∞∞∞∞∞∞∞
TEXT | V | PAGE | LINE | POEM | ||||
TO ( 675 591) | ||||||||
Weary. I laid me on a couch to rest — | 1 | 6 | 2 | POET | ||||
To take things seriously or all in jest; | 1 | 9 | 12 | TEMP | ||||
To weep, as he did, till his eyes were sore, | 1 | 9 | 14 | TEMP | ||||
Democritus of Thrace, who used to toss over | 1 | 10 | 16 | TEMP | ||||
Each fit to furnish forth four hours debate. | 1 | 10 | 22 | TEMP | ||||
And in the meantime, to prevent all bother, | 1 | 10 | 25 | TEMP | ||||
I’m apt to be discursive in my style, | 1 | 10 | 37 | TEMP | ||||
Here he may revel to his heart's content, | 1 | 10 | 49 | TEMP | ||||
Or who so cold, so callous to refuse | 1 | 11 | 57 | TEMP | ||||
God help me, it has been my lot to know, | 1 | 11 | 60 | TEMP | ||||
But speak to him, he’ll make you such grimace, | 1 | 11 | 63 | TEMP | ||||
Lord! to be grave exceeds the power of face. | 1 | 11 | 64 | TEMP | ||||
As to the seat of thought in man and brute, | 1 | 11 | 74 | TEMP | ||||
Because to his cat's eyes I hold a glass | 1 | 12 | 87 | TEMP | ||||
I think he’ll take this likeness to himself, | 1 | 12 | 89 | TEMP | ||||
In vain I struggle to forget | 1 | 17 | 3 | OCT | ||||
And fondly turn to thee! | 1 | 17 | 5 | OCT | ||||
But Octavia, do not strive to rob | 1 | 17 | 6 | OCT | ||||
To shun the fate, with which to cope | 1 | 26 | 4 | TAMA | ||||
Is more than crime may dare to dream, | 1 | 26 | 5 | TAMA | ||||
Nor am I mad, to deem that power | 1 | 27 | 8 | TAMA | ||||
Rome to the Caesar — this to me; | 1 | 27 | 34 | TAMA | ||||
1.1,—1,4 ...m 1.n mu h.lf rin=inn my. | 1 | PR | q1 | TAMA | ||||
Its spirit cradled me to sleep, | 1 | 29 | 71 | TAMA | ||||
My soul in mystery to steep: | 1 | 29 | 74 | TAMA | ||||
Have deem’d, since I have reach’d to power | 1 | 29 | 80 | TAMA | ||||
I have no words, alas! to tell | 1 | 29 | 88 | TAMA | ||||
Nor would I dare attempt to trace | 1 | 29 | 90 | TAMA | ||||
Which ev’n to my impassion’d mind, | 1 | 29 | 92 | TAMA | ||||
And I have held to mem’ry's eye | 1 | 29 | 98 | TAMA | ||||
’Tis not to thee that I should name — | 1 | 30 | 102 | TAMA | ||||
Thou can'st not — would'st not dare to think | 1 | 30 | 103 | TAMA | ||||
Trust to the fickle star within? | 1 | 30 | 119 | TAMA | ||||
There was no need to speak the rest — | 1 | 31 | 133 | TAMA | ||||
No need to quiet her kind fears — | 1 | 31 | 134 | TAMA | ||||
To mind — not flow’rs alone — but more | 1 | 31 | 142 | TAMA | ||||
And bade it first to dream of crime, | 1 | 31 | 149 | TAMA | ||||
My phrenzy to her bosom taught: | 1 | 31 | 150 | TAMA | ||||
It is not surely sin to name, | 1 | 31 | 157 | TAMA | ||||
And happy beauty (for to me | 1 | 32 | 161 | TAMA | ||||
(I speak thus openly to thee, | 1 | 32 | 182 | TAMA | ||||
’Twere folly now to veil a thought | 1 | 32 | 183 | TAMA | ||||
To know the fate it will inherit) | 1 | 32 | 192 | TAMA | ||||
I spoke to her of power and pride — | 1 | 33 | 224 | TAMA | ||||
The flush on her bright cheek, to me, | 1 | 34 | 230 | TAMA | ||||
Seem’d to become a queenly throne | 1 | 34 | 231 | TAMA | ||||
To leave her while we both were young, — | 1 | 34 | 236 | TAMA | ||||
To follow my high fate among | 1 | 34 | 237 | TAMA | ||||
Now sounded to her heedless ear — | 1 | 34 | 240 | TAMA | ||||
To gain an empire, and throw down | 1 | 34 | 243 | TAMA | ||||
With their own breath to fan its fire) | 1 | 34 | 255 | TAMA | ||||
That they shall stoop in life to one | 1 | 35 | 261 | TAMA | ||||
Whom daily they are wont to see | 1 | 35 | 262 | TAMA | ||||
I pictur’d to my fancy's eye | 1 | 35 | 266 | TAMA | ||||
To its most desperate intent,) | 1 | 35 | 270 | TAMA | ||||
To trust the weakness of my heart | 1 | 36 | 291 | TAMA | ||||
To her soft thrilling voice: To part | 1 | 36 | 292 | TAMA | ||||
Too real, to his breast who lives | 1 | 36 | 307 | TAMA | ||||
To God, and to the great whole — | 1 | 36 | 310 | TAMA | ||||
To him, whose loving spirit will dwell | 1 | 36 | 311 | TAMA | ||||
A more than agony to him | 1 | 36 | 315 | TAMA | ||||
Is grace to its heav’nly bed of blue; | 1 | 37 | 321 | TAMA | ||||
For the flight on Earth to Fancy giv’n, | 1 | 37 | 325 | TAMA | ||||
(It boots me not, good friar, to tell | 1 | 38 | 349 | TAMA | ||||
I clamber’d to the tottering height,) | 1 | 38 | 352 | TAMA | ||||
In dusky grandeur to my eyes: | 1 | 38 | 363 | TAMA | ||||
To him, who still would gaze upon | 1 | 38 | 366 | TAMA | ||||
To the sound of the coming darkness (known | 1 | 38 | 372 | TAMA | ||||
To those whose spirits hark’n) as one | 1 | 38 | 373 | TAMA | ||||
For all we live to know — is known; | 1 | 39 | 386 | TAMA | ||||
And all we seek to keep — hath flown; | 1 | 39 | 387 | TAMA | ||||
Its spirit cradled me to sleep, | 1 | 40 | 71 | TAMB | ||||
My soul in mystery to steep: | 1 | 40 | 74 | TAMB | ||||
Have deem’d since I have reach’d to power | 1 | 40 | 80 | TAMB | ||||
I have no words, alas! to tell | 1 | 40 | 88 | TAMB | ||||
Nor would I now attempt to trace | 1 | 40 | 90 | TAMB | ||||
Which, ev’n to this impassion’d mind, | 1 | 41 | 92 | TAMB | ||||
So have I held to Memory's eye | 1 | 41 | 98 | TAMB | ||||
And bade it first to dream of crime. | 1 | 41 | 149 | TAMB | ||||
It is not surely sin to name | 1 | 41 | 157 | TAMB | ||||
And happy beauty — (for to me | 1 | 41 | 161 | TAMB | ||||
To know the fate it will inherit) | 1 | 42 | 192 | TAMB | ||||
I spoke to her of power & pride, | 1 | 43 | 224 | TAMB | ||||
The flush on her bright cheek to me | 1 | 43 | 230 | TAMB | ||||
Seem’d to become a queenly throne | 1 | 43 | 231 | TAMB | ||||
To leave her while we both were young: | 1 | 43 | 236 | TAMB | ||||
To follow my high fate among | 1 | 43 | 237 | TAMB | ||||
Now sounded to her heedless ear — | 1 | 43 | 240 | TAMB | ||||
To gain an empire & throw down | 1 | 44 | 243 | TAMB | ||||
A spirit ne’er to be at rest. | 1 | 44 | 246 | TAMB | ||||
And’crouches to a keeper's hand — | 1 | 44 | 253 | TAMB | ||||
With their own breath to fan his fire. | 1 | 44 | 256 | TAMB | ||||
The sound of revelry to night | 1 | 44 | 339 | TAMB | ||||
I have no time to dote or dream: | 1 | 45 | 6 | TAMF | ||||
Rome to the Caesar — this to me? | 1 | 46 | 35 | TAMF | ||||
Appear’d to my half-closing eye | 1 | 46 | 50 | TAMF | ||||
Have deem’d, since I have reach’d to power, | 1 | 47 | 71 | TAMF | ||||
To haunt of the wide world a spot | 1 | 47 | 80 | TAMF | ||||
To the terror of that lone lake. | 1 | 48 | 90 | TAMF | ||||
Could ever bribe me to define, | 1 | 48 | 94 | TAMF | ||||
Solace to my imagining? | 1 | 48 | 97 | TAMF | ||||
And 0! I have no words to tell | 1 | 48 | 102 | TAMF | ||||
I will not now attempt to trace | 1 | 48 | 104 | TAMF | ||||
To fantasies with — none. | 1 | 48 | 112 | TAMF | ||||
Trust to the fire within for light? | 1 | 49 | 122 | TAMF | ||||
There was no need to speak the rest, | 1 | 49 | 135 | TAMF | ||||
No need to quiet any fears | 1 | 49 | 136 | TAMF | ||||
I spoke to her of power and pride, | 1 | 50 | 157 | TAMF | ||||
The flush upon her cheek to me, | 1 | 50 | 163 | TAMF | ||||
And crouches to a keeper's hand, | 1 | 50 | 173 | TAMF | ||||
With their own breath to fan its fire. | 1 | 51 | 176 | TAMF | ||||
To the young Tamerlane — to me! | 1 | 51 | 182 | TAMF | ||||
And failing of thy power to bless, | 1 | 51 | 187 | TAMF | ||||
To him who still would look upon | 1 | 51 | 199 | TAMF | ||||
To the sound ’of the coming darkness (known | 1 | 52 | 203 | TAMF | ||||
To those whose spirits harken) as one | 1 | 52 | 204 | TAMF | ||||
Where there is nothing to deceive, | 1 | 52 | 220 | TAMF | ||||
How bright! and yet to creep | 1 | 53 | 247 | TAMF | ||||
Thro’ my fingers to the deep! | 1 | 53 | 248 | TAMF | ||||
I have no time to dote or dream: | 1 | 54 | 6 | TAMH | ||||
Rome to the Caesar — this to me? | 1 | 54 | 31 | TAMH | ||||
Appeared to my half-closing eye | 1 | 55 | 46 | TAMH | ||||
Seem’d then to my half-closing eye | 1 | 55 | 46E | TAMH | ||||
Have deem’d, since I have reach’d to power, | 1 | 56 | 67 | TAMH | ||||
I have no words — alas! — to tell | 1 | 56 | 75 | TAMH | ||||
Nor would I now attempt to trace | 1 | 56 | 77 | TAMH | ||||
To fantasies — with none. | 1 | 56 | 85 | TAMH | ||||
Trust to the fire within, for light? | 1 | 56 | 95 | TAMH | ||||
There was no need to speak the rest — | 1 | 57 | 108 | TAMH | ||||
No need to quiet any fears | 1 | 57 | 109 | TAMH | ||||
I spoke to her of power and pride, | 1 | 58 | 145 | TAMH | ||||
The flush on her bright cheek, to me | 1 | 58 | 151 | TAMH | ||||
Seem’d to become a queenly throne | 1 | 58 | 152 | TAMH | ||||
And crouches to a keeper's hand — | 1 | 58 | 161 | TAMH | ||||
With their own breath to fan his fire. | 1 | 58 | 164 | TAMH | ||||
And, failing in thy power to bless, | 1 | 59 | 181 | TAMH | ||||
To him who still would look upon | 1 | 59 | 193 | TAMH | ||||
To the sound of the coming darkness (known | 1 | 59 | 197 | TAMH | ||||
To those whose spirits harken) as one | 1 | 60 | 198 | TAMH | ||||
For all we live to know is known | 1 | 60 | 209 | TAMH | ||||
And all we seek to keep hath flown — | 1 | 60 | 210 | TAMH | ||||
O, I defy thee, Hell, to show | 1 | 60 | 219 | TAMH | ||||
Where there is nothing to deceive, | 1 | 60 | 225 | TAMH | ||||
Of waking life to him whose heart shall be, | 1 | 68 | 6 | DREA | ||||
Of waking life to him whose heart must be, | 1 | 68 | 6A | DREA | ||||
Continuing — as dreams have been to me | 1 | 68 | 10 | DREA | ||||
’Twere folly still to hope for higher Heaven! | 1 | 68 | 12 | DREA | ||||
To the delirious eye more lovely things | 1 | 69 | 32 | DREA | ||||
The cause — but none are near to pry | 1 | 71 | 3 | SPIRA | ||||
With light like Hope to mortals giv’n, | 1 | 71 | 14 | SPIRA | ||||
To thy withering heart shall seem | 1 | 71 | 16 | SPIRA | ||||
Which would cling to thee forever. | 1 | 71 | 18 | SPIRA | ||||
Not one, of all the crowd, to pry | 1 | 72 | 3 | SPIRD | ||||
With light like Hope to mortals given — | 1 | 72 | 14 | SPIRD | ||||
To thy weariness shall seem | 1 | 72 | 16 | SPIRD | ||||
Which would cling to thee for ever. | 1 | 72 | 18 | SPIRD | ||||
Now are visions ne’er to vanish — | 1 | 72 | 20 | SPIRD | ||||
And I turn’d away to thee, | 1 | 74 | 14 | STAR | ||||
For joy to my heart | 1 | 74 | 18 | STAR | ||||
To a ferver by the moon beam that hangs o’er, | 1 | 77 | 10 | STAN | ||||
To the loved object — so the tear to the lid | 1 | 77 | 18 | STAN | ||||
In beauty by our God, to those alone | 1 | 78 | 26 | STAN | ||||
To him whose eyes are cast | 1 | 79 | 6 | ADRE | ||||
An essence — powerful to destroy | 1 | 82 | 23 | HAPP | ||||
To haunt of the wide earth a spot | 1 | 84 | 2 | LAKEA | ||||
To haunt of the wide world a spot | 1 | 85 | 2 | LAKEF | ||||
To haunt of the wide earth a spot | 1 | 85 | 2B | LAKEF | ||||
To the terror of the lone lake. | 1 | 85 | 12 | LAKEA | ||||
To the terror of the lone lake. | 1 | 85 | 12 | LAKEF | ||||
To the terror of that lone lake. | 1 | 85 | 12E | LAKEF | ||||
To his dark imagining; | 1 | 85 | 20 | LAKEA | ||||
Could teach or bribe me to define — | 1 | 86 | 16 | LAKEF | ||||
Should ever bribe me to define — | 1 | 86 | 16C | LAKEF | ||||
To his lone imagining — | 1 | 86 | 21 | LAKEF | ||||
To seek for treasure in the jewelled skies, | 1 | 91 | 7 | SCI | ||||
To seek for treasure in the jewell’d skies, | 1 | 91 | 7A-E | SCI | ||||
To seek a shelter in some happier star? | 1 | 91 | 11 | SCI | ||||
To seek for shelter in some happier star? | 1 | 91 | 11BC | SCI | ||||
Can struggle to its destin’d eminence — | 1 | 100 | 23 | ALAAR | ||||
To distant spheres, from time to time, she rode, | 1 | 100 | 24 | ALAAR | ||||
And late to ours, the favour’d one of God — | 1 | 100 | 25 | ALAAR | ||||
So eagerly around about to hang | 1 | 101 | 45 | ALAAR | ||||
So like its own above that, to this hour, | 1 | 101 | 57 | ALAAR | ||||
Heaving her white breast to the balmy air, | 1 | 101 | 64 | ALAAR | ||||
She fears to perfume, perfuming the night: | 1 | 102 | 67 | ALAAR | ||||
Bursting its odorous heart in spirit to wing | 1 | 102 | 72 | ALAAR | ||||
Its way to Heaven, from garden of a king: | 1 | 102 | 73 | ALAAR | ||||
Fair flowers, and fairy! to whose care is given | 1 | 102 | 80 | ALAAR | ||||
To bear the Goddess’ song, in odors, up to Heaven: | 1 | 102 | 81 | ALAAR | ||||
To be drudges till the last — | 1 | 103 | 93 | ALAAR | ||||
To be carriers of fire | 1 | 103 | 94 | ALAAR | ||||
And here, in thought, to thee — | 1 | 104 | 110 | ALAAR | ||||
Abash’d, amid the lilies there, to seek | 1 | 104 | 119 | ALAAR | ||||
Link’d to a little system, and one sun — | 1 | 104 | 134 | ALAAR | ||||
With many a mutter’d “hope to be forgiven” | 1 | 105 | 5 | ALAAR | ||||
To bear my secrets thro’ the upper Heaven. | 1 | 105 | 142 | ALAAR | ||||
And wing to other worlds another light! | 1 | 105 | 146 | ALAAR | ||||
To the proud orbs that twinkle — and so be | 1 | 105 | 148 | ALAAR | ||||
To ev’ry heart a barrier and a ban | 1 | 105 | 149 | ALAAR | ||||
Our faith to one love — and one moon adore — | 1 | 105 | 153 | ALAAR | ||||
Is now upon thee — but too late to save! | 1 | 107 | 39 | ALAAR | ||||
Sound loves to revel in a summer night: | 1 | 107 | 40 | ALAAR | ||||
Sound loves to revel near a summer night: | 1 | 107 | 40CE | ALAAR | ||||
Within the centre of that hall to breathe | 1 | 108 | 56 | ALAAR | ||||
Within the centre of this hall to breathe | 1 | 108 | 56F | ALAAR | ||||
And long’d to rest, yet could but sparkle there! | 1 | 108 | 59 | ALAAR | ||||
To happy flowers that night — and tree to tree; | 1 | 108 | 61 | ALAAR | ||||
Bore burthen to the charm the maiden sang: | 1 | 108 | 67 | ALAAR | ||||
Come down to your brow | 1 | 108 | 77 | ALAAR | ||||
And come down to your brow | 1 | 108 | 77F | ALAAR | ||||
To duty beseeming | 1 | 109 | 82 | ALAAR | ||||
That lull’d ye to rest! | 1 | 109 | 91 | ALAAR | ||||
Will to melody run, | 1 | 109 | 103 | ALAAR | ||||
On the breezes to toss? | 1 | 109 | 105 | ALAAR | ||||
To keep watch with delight | 1 | 109 | 110 | ALAAR | ||||
Which leaps down to the flower, | 1 | 110 | 121 | ALAAR | ||||
That leaps down to the flower, | 1 | 110 | 121F | ALAAR | ||||
To springs that lie clearest | 1 | 110 | 130 | ALAAR | ||||
To lone lake that smiles, | 1 | 110 | 132 | ALAAR | ||||
They slumber’d to hear — | 1 | 111 | 147 | ALAAR | ||||
Which lull’d him to rest?” | 1 | 111 | 155 | ALAAR | ||||
Spirits in wing, and angels to the view, | 1 | 111 | 156 | ALAAR | ||||
To them ’twere the Simoom, and would destroy — | 1 | 111 | 165 | ALAAR | ||||
For what (to them) availeth it to know | 1 | 111 | 166 | ALAAR | ||||
Sweet was their death — with them to die was rife | 1 | 111 | 168 | ALAAR | ||||
But sleep that pondereth and is not “to be” — | 1 | 111 | 171 | ALAAR | ||||
To those who hear not for their beating hearts. | 1 | 112 | 177 | ALAAR | ||||
To his love-haunted heart and melancholy. | 1 | 112 | 189 | ALAAR | ||||
The night had found (to him a night of wo) | 1 | 112 | 190 | ALAAR | ||||
It trembled to the orb of EARTH again. | 1 | 112 | 197 | ALAAR | ||||
It trembled to one constant star again. | 1 | 112 | 197ACE | ALAAR | ||||
How lovely 'tis to look so far away! | 1 | 113 | 199 | ALAAR | ||||
I left her gorgeous halls — nor mourn’d to leave. | 1 | 113 | 201 | ALAAR | ||||
I left her gorgeous halls — nor mourun’d to leave. | 1 | 113 | 201E | ALAAR | ||||
And half I wish’d to be again of men.” | 1 | 113 | 226 | ALAAR | ||||
And half I wished to be again of men.” | 1 | 113 | 226E | ALAAR | ||||
“My Angelo! and why of them to be? | 1 | 114 | 227 | ALAAR | ||||
Methought, my sweet one, then I ceased to soar | 1 | 114 | 237 | ALAAR | ||||
Methought, Ianthe, then I ceas’d to soar | 1 | 114 | 237A | ALAAR | ||||
Methought, my sweet one, then I ceas’d to soar | 1 | 114 | 237CE | ALAAR | ||||
For nearest of all stars was thine to ours — | 1 | 114 | 242 | ALAAR | ||||
“We came — and to thy Earth — but not to us | 1 | 114 | 245 | ALAAR | ||||
“We came — my Angelo — but not to us | 1 | 114 | 245A | ALAAR | ||||
Be given our lady's bidding to discuss: | 1 | 114 | 246 | ALAAR | ||||
She grants to us, as granted by her God — | 1 | 114 | 250 | ALAAR | ||||
She gives to us as given by her God — | 1 | 114 | 250A | ALAAR | ||||
When first Al Aaraaf knew her course to be | 1 | 115 | 255 | ALAAR | ||||
When first Tophet-Nour knew her course to be | 1 | 115 | 255J2 | ALAAR | ||||
When first the phantom's course was found to be | 1 | 115 | 255LMQ | ALAAR | ||||
They fell: for Heaven to them no hope imparts | 1 | 115 | 263 | ALAAR | ||||
Romance, who loves to nod and sing | 1 | 128 | 1 | ROMG | ||||
Romance, who loves to nod and sing, | 1 | 128 | 1C | ROMG | ||||
To me a painted paroquet | 1 | 128 | 5 | ROMG | ||||
Taught me my alphabet to say — | 1 | 128 | 7 | ROMG | ||||
To lisp my very earliest word | 1 | 128 | 8 | ROMG | ||||
To while away — forbidden things! | 1 | 128 | 19 | ROMG | ||||
To while away — forbidden thing! | 1 | 128 | 19C | ROMG | ||||
My heart would feel to be a crime | 1 | 128 | 20 | ROMG | ||||
My heart hath fear's to be a crime | 1 | 128 | 20C | ROMG | ||||
To my destiny in a star: | 1 | 130 | 6A | SHOULD | ||||
How bright! and yet to creep | 1 | 131 | 21D | SHOULD | ||||
Thro’ my fingers to the deep! | 1 | 131 | 22 | SHOULD | ||||
I laugh to think how poor | 1 | 131 | 37 | SHOULD | ||||
That pleasure “to endure!” | 1 | 131 | 38 | SHOULD | ||||
And sleep to dream till day | 1 | 133 | 10 | BOWERS | ||||
They have found to be the best) | 1 | 140 | 14 | FAIRY1 | ||||
My heart to joy at the same tone — | 1 | 146 | 7 | ALONE | ||||
To adopt the cause for better or worse | 1 | 147 | 2 | LEA | ||||
To cure his love — was cured of all beside — | 1 | 150 | 8 | ACROS | ||||
He never was known to lie — | 1 | 151 | 3 | LOCKE | ||||
The former was well known to fame, | 1 | 151 | 7 | LOCKE | ||||
But the latter's well known “to report.” | 1 | 151 | 8 | LOCKE | ||||
The latter's well known “to report.” | 1 | 151 | 8B | LOCKE | ||||
The latter well known “to report.” | 1 | 151 | 8C | LOCKE | ||||
Romance, who loves to nod and sing, | 1 | 156 | 1 | INTRO | ||||
To me a painted paroquet | 1 | 156 | 5 | INTRO | ||||
Taught me my alphabet to say — | 1 | 156 | 7 | INTRO | ||||
To lisp my very earliest word | 1 | 156 | 8 | INTRO | ||||
His pleasures always turn’d to pain — | 1 | 157 | 24 | INTRO | ||||
His naivete to wild desire — | 1 | 157 | 25 | INTRO | ||||
His wit to love — his wine to fire — | 1 | 157 | 26 | INTRO | ||||
And used to throw my earthly rest | 1 | 157 | 29 | INTRO | ||||
To while away — forbidden thing! | 1 | 157 | 43 | INTRO | ||||
My heart half fear’d to be a crime | 1 | 157 | 44 | INTRO | ||||
To dream my very life away. | 1 | 158 | 55 | INTRO | ||||
To break upon Time's monotone, | 1 | 158 | 60 | INTRO | ||||
To-day (the wind blew, and) it swung | 1 | 161 | 14 | FAIRY2 | ||||
Helen, thy beauty is to me | 1 | 165 | 1 | HELF | ||||
To his own native shore. | 1 | 166 | 5 | HELF | ||||
On desperate seas long wont to roam, | 1 | 166 | 6 | HELF | ||||
To the glory that was Greece, | 1 | 166 | 9 | HELF | ||||
To the beauty of fair Greece, | 1 | 166 | 9AB | HELF | ||||
To the grandeur that was Rome. | 1 | 166 | 10C | HELF | ||||
While, to listen, the red levin | 1 | 174 | 10 | ISRA | ||||
Is owing to that lyre | 1 | 174 | 15 | ISRA | ||||
To thee the laurels belong | 1 | 174 | 27 | ISRA | ||||
While, to listen, the red levin | 1 | 175 | 12 | ISRG | ||||
Is owing to that lyre | 1 | 176 | 19 | ISRG | ||||
To thee the laurels belong, | 1 | 176 | 32 | ISRG | ||||
When winged visions love to lie | 1 | 183 | 3 | IRENE1 | ||||
Or worse — upon her brow to dance | 1 | 183 | 5 | IRENE1 | ||||
A ne’er-to-be untangled mass. | 1 | 183 | 8 | IRENE1 | ||||
A conscious slumber seems to take, | 1 | 183 | 14 | IRENE1 | ||||
And million bright pines to and fro, | 1 | 183 | 18 | IRENE1 | ||||
And million cedars to and fro, | 1 | 183 | 18BC | IRENE1 | ||||
To the lone oak that reels with bliss, | 1 | 183 | 20 | IRENE1 | ||||
To the lone oak that nodding hangs, | 1 | 183 | 20BC | IRENE1 | ||||
With casement open to the skies, | 1 | 184 | 23 | IRENE1 | ||||
Her casement open to the skies! | 1 | 184 | 24C | IRENE1 | ||||
“A wonder to our desert trees! | 1 | 184 | 30 | IRENE1 | ||||
“To open thy window to the night, | 1 | 184 | 32 | IRENE1 | ||||
Entranc’d, the spirit loves to lie | 1 | 184 | 43 | IRENE1 | ||||
Entranced, the spirit loves to lie | 1 | 184 | 43C | IRENE1 | ||||
Its way to some remember’d lake, | 1 | 184 | 48 | IRENE1 | ||||
Its way to Heav’n — and sorrow forsake, | 1 | 184 | 48C | IRENE1 | ||||
To bathe in the pure element, | 1 | 184 | 50 | IRENE1 | ||||
To the night-winds as they pass, | 1 | 184 | 54 | IRENE1 | ||||
I pray to God that she may lie | 1 | 185 | 63 | IRENE1 | ||||
A conscious slumber seems to take, | 1 | 187 | 14 | IRENE2 | ||||
With casement open to the skies | 1 | 187 | 16.1DE | IRENE2 | ||||
(Her casement open to the skies) | 1 | 187 | 16.2FGH | IRENE2 | ||||
This window open to the night? | 1 | 187 | 19 | IRENE2 | ||||
This lattice open to the night? | 1 | 187 | 19DEF | IRENE2 | ||||
A wonder to these garden trees! | 1 | 187 | 33 | IRENE2 | ||||
A wonder to our garden trees! | 1 | 187 | 33E | IRENE2 | ||||
I pray to God that she may lie | 1 | 188 | 42 | IRENE2 | ||||
Thrilling to think, poor child of sin! | 1 | 188 | 59 | IRENE2 | ||||
Nor thrill to think, poor child of sin! | 1 | 188 | 59DE | IRENE2 | ||||
Trusting to the mild-eyed stars, | 1 | 195 | 4 | NISE | ||||
To keep watch .above the flowers, | 1 | 195 | 6 | NISE | ||||
Have gone to their eternal rest. | 1 | 199 | 5 | CITYA | ||||
To heaven with that ungodly gloom! | 1 | 199 | 9 | CITYA | ||||
We liken our ladies’ eyes to them — | 1 | 199 | 16 | CITYA | ||||
It would be mockery to call | 1 | 199 | 18 | CITYA | ||||
And Death to some more happy clime | 1 | 200 | 57 | CITYA | ||||
Have gone to their eternal rest. | 1 | 201 | 5 | CITYH | ||||
And weep! — oh! to dishonor | 1 | 206 | 7 | PAEAN | ||||
Tun’d to such solemn song | 1 | 206 | 18 | PAEAN | ||||
Through the grey chambers to my song, | 1 | 206 | 28.3A | PAEAN | ||||
To join the all-hallowed mirth | 1 | 207 | 35 | PAEAN | ||||
To join the untainted mirth | 1 | 207 | 35A | PAEAN | ||||
Therefore, to thee this night | 1 | 207 | 37 | PAEAN | ||||
To show you all what fools you are. | 1 | 211 | 2 | EPIG | ||||
Thou wast that all to me, love, | 1 | 214 | 1 | PARA | ||||
Thou wast all to me, love, | 1 | 214 | 1A | PARA | ||||
Thou wast all that to me, love, | 1 | 214 | 1KMP | PARA | ||||
Ah, dream too bright to last! | 1 | 214 | 7 | PARA | ||||
But to be overcast! | 1 | 214 | 9 | PARA | ||||
Only to be overcast! | 1 | 214 | 9A | PARA | ||||
To the sands upon the shore) | 1 | 214 | 18 | PARA | ||||
To sands on the sea-shore, | 1 | 214 | 18A | PARA | ||||
From me — to titled age and crime, | 1 | 215 | 20.3B | PARA | ||||
From Love — to titled age and crime, | 1 | 215 | 20.3CEGLQ | PARA | ||||
Thy grace did guide to thine and thee; | 1 | 217 | 8 | HYMN | ||||
Thy love did guide to thine and thee; | 1 | 217 | 8A-D | HYMN | ||||
Long life to our King, | 1 | 219 | 7 | LATIN | ||||
To mar the silence ev’n with lute. | 1 | 222 | 4 | SERE | ||||
To wake to sunshine and to show’r, | 1 | 224 | 3 | SLEEP | ||||
To smile and weep. | 1 | 224 | 4 | SLEEP | ||||
To mar the bright, the perfect flow’r, | 1 | 224 | 13 | SLEEP | ||||
Must wake to weep. | 1 | 224 | 20 | SLEEP | ||||
Of lofty contemplation left to Time | 1 | 228 | 2 | COLIS | ||||
Waved to the wind, now wave the reed and thistle! | 1 | 228 | 21 | COLIS | ||||
Wav’d to the wind, now wave the reed and thistle! | 1 | 228 | 21AC | COLIS | ||||
By the corrosive Hours to Fate and me? | 1 | 229 | 32 | COLIS | ||||
“As melody from Memnon to the Sun. | 1 | 229 | 36 | COLIS | ||||
“As in old days from Memnon to the Sun. | 1 | 229 | 36ACD | COLIS | ||||
“As from the granite Memnon to the Sun. | 1 | 229 | 368 | COLIS | ||||
And thus thy memory is to me | 1 | 237 | 8 | TOF | ||||
Seraph thy memory is to me | 1 | 237 | 8BC | TOF | ||||
BENITO. Faith that's a question, Ugo, hard to answer, | 1 | 248 | 2 | POLI | ||||
On a wine-table some candles burnt/ to the socket. | 1 | 248 | 2/ 3d | POLI | ||||
(UGO sits, and helps himself to wine. Enter RUPERT.) | 1 | 248 | 23d | POLI | ||||
(to BENITO.) | 1 | 249 | 11d | POLI | ||||
I had not look’d to see — he is sadly altered! | 1 | 249 | 26 | POLI | ||||
And goads him to these courses. They say the Duke | 1 | 249 | 44 | POLI | ||||
As humbles her to the dust. | 1 | 249 | 47 | POLI | ||||
To the frightful sounds of merriment below | 1 | 249 | 49.1Ax | POLI | ||||
(to BENITO.) | 1 | 250 | 24d | POLI | ||||
Ere this mischance I cannot bear to think | 1 | 250 | 60 | POLI | ||||
RUPERT. Let us to bed! the man is steeped in liquor. | 1 | 250 | 70 | POLI | ||||
Come let us to bed | 1 | 250 | 70 | POLI | ||||
UGO. What did they say? to bed! | 1 | 250 | 71 | POLI | ||||
I will to bed anon ah! bless my eyes! | 1 | 250 | 73 | POLI | ||||
You do not mean to say the count my master | 1 | 251 | 84 | POLI | ||||
UGO. I’m going to cut — | 1 | 251 | 92 | POLI | ||||
UGO. To cut you altogether! | 1 | 251 | 93 | POLI | ||||
Who gave them to me, d’ye hear? who gave them to me | 1 | 252 | 113 | POLI | ||||
Last year — she gave it to me — d’ye see? | 1 | 252 | 120 | POLI | ||||
To get drunk — a very serious business — excellent! | 1 | 253 | 9 | POLI | ||||
(I’ll send them to you) — a bundle of paternosters | 1 | 253 | 12 | POLI | ||||
You spoke to the Lady Lalage? | 1 | 253 | 26 | POLI | ||||
(trying. to suppress a smile.) | 1 | 254 | 36d | POLI | ||||
Had I the will, to bring such foul disgrace | 1 | 255 | 72 | POLI | ||||
No right at all to do it. Am I not bound too | 1 | 255 | 75 | POLI | ||||
To my cousin Alessandra? Honor's the thing! | 1 | 255 | 77 | POLI | ||||
A glass of wine will put you all to rights. | 1 | 255 | 84 | POLI | ||||
To his reverence — did you not say his reverence? | 1 | 256 | 93 | POLI | ||||
You’re not to have the wine, only your choice. | 1 | 256 | 99 | POLI | ||||
Down in the hall, Sir, — you’re to have your choice | 1 | 256 | 101 | POLI | ||||
If I should die for it — to have my choice | 1 | 257 | 113 | POLI | ||||
If I should die for it — and I to have my choice | 1 | 257 | 113Ax | POLI | ||||
The wine or the ashes! Ugo, send word to the Count | 1 | 257 | 114 | POLI | ||||
Ha! ha! ha! ha! — Ugo send word to the Count | 1 | 257 | 115 | POLI | ||||
Only to think of that! a tub of ashes! | 1 | 257 | 121 | POLI | ||||
Too much of late, and I am vexed to see it. | 1 | 258 | 12 | POLI | ||||
To thy dress and equipage — they are over plain | 1 | 258 | 24 | POLI | ||||
To thy habiliments — they are over plain | 1 | 258 | 24A2x | POLI | ||||
CASTIGLIONE. I’ll see to it. | 1 | 258 | 26 | POLI | ||||
CASTIGLIONE. I will see to it. | 1 | 258 | 26Ax | POLI | ||||
ALESSANDRA. Then see to it! — pay more attention, sir, | 1 | 258 | 27 | POLI | ||||
To a becoming carriage — much thou wantest | 1 | 258 | 28 | POLI | ||||
I speak to him — he speaks of Lalage! | 1 | 258 | 32 | POLI | ||||
To the imperial city. | 1 | 259 | 44 | POLI | ||||
And little given to thinking. | 1 | 259 | 53 | POLI | ||||
Drinking the cup of pleasure to the dregs. | 1 | 259 | 60 | POLI | ||||
“But Ocean ever to refresh mankind | 1 | 260 | 8 | POLI | ||||
To what my fevered soul doth dream of Heaven! | 1 | 260 | 11 | POLI | ||||
LALAGE continues to/ read.) | 1 | 260 | 16/17d | POLI | ||||
“Seemed to have years too many” — Ah luckless lady! | 1 | 261 | 19 | POLI | ||||
To grieve thee or to vex thee? — I am sorry. | 1 | 261 | 37 | POLI | ||||
How fares good Ugo? — and when is it to be? | 1 | 262 | 43 | POLI | ||||
Would have given a real diamond to such as you; | 1 | 262 | 53 | POLI | ||||
LALAGE. Poor Lalage! — and is it come to this? | 1 | 262 | 56 | POLI | ||||
Whom thou hast cherished to sting thee to the soul! | 1 | 262 | 58 | POLI | ||||
Thou hast no end to gain — no heart to break — | 1 | 263 | 71 | POLI | ||||
Give up thy soul to penitence, and pray! | 1 | 263 | 75 | POLI | ||||
A crucifix whereon to register | 1 | 264 | 98 | POLI | ||||
Of the Earl — whom all the world allows to be | 1 | 265 | 22 | POLI | ||||
To say the truth about an hour ago | 1 | 265 | 27 | POLI | ||||
Demeanour of his friend — who to speak the truth | 1 | 266 | 38 | POLI | ||||
To Rome — his Grace the Duke of Broglio. | 1 | 266 | 48 | POLI | ||||
To Rome and to our palace Earl Politian! | 1 | 266 | 53 | POLI | ||||
And you most noble Duke! am glad to see you! | 1 | 266 | 54 | POLI | ||||
Will hand them to your Grace. I would retire. | 1 | 267 | 64 | POLI | ||||
His lordship's chambers — show his lordship to them! | 1 | 267 | 66 | POLI | ||||
This way, my son, I wish to speak with thee. | 1 | 267 | 75 | POLI | ||||
To see thee thus. | 1 | 268 | 7 | POLI | ||||
To give thee cause for grief, my honoured friend. | 1 | 268 | 8 | POLI | ||||
BALDAZZAR. To the field then — to the field — | 1 | 268 | 14 | POLI | ||||
To the senate or the field. | 1 | 268 | 15 | POLI | ||||
BALDAZZAR. Give not thy soul to dreams: | 1 | 268 | 21 | POLI | ||||
In hearkening to imaginary sounds | 1 | 268 | 24 | POLI | ||||
To me, Politian, of thy camps and courts. | 1 | 268 | 28 | POLI | ||||
The sands of Time are changed to golden grains, | 1 | 269 | 41 | POLI | ||||
Is balmier now than it was wont to be — | 1 | 269 | 46 | POLI | ||||
As for to leave me thus | 1 | 270 | 71 | POLI | ||||
As for to leave me thus? | 1 | 270 | 75 | POLI | ||||
As for to leave me thus | 1 | 270 | 80 | POLI | ||||
As for to leave me thus? | 1 | 270 | 84 | POLI | ||||
These fancies to the winds. Remember, pray | 1 | 270 | 84Ax | POLI | ||||
These fancies to the wind. Remember, pray, | 1 | 271 | 96 | POLI | ||||
To look upon the face hidden by yon lattice — | 1 | 271 | 102 | POLI | ||||
“To gaze upon that veiled face, and hear | 1 | 271 | 103 | POLI | ||||
Shall be attended to. Good night, Politian. | 1 | 271 | 114 | POLI | ||||
To me, Politian? — dost thou speak of love | 1 | 272 | 2 | POLI | ||||
To Lalage? — ah wo — ah wo is me! | 1 | 272 | 3 | POLI | ||||
And beautiful Lalage! — and listen to me! | 1 | 272 | 9AB | POLI | ||||
POLITIAN. Speak not to me of glory! | 1 | 273 | 30 | POLI | ||||
Than in thy cause to scoff at this same glory | 1 | 273 | 40 | POLI | ||||
Far less a shadow which thou likenest to it, | 1 | 274 | 61 | POLI | ||||
Thou speakest to me of love. Knowest thou the land | 1 | 274 | 65 | POLI | ||||
Thou spokest to me of love. Knowest thou the land | 1 | 274 | 65A | POLI | ||||
Of Heaven untrammelled flow — which air to breathe | 1 | 274 | 72 | POLI | ||||
In days that are to come? | 1 | 274 | 74 | POLI | ||||
Fly to that Paradise — my Lalage, wilt thou | 1 | 274 | 75 | POLI | ||||
Attend thee ever; and I will kneel to thee | 1 | 274 | 82 | POLI | ||||
RUPERT. What ho! Benito! did you say to-night? | 1 | 275 | 1 | POLI | ||||
Is it to night — the wedding? | 1 | 275 | 2 | POLI | ||||
BENITO. To night I believe. | 1 | 275 | 2 | POLI | ||||
LALAGE. A deed is to be done — | 1 | 275 | 86 | POLI | ||||
With those words upon thy lips — O, speak to me! | 1 | 275 | 94 | POLI | ||||
To say thou art not gone, — one little sentence, | 1 | 275 | 96 | POLI | ||||
To say how thou dost scorn — how thou dost hate | 1 | 275 | 97 | POLI | ||||
O speak to me! I knew thou wouldst not go! | 1 | 275 | 99 | POLI | ||||
There's time enough to spare — now let me see! | 1 | 276 | 5 | POLI | ||||
The wedding is to be at dark, and here | 1 | 276 | 6 | POLI | ||||
To a minute how many hours there are between | 1 | 276 | 8 | POLI | ||||
I will not walk myself to death at all — | 1 | 276 | 13 | POLI | ||||
The impudent varlet not to answer me! | 1 | 276 | 16 | POLI | ||||
The wretch not even to deign to condescend | 1 | 276 | 17 | POLI | ||||
To see me, as I sit upon the bank | 1 | 276 | 18 | POLI | ||||
tad kicks the bandbox to and/ fro | 1 | 276 | 18/19d | POLI | ||||
To stay with her now. She’d nothing of the lady | 1 | 277 | 29 | POLI | ||||
To one with such an air of condescension. | 1 | 277 | 33 | POLI | ||||
To see you, Madam Jacinta.” Well I don’t know | 1 | 277 | 43 | POLI | ||||
But when I get to be a lady — when | 1 | 278 | 68 | POLI | ||||
I’ll play my lady to a T, that will I. | 1 | 278 | 71 | POLI | ||||
To die ere I have lived! — Stay — stay thy hand, | 1 | 279 | 3 | POLI | ||||
I’ the budding of my hopes — give me to live,4- | 1 | 279 | 7A | POLI | ||||
In the budding of my hopes — give me to live, | 1 | 279 | 7B | POLI | ||||
Give me to live yet — yet a little while: | 1 | 279 | 8 | POLI | ||||
Demanded but to die! — what sayeth the Count? | 1 | 279 | 10 | POLI | ||||
BALDAZZAR. I go — to-morrow we meet, | 1 | 280 | 43 | POLI | ||||
Thereby. in heat of anger, to address | 1 | 280 | 50 | POLI | ||||
and recoiling to the ex-/tremitv 2f to p vtage.) | 1 | 281 | 14/15d | POLI | ||||
To me, Castiglione; the bearer being | 1 | 281 | 52 | POLI | ||||
POLITIAN Thus to the expiatory tomb, | 1 | 281 | 59 | POLI | ||||
Here is no let or hindrance to thy weapon — | 1 | 282 | 81 | POLI | ||||
To take thee at thy word? But mark me, sir! | 1 | 282 | 84 | POLI | ||||
Think not to fly me thus. Do thou prepare | 1 | 282 | 85 | POLI | ||||
To lie all day in that especial manner | 1 | 283 | 53 | POLI | ||||
I wish to see the Count — he’ll not admit me — | 1 | 283 | 64 | POLI | ||||
Dead, so to say, but having just committed | 1 | 283 | 75 | POLI | ||||
Deceased is not the proper word to express | 1 | 284 | 80 | POLI | ||||
Not being dead, nor yet to say deceased, | 1 | 284 | 87 | POLI | ||||
Contrive to stir a little? let me help you? | 1 | 285 | 112 | POLI | ||||
My nose is delicate, and to be plain | 1 | 285 | 117 | POLI | ||||
Sir, you may drop to pieces! | 1 | 285 | 121 | POLI | ||||
To see you on your legs, — a little stiff | 1 | 285 | 124 | POLI | ||||
Of lofty contemplation left to Time | 1 | 286 | 3 | POLI | ||||
Waved to the wind, now wave the reed and thistle: | 1 | 286 | 26 | POLI | ||||
By the corrosive hours to Fate and me? | 1 | 287 | 39 | POLI | ||||
As from the granite Memnon to the sun. | 1 | 287 | 43 | POLI | ||||
And he spoke to re-assure me, | 1 | 307 | 13 | BRIDA | ||||
And to the church-yard bore me, | 1 | 307 | 16 | BRIDA | ||||
And I sighed to him before me, | 1 | 307 | 17 | BRIDA | ||||
But he spoke to re-assure me, | 1 | 309 | 13 | BRIDF | ||||
And to the church-yard bore me, | 1 | 309 | 16 | BRIDF | ||||
And I sighed to him before me, | 1 | 309 | 17 | BRIDF | ||||
To a lute's well-tuned law, | 1 | 316 | 20 | HAUNT | ||||
To a lute's well-tuned law, | 1 | 316 | 20AGJKM | HAUNT | ||||
Was but to sing, | 1 | 316 | 30 | HAUNT | ||||
To a discordant melody, | 1 | 317 | 44 | HAUNT | ||||
Bring thee to meet his shadow (nameless elf, | 1 | 322 | 13 | SILE | ||||
No foot of man,) commend thyself to God! | 1 | 322 | 15 | SILE | ||||
Sit in a theatre, to see | 1 | 325 | 5 | WORM | ||||
That shift the scenery to and fro, | 1 | 325 | 14 | WORM | ||||
To the self-same spot, | 1 | 326 | 22 | WORM | ||||
Go up to God so mournfully that she may feel no wrong! | 1 | 335 | 31 | LENA | ||||
“Avaunt! — to-night | 1 | 336 | 44 | LENA | ||||
To friends above, from fiends below, | 1 | 336 | 55 | LENA | ||||
To a gold throne | 1 | 336 | 58 | LENA | ||||
That did to death the innocence | 1 | 337 | 12 | LENK | ||||
Go up to God so solemnly the dead may feel no wrong! | 1 | 337 | 14 | LENK | ||||
“Avaunt! — avaunt! to friends from fiends | 1 | 337 | 20 | LENK | ||||
From moan and groan to a golden throne | 1 | 337 | 22 | LENK | ||||
From grief and moan to a golden throne | 1 | 337 | 22H | LENK | ||||
From grief and groan to a golden throne | 1 | 337 | 22J | LENK | ||||
To friends above from fiends below | 1 | 337 | 24C-GL | LENK | ||||
From grief and moan to a gold throne | 1 | 337 | 26C | LENK | ||||
From moan and groan to a golden throne | 1 | 337 | 26DE | LENK | ||||
From grief and groan to a golden throne | 1 | 337 | 26FGL | LENK | ||||
See the White Eagle soaring aloft to the sky, | 1 | 341 | 1 | CAMP | ||||
In agony, to the Earth — and Heaven. | 1 | 344 | 38 | ROUTE | ||||
In agony, to the worms — and Heaven. | 1 | 344 | 38AB | ROUTE | ||||
In agony, to the earth — and Heaven. | 1 | 344 | 38D | ROUTE | ||||
To the weak human eye unclosed; | 1 | 345 | 46 | ROUTE | ||||
To the weak human eye enclosed; | 1 | 345 | 46B | ROUTE | ||||
While ever to her dear Eulalie upturns her matron eye — | 1 | 349 | 20 | EULA | ||||
While ever to it dear Eulalie upturns her matron eye — | 1 | 349 | 20AZ | EULA | ||||
And ever to her dear Eulalie upturns her matron eye — | 1 | 349 | 20BCD | EULA | ||||
While ever to her young Eulalie upturns her violet eye. | 1 | 349 | 21 | EULA | ||||
While ever to it young Eulalie upturns her violet eye. | 1 | 349 | 21AZ | EULA | ||||
And ever to it young Eulalie upturns her violet eye. | 1 | 349 | 21BCD | EULA | ||||
vainly I had sought to borrow | 1 | 365 | 9 | RAVEN | ||||
vainly I had tried to borrow | 1 | 365 | 9ABCEFHLP | RAVEN | ||||
So that now, to still the beating | 1 | 365 | 15 | RAVEN | ||||
ever dared to dream before; | 1 | 365 | 26 | RAVEN | ||||
fowl to hear discourse so plainly, | 1 | 366 | 49 | RAVEN | ||||
I betook myself to linking | 1 | 367 | 69 | RAVEN | ||||
To the fowl whose fiery eyes now | 1 | 367 | 74 | RAVEN | ||||
From crag to crag down the precipitous Time, | 1 | 377 | 2 | LINES | ||||
To those pure orbs, your heart to learn, | 1 | 380 | 2 | KATE | ||||
I scarce know which to prize most high — | 1 | 380 | 3 | KATE | ||||
Be each to each the second best? | 1 | 382 | 8 | VANE | ||||
With Love to rule our hearts supreme | 1 | 382 | 15 | VANE | ||||
And Friendship to be second best. | 1 | 382 | 16 | VANE | ||||
To check the power that governs here. | 1 | 384 | 8 | KING | ||||
O! would she deign to rule my fate, | 1 | 384 | 9 | KING | ||||
Gliding serenely to its goal, | 1 | 386 | 23 | FSO | ||||
These should be thine, to guard and shield, | 1 | 386 | 25 | FSO | ||||
Compose a sound delighting all to hear — | 1 | 389 | 18 | VALA | ||||
And now I leave these riddles to their Seer. | 1 | 389 | 21 | VALA | ||||
Made in his image a mannikin merely to madden it? | 1 | 393 | 11 | MODC | ||||
Many a thought will come to memory. | 1 | 393 | 16 | MODC | ||||
CVIII. Lines to show that “a truly Greek hexameter” | 1 | 393 | 23 | MODC | ||||
Do tell! when may we hope to make men of sense | 1 | 394 | 25 | MODC | ||||
To release my heart. | 1 | 399 | 4 | LOU | ||||
To come down and see: | 1 | 399 | 11 | LOU | ||||
Of all to whom thine absence is the night — | 1 | 400 | 2 | MLS | ||||
Of all to whom thy absence is the night — | 1 | 400 | 2A | MLS | ||||
Lying down to die, have suddenly arisen | 1 | 400 | 9 | MLS | ||||
Laying them down to die, have suddenly risen | 1 | 400 | 9A | MLS | ||||
By him who, as he pens them, thrills to think | 1 | 400 | 17 | MLS | ||||
The faithful heart yields to repose. | 1 | 404 | 11 | PHYS | ||||
Two gentle sounds made only to be murmured | 1 | 406 | 8 | MARA | ||||
Would hope to utter. Ah, Marie Louise! | 1 | 406 | 16 | MARA | ||||
Italian tones made only to be murmured | 1 | 407 | 8 | MARB | ||||
Could hope to utter. And I! my spells are broken. | 1 | 407 | 16 | MARB | ||||
To where the prospect terminates — thee only. | 1 | 407 | 32 | MARA | ||||
To where the prospect terminates — thee only. | 1 | 408 | 27 | MARB | ||||
And star-dials pointed to morn — | 1 | 416 | 31 | ULA | ||||
As star-dials pointed to morn — | 1 | 416 | 31C | ULA | ||||
To point us the path to the skies — | 1 | 417 | 45 | ULA | ||||
To the Lethean peace of the skies — | 1 | 417 | 46 | ULA | ||||
To shine on us with her bright eyes — | 1 | 417 | 48 | ULA | ||||
With Hope and in Beauty to-night — | 1 | 417 | 65 | ULA | ||||
Ah, we safely may trust to its gleaming | 1 | 417 | 67 | ULA | ||||
We surely may trust to a gleaming | 1 | 417 | 69 | ULA | ||||
We safely may trust to a gleaming | 1 | 417 | 69A-DFG | ULA | ||||
Since it flickers up to Heaven through the night.” | 1 | 418 | 71 | ULA | ||||
And we passed to the end of the vista — | 1 | 418 | 75 | ULA | ||||
And we passed to the end of a vista — | 1 | 418 | 75K | ULA | ||||
To bar up our way and to ban it | 1 | 418 | 98 | ULA | ||||
All the Heavens, seem to twinkle | 1 | 435 | 7 | BELLSEG | ||||
To the tintinabulation that so musically wells | 1 | 435 | 11 | BELLSEG | ||||
To the tintinnabulation that so musically wells | 1 | 435 | 11FGH | BELLSEG | ||||
To the turtle-dove that listens while she gloats | 1 | 436 | 23 | BELLSEG | ||||
To the swinging and the ringing | 1 | 436 | 31 | BELLSEG | ||||
To the rhyming and the chiming of the bells! | 1 | 436 | 35 | BELLSEG | ||||
Too much horrified to speak, | 1 | 436 | 41 | BELLSEG | ||||
Much too horrified to speak, | 1 | 436 | 41A-D | BELLSEG | ||||
In a clamorous appealing to the mercy of the fire — | 1 | 436 | 44 | BELLSEG | ||||
Now — now to sit, or never, | 1 | 436 | 49 | BELLSEG | ||||
To the Paean of the bells — | 1 | 438 | 97 | BELLSEG | ||||
To the throbbing of the bells — | 1 | 438 | 101 | BELLSEG | ||||
To the sobbing of the bells: — | 1 | 438 | 103 | BELLSEG | ||||
To the rolling of the bells — | 1 | 438 | 107 | BELLSEG | ||||
To the tolling of the bells — | 1 | 438 | 109 | BELLSEG | ||||
To the moaning and the groaning of the bells. | 1 | 438 | 112 | BELLSEG | ||||
Where no wind dared to stir, unless on tiptoe — | 1 | 445 | 10 | TOHEL | ||||
To breathe the incense of those slumbering roses? | 1 | 445 | 24 | TOHEL | ||||
I saw but them — they were the world to me. | 1 | 446 | 39 | TOHEL | ||||
What wild heart-histories seemed to lie enwritten | 1 | 446 | 42 | TOHEL | ||||
Their office is to illumine and enkindle — | 1 | 446 | 57 | TOHEL | ||||
My duty, to be saved by their bright light, | 1 | 446 | 58 | TOHEL | ||||
And are far up in Heaven — the stars I kneel to | 1 | 446 | 62 | TOHEL | ||||
Come to life and fade away; | 1 | 450 | 6 | ALE | ||||
You are not wrong, to deem | 1 | 451 | 4C | TAKE | ||||
Through my fingers to the deep, | 1 | 452 | 17 | TAKE | ||||
And, to sleep, you must slumber | 1 | 457 | 51 | ANNIE | ||||
To sleep on her breast — | 1 | 458 | 76 | ANNIE | ||||
Deeply to sleep | 1 | 458 | 77 | ANNIE | ||||
And she prayed to the angels | 1 | 458 | 81 | ANNIE | ||||
To keep me from harm — | 1 | 458 | 82 | ANNIE | ||||
To the queen of the angels | 1 | 458 | 83 | ANNIE | ||||
To shield me from harm. | 1 | 458 | 84 | ANNIE | ||||
That you shudder to look at me, | 1 | 459 | 93 | ANNIE | ||||
The angels, whispering to one another, | 1 | 467 | 2 | MOTHB | ||||
Are mother to the one I loved so dearly, | 1 | 467 | 11 | MOTHB | ||||
Are mother to the dead I loved so dearly, | 1 | 467 | 11 | MOTHC | ||||
Was dearer to my soul than its soul-life. | 1 | 467 | 14 | MOTHB | ||||
Was dearer to my soul than its soul-life. | 1 | 467 | 14 | MOTHC | ||||
Than to love and be loved by me. | 1 | 477 | 6 | LEEA | ||||
To shut her up in a sepulchre, | 1 | 477 | 19 | LEEA | ||||
Than to love and be loved by me. | 1 | 478 | 6 | LEEE | ||||
To shut her up, in a sepulchre | 1 | 479 | 19 | LEEE | ||||
∞∞∞∞∞∞∞
Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
∞∞∞∞∞∞∞
[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)