Text: Elizabeth Wiley, “Concordance (TO through TO),” Concordance of the Poetry of Edgar Allan Poe, (1989), pp. 586-597 (This material is protected by copyright)


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TEXT   V     PAGE    LINE       POEM
   
TO ( 675 591)
Weary. I laid me on a couch to rest —   1   6   2   POET
To take things seriously or all in jest;   1   9   12   TEMP
To weep, as he did, till his eyes were sore,   1   9   14   TEMP
Democritus of Thrace, who used to toss over   1   10   16   TEMP
Each fit to furnish forth four hours debate.   1   10   22   TEMP
And in the meantime, to prevent all bother,   1   10   25   TEMP
I’m apt to be discursive in my style,   1   10   37   TEMP
Here he may revel to his heart's content,   1   10   49   TEMP
Or who so cold, so callous to refuse   1   11   57   TEMP
God help me, it has been my lot to know,   1   11   60   TEMP
But speak to him, he’ll make you such grimace,   1   11   63   TEMP
Lord! to be grave exceeds the power of face.   1   11   64   TEMP
As to the seat of thought in man and brute,   1   11   74   TEMP
Because to his cat's eyes I hold a glass   1   12   87   TEMP
I think he’ll take this likeness to himself,   1   12   89   TEMP
In vain I struggle to forget   1   17   3   OCT
And fondly turn to thee!   1   17   5   OCT
But Octavia, do not strive to rob   1   17   6   OCT
To shun the fate, with which to cope   1   26   4   TAMA
Is more than crime may dare to dream,   1   26   5   TAMA
Nor am I mad, to deem that power   1   27   8   TAMA
Rome to the Caesar — this to me;   1   27   34   TAMA
1.1,—1,4 ...m 1.n mu h.lf rin=inn my.   1   PR   q1   TAMA
Its spirit cradled me to sleep,   1   29   71   TAMA
My soul in mystery to steep:   1   29   74   TAMA
Have deem'd, since I have reach'd to power   1   29   80   TAMA
I have no words, alas! to tell   1   29   88   TAMA
Nor would I dare attempt to trace   1   29   90   TAMA
Which ev’n to my impassion'd mind,   1   29   92   TAMA
And I have held to mem’ry's eye   1   29   98   TAMA
’Tis not to thee that I should name —   1   30   102   TAMA
Thou can'st not — would'st not dare to think   1   30   103   TAMA
Trust to the fickle star within?   1   30   119   TAMA
There was no need to speak the rest —   1   31   133   TAMA
No need to quiet her kind fears —   1   31   134   TAMA
To mind — not flow’rs alone — but more   1   31   142   TAMA
And bade it first to dream of crime,   1   31   149   TAMA
My phrenzy to her bosom taught:   1   31   150   TAMA
It is not surely sin to name,   1   31   157   TAMA
And happy beauty (for to me   1   32   161   TAMA
(I speak thus openly to thee,   1   32   182   TAMA
’Twere folly now to veil a thought   1   32   183   TAMA
To know the fate it will inherit)   1   32   192   TAMA
I spoke to her of power and pride —   1   33   224   TAMA
The flush on her bright cheek, to me,   1   34   230   TAMA
Seem'd to become a queenly throne   1   34   231   TAMA
To leave her while we both were young, —   1   34   236   TAMA
To follow my high fate among   1   34   237   TAMA
Now sounded to her heedless ear —   1   34   240   TAMA
To gain an empire, and throw down   1   34   243   TAMA
With their own breath to fan its fire)   1   34   255   TAMA
That they shall stoop in life to one   1   35   261   TAMA
Whom daily they are wont to see   1   35   262   TAMA
I pictur'd to my fancy's eye   1   35   266   TAMA
To its most desperate intent,)   1   35   270   TAMA
To trust the weakness of my heart   1   36   291   TAMA
To her soft thrilling voice: To part   1   36   292   TAMA
Too real, to his breast who lives   1   36   307   TAMA
To God, and to the great whole —   1   36   310   TAMA
To him, whose loving spirit will dwell   1   36   311   TAMA
A more than agony to him   1   36   315   TAMA
Is grace to its heav’nly bed of blue;   1   37   321   TAMA
For the flight on Earth to Fancy giv’n,   1   37   325   TAMA
(It boots me not, good friar, to tell   1   38   349   TAMA
I clamber'd to the tottering height,)   1   38   352   TAMA
In dusky grandeur to my eyes:   1   38   363   TAMA
To him, who still would gaze upon   1   38   366   TAMA
To the sound of the coming darkness (known   1   38   372   TAMA
To those whose spirits hark’n) as one   1   38   373   TAMA
For all we live to know — is known;   1   39   386   TAMA
And all we seek to keep — hath flown;   1   39   387   TAMA
Its spirit cradled me to sleep,   1   40   71   TAMB
My soul in mystery to steep:   1   40   74   TAMB
Have deem'd since I have reach'd to power   1   40   80   TAMB
I have no words, alas! to tell   1   40   88   TAMB
Nor would I now attempt to trace   1   40   90   TAMB
Which, ev’n to this impassion'd mind,   1   41   92   TAMB
So have I held to Memory's eye   1   41   98   TAMB
And bade it first to dream of crime.   1   41   149   TAMB
It is not surely sin to name   1   41   157   TAMB
And happy beauty — (for to me   1   41   161   TAMB
To know the fate it will inherit)   1   42   192   TAMB
I spoke to her of power & pride,   1   43   224   TAMB
The flush on her bright cheek to me   1   43   230   TAMB
Seem'd to become a queenly throne   1   43   231   TAMB
To leave her while we both were young:   1   43   236   TAMB
To follow my high fate among   1   43   237   TAMB
Now sounded to her heedless ear —   1   43   240   TAMB
To gain an empire & throw down   1   44   243   TAMB
A spirit ne’er to be at rest.   1   44   246   TAMB
And’crouches to a keeper's hand —   1   44   253   TAMB
With their own breath to fan his fire.   1   44   256   TAMB
The sound of revelry to night   1   44   339   TAMB
I have no time to dote or dream:   1   45   6   TAMF
Rome to the Caesar — this to me?   1   46   35   TAMF
Appear'd to my half-closing eye   1   46   50   TAMF
Have deem'd, since I have reach'd to power,   1   47   71   TAMF
To haunt of the wide world a spot   1   47   80   TAMF
To the terror of that lone lake.   1   48   90   TAMF
Could ever bribe me to define,   1   48   94   TAMF
Solace to my imagining?   1   48   97   TAMF
And 0! I have no words to tell   1   48   102   TAMF
I will not now attempt to trace   1   48   104   TAMF
To fantasies with — none.   1   48   112   TAMF
Trust to the fire within for light?   1   49   122   TAMF
There was no need to speak the rest,   1   49   135   TAMF
No need to quiet any fears   1   49   136   TAMF
I spoke to her of power and pride,   1   50   157   TAMF
The flush upon her cheek to me,   1   50   163   TAMF
And crouches to a keeper's hand,   1   50   173   TAMF
With their own breath to fan its fire.   1   51   176   TAMF
To the young Tamerlane — to me!   1   51   182   TAMF
And failing of thy power to bless,   1   51   187   TAMF
To him who still would look upon   1   51   199   TAMF
To the sound ’of the coming darkness (known   1   52   203   TAMF
To those whose spirits harken) as one   1   52   204   TAMF
Where there is nothing to deceive,   1   52   220   TAMF
How bright! and yet to creep   1   53   247   TAMF
Thro’ my fingers to the deep!   1   53   248   TAMF
I have no time to dote or dream:   1   54   6   TAMH
Rome to the Caesar — this to me?   1   54   31   TAMH
Appeared to my half-closing eye   1   55   46   TAMH
Seem'd then to my half-closing eye   1   55   46E   TAMH
Have deem'd, since I have reach'd to power,   1   56   67   TAMH
I have no words — alas! — to tell   1   56   75   TAMH
Nor would I now attempt to trace   1   56   77   TAMH
To fantasies — with none.   1   56   85   TAMH
Trust to the fire within, for light?   1   56   95   TAMH
There was no need to speak the rest —   1   57   108   TAMH
No need to quiet any fears   1   57   109   TAMH
I spoke to her of power and pride,   1   58   145   TAMH
The flush on her bright cheek, to me   1   58   151   TAMH
Seem'd to become a queenly throne   1   58   152   TAMH
And crouches to a keeper's hand —   1   58   161   TAMH
With their own breath to fan his fire.   1   58   164   TAMH
And, failing in thy power to bless,   1   59   181   TAMH
To him who still would look upon   1   59   193   TAMH
To the sound of the coming darkness (known   1   59   197   TAMH
To those whose spirits harken) as one   1   60   198   TAMH
For all we live to know is known   1   60   209   TAMH
And all we seek to keep hath flown —   1   60   210   TAMH
O, I defy thee, Hell, to show   1   60   219   TAMH
Where there is nothing to deceive,   1   60   225   TAMH
Of waking life to him whose heart shall be,   1   68   6   DREA
Of waking life to him whose heart must be,   1   68   6A   DREA
Continuing — as dreams have been to me   1   68   10   DREA
’Twere folly still to hope for higher Heaven!   1   68   12   DREA
To the delirious eye more lovely things   1   69   32   DREA
The cause — but none are near to pry   1   71   3   SPIRA
With light like Hope to mortals giv’n,   1   71   14   SPIRA
To thy withering heart shall seem   1   71   16   SPIRA
Which would cling to thee forever.   1   71   18   SPIRA
Not one, of all the crowd, to pry   1   72   3   SPIRD
With light like Hope to mortals given —   1   72   14   SPIRD
To thy weariness shall seem   1   72   16   SPIRD
Which would cling to thee for ever.   1   72   18   SPIRD
Now are visions ne’er to vanish —   1   72   20   SPIRD
And I turn'd away to thee,   1   74   14   STAR
For joy to my heart   1   74   18   STAR
To a ferver by the moon beam that hangs o’er,   1   77   10   STAN
To the loved object — so the tear to the lid   1   77   18   STAN
In beauty by our God, to those alone   1   78   26   STAN
To him whose eyes are cast   1   79   6   ADRE
An essence — powerful to destroy   1   82   23   HAPP
To haunt of the wide earth a spot   1   84   2   LAKEA
To haunt of the wide world a spot   1   85   2   LAKEF
To haunt of the wide earth a spot   1   85   2B   LAKEF
To the terror of the lone lake.   1   85   12   LAKEA
To the terror of the lone lake.   1   85   12   LAKEF
To the terror of that lone lake.   1   85   12E   LAKEF
To his dark imagining;   1   85   20   LAKEA
Could teach or bribe me to define —   1   86   16   LAKEF
Should ever bribe me to define —   1   86   16C   LAKEF
To his lone imagining —   1   86   21   LAKEF
To seek for treasure in the jewelled skies,   1   91   7   SCI
To seek for treasure in the jewell'd skies,   1   91   7A-E   SCI
To seek a shelter in some happier star?   1   91   11   SCI
To seek for shelter in some happier star?   1   91   11BC   SCI
Can struggle to its destin'd eminence —   1   100   23   ALAAR
To distant spheres, from time to time, she rode,   1   100   24   ALAAR
And late to ours, the favour'd one of God —   1   100   25   ALAAR
So eagerly around about to hang   1   101   45   ALAAR
So like its own above that, to this hour,   1   101   57   ALAAR
Heaving her white breast to the balmy air,   1   101   64   ALAAR
She fears to perfume, perfuming the night:   1   102   67   ALAAR
Bursting its odorous heart in spirit to wing   1   102   72   ALAAR
Its way to Heaven, from garden of a king:   1   102   73   ALAAR
Fair flowers, and fairy! to whose care is given   1   102   80   ALAAR
To bear the Goddess’ song, in odors, up to Heaven:   1   102   81   ALAAR
To be drudges till the last —   1   103   93   ALAAR
To be carriers of fire   1   103   94   ALAAR
And here, in thought, to thee —   1   104   110   ALAAR
Abash'd, amid the lilies there, to seek   1   104   119   ALAAR
Link'd to a little system, and one sun —   1   104   134   ALAAR
With many a mutter'd “hope to be forgiven”   1   105   5   ALAAR
To bear my secrets thro’ the upper Heaven.   1   105   142   ALAAR
And wing to other worlds another light!   1   105   146   ALAAR
To the proud orbs that twinkle — and so be   1   105   148   ALAAR
To ev’ry heart a barrier and a ban   1   105   149   ALAAR
Our faith to one love — and one moon adore —   1   105   153   ALAAR
Is now upon thee — but too late to save!   1   107   39   ALAAR
Sound loves to revel in a summer night:   1   107   40   ALAAR
Sound loves to revel near a summer night:   1   107   40CE   ALAAR
Within the centre of that hall to breathe   1   108   56   ALAAR
Within the centre of this hall to breathe   1   108   56F   ALAAR
And long'd to rest, yet could but sparkle there!   1   108   59   ALAAR
To happy flowers that night — and tree to tree;   1   108   61   ALAAR
Bore burthen to the charm the maiden sang:   1   108   67   ALAAR
Come down to your brow   1   108   77   ALAAR
And come down to your brow   1   108   77F   ALAAR
To duty beseeming   1   109   82   ALAAR
That lull'd ye to rest!   1   109   91   ALAAR
Will to melody run,   1   109   103   ALAAR
On the breezes to toss?   1   109   105   ALAAR
To keep watch with delight   1   109   110   ALAAR
Which leaps down to the flower,   1   110   121   ALAAR
That leaps down to the flower,   1   110   121F   ALAAR
To springs that lie clearest   1   110   130   ALAAR
To lone lake that smiles,   1   110   132   ALAAR
They slumber'd to hear —   1   111   147   ALAAR
Which lull'd him to rest?”   1   111   155   ALAAR
Spirits in wing, and angels to the view,   1   111   156   ALAAR
To them ’twere the Simoom, and would destroy —   1   111   165   ALAAR
For what (to them) availeth it to know   1   111   166   ALAAR
Sweet was their death — with them to die was rife   1   111   168   ALAAR
But sleep that pondereth and is not “to be” —   1   111   171   ALAAR
To those who hear not for their beating hearts.   1   112   177   ALAAR
To his love-haunted heart and melancholy.   1   112   189   ALAAR
The night had found (to him a night of wo)   1   112   190   ALAAR
It trembled to the orb of EARTH again.   1   112   197   ALAAR
It trembled to one constant star again.   1   112   197ACE   ALAAR
How lovely 'tis to look so far away!   1   113   199   ALAAR
I left her gorgeous halls — nor mourn'd to leave.   1   113   201   ALAAR
I left her gorgeous halls — nor mourun'd to leave.   1   113   201E   ALAAR
And half I wish'd to be again of men.”   1   113   226   ALAAR
And half I wished to be again of men.”   1   113   226E   ALAAR
“My Angelo! and why of them to be?   1   114   227   ALAAR
Methought, my sweet one, then I ceased to soar   1   114   237   ALAAR
Methought, Ianthe, then I ceas'd to soar   1   114   237A   ALAAR
Methought, my sweet one, then I ceas'd to soar   1   114   237CE   ALAAR
For nearest of all stars was thine to ours —   1   114   242   ALAAR
“We came — and to thy Earth — but not to us   1   114   245   ALAAR
“We came — my Angelo — but not to us   1   114   245A   ALAAR
Be given our lady's bidding to discuss:   1   114   246   ALAAR
She grants to us, as granted by her God —   1   114   250   ALAAR
She gives to us as given by her God —   1   114   250A   ALAAR
When first Al Aaraaf knew her course to be   1   115   255   ALAAR
When first Tophet-Nour knew her course to be   1   115   255J2   ALAAR
When first the phantom's course was found to be   1   115   255LMQ   ALAAR
They fell: for Heaven to them no hope imparts   1   115   263   ALAAR
Romance, who loves to nod and sing   1   128   1   ROMG
Romance, who loves to nod and sing,   1   128   1C   ROMG
To me a painted paroquet   1   128   5   ROMG
Taught me my alphabet to say —   1   128   7   ROMG
To lisp my very earliest word   1   128   8   ROMG
To while away — forbidden things!   1   128   19   ROMG
To while away — forbidden thing!   1   128   19C   ROMG
My heart would feel to be a crime   1   128   20   ROMG
My heart hath fear's to be a crime   1   128   20C   ROMG
To my destiny in a star:   1   130   6A   SHOULD
How bright! and yet to creep   1   131   21D   SHOULD
Thro’ my fingers to the deep!   1   131   22   SHOULD
I laugh to think how poor   1   131   37   SHOULD
That pleasure “to endure!”   1   131   38   SHOULD
And sleep to dream till day   1   133   10   BOWERS
They have found to be the best)   1   140   14   FAIRY1
My heart to joy at the same tone —   1   146   7   ALONE
To adopt the cause for better or worse   1   147   2   LEA
To cure his love — was cured of all beside —   1   150   8   ACROS
He never was known to lie —   1   151   3   LOCKE
The former was well known to fame,   1   151   7   LOCKE
But the latter's well known “to report.”   1   151   8   LOCKE
The latter's well known “to report.”   1   151   8B   LOCKE
The latter well known “to report.”   1   151   8C   LOCKE
Romance, who loves to nod and sing,   1   156   1   INTRO
To me a painted paroquet   1   156   5   INTRO
Taught me my alphabet to say —   1   156   7   INTRO
To lisp my very earliest word   1   156   8   INTRO
His pleasures always turn'd to pain —   1   157   24   INTRO
His naivete to wild desire —   1   157   25   INTRO
His wit to love — his wine to fire —   1   157   26   INTRO
And used to throw my earthly rest   1   157   29   INTRO
To while away — forbidden thing!   1   157   43   INTRO
My heart half fear'd to be a crime   1   157   44   INTRO
To dream my very life away.   1   158   55   INTRO
To break upon Time's monotone,   1   158   60   INTRO
To-day (the wind blew, and) it swung   1   161   14   FAIRY2
Helen, thy beauty is to me   1   165   1   HELF
To his own native shore.   1   166   5   HELF
On desperate seas long wont to roam,   1   166   6   HELF
To the glory that was Greece,   1   166   9   HELF
To the beauty of fair Greece,   1   166   9AB   HELF
To the grandeur that was Rome.   1   166   10C   HELF
While, to listen, the red levin   1   174   10   ISRA
Is owing to that lyre   1   174   15   ISRA
To thee the laurels belong   1   174   27   ISRA
While, to listen, the red levin   1   175   12   ISRG
Is owing to that lyre   1   176   19   ISRG
To thee the laurels belong,   1   176   32   ISRG
When winged visions love to lie   1   183   3   IRENE1
Or worse — upon her brow to dance   1   183   5   IRENE1
A ne’er-to-be untangled mass.   1   183   8   IRENE1
A conscious slumber seems to take,   1   183   14   IRENE1
And million bright pines to and fro,   1   183   18   IRENE1
And million cedars to and fro,   1   183   18BC   IRENE1
To the lone oak that reels with bliss,   1   183   20   IRENE1
To the lone oak that nodding hangs,   1   183   20BC   IRENE1
With casement open to the skies,   1   184   23   IRENE1
Her casement open to the skies!   1   184   24C   IRENE1
“A wonder to our desert trees!   1   184   30   IRENE1
“To open thy window to the night,   1   184   32   IRENE1
Entranc'd, the spirit loves to lie   1   184   43   IRENE1
Entranced, the spirit loves to lie   1   184   43C   IRENE1
Its way to some remember'd lake,   1   184   48   IRENE1
Its way to Heav’n — and sorrow forsake,   1   184   48C   IRENE1
To bathe in the pure element,   1   184   50   IRENE1
To the night-winds as they pass,   1   184   54   IRENE1
I pray to God that she may lie   1   185   63   IRENE1
A conscious slumber seems to take,   1   187   14   IRENE2
With casement open to the skies   1   187   16.1DE   IRENE2
(Her casement open to the skies)   1   187   16.2FGH   IRENE2
This window open to the night?   1   187   19   IRENE2
This lattice open to the night?   1   187   19DEF   IRENE2
A wonder to these garden trees!   1   187   33   IRENE2
A wonder to our garden trees!   1   187   33E   IRENE2
I pray to God that she may lie   1   188   42   IRENE2
Thrilling to think, poor child of sin!   1   188   59   IRENE2
Nor thrill to think, poor child of sin!   1   188   59DE   IRENE2
Trusting to the mild-eyed stars,   1   195   4   NISE
To keep watch .above the flowers,   1   195   6   NISE
Have gone to their eternal rest.   1   199   5   CITYA
To heaven with that ungodly gloom!   1   199   9   CITYA
We liken our ladies’ eyes to them —   1   199   16   CITYA
It would be mockery to call   1   199   18   CITYA
And Death to some more happy clime   1   200   57   CITYA
Have gone to their eternal rest.   1   201   5   CITYH
And weep! — oh! to dishonor   1   206   7   PAEAN
Tun'd to such solemn song   1   206   18   PAEAN
Through the grey chambers to my song,   1   206   28.3A   PAEAN
To join the all-hallowed mirth   1   207   35   PAEAN
To join the untainted mirth   1   207   35A   PAEAN
Therefore, to thee this night   1   207   37   PAEAN
To show you all what fools you are.   1   211   2   EPIG
Thou wast that all to me, love,   1   214   1   PARA
Thou wast all to me, love,   1   214   1A   PARA
Thou wast all that to me, love,   1   214   1KMP   PARA
Ah, dream too bright to last!   1   214   7   PARA
But to be overcast!   1   214   9   PARA
Only to be overcast!   1   214   9A   PARA
To the sands upon the shore)   1   214   18   PARA
To sands on the sea-shore,   1   214   18A   PARA
From me — to titled age and crime,   1   215   20.3B   PARA
From Love — to titled age and crime,   1   215   20.3CEGLQ   PARA
Thy grace did guide to thine and thee;   1   217   8   HYMN
Thy love did guide to thine and thee;   1   217   8A-D   HYMN
Long life to our King,   1   219   7   LATIN
To mar the silence ev’n with lute.   1   222   4   SERE
To wake to sunshine and to show’r,   1   224   3   SLEEP
To smile and weep.   1   224   4   SLEEP
To mar the bright, the perfect flow’r,   1   224   13   SLEEP
Must wake to weep.   1   224   20   SLEEP
Of lofty contemplation left to Time   1   228   2   COLIS
Waved to the wind, now wave the reed and thistle!   1   228   21   COLIS
Wav'd to the wind, now wave the reed and thistle!   1   228   21AC   COLIS
By the corrosive Hours to Fate and me?   1   229   32   COLIS
“As melody from Memnon to the Sun.   1   229   36   COLIS
“As in old days from Memnon to the Sun.   1   229   36ACD   COLIS
“As from the granite Memnon to the Sun.   1   229   368   COLIS
And thus thy memory is to me   1   237   8   TOF
Seraph thy memory is to me   1   237   8BC   TOF
BENITO. Faith that's a question, Ugo, hard to answer,   1   248   2   POLI
On a wine-table some candles burnt/ to the socket.   1   248   2/ 3d   POLI
(UGO sits, and helps himself to wine. Enter RUPERT.)   1   248   23d   POLI
(to BENITO.)   1   249   11d   POLI
I had not look'd to see — he is sadly altered!   1   249   26   POLI
And goads him to these courses. They say the Duke   1   249   44   POLI
As humbles her to the dust.   1   249   47   POLI
To the frightful sounds of merriment below   1   249   49.1Ax   POLI
(to BENITO.)   1   250   24d   POLI
Ere this mischance I cannot bear to think   1   250   60   POLI
RUPERT. Let us to bed! the man is steeped in liquor.   1   250   70   POLI
Come let us to bed   1   250   70   POLI
UGO. What did they say? to bed!   1   250   71   POLI
I will to bed anon ah! bless my eyes!   1   250   73   POLI
You do not mean to say the count my master   1   251   84   POLI
UGO. I’m going to cut —   1   251   92   POLI
UGO. To cut you altogether!   1   251   93   POLI
Who gave them to me, d’ye hear? who gave them to me   1   252   113   POLI
Last year — she gave it to me — d’ye see?   1   252   120   POLI
To get drunk — a very serious business — excellent!   1   253   9   POLI
(I’ll send them to you) — a bundle of paternosters   1   253   12   POLI
You spoke to the Lady Lalage?   1   253   26   POLI
(trying. to suppress a smile.)   1   254   36d   POLI
Had I the will, to bring such foul disgrace   1   255   72   POLI
No right at all to do it. Am I not bound too   1   255   75   POLI
To my cousin Alessandra? Honor's the thing!   1   255   77   POLI
A glass of wine will put you all to rights.   1   255   84   POLI
To his reverence — did you not say his reverence?   1   256   93   POLI
You’re not to have the wine, only your choice.   1   256   99   POLI
Down in the hall, Sir, — you’re to have your choice   1   256   101   POLI
If I should die for it — to have my choice   1   257   113   POLI
If I should die for it — and I to have my choice   1   257   113Ax   POLI
The wine or the ashes! Ugo, send word to the Count   1   257   114   POLI
Ha! ha! ha! ha! — Ugo send word to the Count   1   257   115   POLI
Only to think of that! a tub of ashes!   1   257   121   POLI
Too much of late, and I am vexed to see it.   1   258   12   POLI
To thy dress and equipage — they are over plain   1   258   24   POLI
To thy habiliments — they are over plain   1   258   24A2x   POLI
CASTIGLIONE. I’ll see to it.   1   258   26   POLI
CASTIGLIONE. I will see to it.   1   258   26Ax   POLI
ALESSANDRA. Then see to it! — pay more attention, sir,   1   258   27   POLI
To a becoming carriage — much thou wantest   1   258   28   POLI
I speak to him — he speaks of Lalage!   1   258   32   POLI
To the imperial city.   1   259   44   POLI
And little given to thinking.   1   259   53   POLI
Drinking the cup of pleasure to the dregs.   1   259   60   POLI
“But Ocean ever to refresh mankind   1   260   8   POLI
To what my fevered soul doth dream of Heaven!   1   260   11   POLI
LALAGE continues to/ read.)   1   260   16/17d   POLI
“Seemed to have years too many” — Ah luckless lady!   1   261   19   POLI
To grieve thee or to vex thee? — I am sorry.   1   261   37   POLI
How fares good Ugo? — and when is it to be?   1   262   43   POLI
Would have given a real diamond to such as you;   1   262   53   POLI
LALAGE. Poor Lalage! — and is it come to this?   1   262   56   POLI
Whom thou hast cherished to sting thee to the soul!   1   262   58   POLI
Thou hast no end to gain — no heart to break —   1   263   71   POLI
Give up thy soul to penitence, and pray!   1   263   75   POLI
A crucifix whereon to register   1   264   98   POLI
Of the Earl — whom all the world allows to be   1   265   22   POLI
To say the truth about an hour ago   1   265   27   POLI
Demeanour of his friend — who to speak the truth   1   266   38   POLI
To Rome — his Grace the Duke of Broglio.   1   266   48   POLI
To Rome and to our palace Earl Politian!   1   266   53   POLI
And you most noble Duke! am glad to see you!   1   266   54   POLI
Will hand them to your Grace. I would retire.   1   267   64   POLI
His lordship's chambers — show his lordship to them!   1   267   66   POLI
This way, my son, I wish to speak with thee.   1   267   75   POLI
To see thee thus.   1   268   7   POLI
To give thee cause for grief, my honoured friend.   1   268   8   POLI
BALDAZZAR. To the field then — to the field —   1   268   14   POLI
To the senate or the field.   1   268   15   POLI
BALDAZZAR. Give not thy soul to dreams:   1   268   21   POLI
In hearkening to imaginary sounds   1   268   24   POLI
To me, Politian, of thy camps and courts.   1   268   28   POLI
The sands of Time are changed to golden grains,   1   269   41   POLI
Is balmier now than it was wont to be —   1   269   46   POLI
As for to leave me thus   1   270   71   POLI
As for to leave me thus?   1   270   75   POLI
As for to leave me thus   1   270   80   POLI
As for to leave me thus?   1   270   84   POLI
These fancies to the winds. Remember, pray   1   270   84Ax   POLI
These fancies to the wind. Remember, pray,   1   271   96   POLI
To look upon the face hidden by yon lattice —   1   271   102   POLI
“To gaze upon that veiled face, and hear   1   271   103   POLI
Shall be attended to. Good night, Politian.   1   271   114   POLI
To me, Politian? — dost thou speak of love   1   272   2   POLI
To Lalage? — ah wo — ah wo is me!   1   272   3   POLI
And beautiful Lalage! — and listen to me!   1   272   9AB   POLI
POLITIAN. Speak not to me of glory!   1   273   30   POLI
Than in thy cause to scoff at this same glory   1   273   40   POLI
Far less a shadow which thou likenest to it,   1   274   61   POLI
Thou speakest to me of love. Knowest thou the land   1   274   65   POLI
Thou spokest to me of love. Knowest thou the land   1   274   65A   POLI
Of Heaven untrammelled flow — which air to breathe   1   274   72   POLI
In days that are to come?   1   274   74   POLI
Fly to that Paradise — my Lalage, wilt thou   1   274   75   POLI
Attend thee ever; and I will kneel to thee   1   274   82   POLI
RUPERT. What ho! Benito! did you say to-night?   1   275   1   POLI
Is it to night — the wedding?   1   275   2   POLI
BENITO. To night I believe.   1   275   2   POLI
LALAGE. A deed is to be done —   1   275   86   POLI
With those words upon thy lips — O, speak to me!   1   275   94   POLI
To say thou art not gone, — one little sentence,   1   275   96   POLI
To say how thou dost scorn — how thou dost hate   1   275   97   POLI
O speak to me! I knew thou wouldst not go!   1   275   99   POLI
There's time enough to spare — now let me see!   1   276   5   POLI
The wedding is to be at dark, and here   1   276   6   POLI
To a minute how many hours there are between   1   276   8   POLI
I will not walk myself to death at all —   1   276   13   POLI
The impudent varlet not to answer me!   1   276   16   POLI
The wretch not even to deign to condescend   1   276   17   POLI
To see me, as I sit upon the bank   1   276   18   POLI
tad kicks the bandbox to and/ fro   1   276   18/19d   POLI
To stay with her now. She'd nothing of the lady   1   277   29   POLI
To one with such an air of condescension.   1   277   33   POLI
To see you, Madam Jacinta.” Well I don’t know   1   277   43   POLI
But when I get to be a lady — when   1   278   68   POLI
I’ll play my lady to a T, that will I.   1   278   71   POLI
To die ere I have lived! — Stay — stay thy hand,   1   279   3   POLI
I’ the budding of my hopes — give me to live,4-   1   279   7A   POLI
In the budding of my hopes — give me to live,   1   279   7B   POLI
Give me to live yet — yet a little while:   1   279   8   POLI
Demanded but to die! — what sayeth the Count?   1   279   10   POLI
BALDAZZAR. I go — to-morrow we meet,   1   280   43   POLI
Thereby. in heat of anger, to address   1   280   50   POLI
and recoiling to the ex-/tremitv 2f to p vtage.)   1   281   14/15d   POLI
To me, Castiglione; the bearer being   1   281   52   POLI
POLITIAN Thus to the expiatory tomb,   1   281   59   POLI
Here is no let or hindrance to thy weapon —   1   282   81   POLI
To take thee at thy word? But mark me, sir!   1   282   84   POLI
Think not to fly me thus. Do thou prepare   1   282   85   POLI
To lie all day in that especial manner   1   283   53   POLI
I wish to see the Count — he’ll not admit me —   1   283   64   POLI
Dead, so to say, but having just committed   1   283   75   POLI
Deceased is not the proper word to express   1   284   80   POLI
Not being dead, nor yet to say deceased,   1   284   87   POLI
Contrive to stir a little? let me help you?   1   285   112   POLI
My nose is delicate, and to be plain   1   285   117   POLI
Sir, you may drop to pieces!   1   285   121   POLI
To see you on your legs, — a little stiff   1   285   124   POLI
Of lofty contemplation left to Time   1   286   3   POLI
Waved to the wind, now wave the reed and thistle:   1   286   26   POLI
By the corrosive hours to Fate and me?   1   287   39   POLI
As from the granite Memnon to the sun.   1   287   43   POLI
And he spoke to re-assure me,   1   307   13   BRIDA
And to the church-yard bore me,   1   307   16   BRIDA
And I sighed to him before me,   1   307   17   BRIDA
But he spoke to re-assure me,   1   309   13   BRIDF
And to the church-yard bore me,   1   309   16   BRIDF
And I sighed to him before me,   1   309   17   BRIDF
To a lute's well-tuned law,   1   316   20   HAUNT
To a lute's well-tuned law,   1   316   20AGJKM   HAUNT
Was but to sing,   1   316   30   HAUNT
To a discordant melody,   1   317   44   HAUNT
Bring thee to meet his shadow (nameless elf,   1   322   13   SILE
No foot of man,) commend thyself to God!   1   322   15   SILE
Sit in a theatre, to see   1   325   5   WORM
That shift the scenery to and fro,   1   325   14   WORM
To the self-same spot,   1   326   22   WORM
Go up to God so mournfully that she may feel no wrong!   1   335   31   LENA
“Avaunt! — to-night   1   336   44   LENA
To friends above, from fiends below,   1   336   55   LENA
To a gold throne   1   336   58   LENA
That did to death the innocence   1   337   12   LENK
Go up to God so solemnly the dead may feel no wrong!   1   337   14   LENK
“Avaunt! — avaunt! to friends from fiends   1   337   20   LENK
From moan and groan to a golden throne   1   337   22   LENK
From grief and moan to a golden throne   1   337   22H   LENK
From grief and groan to a golden throne   1   337   22J   LENK
To friends above from fiends below   1   337   24C-GL   LENK
From grief and moan to a gold throne   1   337   26C   LENK
From moan and groan to a golden throne   1   337   26DE   LENK
From grief and groan to a golden throne   1   337   26FGL   LENK
See the White Eagle soaring aloft to the sky,   1   341   1   CAMP
In agony, to the Earth — and Heaven.   1   344   38   ROUTE
In agony, to the worms — and Heaven.   1   344   38AB   ROUTE
In agony, to the earth — and Heaven.   1   344   38D   ROUTE
To the weak human eye unclosed;   1   345   46   ROUTE
To the weak human eye enclosed;   1   345   46B   ROUTE
While ever to her dear Eulalie upturns her matron eye —   1   349   20   EULA
While ever to it dear Eulalie upturns her matron eye —   1   349   20AZ   EULA
And ever to her dear Eulalie upturns her matron eye —   1   349   20BCD   EULA
While ever to her young Eulalie upturns her violet eye.   1   349   21   EULA
While ever to it young Eulalie upturns her violet eye.   1   349   21AZ   EULA
And ever to it young Eulalie upturns her violet eye.   1   349   21BCD   EULA
vainly I had sought to borrow   1   365   9   RAVEN
vainly I had tried to borrow   1   365   9ABCEFHLP   RAVEN
So that now, to still the beating   1   365   15   RAVEN
ever dared to dream before;   1   365   26   RAVEN
fowl to hear discourse so plainly,   1   366   49   RAVEN
I betook myself to linking   1   367   69   RAVEN
To the fowl whose fiery eyes now   1   367   74   RAVEN
From crag to crag down the precipitous Time,   1   377   2   LINES
To those pure orbs, your heart to learn,   1   380   2   KATE
I scarce know which to prize most high —   1   380   3   KATE
Be each to each the second best?   1   382   8   VANE
With Love to rule our hearts supreme   1   382   15   VANE
And Friendship to be second best.   1   382   16   VANE
To check the power that governs here.   1   384   8   KING
O! would she deign to rule my fate,   1   384   9   KING
Gliding serenely to its goal,   1   386   23   FSO
These should be thine, to guard and shield,   1   386   25   FSO
Compose a sound delighting all to hear —   1   389   18   VALA
And now I leave these riddles to their Seer.   1   389   21   VALA
Made in his image a mannikin merely to madden it?   1   393   11   MODC
Many a thought will come to memory.   1   393   16   MODC
CVIII. Lines to show that “a truly Greek hexameter”   1   393   23   MODC
Do tell! when may we hope to make men of sense   1   394   25   MODC
To release my heart.   1   399   4   LOU
To come down and see:   1   399   11   LOU
Of all to whom thine absence is the night —   1   400   2   MLS
Of all to whom thy absence is the night —   1   400   2A   MLS
Lying down to die, have suddenly arisen   1   400   9   MLS
Laying them down to die, have suddenly risen   1   400   9A   MLS
By him who, as he pens them, thrills to think   1   400   17   MLS
The faithful heart yields to repose.   1   404   11   PHYS
Two gentle sounds made only to be murmured   1   406   8   MARA
Would hope to utter. Ah, Marie Louise!   1   406   16   MARA
Italian tones made only to be murmured   1   407   8   MARB
Could hope to utter. And I! my spells are broken.   1   407   16   MARB
To where the prospect terminates — thee only.   1   407   32   MARA
To where the prospect terminates — thee only.   1   408   27   MARB
And star-dials pointed to morn —   1   416   31   ULA
As star-dials pointed to morn —   1   416   31C   ULA
To point us the path to the skies —   1   417   45   ULA
To the Lethean peace of the skies —   1   417   46   ULA
To shine on us with her bright eyes —   1   417   48   ULA
With Hope and in Beauty to-night —   1   417   65   ULA
Ah, we safely may trust to its gleaming   1   417   67   ULA
We surely may trust to a gleaming   1   417   69   ULA
We safely may trust to a gleaming   1   417   69A-DFG   ULA
Since it flickers up to Heaven through the night.”   1   418   71   ULA
And we passed to the end of the vista —   1   418   75   ULA
And we passed to the end of a vista —   1   418   75K   ULA
To bar up our way and to ban it   1   418   98   ULA
All the Heavens, seem to twinkle   1   435   7   BELLSEG
To the tintinabulation that so musically wells   1   435   11   BELLSEG
To the tintinnabulation that so musically wells   1   435   11FGH   BELLSEG
To the turtle-dove that listens while she gloats   1   436   23   BELLSEG
To the swinging and the ringing   1   436   31   BELLSEG
To the rhyming and the chiming of the bells!   1   436   35   BELLSEG
Too much horrified to speak,   1   436   41   BELLSEG
Much too horrified to speak,   1   436   41A-D   BELLSEG
In a clamorous appealing to the mercy of the fire —   1   436   44   BELLSEG
Now — now to sit, or never,   1   436   49   BELLSEG
To the Paean of the bells —   1   438   97   BELLSEG
To the throbbing of the bells —   1   438   101   BELLSEG
To the sobbing of the bells: —   1   438   103   BELLSEG
To the rolling of the bells —   1   438   107   BELLSEG
To the tolling of the bells —   1   438   109   BELLSEG
To the moaning and the groaning of the bells.   1   438   112   BELLSEG
Where no wind dared to stir, unless on tiptoe —   1   445   10   TOHEL
To breathe the incense of those slumbering roses?   1   445   24   TOHEL
I saw but them — they were the world to me.   1   446   39   TOHEL
What wild heart-histories seemed to lie enwritten   1   446   42   TOHEL
Their office is to illumine and enkindle —   1   446   57   TOHEL
My duty, to be saved by their bright light,   1   446   58   TOHEL
And are far up in Heaven — the stars I kneel to   1   446   62   TOHEL
Come to life and fade away;   1   450   6   ALE
You are not wrong, to deem   1   451   4C   TAKE
Through my fingers to the deep,   1   452   17   TAKE
And, to sleep, you must slumber   1   457   51   ANNIE
To sleep on her breast —   1   458   76   ANNIE
Deeply to sleep   1   458   77   ANNIE
And she prayed to the angels   1   458   81   ANNIE
To keep me from harm —   1   458   82   ANNIE
To the queen of the angels   1   458   83   ANNIE
To shield me from harm.   1   458   84   ANNIE
That you shudder to look at me,   1   459   93   ANNIE
The angels, whispering to one another,   1   467   2   MOTHB
Are mother to the one I loved so dearly,   1   467   11   MOTHB
Are mother to the dead I loved so dearly,   1   467   11   MOTHC
Was dearer to my soul than its soul-life.   1   467   14   MOTHB
Was dearer to my soul than its soul-life.   1   467   14   MOTHC
Than to love and be loved by me.   1   477   6   LEEA
To shut her up in a sepulchre,   1   477   19   LEEA
Than to love and be loved by me.   1   478   6   LEEE
To shut her up, in a sepulchre   1   479   19   LEEE
 

 


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Notes:

Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.


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[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)