ||||
The passionate spirit which hath known, | 1 | 32 | 179 | TAMA | ||||
I was ambitious — have ye known | 1 | 33 | 203 | TAMA | ||||
My mind, it had not known before — | 1 | 34 | 235 | TAMA | ||||
Who, that had known the secret thought | 1 | 34 | 247 | TAMA | ||||
Of glory, which the world hath known? | 1 | 37 | 331 | TAMA | ||||
To the sound of the coming darkness (known | 1 | 38 | 372 | TAMA | ||||
For all we live to know — is known; | 1 | 39 | 386 | TAMA | ||||
A mountain hunter, I had known | 1 | 39 | 397 | TAMA | ||||
The passionate spirit which hath known | 1 | 42 | 179 | TAMB | ||||
I was ambitious — have ye known | 1 | 42 | 203 | TAMB | ||||
My mind it had not known before — | 1 | 43 | 235 | TAMB | ||||
Who that had known the silent thought | 1 | 44 | 247 | TAMB | ||||
Of glory which the world hath known | 1 | 44 | 331 | TAMB | ||||
To the sound of the coming darkness (known | 1 | 52 | 203 | TAMF | ||||
I was ambitious — have you known | 1 | 57 | 128 | TAMH | ||||
Of glory which the world hath known | 1 | 59 | 169 | TAMH | ||||
To the sound of the coming darkness (known | 1 | 59 | 197 | TAMH | ||||
For all we live to know is known | 1 | 60 | 209 | TAMH | ||||
Of one whom I had earlier known — | 1 | 60 | 218 | TAMH | ||||
Than young Hope in his sunniest hour hath known. | 1 | 69 | 34 | DREA | ||||
In youth have I known one with whom the Earth | 1 | 77 | 1 | STAN | ||||
My sear’d and blighted heart hath known, | 1 | 81 | 2 | HAPP | ||||
My sear’d and blighted heart has known, | 1 | 81 | 2B | HAPP | ||||
Thy messenger hath known | 1 | 103 | 103 | ALAAR | ||||
Was Love, the blind, near sober Duty known? | 1 | 112 | 180 | ALAAR | ||||
He never was known to lie — | 1 | 151 | 3 | LOCKE | ||||
The former was well known to fame, | 1 | 151 | 7 | LOCKE | ||||
But the latter's well known “to report.” | 1 | 151 | 8 | LOCKE | ||||
The latter's well known “to report.” | 1 | 151 | 8B | LOCKE | ||||
The latter well known “to report.” | 1 | 151 | 8C | LOCKE | ||||
These names when rightly read, a name (make) known | 1 | 222 | 15 | ENIGMA | ||||
I have known men have seen Politian | 1 | 259 | 57 | POLI | ||||
A well-known name oft uttered in the hearing | 1 | 390 | 15F | VALG | ||||
KNOWS ( 10 9) | ||||||||
Ev’n childhood knows the human heart; | 1 | 30 | 126 | TAMA | ||||
Which knows (believe me at this time, | 1 | 32 | 189 | TAMA | ||||
The soul, which knows such power, will still | 1 | 32 | 193 | TAMA | ||||
A tale the world but knows too well, | 1 | 38 | 350 | TAMA | ||||
Which knows (believe! for now on me | 1 | 42 | 189 | TAMB | ||||
In dreams of thee, and therein knows | 1 | 237 | 6 | TOF | ||||
In dreams of thee, and therein knows | 1 | 237 | 14.68C | TOF | ||||
Who is my lady Lalage? God knows! | 1 | 250 | 64 | POLI | ||||
Of what he said — he knows — and that I’ll meet him | 1 | 257 | 118 | POLI | ||||
Yet the ear, it fully knows, | 1 | 437 | 57 | BELLSEG |
∞∞∞∞∞∞∞
Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
∞∞∞∞∞∞∞
[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)