∞∞∞∞∞∞∞
TEXT | V | PAGE | LINE | POEM | ||||
ON ( 267 221) | ||||||||
Weary, I laid me on a couch to rest — | 1 | 6 | 2 | POET | ||||
What shall be done? I’ll lay it on the table, | 1 | 10 | 23 | TEMP | ||||
Their bright eyes on his Tom and Jerry brim | 1 | 11 | 66 | TEMP | ||||
Those eyes won’t turn on anything like men. | 1 | 11 | 68 | TEMP | ||||
Those won’t turn on anything like men. | 1 | 11 | 68D | TEMP | ||||
The fever’d diadem on my brow | 1 | 27 | 31 | TAMA | ||||
Nightly their dews on my young head; | 1 | 28 | 40 | TAMA | ||||
On which my ev’ry hope and thought | 1 | 30 | 114 | TAMA | ||||
I’d throw me on her throbbing breast, | 1 | 30 | 130 | TAMA | ||||
When on the mountain peak alone, | 1 | 31 | 147 | TAMA | ||||
We walk’d together on the crown | 1 | 33 | 214 | TAMA | ||||
Of rock and forest, on the hills — | 1 | 33 | 217 | TAMA | ||||
The flush on her bright cheek, to me, | 1 | 34 | 230 | TAMA | ||||
And hurried madly on my way: | 1 | 36 | 300 | TAMA | ||||
Dim! tho’ looking on all bright! | 1 | 37 | 322 | TAMA | ||||
For the flight on Earth to Fancy giv’n, | 1 | 37 | 325 | TAMA | ||||
Look ’round thee now on Samarcand, | 1 | 37 | 327 | TAMA | ||||
With victory, on victory, | 1 | 37 | 335 | TAMA | ||||
My eyes were still on pomp and power, | 1 | 38 | 355 | TAMA | ||||
But as I wander’d on the way | 1 | 38 | 364 | TAMA | ||||
Shine on his path, in her high noon; | 1 | 38 | 377 | TAMA | ||||
There met me on its threshold stone | 1 | 39 | 396 | TAMA | ||||
When, on the mountain peak alone, | 1 | 41 | 147 | TAMB | ||||
Which knows (believe! for now on me | 1 | 42 | 189 | TAMB | ||||
We walk’d together on the crown | 1 | 43 | 214 | TAMB | ||||
Of rock & forest on the hills; | 1 | 43 | 217 | TAMB | ||||
The flush on her bright cheek to me | 1 | 43 | 230 | TAMB | ||||
Look ’round thee now on Samarcand! | 1 | 44 | 327 | TAMB | ||||
The fever’d diadem on my brow, | 1 | 46 | 32 | TAMF | ||||
On mountain soil I first drew life — | 1 | 46 | 39 | TAMF | ||||
Like moonlight on my spirit fell, | 1 | 48 | 101 | TAMF | ||||
Are shadows on the unstable wind. | 1 | 48 | 107 | TAMF | ||||
On which my ev’ry hope and thought | 1 | 49 | 117 | TAMF | ||||
But turn’d on me her quiet eye. | 1 | 49 | 138 | TAMF | ||||
We walk’d together on the crown | 1 | 50 | 151 | TAMF | ||||
Of rock and forest on the hills — | 1 | 50 | 154 | TAMF | ||||
On earth of all we hope in Heaven! | 1 | 51 | 184 | TAMF | ||||
The fever’d diadem on my brow | 1 | 54 | 28 | TAMH | ||||
On mountain soil I first drew life: | 1 | 54 | 35 | TAMH | ||||
Are —— shadows on th’ unstable wind: | 1 | 56 | 80 | TAMH | ||||
On which my every hope and thought | 1 | 56 | 90 | TAMH | ||||
I’d throw me on her throbbing breast, | 1 | 57 | 106 | TAMH | ||||
But turn’d on me her quiet eye! | 1 | 57 | 111 | TAMH | ||||
But turned on me her quiet eye! | 1 | 57 | 111E | TAMH | ||||
When, on the mountain peak, alone, | 1 | 57 | 114 | TAMH | ||||
We walk’d together on the crown | 1 | 58 | 139 | TAMH | ||||
Of rock and forest, on the hills — | 1 | 58 | 142 | TAMH | ||||
The flush on her bright cheek, to me | 1 | 58 | 151 | TAMH | ||||
Look ’round thee now on Samarcandl — | 1 | 59 | 165 | TAMH | ||||
On Earth, of all we hope in Heaven! | 1 | 59 | 178 | TAMH | ||||
On beds of fire that burn below, | 1 | 60 | 220 | TAMH | ||||
I saw thee on thy bridal day — | 1 | 66 | 1 | SONG | ||||
I saw thee on the bridal day — | 1 | 66 | 1A | SONG | ||||
Was all on Earth my aching sight | 1 | 66 | 7 | SONG | ||||
Was all on Earth my chain’d sight | 1 | 66 | 7A | SONG | ||||
Was all on Earth my fetter’d sight | 1 | 66 | 7C | SONG | ||||
Who saw thee on that bridal day, | 1 | 66 | 13 | SONG | ||||
Who saw the on that bridal day, | 1 | 66 | 13A | SONG | ||||
And hath been ever, on the chilly earth, | 1 | 68 | 7 | DREA | ||||
Its image on my spirit, or the moon | 1 | 69 | 23 | DREA | ||||
Shone on my slumbers in her lofty noon | 1 | 69 | 24 | DREA | ||||
Alone of all on earth — unknown | 1 | 71 | 2 | SPIRA | ||||
Her beam on the waves. | 1 | 74 | 8 | STAR | ||||
On her cold smile; | 1 | 74 | 10 | STAR | ||||
With a sigh as it pass’d on: | 1 | 75 | 18 | IMIT | ||||
But now, abroad on the wide earth, | 1 | 79 | .3A | ADRE | ||||
On things around him with a ray | 1 | 79 | 7 | ADRE | ||||
The venom thou hest pour’d on me — | 1 | 81 | 11 | HAPP | ||||
For on its wing was dark alloy | 1 | 82 | 21 | HAPP | ||||
Her world lay lolling on the golden air, | 1 | 100 | 17 | ALAAR | ||||
It lit on hills Achaian, and there dwelt) | 1 | 100 | 34 | ALAAR | ||||
It lit on hills Archaian, and there dwelt) | 1 | 100 | 34C | ALAAR | ||||
On the fair Capo Deucato, and sprang | 1 | 101 | 44 | ALAAR | ||||
And fell on gardens of the unforgiven | 1 | 101 | 53H | ALAAR | ||||
And fell on gardens of the unforgiven | 1 | 101 | 55 | ALAAR | ||||
In Trebizond — and on a sunny flower | 1 | 101 | 56 | ALAAR | ||||
And that aspiring flower that sprang on Earth — | 1 | 102 | 70 | ALAAR | ||||
A sound of silence on the startled ear | 1 | 104 | 124 | ALAAR | ||||
But ah! not so when, thus, in realms on high | 1 | 104 | 130 | ALAAR | ||||
But ah! not so when in the realms on high | 1 | 104 | 130B | ALAAR | ||||
High on a mountain of enamell’d head — | 1 | 105 | 1 | ALAAR | ||||
Such as the drowsy shepherd on his bed | 1 | 105 | 2 | ALAAR | ||||
The single-mooned eve! — on Earth we plight | 1 | 105 | 152 | ALAAR | ||||
Of gorgeous columns on th’ unburthen’d air, | 1 | 106 | 12 | ALAAR | ||||
Of gorgeous columns on th’ unburthened air, | 1 | 106 | 12B | ALAAR | ||||
Sat gently on these columns as a crown — | 1 | 106 | 21 | ALAAR | ||||
But on the pillars Seraph eyes have seen | 1 | 106 | 28 | ALAAR | ||||
That stealeth ever on the ear of him | 1 | 107 | 44 | ALAAR | ||||
Who, musing, gazeth on the distance dim. | 1 | 107 | 45 | ALAAR | ||||
On the stars which your wonder | 1 | 108 | 74 | ALAAR | ||||
Who calls on you now — | 1 | 108 | 79 | ALAAR | ||||
They are light on the tresses, | 1 | 109 | 98 | ALAAR | ||||
But lead on the heart. | 1 | 109 | 99 | ALAAR | ||||
But hang on the heart. | 1 | 109 | 99CE | ALAAR | ||||
On the breezes to toss? | 1 | 109 | 105 | ALAAR | ||||
Incumbent on night | 1 | 109 | 108 | ALAAR | ||||
(As she on the air) | 1 | 109 | 109 | ALAAR | ||||
On the harmony there? | 1 | 109 | 111 | ALAAR | ||||
On its margin is sleeping | 1 | 110 | 138 | ALAAR | ||||
On moorland and lea — | 1 | 110 | 143 | ALAAR | ||||
Go! breathe on their slumber, | 1 | 111 | 144 | ALAAR | ||||
Young dreams still hovering on their drowsy flight — | 1 | 111 | 158 | ALAAR | ||||
A gazer on the lights that shine above — | 1 | 112 | 184 | ALAAR | ||||
And looks so sweetly down on Beauty's hair — | 1 | 112 | 187 | ALAAR | ||||
And scowls on starry worlds that down beneath it lie. | 1 | 112 | 193 | ALAAR | ||||
On th’ Arabesque carving of a gilded hall | 1 | 113 | 204 | ALAAR | ||||
Wherein I sate, and on the draperied wall — | 1 | 113 | 205 | ALAAR | ||||
Wherein I sate, and on the drapried wall — | 1 | 113 | 205CE | ALAAR | ||||
And on my eye-lids — O the heavy light! | 1 | 113 | 206 | ALAAR | ||||
On flowers, before, and mist, and love they ran | 1 | 113 | 208 | ALAAR | ||||
Ianthe, beauty crowded on me then, | 1 | 113 | 225 | ALAAR | ||||
Sprang from her station, on the winds apart, | 1 | 114 | 235 | ALAAR | ||||
A red Daedalion on the timid Earth. | 1 | 114 | 244 | ALAAR | ||||
So shake the very Heaven on high | 1 | 128 | 12 | ROMG | ||||
So shake the very air on high | 1 | 128 | 12ABJ | ROMG | ||||
So shook the very Heavens on high, | 1 | 128 | 12C | ROMG | ||||
So shake the very Heavens on high | 1 | 128 | 12EF | ROMG | ||||
Through gazing on the unquiet sky. | 1 | 128 | 15 | ROMG | ||||
Through gazing on th’ unquiet sky. | 1 | 128 | 15AB | ROMG | ||||
Thro’ gazing on the unquiet sky! | 1 | 128 | 15C | ROMG | ||||
Its down did on my spirit fling, | 1 | 128 | 17C | ROMG | ||||
O God! on my funereal mind | 1 | 132 | 7 | BOWERS | ||||
Like starlight on a pall — | 1 | 132 | 8 | BOWERS | ||||
For in my heart, as on thy stream, | 1 | 135 | 11A* | TOPO | ||||
Lie dead on my heart-strings | 1 | 137 | 15 | TOMB | ||||
On my grave is growing or grown — | 1 | 137 | 18 | TOMB | ||||
With its centre on the crown | 1 | 140 | 16 | FAIRY1 | ||||
Over spirits on the wing — | 1 | 140 | 23 | FAIRY1 | ||||
O’er spirits on the wing | 1 | 140 | 23A | FAIRY1 | ||||
Light on the lightning's silver wing. | 1 | 157 | 18 | INTRO | ||||
So shook the very Heavens on high, | 1 | 157 | 36 | INTRO | ||||
Thro’ gazing on the unquiet sky! | 1 | 157 | 39 | INTRO | ||||
Its down did on my spirit fling, | 1 | 157 | 41 | INTRO | ||||
On violet couches faint away. | 1 | 160 | 15 | MYST | ||||
Like unto what on earth we see: | 1 | 160 | 17 | MYST | ||||
On the sweetest air doth float | 1 | 160 | 20 | MYST | ||||
My soul is lolling on thy sighs! | 1 | 161 | 6 | FAIRY2 | ||||
On which it trembles and lies | 1 | 162 | 36 | FAIRY2 | ||||
With its centre on the crown | 1 | 162 | 52 | FAIRY2 | ||||
On desperate seas long wont to roam, | 1 | 166 | 6 | HELF | ||||
As long as — tears on Memory's eye: | 1 | 184 | 44 | IRENE1 | ||||
On the clear waters there that flow, | 1 | 184 | 57 | IRENE1 | ||||
On the quiet Asphodel. | 1 | 192 | 26 | NISA | ||||
Low crouched on Earth, some violets lie, | 1 | 193 | 42 | NISB | ||||
On the long night-time of that town, | 1 | 199 | 21 | CITYA | ||||
Are on a level with the waves — | 1 | 200 | 32 | CITYA | ||||
On the long night-time of that town; | 1 | 201 | 13 | CITYH | ||||
On seas less hideously serene. | 1 | 202 | 41 | CITYH | ||||
On oceans not so sad-serene. | 1 | 202 | 41C | CITYH | ||||
Her friends are gazing on her, | 1 | 206 | 5 | PAEAN | ||||
And on her gaudy bier, | 1 | 206 | 6 | PAEAN | ||||
Thus on the coffin loud and long | 1 | 206 | 28.1A | PAEAN | ||||
From more than fiends on earth, | 1 | 206 | 33 | PAEAN | ||||
But waft thee on thy flight, | 1 | 207 | 39 | PAEAN | ||||
“On! on!” — but o’er the Past | 1 | 214 | 11 | PARA | ||||
To sands on the sea-shore, | 1 | 214 | 18A | PARA | ||||
At rest on ocean's brilliant dies | 1 | 222 | 5 | SERE | ||||
And on the spectral mountain's crown | 1 | 223 | 12 | SERE | ||||
Sleep on, sleep on, another hour — | 1 | 224 | 1 | SLEEP | ||||
Sleep on, sleep on, like sculptured thing, | 1 | 224 | 5 | SLEEP | ||||
Sleep on, sleep on, some fairy dream | 1 | 224 | 17 | SLEEP | ||||
Thus trembled on thy tongue my name. | 1 | 225 | 6 | FANNY | ||||
A victim on love's altar slain, | 1 | 226 | 17 | FANNY | ||||
Here where on ivory couch the Caesar sate | 1 | 228 | 21.1ABC | COLIS | ||||
Here where on ivory throne the Caesar sate | 1 | 228 | 21.1D | COLIS | ||||
Here where on golden throne the Caesar sate | 1 | 228 | 21.1FK | COLIS | ||||
On bed of moss lies gloating the foul adder | 1 | 228 | 21.2A-DFK | COLIS | ||||
Here, where on golden throne the monarch lolled, | 1 | 228 | 22 | COLIS | ||||
Here, where on golden throne the monarch loll’d, | 1 | 228 | 22ACGH | COLIS | ||||
Here, where on golden couch the monarch lolled, | 1 | 228 | 22D | COLIS | ||||
Here, where on ivory couch the monarch loll’d, | 1 | 228 | 22FK | COLIS | ||||
an a wine-table some candles burnt/ to the socket. | 1 | 248 | 2/ 3d | POLI | ||||
and on the/ table. | 1 | 248 | 4/ 5d | POLI | ||||
Just now on the staircase as I came up hither, | 1 | 248 | 5 | POLI | ||||
BENITO. We may: the sin sits heavy on his soul | 1 | 249 | 43 | POLI | ||||
On the despair of the young lady Lalage. | 1 | 250 | 61 | POLI | ||||
Who play’d on the guitar! most excellent wine! | 1 | 250 | 66 | POLI | ||||
The middle — the fore — no on the little finger | 1 | 251 | 88 | POLI | ||||
What's that you have on your shoulder? | 1 | 256 | 107 | POLI | ||||
(places her hand on his shoulder) | 1 | 258 | 30d | POLI | ||||
on/ which lie some books and a hand mirror. | 1 | 260 | 5/ 6d | POLI | ||||
(re-enter JACINTA, and throwi-a volume on the table.) | 1 | 261 | 27d | POLI | ||||
Which hangs like chains of pearls on Hermon hill.” | 1 | 261 | 34 | POLI | ||||
On yesterday we were speaking of the Earl? | 1 | 264 | 3 | POLI | ||||
(draws a cross-handled dagger and raises it on high.) | 1 | 264 | 13d | POLI | ||||
Pol: Remember. I do — I do — lead on! — remember! | 1 | 270 | 87Ax | POLI | ||||
POLITIAN. Remember? I do. Lead on! I do remember. | 1 | 271 | 99 | POLI | ||||
Thus on my bended knee I answer thee. | 1 | 272 | 13 | POLI | ||||
Not mother, with her first born on her knee, | 1 | 272 | 16 | POLI | ||||
Not on God's altar, in any time or clime, | 1 | 272 | 18 | POLI | ||||
By all I scorn on earth and hope in heaven — | 1 | 273 | 38 | POLI | ||||
(Seats herself on a bank | 1 | 276 | 18d | POLI | ||||
and arranges it on the floor | 1 | 277 | 31d | POLI | ||||
Thus on my bended knee. It were most fitting | 1 | 282 | 77 | POLI | ||||
Have seized on human brains, still not believing | 1 | 283 | 62 | POLI | ||||
Called him a coward on yesterday forenoon, | 1 | 283 | 67 | POLI | ||||
To see you on your legs, — a little stiff | 1 | 285 | 124 | POLI | ||||
On bed of moss lies gloating the foul adder: | 1 | 286 | 22.1Ax | POLI | ||||
Here where on ivory couch the Caesar sate | 1 | 286 | 27 | POLI | ||||
On bed of moss lies gloating the foul adder: | 1 | 286 | 28 | POLI | ||||
Here where on golden throne the monarch lolled | 1 | 286 | 29 | POLI | ||||
The corsiet on his bosom bold | 1 | 301 | 3 | PARO | ||||
Was the lance which he proudly wav’d on high. | 1 | 302 | 10 | PARO | ||||
The ring is on my hand, | 1 | 307 | 1 | BRIDA | ||||
And the wreath is on my brow — | 1 | 307 | 2 | BRIDA | ||||
The ring is on my hand, | 1 | 308 | 1 | BRIDF | ||||
And the wreath is on my brow; | 1 | 308 | 2 | BRIDF | ||||
Lo! the ring is on my hand, | 1 | 308 | 25 | BRIDA | ||||
And the wreath is on my brow — | 1 | 308 | 26 | BRIDA | ||||
On its roof did float and flow — | 1 | 315 | 10 | HAUNT | ||||
Mimes, in the form of God on high, | 1 | 325 | 9 | WORM | ||||
Floats on the Stygian river! | 1 | 334 | 4B | LENA | ||||
See, on yon drear | 1 | 335 | 12 | LENA | ||||
a saintly soul floats on the Stygian river: — | 1 | 336 | 2 | LENK | ||||
See! on yon drear and rigid bier | 1 | 336 | 4 | LENK | ||||
But waft the angel on her flight | 1 | 336 | 47 | LENA | ||||
But waft the angel on her flight | 1 | 337 | 21C-GL | LENK | ||||
But waft the angel on her flight | 1 | 337 | 26 | LENK | ||||
As he sails on his pinions o’er valley and sea. | 1 | 342 | 4 | CAMP | ||||
On a black throne reigns upright, | 1 | 343 | 4 | ROUTE | ||||
On a black throne reigns upright, | 1 | 344 | 20.4A | ROUTE | ||||
On a black throne reigns upright, | 1 | 344 | 38.4A | ROUTE | ||||
On a black throne reigns upright, | 1 | 345 | 54 | ROUTE | ||||
on the Night's Plutonian shore!” | 1 | 366 | 47 | RAVEN | ||||
on the placid bust, spoke only | 1 | 367 | 55 | RAVEN | ||||
on that placid bust, spoke only | 1 | 367 | 55R | RAVEN | ||||
On the morrow he will leave me, | 1 | 367 | 59 | RAVEN | ||||
On the cushion's velvet lining | 1 | 368 | 76 | RAVEN | ||||
tinkled on the tufted floor. | 1 | 368 | 80 | RAVEN | ||||
tinkled on the tufted floor. | 1 | 368 | 80ABCEFHJLNPOU | RAVEN | ||||
on this desert land enchanted — | 1 | 368 | 87 | RAVEN | ||||
On this home by Horror haunted — | 1 | 368 | 88 | RAVEN | ||||
On the pallid bust of Pallas | 1 | 369 | 104 | RAVEN | ||||
throws his shadow on the floor; | 1 | 369 | 106 | RAVEN | ||||
that lies floating on the floor | 1 | 369 | 107 | RAVEN | ||||
Upon the open page on which are peering | 1 | 389 | 13 | VALA | ||||
While, on dreams relying, | 1 | 399 | 6 | LOU | ||||
Of all who, on Despair's unhallowed bed | 1 | 400 | 8 | MLS | ||||
That hangs like chains of pearl on Hermon hill” | 1 | 406 | 10 | MARA | ||||
That hangs like chains of pearl on Hermon hill” — | 1 | 407 | 10 | MARB | ||||
She rolls through on ether of sighs — | 1 | 417 | 40B | ULA | ||||
She has seen that the tears are not dry on | 1 | 417 | 42 | ULA | ||||
To shine on us with her bright eyes — | 1 | 417 | 48 | ULA | ||||
Let us on, by this tremulous light! | 1 | 417 | 62 | ULA | ||||
On the door of this legended tomb?” | 1 | 418 | 79 | ULA | ||||
On this very night of last year, | 1 | 418 | 86 | ULA | ||||
On this night, of all nights in the year, | 1 | 418 | 89 | ULA | ||||
On the moon! | 1 | 436 | 24 | BELLSEG | ||||
On the Future! — how it tells | 1 | 436 | 29 | BELLSEG | ||||
On the bosom of the palpitating air! | 1 | 437 | 56F-J | BELLSEG | ||||
On the human heart a stone — | 1 | 437 | 85/ | BELLSEG | ||||
Where no wind dared to stir, unless on tiptoe — | 1 | 445 | 10 | TOHEL | ||||
Fell on the upturn’d faces of these roses | 1 | 445 | 11 | TOHEL | ||||
Fell on the upturned faces of these roses | 1 | 445 | 11CD | TOHEL | ||||
Fell on the upturn’d faces of these roses | 1 | 445 | 14 | TOHEL | ||||
Fell on the upturned faces of these roses | 1 | 445 | 14CD | TOHEL | ||||
Fell on the upturn’d faces of the roses, | 1 | 445 | 19 | TOHEL | ||||
Fell on the faces of the upturned ’roses, | 1 | 445 | 19C | TOHEL | ||||
Fell on the upturned faces of the roses, | 1 | 445 | 19D | TOHEL | ||||
And on thine own, upturn’d — alas, in sorrow! | 1 | 445 | 20 | TOHEL | ||||
And on thine own, upturned — alas, in sorrow! | 1 | 445 | 20CD | TOHEL | ||||
Was it not Fate, that, on this July midnight — | 1 | 445 | 21 | TOHEL | ||||
To sleep on her breast — | 1 | 458 | 76 | ANNIE | ||||
ONCE ( 23 22) | ||||||||
His form once seen becomes a part of sight, | 1 | 11 | 70 | TEMP | ||||
There rose a fountain once, and there | 1 | 39 | 401 | TAMA | ||||
’Twas once and only once and the wild hour | 1 | 69 | 19 | DREA | ||||
At once — and so will I. | 1 | 131 | 26 | SHOULD | ||||
Once it smiled a silent dell | 1 | 192 | 17 | NISA | ||||
Once it smil’d a silent dell | 1 | 192 | 17B | NISA | ||||
Once it smiled a silent dell | 1 | 195 | 1 | NISE | ||||
At once the shame and glory of our age, | 1 | 221 | 8 | ENIGMA | ||||
Once more an ancient tragic bard recall, | 1 | 222 | 13 | ENIGMA | ||||
As tell me, Sir, at once what is’t you mean. | 1 | 265 | 12 | POLI | ||||
Once more that silent tongue.” | 1 | 271 | 104 | POLI | ||||
have at thee then at once, | 1 | 281 | 58 | POLI | ||||
Set him a laughing once, and he’ll forget | 1 | 283 | 68 | POLI | ||||
Was once the locust's coat of gold, | 1 | 301 | 4 | PARO | ||||
At sight of thee and thine at once awake! | 1 | 311 | 4 | ZANTE | ||||
Once a fair and stately palace — | 1 | 315 | 3 | HAUNT | ||||
Once upon a midnight dreary, | 1 | 364 | 1 | RAVEN | ||||
Here once, through an alley Titanic, | 1 | 416 | 10 | ULA | ||||
(Though once we had journeyed down here) | 1 | 416 | 27 | ULA | ||||
Through all the flimsy things we see at once | 1 | 425 | 3 | DUNCE | ||||
I saw thee once — once only — years ago: | 1 | 445 | 1 | TOHEL | ||||
ONE ( 114 92) | ||||||||
I’ll neither laugh with one or cry with t’other, | 1 | 10 | 26 | TEMP | ||||
I’ll neither laugh with one nor cry with t’other, | 1 | 10 | 26C | TEMP | ||||
But, taking one by each hand, merely growl. | 1 | 10 | 28 | TEMP | ||||
I don’t remember one, upon my soul, | 1 | 10 | 43 | TEMP | ||||
For at a ball what fair one can escape | 1 | 11 | 55 | TEMP | ||||
One of these fish, par excellence the beau, | 1 | 11 | 59 | TEMP | ||||
One settled fact is better than ten sages. | 1 | 11 | 78 | TEMP | ||||
Of one whom in life I made | 1 | 27 | 20 | TAMA | ||||
But, father, there liv’d one who, then — | 1 | 29 | 82 | TAMA | ||||
One object — and but one — until | 1 | 29 | 99 | TAMA | ||||
At one upbraiding word or token | 1 | 33 | 201 | TAMA | ||||
But one, whom phantasy had led | 1 | 34 | 250 | TAMA | ||||
That they shall stoop in life to one | 1 | 35 | 261 | TAMA | ||||
Perforce, a passing thought of one, | 1 | 35 | 274 | TAMA | ||||
One noon of a bright summer's day | 1 | 35 | 283 | TAMA | ||||
Of one, in whom they did rejoice — | 1 | 37 | 343 | TAMA | ||||
To those whose spirits hark’n) as one | 1 | 38 | 373 | TAMA | ||||
As the portrait of one after death; | 1 | 39 | 380 | TAMA | ||||
But, father, there liv’d one who then, | 1 | 40 | 82 | TAMB | ||||
One object, and but one, until t 3 | 1 | 41 | 99 | TAMB | ||||
At one upbraiding word or token | 1 | 42 | 201 | TAMB | ||||
But one whom Phantasy had thrown | 1 | 44 | 250 | TAMB | ||||
From one in whom they did rejoice — | 1 | 45 | 343 | TAMB | ||||
But, father, there liv’d one who then — | 1 | 47 | 73 | TAMF | ||||
To those whose spirits harken) as one | 1 | 52 | 204 | TAMF | ||||
(’Mid dreams of one unholy night) | 1 | 55 | 42E | TAMH | ||||
But, father, there liv’d one who, then, | 1 | 56 | 69 | TAMH | ||||
To those whose spirits harken) as one | 1 | 60 | 198 | TAMH | ||||
Whose waning is the dreariest one — | 1 | 60 | 208 | TAMH | ||||
Of one whom I had earlier known — | 1 | 60 | 218 | TAMH | ||||
Not one, of all the crowd, to pry | 1 | 72 | 3 | SPIRD | ||||
In youth have I known one with whom the Earth | 1 | 77 | 1 | STAN | ||||
And late to ours, the favour’d one of God — | 1 | 100 | 25 | ALAAR | ||||
Link’d to a little system, and one sun — | 1 | 104 | 134 | ALAAR | ||||
Our faith to one love — and one moon adore — | 1 | 105 | 153 | ALAAR | ||||
A window of one circular diamond, there, | 1 | 106 | 22 | ALAAR | ||||
My beautiful one! | 1 | 109 | 101 | ALAAR | ||||
It trembled to one constant star again. | 1 | 112 | 197ACE | ALAAR | ||||
One half the garden of her globe was flung | 1 | 113 | 222 | ALAAR | ||||
Methought, my sweet one, then I ceased to soar | 1 | 114 | 237 | ALAAR | ||||
Methought, my sweet one, then I ceas’d to soar | 1 | 114 | 237CE | ALAAR | ||||
That the tremor of one kiss | 1 | 136 | 11A | TOMB | ||||
One more filmy than the rest | 1 | 140 | 12 | FAIRY1 | ||||
Being ignorant of one important rule, | 1 | 148 | 12 | ELIZA | ||||
Lo! one is coming down | 1 | 162 | 51 | FAIRY2 | ||||
He would not sing one half as well — | 1 | 175 | 41 | ISRA | ||||
One half as passionately, | 1 | 175 | 42 | ISRA | ||||
He might not sing one half so well | 1 | 177 | 48C | ISRG | ||||
One half so passionately, | 1 | 177 | 49C | ISRG | ||||
That chamber chang’d for one more holy — | 1 | 185 | 65 | IRENE1 | ||||
That chamber changed for one more holy — | 1 | 185 | 65B | IRENE1 | ||||
That bed for one more melancholy. | 1 | 185 | 66 | IRENE1 | ||||
This chamber changed for one more holy, | 1 | 188 | 40 | IRENE2 | ||||
This bed being changed for one more holy, | 1 | 188 | 40DE | IRENE2 | ||||
This chamber chang’d for one more holy, | 1 | 188 | 40F | IRENE2 | ||||
This bed for one more melancholy, | 1 | 188 | 41 | IRENE2 | ||||
This room for one more melancholy, | 1 | 188 | 41DE | IRENE2 | ||||
One and all, too far away? | 1 | 191 | 68 | NISA | ||||
One by one from the tree top | 1 | 192 | 33 | NISA | ||||
And one by one, from out their tops | 1 | 193 | 45 | NISB | ||||
Ah, one by one, from off their stems | 1 | 193 | 47 | NISB | ||||
We, with one warrior have slain! | 1 | 219 | 3 | LATIN | ||||
Not even one lonely rose) — | 1 | 237 | 4 | TOF | ||||
Not ev’n one lonely rose) — | 1 | 237 | 4A | TOF | ||||
Just o’er that one bright island smile. | 1 | 237 | 14 | TOF | ||||
Not even one lonely rose) — | 1 | 237 | 14.4B | TOF | ||||
Not ev’n one lonely rose) — | 1 | 237 | 14.4C | TOF | ||||
(All of her jewels! — every one of them!) | 1 | 252 | 115 | POLI | ||||
Spite of myself. One can’t be angry with him | 1 | 255 | 65 | POLI | ||||
For the life of one. After all I don’t see why | 1 | 255 | 66 | POLI | ||||
As of one who entered madly into life, | 1 | 259 | 59 | POLI | ||||
Thus speaketh one Ferdinand in the words of the play — | 1 | 261 | 16 | POLI | ||||
Thus speaketh one in the words of the play — | 1 | 261 | 16Av | POLI | ||||
Thus speaketh one Ferdinand i’ the words of the play — | 1 | 261 | 16C | POLI | ||||
“She died full young” — one Bossola answers him — | 1 | 261 | 17 | POLI | ||||
So little time could so much alter one! | 1 | 265 | 26 | POLI | ||||
Miraculously found by one of Genoa — | 1 | 274 | 67 | POLI | ||||
And let me hear thy voice — one word — one word, | 1 | 275 | 95 | POLI | ||||
To say thou art not gone, — one little sentence, | 1 | 275 | 96 | POLI | ||||
upon one/ of her hands, which is ungloved. | 1 | 276 | 3/ 4d | POLI | ||||
This time and dark — one, two, three, four, five, six! | 1 | 276 | 9 | POLI | ||||
About her — not a tittle! One would have thought | 1 | 277 | 30 | POLI | ||||
To one with such an air of condescension. | 1 | 277 | 33 | POLI | ||||
And ten of Genoa velvet — one, two, three, | 1 | 277 | 52 | POLI | ||||
One in a thousand for a dainty curtsey. | 1 | 278 | 67 | POLI | ||||
Or one more worthy Italy, methinks | 1 | 279 | 17 | POLI | ||||
One of the last importance. Do you not think | 1 | 284 | 97 | POLI | ||||
Body and Soul. One dwells in lonely places, | 1 | 322 | 6 | SILE | ||||
Body and Soul. One dwells in desert places, | 1 | 322 | 6A | SILE | ||||
As of some one gently rapping, | 1 | 364 | 4 | RAVEN | ||||
As of some one gently tapping, | 1 | 364 | 4G | RAVEN | ||||
That one word, as if his soul | 1 | 367 | 56 | RAVEN | ||||
in that one word he did outpour. | 1 | 367 | 56 | RAVEN | ||||
till his songs one burden bore — | 1 | 367 | 64 | RAVEN | ||||
till his song one burden bore — | 1 | 367 | 64H | RAVEN | ||||
Nor would I rob one loyal thought, | 1 | 382 | 3 | VANE | ||||
Which one might not undo without a sabre | 1 | 389 | 11 | VALA | ||||
If one could merely understand the plot. | 1 | 389 | 12 | VALA | ||||
If one could merely comprehend the plot. | 1 | 389 | 12BC | VALA | ||||
Which one might not undo without a sabre, | 1 | 390 | 11 | VALG | ||||
Which one might not undo without a sabre | 1 | 390 | 110 | VALG | ||||
If one could merely comprehend the plot. | 1 | 390 | 12 | VALG | ||||
One from the pitiless wave? | 1 | 452 | 22 | TAKE | ||||
The angels, whispering to one another, | 1 | 467 | 2 | MOTHB | ||||
Devoutly singing unto one another, | 1 | 467 | 2 | MOTHC | ||||
Are mother to the one I loved so dearly, | 1 | 467 | 11 | MOTHB | ||||
Are thus more precious than the one I knew, | 1 | 467 | 12 | MOTHC | ||||
ONLY ( 33 27) | ||||||||
The only feeling which possest, | 1 | 34 | 245 | TAMA | ||||
’Twas once and only once and the wild hour | 1 | 69 | 19 | DREA | ||||
Each hour before us — but then only bid | 1 | 78 | 22 | STAN | ||||
Only to be overcast! | 1 | 214 | 9A | PARA | ||||
You’re not to have the wine, only your choice. | 1 | 256 | 99 | POLI | ||||
Only to think of that! a tub of ashes! | 1 | 257 | 121 | POLI | ||||
There's Ugo says the ring is only paste, | 1 | 262 | 51 | POLI | ||||
Sees only, through | 1 | 335 | 17 | LENA | ||||
Haunted by ill angels only, | 1 | 343 | 2 | ROUTE | ||||
Haunted by ill angels only, | 1 | 344 | 20.2A | ROUTE | ||||
Haunted by ill angels only, | 1 | 344 | 38.2A | ROUTE | ||||
Haunted by ill angels only, | 1 | 345 | 52 | ROUTE | ||||
Only this and nothing more.” | 1 | 365 | 6 | RAVEN | ||||
Only this and nothing more.” | 1 | 365 | 18Q | RAVEN | ||||
And the only word there spoken | 1 | 365 | 28 | RAVEN | ||||
on the placid bust, spoke only | 1 | 367 | 55 | RAVEN | ||||
on that placid bust, spoke only | 1 | 367 | 55R | RAVEN | ||||
is its only stock and store | 1 | 367 | 62 | RAVEN | ||||
The only king by right divine | 1 | 384 | 1 | KING | ||||
I have a little stepson of only three years old. | 1 | 393 | 19 | MODC | ||||
Two gentle sounds made only to be murmured | 1 | 406 | 8 | MARA | ||||
Italian tones made only to be murmured | 1 | 407 | 8 | MARB | ||||
To where the prospect terminates — thee only. | 1 | 407 | 32 | MARA | ||||
To where the prospect terminates — thee only. | 1 | 408 | 27 | MARB | ||||
They can only shriek, shriek, | 1 | 436 | 42 | BELLSEG | ||||
I saw thee once — once only — years ago: | 1 | 445 | 1 | TOHEL | ||||
Save only thee and me. (Oh, Heaven! — oh, God! | 1 | 445 | 26 | TOHEL | ||||
Save only thee and me. I paused — I looked — | 1 | 445 | 28 | TOHEL | ||||
Save only the divine light in thine eyes — | 1 | 446 | 37 | TOHEL | ||||
I saw but them — saw only them for hours — | 1 | 446 | 40 | TOHEL | ||||
Saw only them until the moon went down. | 1 | 446 | 41 | TOHEL | ||||
Didst glide away. Only thine eyes. remained. | 1 | 446 | 51 | TOHEL | ||||
Didst glide way. Only thine eyes remained. | 1 | 446 | 51E | TOHEL | ||||
ONT ( 1 0) | ||||||||
Ont of which a miraculous crescent | 1 | 416 | 35D | ULA | ||||
ONWARD ( 2 0) | ||||||||
“Onward!” while o’er the Past | 1 | 214 | 11A-G | PARA | ||||
“Onward!” — but o’er the Past | 1 | 214 | 11LQZ | PARA | ||||
OPAL’D ( 1 1) | ||||||||
And all the opal’d air in color bound. | 1 | 101 | 41 | ALAAR | ||||
OPAQUE ( 1 1) | ||||||||
Stable, opaque, immortal — all by dint | 1 | 425 | 13 | DUNCE | ||||
OPEN ( 15 11) | ||||||||
With casement open to the skies, | 1 | 184 | 23 | IRENE1 | ||||
Her casement open to the skies! | 1 | 184 | 24C | IRENE1 | ||||
“To open thy window to the night, | 1 | 184 | 32 | IRENE1 | ||||
With casement open to the skies | 1 | 187 | 16.IDE | IRENE2 | ||||
(Her casement open to the skies) | 1 | 187 | 16.2FGH | IRENE2 | ||||
This window open to the night? | 1 | 187 | 19 | IRENE2 | ||||
This lattice open to the night? | 1 | 187 | 19DEF | IRENE2 | ||||
There open temples — open graves | 1 | 200 | 31 | CITYA | ||||
There open fanes and gaping graves | 1 | 202 | 30 | CITYH | ||||
with a window open and looking into/ a garden. | 1 | 260 | 4/ 5d | POLI | ||||
Open here I flung the shutter, | 1 | 366 | 37 | RAVEN | ||||
Upon the open page on which are peering | 1 | 389 | 13 | VALA | ||||
Threshold of the wide-open gate of Dreams, | 1 | 407 | 27 | MARA | ||||
Threshold of the wide-open gate of dreams, | 1 | 408 | 22 | MARB | ||||
OPENED ( 1 1) | ||||||||
here I opened wide the door; | 1 | 365 | 23 | RAVEN | ||||
OPENING ( 3 3) | ||||||||
And she would mark the opening skies, | 1 | 49 | 127 | TAMF | ||||
And she would mark the opening skies, | 1 | 57 | 100 | TAMH | ||||
And, thro’ the opening left, as soon | 1 | 161 | 21 | FAIRY2 | ||||
OPENLY ( 2 2) | ||||||||
(I speak thus openly to thee, | 1 | 32 | 182 | TAMA | ||||
May not — dare not openly view it; | 1 | 345 | 44 | ROUTE | ||||
OPIATE ( 1 1) | ||||||||
An opiate vapour, dewy, dim, | 1 | 187 | 3 | IRENE2 | ||||
OPINION ( 2 2) | ||||||||
Oh Times! Oh Manners! It is my opinion | 1 | 9 | 1 | TEMP | ||||
We differed in opinion touching him. | 1 | 26S | 14 | POLI | ||||
OP’NING ( 1 1) | ||||||||
And she would mark the op’ning skies, | 1 | 30 | 124 | TAMA | ||||
OPPORTUNITY ( 1 1) | ||||||||
I’ll take the opportunity of sending | 1 | 255 | 62 | POLI | ||||
OPPRESS ( 3 3) | ||||||||
The livelong summer day, oppress | 1 | 33 | 212 | TAMA | ||||
The live-long summer day, oppress | 1 | 43 | 212 | TAMB | ||||
The minute — the hour — the day — oppress | 1 | 58 | 137 | TAMH | ||||
OPPRESS’D ( 2 2) | ||||||||
Last night, with many cares and toils oppress’d, | 1 | 6 | 1 | POET | ||||
The undying hope which now oppress’d | 1 | 44 | 245 | TAMB | ||||
OPPRESSES ( 3 2) | ||||||||
Baldazzar, it oppresses me like a spell! | 1 | 269 | 55 | POLI | ||||
Oppresses me! | 1 | 286 | 12 | POLI | ||||
Oppresses me! with awe. Ye Memories! | 1 | 286 | 12Ax | POLI | ||||
OPPRESSIVE ( 1 1) | ||||||||
This air is most oppressive! — Madam — the Duke! | 1 | 259 | 37 | POLI | ||||
OR ( 109 101) | ||||||||
For men have none at all, or bad at least; | 1 | 9 | 4 | TEMP | ||||
To take things seriously or all in jest; | 1 | 9 | 12 | TEMP | ||||
Or rather laugh with him, that queer Philosopher, | 1 | 9 | 15 | TEMP | ||||
I’ll neither laugh with one or cry with t’other, | 1 | 10 | 26 | TEMP | ||||
Nor deal in flattery or aspersions foul, | 1 | 10 | 27 | TEMP | ||||
Or who so cold, so callous to refuse | 1 | 11 | 57 | TEMP | ||||
Or thought, save of the passing scene. — | 1 | 29 | 77 | TAMA | ||||
All that I felt, or saw, or thought, | 1 | 32 | 175 | TAMA | ||||
At one upbraiding word or token | 1 | 33 | 201 | TAMA | ||||
Or thought save of the passing scene. | 1 | 40 | 77 | TAMB | ||||
All that I felt, or saw, or thought, | 1 | 42 | 175 | TAMB | ||||
At one upbraiding word or token | 1 | 42 | 201 | TAMB | ||||
I have no time to dote or dream: | 1 | 45 | 6 | TAMF | ||||
Of pleasure or of pain — | 1 | 49 | 142 | TAMF | ||||
A rebel or a Bajazet? | 1 | 51 | 178 | TAMF | ||||
In a night — or in a day — | 1 | 53 | 240 | TAMF | ||||
In a vision — or in none — | 1 | 53 | 241 | TAMF | ||||
I have no time to dote or dream: | 1 | 54 | 6 | TAMH | ||||
Or spell had bound me — ’twas the chilly wind | 1 | 69 | 21 | DREA | ||||
Its image on my spirit, or the moon | 1 | 69 | 23 | DREA | ||||
Too coldly — or the stars — howe’er it was | 1 | 69 | 25 | DREA | ||||
Hath ever told — or is it of a thought | 1 | 77 | 13 | STAN | ||||
Could teach or bribe me to define — | 1 | 86 | 16 | LAKEF | ||||
How should he love thee? or how deem thee wise, | 1 | 91 | 5 | SCI | ||||
How shall he love thee? or how deem thee wise, | 1 | 91 | 5BC | SCI | ||||
Or (music of the passion-hearted) | 1 | 100 | 7 | ALAAR | ||||
In many a star-lit grove, or moon-lit dell; | 1 | 108 | 63 | ALAAR | ||||
“’Neath blue-bell or streamer — | 1 | 108 | 68 | ALAAR | ||||
Or tufted wild spray | 1 | 108 | 69 | ALAAR | ||||
Or, capriciously still, | 1 | 109 | 106 | ALAAR | ||||
That Truth is Falsehood — or that Bliss is Woe? | 1 | 111 | 167 | ALAAR | ||||
Awoke that slept — or knew that he was there. | 1 | 113 | 213 | ALAAR | ||||
Awoke that slept — or knew that it was there. | 1 | 113 | 213CE | ALAAR | ||||
In a night — or in a day — | 1 | 131 | 14 | SHOULD | ||||
In a vision — or in none — | 1 | 131 | 15 | SHOULD | ||||
Or that the thrill of a single kiss | 1 | 136 | 11 | TOMB | ||||
On my grave is growing or grown — | 1 | 137 | 18 | TOMB | ||||
Or a yellow Albatross. | 1 | 141 | 34 | FAIRY1 | ||||
From the torrent, or the fountain — | 1 | 146 | 13 | ALONE | ||||
It was my choice or chance or curse | 1 | 147 | 1 | LEA | ||||
To adopt the cause for better or worse | 1 | 147 | 2 | LEA | ||||
The muses thro’ their bowers of Truth or Fiction, | 1 | 148 | 8 | ELIZA | ||||
In vain those words from thee or L. E. L. | 1 | 149 | 3 | ACROS | ||||
Or Hymen, Time, and Destiny | 1 | 157 | 33 | INTRO | ||||
Or if an hour with calmer wing | 1 | 157 | 40 | INTRO | ||||
That list our love, or deck our bowers | 1 | 160 | 11 | MYST | ||||
Or is it all but a dream, my dear? | 1 | 161 | 10 | FAIRY2 | ||||
Or worse — upon her brow to dance | 1 | 183 | 5 | IRENE1 | ||||
But when a week or two go by, | 1 | 184 | 45 | IRENE1 | ||||
Or so appear — or so appear! | 1 | 185 | 25.4BC | IRENE1 | ||||
Or the sun ray dripp’d all red | 1 | 192 | 23 | NISA | ||||
Or that my tone should be | 1 | 206 | 17 | PAEAN | ||||
Or the stricken eagle soar! | 1 | 215 | 20 | PARA | ||||
UGO. Sirrah! I said not so, or else I (hiccup) lied. | 1 | 248 | 14 | POLI | ||||
Or was, that very sure, but he's reforming | 1 | 250 | 68 | POLI | ||||
Dolt I’m not sure you see — or if you see | 1 | 251 | 102 | POLI | ||||
Either in body or soul. When saw you last | 1 | 253 | 22 | POLI | ||||
Of the wine or of that. | 1 | 256 | 102 | POLI | ||||
The wine or the ashes! Ugo, send word to the Count | 1 | 257 | 114 | POLI | ||||
Of the garden. Did dream, or did I hear | 1 | 260 | 66 | POLI | ||||
To grieve thee or to vex thee? — I am sorry. | 1 | 261 | 37 | POLI | ||||
To the senate or the field. | 1 | 268 | 15 | POLI | ||||
Now be this Fancy, by Heaven, or be it Fate, | 1 | 271 | 110 | POLI | ||||
Not on God's altar, in any time or clime, | 1 | 272 | 18 | POLI | ||||
Or would she, now — I ask you now, Jacinta, | 1 | 277 | 35 | POLI | ||||
Do you, or do you not suppose your mistress | 1 | 277 | 36 | POLI | ||||
Had common sense or understanding when | 1 | 277 | 37 | POLI | ||||
Or he would not be in a hurry — he would have stopped — | 1 | 277 | 39 | POLI | ||||
BALDAZZAR. That knowing no cause of quarrel or of feud | 1 | 279 | 11 | POLI | ||||
Or one more worthy Italy, methinks | 1 | 279 | 17 | POLI | ||||
Of any feud existing, or any cause | 1 | 279 | 20 | POLI | ||||
Here is no let or hindrance to thy weapon — | 1 | 282 | 81 | POLI | ||||
That you’re defunct — or stop suppose I say — | 1 | 284 | 84 | POLI | ||||
For vengeance or will never. So! the priest | 1 | 287 | 55 | POLI | ||||
For vengeance or will never. Behold the priest | 1 | 287 | 55Ax | POLI | ||||
Weep now or nevermore! | 1 | 335 | 11 | LENA | ||||
weep now or never more! | 1 | 336 | 3 | LENK | ||||
“Sir,” said I, “or Madam, truly | 1 | 365 | 20 | RAVEN | ||||
not a minute stopped or stayed he; | 1 | 366 | 39 | RAVEN | ||||
not an instant stopped or stayed he; | 1 | 366 | 39ABCEFHJLNPQU | RAVEN | ||||
not a moment stopped or stayed he; | 1 | 366 | 39M | RAVEN | ||||
But, with mien of lord or lady, | 1 | 366 | 40 | RAVEN | ||||
Bird or beast upon the sculptured | 1 | 367 | 53 | RAVEN | ||||
prophet still, if bird or devil! — | 1 | 368 | 85 | RAVEN | ||||
Whether Tempter sent, or whether | 1 | 368 | 86 | RAVEN | ||||
prophet still, if bird or devil! | 1 | 368 | 91 | RAVEN | ||||
bird or fiend!” I shrieked, upstarting — | 1 | 369 | 97 | RAVEN | ||||
Better than banking, trade or leases — | 1 | 378 | 2 | WALL | ||||
This wonderful plan, without danger or loss, | 1 | 378 | 5 | WALL | ||||
The bright i-dea, or bright dear-eye. | 1 | 380 | 4 | KATE | ||||
The smallest point, or you may lose your labor. | 1 | 389 | 9 | VALA | ||||
The trivialest point, or you may lose your labor! | 1 | 390 | 9 | VALG | ||||
Jew or I downright I upright 1 nutmegs 1 | 1 | 394 | 6 | MODD | ||||
Jew, or downright upright nutmegs out of a pine-knot? | 1 | 394 | 28 | MODC | ||||
In calm or storm, by night or day, | 1 | 403 | 3 | PHYS | ||||
I cannot write — I cannot speak or think, | 1 | 408 | 19 | MARB | ||||
Now — now to sit, or never, | 1 | 436 | 49 | BELLSEG | ||||
By the sinking or the swelling | 1 | 437 | 65 | BELLSEG | ||||
In a night, or in a day, | 1 | 451 | 7 | TAKE | ||||
In a vision, or in none, | 1 | 452 | 8 | TAKE | ||||
All that we see or seem | 1 | 452 | 10 | TAKE | ||||
Is all that we see or seem | 1 | 452 | 23 | TAKE | ||||
Is all that I see or seem | 1 | 452 | 23A | TAKE | ||||
Forgetting, or never | 1 | 458 | 55 | ANNIE |
∞∞∞∞∞∞∞
Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
∞∞∞∞∞∞∞
[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)