∞∞∞∞∞∞∞
TEXT | V | PAGE | LINE | POEM | ||||
UPPER ( 1 1) | ||||||||
To bear my secrets thro’ the upper Heaven. | 1 | 105 | 142 | ALAAR | ||||
UPPERMOST ( 1 1) | ||||||||
“Always write first things uppermost in the heart.” | 1 | 148 | 16 | ELIZA | ||||
UPRAISE ( 3 2) | ||||||||
No dirge will I upraise, | 1 | 336 | 46 | LENA | ||||
no dirge will I upraise, | 1 | 337 | 20C-GL | LENK | ||||
no dirge will I upraise, | 1 | 337 | 25 | LENK | ||||
UPREAR’D ( 2 2) | ||||||||
Uprear’d its purple stem around her knees: | 1 | 101 | 49 | ALAAR | ||||
Uprear’d upon such height arose a pile | 1 | 106 | 11 | ALAAR | ||||
UPRIGHT ( 8 6) | ||||||||
For they were childish and upright — | 1 | 49 | 119 | TAMF | ||||
For they were childish and upright — | 1 | 56 | 92 | TAMH | ||||
On a black throne reigns upright, | 1 | 343 | 4 | ROUTE | ||||
On a black throne reigns upright, | 1 | 344 | 20.4A | ROUTE | ||||
On a black throne reigns upright, | 1 | 344 | 38.4A | ROUTE | ||||
On a black throne reigns upright, | 1 | 345 | 54 | ROUTE | ||||
Jew or 1 downright 1 upright 1 nutmegs 1 | 1 | 394 | 6 | MODD | ||||
Jew, or downright upright nutmegs out of a pine-knot? | 1 | 394 | 28 | MODC | ||||
UPRISING ( 1 1) | ||||||||
Uprising, unveiling, affirm | 1 | 326 | 38 | WORM | ||||
UPSTARTING ( 1 1) | ||||||||
bird or fiend!” I shrieked, upstarting — | 1 | 369 | 97 | RAVEN | ||||
UPSTARTLE ( 1 1) | ||||||||
In multitudinous thunders that upstartle | 1 | 378 | 3 | LINES | ||||
UPTURN’D ( 5 5) | ||||||||
Upon the upturn’d faces of a thousand | 1 | 445 | 8 | TOHEL | ||||
Fell on the upturn’d faces of these roses | 1 | 445 | 11 | TOHEL | ||||
Fell on the upturn’d faces of these roses | 1 | 445 | 14 | TOHEL | ||||
Fell on the upturn’d faces of the roses, | 1 | 445 | 19 | TOHEL | ||||
And on thine own, upturn’d — alas, in sorrow! | 1 | 445 | 20 | TOHEL | ||||
UPTURNED ( 6 0) | ||||||||
Upon the upturned faces of a thousand | 1 | 445 | 8CD | TOHEL | ||||
Fell on the upturned faces of these roses | 1 | 445 | 11CD | TOHEL | ||||
Fell on the upturned faces of these roses | 1 | 445 | 14CD | TOHEL | ||||
Fell on the faces of the upturned roses, | 1 | 445 | 19C | TOHEL | ||||
Fell on the upturned faces of the roses, | 1 | 445 | 19D | TOHEL | ||||
And on thine own, upturned — alas, in sorrow! | 1 | 445 | 20CD | TOHEL | ||||
UPTURNS ( 6 2) | ||||||||
While ever to her dear Eulalie upturns her matron eye — | 1 | 349 | 20 | EULA | ||||
While ever to it dear Eulalie upturns her matron eye — | 1 | 349 | 20AZ | EULA | ||||
And ever to her dear Eulalie upturns her matron eye — | 1 | 349 | 20BCD | EULA | ||||
While ever to her young Eulalie upturns her violet eye. | 1 | 349 | 21 | EULA | ||||
While ever to it young Eulalie upturns her violet eye. | 1 | 349 | 21AZ | EULA | ||||
And ever to it young Eulalie upturns her violet eye. | 1 | 349 | 21BCD | EULA | ||||
URGED ( 1 1) | ||||||||
Hath without doubt arisen: thou halt been urged | 1 | 280 | 49 | POLI | ||||
URGENT ( 2 2) | ||||||||
A sacred vow, imperative, and urgent, | 1 | 263 | 94 | POLI | ||||
But should some urgent fate (untimely lot!) | 1 | 322 | 12 | SILE | ||||
USAGE ( 1 1) | ||||||||
(Logic and common usage so commanding) | 1 | 148 | 2 | ELIZA | ||||
USE ( 3 3) | ||||||||
They use that moon no more | 1 | 141 | 35 | FAIRY1 | ||||
Have use for jewels now. But I might have sworn it. | 1 | 262 | 55 | POLI | ||||
He might as well, for all the use he makes of it, | 1 | 277 | 47 | POLI | ||||
USED ( 4 4) | ||||||||
Democritus of Thrace, who used to toss over | 1 | 10 | 16 | TEMP | ||||
And used to throw my earthly rest | 1 | 157 | 29 | INTRO | ||||
I used at a masquerade, you shall have it — | 1 | 253 | 14 | POLI | ||||
The words you used were that the Earl you knew | 1 | 265 | 18 | POLI | ||||
USURP’D ( 4 4) | ||||||||
Usurp’d a tyranny, which men | 1 | 29 | 79 | TAMA | ||||
Usurp’d a tyranny which men | 1 | 40 | 79 | TAMB | ||||
Usurp’d a tyranny which men | 1 | 47 | 70 | TAMF | ||||
Usurp’d a tyranny which men | 1 | 56 | 66 | TAMH | ||||
USURPINGLY ( 4 3) | ||||||||
I claim’d and won usurpingly — | 1 | 27 | 32 | TAMA | ||||
I claim’d and won usurpingly — | 1 | 46 | 33 | TAMF | ||||
I claim’d and won usurpingly — | 1 | 54 | 29 | TAMH | ||||
I claimed and won usurpingly — | 1 | 54 | 29E | TAMH | ||||
UTMOST ( 1 1) | ||||||||
within the utmost Heaven — | 1 | 337 | 21 | LENK | ||||
UTTER ( 2 2) | ||||||||
Would hope to utter. Ah, Marie Louise! | 1 | 406 | 16 | MARA | ||||
Could hope to utter. And I! my spells are broken. | 1 | 407 | 16 | MARB | ||||
UTTERANCE ( 2 2) | ||||||||
Beyond the utterance of the human tongue: | 1 | 406 | 5 | MARA | ||||
Beyond the utterance of the human tongue; | 1 | 407 | 5 | MARB | ||||
UTTERED ( 4 3) | ||||||||
Nothing farther then he uttered — | 1 | 367 | 57 | RAVEN | ||||
A musical name oft uttered in the hearing | 1 | 389 | 15 | VALA | ||||
Three eloquent words oft uttered in the hearing | 1 | 390 | 15 | VALG | ||||
A well-known name oft uttered in the hearing | 1 | 390 | 15F | VALG | ||||
UTTERLY ( 2 2) | ||||||||
A heaven so calm as this — so utterly free | 1 | 280 | 26 | POLI | ||||
The blotting utterly from out high heaven | 1 | 400 | 3 | MLS | ||||
UTTERS ( 1 1) | ||||||||
“Doubtless,” said I, “what it utters | 1 | 367 | 62 | RAVEN | ||||
V ( 1 1) | ||||||||
[V. Line illustrating the “error ... | 1 | 393 | 14 | MODC | ||||
VACANT ( 2 2) | ||||||||
In vacant idleness of woe. | 1 | 39 | 395 | TAMA | ||||
A vacant coronet — | 1 | 335 | 19 | LENA | ||||
VACUUM ( 1 1) | ||||||||
A vacuum in the filmy heaven: | 1 | 200 | 50 | CITYA | ||||
VAGABOND ( 1 1) | ||||||||
“Get out you jackass! — out you vagabond!” | 1 | 278 | 79 | POLI | ||||
VAGRANT ( 1 0) | ||||||||
most vagrant and careless curl. | 1 | 349 | 13Y | EULA | ||||
VAGUE ( 4 3) | ||||||||
There the vague and dreamy trees | 1 | 192 | 35 | NISA | ||||
These vague entablatures — this crumbling frieze — | 1 | 229 | 28 | COLIS | ||||
These vague entablatures — this broken frieze — | 1 | 229 | 28A-DFK | COLIS | ||||
These vague entablatures: this broken frieze | 1 | 286 | 35 | POLI | ||||
VAIN ( 3 3) | ||||||||
In vain I struggle to forget | 1 | 17 | 3 | OCT | ||||
Elizabeth it is in vain you say | 1 | 149 | 1 | ACROS | ||||
In vain those words from thee or L. E. L. | 1 | 149 | 3 | ACROS | ||||
VAINLY ( 2 1) | ||||||||
vainly I had sought to borrow | 1 | 365 | 9 | RAVEN | ||||
vainly I had tried to borrow | 1 | 365 | 9ABCEFHLP | RAVEN | ||||
VALGNTINE’S ( 1 1) | ||||||||
Valentine's Eve. 1846 | 1 | 388 | .1 | VALA | ||||
VALGS ( 3 3) | ||||||||
Dim vales — and shadowy floods — | 1 | 140 | 1 | FAIRY1 | ||||
Dim vales! and shadowy floods! | 1 | 162 | 41 | FAIRY2 | ||||
Bottomless vales and boundless floods, | 1 | 344 | 9 | ROUTE | ||||
VALISNERIAN ( 1 1) | ||||||||
And Valisnerian lotus thither flown | 1 | 102 | 74 | ALAAR | ||||
VALLEY ( 11 10) | ||||||||
Into the universal valley. | 1 | 187 | 8 | IRENE2 | ||||
Lies that valley as the day | 1 | 191 | 3 | NISA | ||||
It is called the valley Nis. | 1 | 191 | 7 | NISA | ||||
But “the valley Nis” at best | 1 | 192 | 15 | NISA | ||||
Means “the valley of unrest.” | 1 | 192 | 16 | NISA | ||||
That slumber o’er that valley-world. | 1 | 193 | 32 | NISB | ||||
Wanderers in that happy valley, | 1 | 316 | 17 | HAUNT | ||||
All wanderers in that happy valley, | 1 | 316 | 17A | HAUNT | ||||
And travellers, now, within that valley, | 1 | 316 | 41 | HAUNT | ||||
As he sails on his pinions o’er valley and sea. | 1 | 342 | 4 | CAMP | ||||
Down the Valley of the Shadow, | 1 | 463 | 21 | ELDOR | ||||
VALLEY’S ( 1 1) | ||||||||
The sad valley's restlessness. | 1 | 195 | 10 | NISE | ||||
VALLEYS ( 2 2) | ||||||||
Within the valleys dim and brown, | 1 | 222 | 11 | SERE | ||||
In the greenest of our valleys | 1 | 315 | 1 | HAUNT | ||||
VALLEY-WORLD ( 1 1) | ||||||||
That slumber o’er that valley-world. | 1 | 193 | 32 | NISB | ||||
VALLIES ( 1 1) | ||||||||
In vallies of the wild Taglay, | 1 | 38 | 357 | TAMA | ||||
VALUE ( 2 2) | ||||||||
with/ the value of three short syllables"] | 1 | 393 | 17/18 | MODC | ||||
with the value of/ four short syllables] | 1 | 393 | 20/21 | MODC | ||||
VAMPIRE ( 2 1) | ||||||||
Despair, the fabled vampire-bat, | 1 | 46 | 27 | TAMF | ||||
And vampire-wing-like pannels back, | 1 | 185 | 72BC | IRENE1 | ||||
VAMPIRE-BAT ( 1 1) | ||||||||
Despair, the fabled vampire-bat, | 1 | 46 | 27 | TAMF | ||||
VAMPIRE-WING-LIKE ( 1 0) | ||||||||
And vampire-wing-like pannels back, | 1 | 185 | 72BC | IRENE1 | ||||
VAMPYRE ( 1 1) | ||||||||
And vampyre-winged pannels back, | 1 | 185 | 72 | IRENE1 | ||||
VAMPYRE-WINGED ( 1 1) | ||||||||
And vampyre-winged pannels back, | 1 | 185 | 72 | IRENE1 | ||||
VANISH ( 2 2) | ||||||||
Will fly thee — and vanish: | 1 | 71 | 21 | SPIRA | ||||
Now are visions ne’er to vanish — | 1 | 72 | 20 | SPIRD | ||||
VANISH’D ( 2 1) | ||||||||
But they have vanish’d long alas! | 1 | 81 | 6 | HAPP | ||||
But it has vanish’d long alas! | 1 | 81 | 6B | HAPP | ||||
VANITIES ( 5 5) | ||||||||
And fleeting vanities of dreams, | 1 | 32 | 168 | TAMA | ||||
And fleeting vanities of dreams | 1 | 41 | 168 | TAMB | ||||
Dim vanities of dreams by night, | 1 | 49 | 144 | TAMF | ||||
Dim, vanities of dreams by night — | 1 | 57 | 121 | TAMH | ||||
Of the hollow and high-sounding vanities | 1 | 268 | 30 | POLI | ||||
VAPID ( 1 1) | ||||||||
While yet my vapid Joy and grief | 1 | 158 | 61 | INTRO | ||||
VAPOR ( 3 2) | ||||||||
Upon the vapor of the dew | 1 | 58 | 134 | TAMH | ||||
That the vapor can make | 1 | 349 | 10 | EULA | ||||
Of the vapor and gold | 1 | 349 | 11AYZ | EULA | ||||
VAPORS ( 1 1) | ||||||||
Amid empurpled vapors, far away | 1 | 408 | 26 | MARB | ||||
VAPOUR ( 1 1) | ||||||||
An opiate vapour, dewy, dim, | 1 | 187 | 3 | IRENE2 | ||||
VARIABLE ( 1 1) | ||||||||
a “variable foot” | 1 | 393 | 17 | MODC | ||||
VARIED ( 2 2) | ||||||||
Of varied being, which contain | 1 | 32 | 165 | TAMA | ||||
Of varied being which contain | 1 | 41 | 165 | TAMB | ||||
VARLET ( 1 1) | ||||||||
The impudent varlet not to answer me! | 1 | 276 | 16 | POLI | ||||
VAST ( 3 2) | ||||||||
Vast forms that move fantastically | 1 | 316 | 43 | HAUNT | ||||
At bidding of vast formless things | 1 | 325 | 13 | WORM | ||||
At bidding of vast shadowy things | 1 | 325 | 13A | WORM | ||||
VASTLY ( 1 1) | ||||||||
So pat, agreeable, and vastly proper | 1 | 10 | 47 | TEMP | ||||
VASTNESS ( 3 2) | ||||||||
Vastness! and Age! and Memories of Eld! | 1 | 228 | 10 | COLIS | ||||
Vastness! and Age! and Memories of Old! | 1 | 228 | 10K | COLIS | ||||
Vastness and Age and Memories of Eld | 1 | 286 | 13 | POLI | ||||
VATICAN ( 5 2) | ||||||||
Do we not? — at the Vatican. | 1 | 280 | 44 | POLI | ||||
POLITIAN. At the Vatican. | 1 | 280 | 44 | POLI | ||||
That I should meet him in the Vatican — | 1 | 280 | 44.2AB | POLI | ||||
In the Vatican — within the holy walls | 1 | 280 | 44.3AB | POLI | ||||
Of the Vatican. | 1 | 280 | 44.4AB | POLI | ||||
VAULT ( 6 4) | ||||||||
For her may some tall vault unfold, | 1 | 185 | 68 | IRENE1 | ||||
For her may some tall vault unfold — | 1 | 188 | 49 | IRENE2 | ||||
Some vault that oft hath flung its black | 1 | 188 | 50 | IRENE2 | ||||
Some vault all haughtily alone, | 1 | 188 | 54D | IRENE2 | ||||
Some vault from out whose sounding door | 1 | 188 | 57E | IRENE2 | ||||
’T is the vault of thy lost Ulalume!” | 1 | 418 | 81 | ULA | ||||
VEIL ( 3 3) | ||||||||
’Twere folly now to veil a thought | 1 | 32 | 183 | TAMA | ||||
Breathe it less gently forth — and veil thine eyes. | 1 | 149 | 6 | ACROS | ||||
There fell a silvery-silken veil of light, | 1 | 445 | 6 | TOHEL | ||||
VEILED ( 1 1) | ||||||||
“To gaze upon that veiled face, and hear | 1 | 271 | 103 | POLI | ||||
VEILS ( 3 2) | ||||||||
Which veils the solemn midnight sky, | 1 | 225 | 8 | FANNY | ||||
In veils, and drowned in tears, | 1 | 325 | 4 | WORM | ||||
In veils, and drown’d in tears, | 1 | 325 | 4BCDH | WORM | ||||
VELVET ( 8 7) | ||||||||
And ten of Genoa velvet — one, two, three, | 1 | 277 | 52 | POLI | ||||
Ten yards — I can’t forget it now — ten yards of velvet | 1 | 277 | 54A2x | POLI | ||||
Ten yards of velvet — I must try and get me | 1 | 278 | 55 | POLI | ||||
A dress of Genoa velvet — 'tis becoming. | 1 | 278 | 56 | POLI | ||||
Was the velvet violet, wet with dews, | 1 | 301 | 6 | PARO | ||||
Then, upon the velvet sinking, | 1 | 367 | 69 | RAVEN | ||||
On the cushion's velvet lining | 1 | 368 | 76 | RAVEN | ||||
But whose velvet-violet lining | 1 | 368 | 77 | RAVEN | ||||
VELVET-VIOLET ( 1 1) | ||||||||
But whose velvet-violet lining | 1 | 368 | 77 | RAVEN | ||||
VENGEANCE ( 3 2) | ||||||||
At me in vengeance shall that foot be shaken — | 1 | 12 | 85 | TEMP | ||||
For vengeance or will never. So! the priest | 1 | 287 | 55 | POLI | ||||
For vengeance or will never. Behold the priest | 1 | 287 | 55Ax | POLI | ||||
VENOM ( 4 4) | ||||||||
And my brain drank their venom then, | 1 | 28 | 41 | TAMA | ||||
Its venom secretly imparts; | 1 | 37 | 345 | TAMA | ||||
Its venom secretly imparts — | 1 | 45 | 345 | TAMB | ||||
The venom thou hast pour’d on me — | 1 | 81 | 11 | HAPP | ||||
VENTURED ( 1 0) | ||||||||
That from his marble dwelling ventured out, | 1 | 106 | 33BC | ALAAR | ||||
VENUSES ( 1 1) | ||||||||
Venuses, unextinguished by the sun! | 1 | 447 | 66 | TOHEL | ||||
VERDANT ( 1 1) | ||||||||
No more — no more upon thy verdant slopes! | 1 | 311 | 8 | ZANTE | ||||
VERIEST ( 3 2) | ||||||||
Falling — her veriest stepping-stone | 1 | 59 | 171 | TAMH | ||||
“Silence” — which is the veriest word of all. | 1 | 104 | 127F | ALAAR | ||||
I am the veriest coward. O pity me! | 1 | 282 | 73 | POLI | ||||
VERITABLY ( 1 1) | ||||||||
And, veritably, Sol is right enough. | 1 | 425 | 9 | DUNCE | ||||
VERMIN ( 3 1) | ||||||||
And seraphs sob at vermin fangs | 1 | 326 | 31 | WORM | ||||
And the angels sob at vermin fangs | 1 | 326 | 31ABCFHL | WORM | ||||
And the seraphs sob at vermin fangs | 1 | 326 | 310EK | WORM | ||||
VERSE ( 1 1) | ||||||||
Lady! I would that verse of mine | 1 | 385 | 1 | FSO | ||||
VERY ( 66 56) | ||||||||
His very voice is musical delight, | 1 | 11 | 69 | TEMP | ||||
Its very form hath pass’d me by, | 1 | 30 | 100 | TAMA | ||||
Hath nestled in my very hair. | 1 | 46 | 44 | TAMF | ||||
In the tangles of Love's very hair? | 1 | 53 | 238 | TAMF | ||||
Have nestled in my very hair. | 1 | 55 | 40 | TAMH | ||||
Hath nestled in my very hair. | 1 | 55 | 40CE | TAMH | ||||
In the tangles of Love's very hair? | 1 | 61 | 243 | TAMH | ||||
And left unheedingly my very heart | 1 | 68 | 15 | DREA | ||||
And loveliness — have left my very heart | 1 | 68 | 15AB | DREA | ||||
To lisp my very earliest word | 1 | 128 | 8 | ROMG | ||||
So shake the very Heaven on high | 1 | 128 | 12 | ROMG | ||||
So shake the very air on high | 1 | 128 | 12ABJ | ROMG | ||||
So shook the very Heavens on high, | I | 128 | 12C | ROMG | ||||
So shake the very Heavens on high | 1 | 128 | 12EF | ROMG | ||||
Has studied very little of his part, | 1 | 148 | 9 | ELIZA | ||||
John Locke was a very great name; | 1 | 151 | 5C | LOCKE | ||||
To lisp my very earliest word | 1 | 156 | 8 | INTRO | ||||
That very blackness yet doth fling | 1 | 157 | 17 | INTRO | ||||
So shook the very Heavens on high, | 1 | 157 | 36 | INTRO | ||||
To dream my very life away. | 1 | 158 | 55 | INTRO | ||||
By notes so very shrilly blown, | 1 | 158 | 59 | INTRO | ||||
Is by (the very source of gloom) | 1 | 162 | 34 | FAIRY2 | ||||
The very hours are breathing low — | 1 | 200 | 52 | CITYA | ||||
My very soul thy grandeur, gloom, and glory! | 1 | 228 | 9 | COLIS | ||||
A very nobleman in heart and deed. | 1 | 249 | 33 | POLI | ||||
My master in this matter? very good (hiccup) wine! | 1 | 250 | 63 | POLI | ||||
Or was, that very sure, but he's reforming | 1 | 250 | 68 | POLI | ||||
And drinks none but the very (hiccup!) best of wine. | 1 | 250 | 69 | POLI | ||||
Is it so late? is it all gone? very well! | 1 | 250 | 72 | POLI | ||||
UGO. Sweetheart, I fear me (hiccup!) very much | 1 | 250 | 78 | POLI | ||||
JACINTA. You may well say that Sir Ugo — very pretty! | 1 | 250 | 80 | POLI | ||||
I saw that very ring upon the finger | 1 | 251 | 87 | POLI | ||||
It's a very serious business I assure you | 1 | 253 | 8 | POLI | ||||
To get drunk — a very serious business — excellent! | 1 | 253 | 9 | POLI | ||||
SAN OZZO. I know it — very! | 1 | 253 | 19 | POLI | ||||
The Duke your father, as you very well know, | 1 | 254 | 28 | POLI | ||||
Oh! I am very happy! — sad? — not I | 1 | 257 | 2.1A | POLI | ||||
Will make thee mine. Oh, I am very happy! | 1 | 257 | 4 | POLI | ||||
When I am very happy. Did I sigh? | 1 | 257 | 10 | POLI | ||||
ALESSANDRA. ’Tis very strange! | 1 | 259 | 56 | POLI | ||||
But like — oh, very like in its despair — | 1 | 261 | 21 | POLI | ||||
Indeed she is very troublesome. | 1 | 261 | 35 | POLI | ||||
All arm in arm we met this very man | 1 | 265 | 29 | POLI | ||||
BALDAZZAR. So please you, Sir, I fear me very much | 1 | 267 | 68Ax | POLI | ||||
Now this is very strange! Castiglione! | 1 | 267 | 74 | POLI | ||||
Very plainly through the window — it belongs, | 1 | 269 | 63 | POLI | ||||
Very plainly through the window — that lattice belongs, | 1 | 269 | 63AB | POLI | ||||
(very faintly.) | 1 | 270 | 9d | POLI | ||||
POLITIAN. ’Tis strange! — 'tis very strange — | 1 | 271 | 107 | POLI | ||||
'tis well — 'tis very well! | 1 | 275 | 103 | POLI | ||||
’Tis well, 'tis very well — alas! alas! | 1 | 275 | 105 | POLI | ||||
Six hours! why I can very easily do | 1 | 276 | 10 | POLI | ||||
All this is very true. When saw you, sir, | 1 | 279 | 23 | POLI | ||||
All very true. Thou art my friend, Baldazzar, | 1 | 280 | 31 | POLI | ||||
I cannot talk at all. It's very strange | 1 | 283 | 58 | POLI | ||||
SAN OZZO. It's very strange | 1 | 283 | 59 | POLI | ||||
SAN OZZO. Ah — very well! — | 1 | 284 | 83 | POLI | ||||
You are a little — stiff — all very true. | 1 | 284 | 109 | POLI | ||||
The day is very sultry — and that a corpse | 1 | 285 | 115 | POLI | ||||
In very hot weather won’t — keep, you take me, Sir? | 1 | 285 | 116 | POLI | ||||
My very soul thy grandeur, gloom and glory! | 1 | 286 | 10 | POLI | ||||
On this very night of last year, | 1 | 418 | 86 | ULA | ||||
Were seen no more: the very roses’ odors | 1 | 446 | 34 | TOHEL | ||||
From a spring but a very few | 1 | 457 | 41 | ANNIE | ||||
From a fountain a very few | 1 | 457 | 41B | ANNIE | ||||
From a cavern not very far | 1 | 457 | 43 | ANNIE | ||||
VESTER’S ( 1 0) | ||||||||
And hop o’er counters with a Vester's air, | 1 | 11 | 52C | TEMP | ||||
VESTIBULES ( 2 1) | ||||||||
Gaunt vestibules and phantom-peopled aisles | 1 | 228 | 11.1A-D | COLIS | ||||
Gaunt vestibules, and phantom-peopled aisles | 1 | 286 | 15 | POLI | ||||
VESTRIS ( 1 1) | ||||||||
And hop o’er counters with a Vestris air, | 1 | 11 | 52 | TEMP | ||||
VEX ( 1 1) | ||||||||
To grieve thee or to vex thee? — I am sorry. | 1 | 261 | 37 | POLI | ||||
VEXED ( 2 1) | ||||||||
Some ocean vexed as it may be | 1 | 237 | 11BC | TOF | ||||
Too much of late, and I am vexed to see it. | 1 | 258 | 12 | POLI | ||||
VI ( 1 1) | ||||||||
(VI. Line illustrating (in the syllable son) | 1 | 393 | 17 | MODC | ||||
VICE ( 1 1) | ||||||||
No subject vice dare interfere, | 1 | 384 | 7 | KING | ||||
VICES ( 1 1) | ||||||||
And all his numerous vices from the time | 1 | 249 | 41 | POLI | ||||
VICTIM ( 1 1) | ||||||||
A victim on love's altar slain, | 1 | 226 | 17 | FANNY | ||||
VICTORY ( 5 5) | ||||||||
1 The battle-cry of victory! | 1 | 28 | 59 | TAMA | ||||
With victory, on victory, | 1 | 37 | 335 | TAMA | ||||
The battle cry of victory. | 1 | 47 | 58 | TAMF | ||||
The battle-cry of Victory! | 1 | 55 | 54 | TAMH | ||||
VIDELICET ( 1 1) | ||||||||
Videlicet a tent — | 1 | 141 | 37 | FAIRY1 | ||||
VIE ( 3 2) | ||||||||
In beauty vie! | 1 | 102 | 85 | ALAAR | ||||
Can vie with the modest Eulalie's most unregarded curl — | 1 | 349 | 12 | EULA | ||||
Can vie with the sweet young Eulalie's | 1 | 349 | 12AYZ | EULA | ||||
VIEW ( 6 5) | ||||||||
Which turneth at the view | 1 | 102 | 88 | ALAAR | ||||
That turneth at the view | 1 | 102 | 88F | ALAAR | ||||
Spirits in wing, and angels to the view, | 1 | 111 | 156 | ALAAR | ||||
Unrolling as a chart unto my view — | 1 | 113 | 223 | ALAAR | ||||
Of a demon in my view — | 1 | 147 | 22 | ALONE | ||||
May not — dare not openly view it; | 1 | 345 | 44 | ROUTE | ||||
VIGIL ( 3 2) | ||||||||
A midnight vigil holds the swarthy bat! | 1 | 228 | 19 | COLIS | ||||
A secret vigil holds the swarthy bat! | 1 | 228 | 19B | COLIS | ||||
A secret vigil holds the swarthy bat | 1 | 286 | 24 | POLI | ||||
VIGILANCE ( 1 1) | ||||||||
Which thy vigilance keep — | 1 | 110 | 119 | ALAAR | ||||
VII ( 1 1) | ||||||||
(VII. Line illustrating (in the last word) a foot | 1 | 393 | 20 | MODC | ||||
VIII ( 1 1) | ||||||||
(VIII. Lines to show that “a truly Greek hexameter” | 1 | 393 | 23 | MODC | ||||
VILE ( 1 1) | ||||||||
O you vile wretch! I’ll (hiccup!) not have you Jacinta! | 1 | 251 | 90 | POLI | ||||
VILLAIN ( 12 12) | ||||||||
O villain! villain! she his plighted wife | 1 | 249 | 37 | POLI | ||||
Will damn a man, that damned villain am I! | 1 | 254 | 44 | POLI | ||||
CASTIGLIONE. You can’t! you villain? | 1 | 256 | 106 | POLI | ||||
Villain, thou Art not gone — thou mockest me! | 1 | 275 | 101 | POLI | ||||
And others — the ignorant, stupid, villain! — | 1 | 276 | 22 | POLI | ||||
“Ugo, you villain!” (Ugo shall be my servant) | 1 | 278 | 73 | POLI | ||||
“Ugo you villain! — look you here, you rascal! | 1 | 278 | 74 | POLI | ||||
Hold him a villain? — thus much, I prythee, say | 1 | 280 | 35 | POLI | ||||
POLITIAN. Draw, villain, and prate no more! | 1 | 281 | 57 | POLI | ||||
CASTIGLIONE. Ha! — draw? — and villain? | 1 | 281 | 58 | POLI | ||||
Before all Rome I’ll taunt thee, villain, — | 1 | 282 | 90 | POLI | ||||
VINDICTIVELY ( 1 1) | ||||||||
Can it be fancied that Deity ever vindictively | 1 | 393 | 10 | MODC | ||||
VINE ( 2 2) | ||||||||
The mask — the viol — and the vine. | 1 | 200 | 30 | CITYA | ||||
The viol, the violet, and the vine. | 1 | 201 | 23 | CITYH | ||||
VINTNER’S ( 1 1) | ||||||||
The richest vintner's daughter owning these jewels! | 1 | 252 | 111 | POLI | ||||
VIOL ( 2 2) | ||||||||
The mask — the viol — and the vine. | 1 | 200 | 30 | CITYA | ||||
The viol, the violet, and the vine. | 1 | 201 | 23 | CITYH | ||||
VIOLATE ( 1 1) | ||||||||
A traitor, violate of the truth | 1 | 35 | 277 | TAMA | ||||
VIOLET ( 9 7) | ||||||||
In violet bowers, | 1 | 108 | 81 | ALAAR | ||||
On violet couches faint away. | 1 | 160 | 15 | MYST | ||||
The viol, the violet, and the vine. | 1 | 201 | 23 | CITYH | ||||
Was the velvet violet, wet with dews, | 1 | 301 | 6 | PARO | ||||
While ever to her young Eulalie upturns her violet eye. | 1 | 349 | 21 | EULA | ||||
While ever to it young Eulalie upturns her violet eye. | 1 | 349 | 21AZ | EULA | ||||
And ever to it young Eulalie upturns her violet eye. | 1 | 349 | 21BCD | EULA | ||||
But whose velvet-violet lining | 1 | 368 | 77 | RAVEN | ||||
Clad all in white, upon a violet bank | 1 | 445 | 17 | TOHEL | ||||
VIOLETS ( 3 3) | ||||||||
There th’ uneasy violets lie — | 1 | 192 | 30 | NISA | ||||
Low crouched on Earth, some violets lie, | 1 | 193 | 42 | NISB | ||||
Over the violets there that lie | 1 | 196 | 20 | NISE | ||||
VIPER ( 2 2) | ||||||||
Thy servant maid! — but courage! — 'tis but a viper | 1 | 262 | 57 | POLI | ||||
“Begone I say this minute — get out you viper. | 1 | 278 | 78 | POLI | ||||
VIRGINAL ( 1 1) | ||||||||
Virginal Lilian, rigidly, humblily, dutiful; | 1 | 393 | 2 | MODC | ||||
VIRGINIA’S ( 2 2) | ||||||||
In setting my Virginia's spirit free. | 1 | 467 | 8 | MOTHB | ||||
In setting my Virginia's spirit free. | 1 | 467 | 8 | MOTHC | ||||
VIRTUE ( 4 3) | ||||||||
Thy virtue, grace, and beauty, | 1 | 235 | 60 | THOUJ | ||||
Where tyrant virtue reigns alone; | 1 | 384 | 6 | KING | ||||
With wisdom, virtue, feeling fraught, | 1 | 386 | 22 | FSO | ||||
In Truth — in Virtue — in Humanity — | 1 | 400 | 7 | MLS | ||||
VIRTUES ( 1 1) | ||||||||
Virtues that challenge envy's praise, | 1 | 386 | 7 | FSO | ||||
NISAGE ( 1 1) | ||||||||
With a visage full of meaning, | 1 | 192 | 21 | NISA | ||||
VISION ( 6 6) | ||||||||
The earth reel — and the vision gone? | 1 | 29 | 97 | TAMA | ||||
The earth reel, & the vision gone? | 1 | 41 | 97 | TAMB | ||||
In a vision — or in none — | 1 | 53 | 241 | TAMF | ||||
That vision of my spirit; | 1 | 75 | 12 | IMIT | ||||
In a vision — or in none — | 1 | 131 | 15 | SHOULD | ||||
In a vision, or in none, | 1 | 452 | 8 | TAKE | ||||
VISIONARY ( 4 4) | ||||||||
And donn’d a visionary crown — | 1 | 50 | 168 | TAMF | ||||
And donn’d a visionary crown —— | 1 | 58 | 156 | TAMH | ||||
Flap shadowy sounds from visionary wings — | 1 | 104 | 129 | ALAAR | ||||
In the visionary hills! | 1 | 378 | 5 | LINES | ||||
VISIONS ( 8 8) | ||||||||
Now are visions ne’er to vanish — | 1 | 72 | 20 | SPIRD | ||||
In visions of the dark night | 1 | 79 | 1 | ADRE | ||||
The visions of my youth have been — | 1 | 81 | 7 | HAPP | ||||
When winged visions love to lie | 1 | 183 | 3 | IRENE1 | ||||
How many visions of a maiden that is | 1 | 311 | 7 | ZANTE | ||||
Bewildering fantasies — far richer visions | 1 | 406 | 13 | MARA | ||||
Richer, far wilder, far diviner visions | 1 | 407 | 13 | MARB | ||||
Such hilarious visions clamber | 1 | 450 | 3 | ALE | ||||
VISIT ( 1 1) | ||||||||
We’ll have him at the wedding. ’Tis his first visit | 1 | 259 | 43 | POLI | ||||
VISITER ( 5 5) | ||||||||
Now each visiter shall confess | 1 | 193 | 27 | NISB | ||||
Now each visiter shall confess | 1 | 195 | 9 | NISE | ||||
“’Tis some visiter,” I muttered, | 1 | 365 | 5 | RAVEN | ||||
“’Tis some visiter entreating | 1 | 365 | 16 | RAVEN | ||||
Some late visiter entreating | 1 | 365 | 17 | RAVEN | ||||
VISTA ( 4 3) | ||||||||
Gazing, entranced, adown the gorgeous vista, | 1 | 407 | 28 | MARA | ||||
Gazing, entranced, adown the gorgeous vista, | 1 | 408 | 23 | MARB | ||||
And we passed to the end of the vista — | 1 | 418 | 75 | ULA | ||||
And we passed to the end of a vista — | 1 | 418 | 75K | ULA | ||||
VISTAS ( 1 1) | ||||||||
Lay bare, thro’ vistas thunder-riven, | 1 | 157 | 15 | INTRO | ||||
VIVID ( 1 1) | ||||||||
Dreams! in their vivid colouring of life — | 1 | 69 | 29 | DREA | ||||
VOICE ( 45 40) | ||||||||
His very voice is musical delight, | 1 | 11 | 69 | TEMP | ||||
Of war, and tumult, where my voice | 1 | 28 | 55 | TAMA | ||||
My own voice, silly child! was swelling | 1 | 28 | 56 | TAMA | ||||
To her soft thrilling voice: To part | 1 | 36 | 292 | TAMA | ||||
Comes o’er me, with the mingled voice | 1 | 37 | 340 | TAMA | ||||
Comes o’er me, with the mingled voice | 1 | 44 | 340 | TAMB | ||||
The undying voice of that dead time, | 1 | 45 | 23 | TAMF | ||||
Of human battle, where my voice, | 1 | 47 | 54 | TAMF | ||||
My own voice, silly child, was swelling | 1 | 47 | 55 | TAMF | ||||
The undying voice of that dead time, | 1 | 54 | 23 | TAMH | ||||
Of human battle, where my voice, | 1 | 55 | 50 | TAMH | ||||
My own voice, silly child! — was swelling | 1 | 55 | 51 | TAMH | ||||
A voice came from the threshold stone | 1 | 60 | 217 | TAMH | ||||
Joy's voice so peacefully departed | 1 | 100 | 8 | ALAAR | ||||
She stirr’d not — breath’d not — for a voice was there | 1 | 104 | 122 | ALAAR | ||||
Silence is the voice of God — | 1 | 104 | 125.1B | ALAAR | ||||
The eternal voice of God is passing by, | 1 | 104 | 131 | ALAAR | ||||
The eternal voice of God is moving by, | 1 | 104 | 131B | ALAAR | ||||
Is not its form — its voice — most palpable and loud? | 1 | 107 | 47 | ALAAR | ||||
Of his voice, all mute. | 1 | 175 | 7 | ISRG | ||||
That my voice is growing weak — | 1 | 206 | 15 | PAEAN | ||||
A voice from out the Future cries, | 1 | 214 | 10 | PARA | ||||
A voice is whispering unto me, | 1 | 214 | 18.1A | PARA | ||||
Thy lover's voice tonight shall flow | 1 | 223 | 19 | SERE | ||||
Thus musical thy soft voice came, | 1 | 225 | 5 | FANNY | ||||
There is — what voice was that? | 1 | 268 | 18 | POLI | ||||
I heard not any voice except thine own, | 1 | 268 | 19 | POLI | ||||
POLITIAN. It is a phantom voice! | 1 | 268 | 25 | POLI | ||||
A lady's voice! — and sorrow in the tone! | 1 | 269 | 54 | POLI | ||||
Into my heart of hearts! that eloquent voice | 1 | 269 | 57 | POLI | ||||
Into my heart of hearts! that voice — that voice | 1 | 269 | 57AB | POLI | ||||
Be still! — the voice, if I mistake not greatly, | 1 | 269 | 61 | POLI | ||||
Voice | 1 | 270 | 8d | POLI | ||||
Voice | 1 | 270 | 18d | POLI | ||||
Voice | 1 | 271 | 7d | POLI | ||||
(Voice loudly.) | 1 | 271 | 25d | POLI | ||||
methought the voice | 1 | 271 | 107 | POLI | ||||
Sweet voice! I heed thee, and will surely stay. | 1 | 271 | 109 | POLI | ||||
And let me hear thy voice — one word — one word, | 1 | 275 | 95 | POLI | ||||
And then she has a voice. Heavens! what a voice! | 1 | 278 | 61 | POLI | ||||
And the voice seemed his who fell | 1 | 309 | 10 | BRIDF | ||||
Who “had the sweetest voice of all God's creatures,” | 1 | 406 | 15 | MARA | ||||
Who has “the sweetest voice of all God's creatures,” | 1 | 407 | 15 | MARB | ||||
VOICES ( 2 2) | ||||||||
And phantom voices. | 1 | 268 | 25 | POLI | ||||
In voices of surpassing beauty, | 1 | 316 | 31 | HAUNT | ||||
VOID ( 1 1) | ||||||||
A void within the filmy Heaven. | 1 | 202 | 47 | CITYH | ||||
VOLATILE ( 1 1) | ||||||||
Gay, volatile and giddy — is he not? | 1 | 259 | 52 | POLI | ||||
VOLCANIC ( 2 1) | ||||||||
These were days when my heart was volcanic | 1 | 416 | 13 | ULA | ||||
These were the days when my heart was volcanic | 1 | 416 | 13D | ULA | ||||
VOLUME ( 2 2) | ||||||||
(re-enter JACINTA, and throws a volume on the table.) | 1 | 261 | 27d | POLI | ||||
volume of forgotten lore — | 1 | 364 | 2 | RAVEN | ||||
VOLUMINOUSLY ( 2 1) | ||||||||
What a gush of euphony voluminously wells! | 1 | 436 | 26 | BELLSEG | ||||
What a gush of euphony voluminously wells! | 1 | 436 | 26A-HJ | BELLSEG | ||||
VOW ( 16 11) | ||||||||
There is a vow were fitting should be made — | 1 | 263 | 93 | POLI | ||||
A sacred vow, imperative, and urgent, | 1 | 263 | 94 | POLI | ||||
A solemn vow! | 1 | 263 | 95 | POLI | ||||
This sacred vow? Not that — Oh no! — no! — no! | 1 | 264 | 99 | POLI | ||||
A vow — a vow? Not that — Oh no! — no! — no! | 1 | 264 | 99B | POLI | ||||
A pious vow? Not that — Oh no! — no! — no! | 1 | 264 | 99C | POLI | ||||
The deed — the vow — the symbol of the deed — | 1 | 264 | 104 | POLI | ||||
Behold the cross wherewith a vow like mine | 1 | 264 | 106 | POLI | ||||
And, when he breathed his vow, | 1 | 307 | 8 | BRIDA | ||||
An irrevocable vow — | 1 | 307 | 20 | BRIDA | ||||
But, when first he breathed his vow, | 1 | 308 | 7 | BRIDF | ||||
But, when he breathed his vow, | 1 | 308 | 78 | BRIDF | ||||
They have registered the vow — | 1 | 308 | 32 | BRIDA | ||||
And this the plighted vow; | 1 | 309 | 21 | BRIDF | ||||
Quick they registered the vow; | 1 | 309 | 21B | BRIDF | ||||
VOWS ( 3 3) | ||||||||
If ever plighted vows most sacredly | 1 | 254 | 42 | POLI | ||||
And confidence — his vows — my ruin — think — think | 1 | 263 | 88 | POLI | ||||
And vows before the throne? | 1 | 263 | 92 | POLI | ||||
VULTURE ( 1 1) | ||||||||
Vulture, whose wings are dull realities? | 1 | 91 | 4 | SCI | ||||
WAFT ( 4 3) | ||||||||
But waft thee on thy flight, | 1 | 207 | 39 | PAEAN | ||||
But waft the angel on her flight | 1 | 336 | 47 | LENA | ||||
But waft the angel on her flight | 1 | 337 | 21C-GL | LENK | ||||
But waft the angel on her flight | 1 | 337 | 26 | LENK | ||||
WAIST ( 2 1) | ||||||||
And zone that clung around her gentle waist | 1 | 108 | 54 | ALAAR | ||||
And zone that clung about her gentle waist | 1 | 108 | 54F | ALAAR | ||||
WAIT ( 2 1) | ||||||||
And they wait for us below — Politian give | 1 | 270 | 83Ax | POLI | ||||
Shall wait upon thee, and the angel Hope | 1 | 274 | 81 | POLI | ||||
WAITING ( 2 2) | ||||||||
That I’m the richest waiting maid in Rome | 1 | 252 | 110 | POLI | ||||
LALAGE. I did not know, Jacinta, you were in waiting. | 1 | 260 | 2 | POLI | ||||
WAKE ( 3 3) | ||||||||
Thy heart — In heart! — I wake and sigh, | 1 | 132 | 9 | BOWERS | ||||
To wake to sunshine and to show’r, | 1 | 224 | 3 | SLEEP | ||||
Must wake to weep. | 1 | 224 | 20 | SLEEP | ||||
WAKENING ( 1 1) | ||||||||
Wakening the broad welkin with his loud battle cry; | 1 | 341 | 2 | CAMP | ||||
WAKING ( 6 5) | ||||||||
Nothings of mid-day waking life — | 1 | 32 | 170 | TAMA | ||||
Nothings of mid-day waking life — | 1 | 41 | 170 | TAMB | ||||
Of waking life to him whose heart shall be, | 1 | 68 | 6 | DREA | ||||
Of waking life to him whose heart must be, | 1 | 68 | 6A | DREA | ||||
With a wild, and waking thought | 1 | 75 | 6 | IMIT | ||||
But a waking dream of life and light | 1 | 79 | 3 | ADRE | ||||
WALK ( 1 1) | ||||||||
I will not walk myself to death at all — | 1 | 276 | 13 | POLI | ||||
WALK’D ( 4 4) | ||||||||
We walk’d together on the crown | 1 | 33 | 214 | TAMA | ||||
We walk’d together on the crown | 1 | 43 | 214 | TAMB | ||||
We walk’d together on the crown | 1 | 50 | 151 | TAMF | ||||
We walk’d together on the crown | 1 | 58 | 139 | TAMH | ||||
WALKING ( 4 4) | ||||||||
We were walking in the garden. | 1 | 265 | 6 | POLI | ||||
As I was walking with the Count San Ozzo | 1 | 265 | 28 | POLI | ||||
Enter BENITO walking quickly, | 1 | 275 | 27d | POLI | ||||
Superlative! — now that's what I call walking! | 1 | 285 | 130 | POLI | ||||
WALKS ( 2 2) | ||||||||
(walks across and returns,) | 1 | 274 | 2d | POLI | ||||
For the spirit that walks in shadow | 1 | 345 | 41 | ROUTE | ||||
WALL ( 10 6) | ||||||||
The gay wall of this gaudy tower | 1 | 27 | 15 | TAMA | ||||
Wherein I sate, and on the draperied wall — | 1 | 113 | 205 | ALAAR | ||||
Wherein I sate, and on the drapried wall — | 1 | 113 | 205CE | ALAAR | ||||
More beauty clung around her column’d wall | 1 | 113 | 216 | ALAAR | ||||
More beauty clung around her columned wall | 1 | 113 | 216A | ALAAR | ||||
“That o’er the floor, and down the wall, | 1 | 184 | 36.1B | IRENE1 | ||||
“That thro’ the floors, and down the wall, | 1 | 184 | 36.1C | IRENE1 | ||||
That, o’er the floor and down the wall, | 1 | 187 | 28 | IRENE2 | ||||
O’er th’ horizon's fiery wall — | 1 | 192 | 42 | NISA | ||||
O’er th’ horizon's fiery wall — | 1 | 193 | 40 | NISB | ||||
WALLS ( 7 5) | ||||||||
Over ruin’d walls — | 1 | 163 | 60 | FAIRY2 | ||||
Up fanes — up Babylon-like walls — | 1 | 200 | 27 | CITYA | ||||
Up fanes — up Babylon-like walls — | 1 | 201 | 18 | CITYH | ||||
But stay! these walls — these ivy-clad arcades — | 1 | 229 | 26 | COLIS | ||||
These crumbling walls; these tottering arcades — | 1 | 229 | 26A-D | COLIS | ||||
In the Vatican — within the holy walls | 1 | 280 | 44.3AB | POLI | ||||
These crumbling walls — these tottering arcades | 1 | 286 | 33 | POLI | ||||
WAN ( 7 3) | ||||||||
Lit by the wan light of the horned moon, | 1 | 229 | 24 | COLIS | ||||
Lit by the wan light of the horned moon, | 1 | 229 | 24A-CKL | COLIS | ||||
Lit by the wan-light of the horned moon, | 1 | 229 | 24H | COLIS | ||||
Lit by the wan light of the horned moon | 1 | 286 | 31 | POLI | ||||
While the angels, all pallid and wan, | 1 | 326 | 37 | WORM | ||||
And the seraphs, all haggard and wan, | 1 | 326 | 37A | WORM | ||||
And the angels, all pallid and wan, | 1 | 326 | 37B-FHKL | WORM | ||||
WANDER’D ( 3 2) | ||||||||
But as I wander’d on the way | 1 | 38 | 364 | TAMA | ||||
I wander’d of the idol, Love, | 1 | 52 | 227 | TAMF | ||||
I have wander’d home but newly | 1 | 345 | 55D | ROUTE | ||||
WANDERED ( 2 2) | ||||||||
I wandered of the idol, Love, | 1 | 61 | 232 | TAMH | ||||
I have wandered home but newly | 1 | 345 | 55 | ROUTE | ||||
WANDERER ( 4 3) | ||||||||
A wanderer by moss-y-mantled well — | 1 | 112 | 183 | ALAAR | ||||
A wanderer by mossy-mantled well — | 1 | 112 | 183E | ALAAR | ||||
The weary, way-worn wanderer bore | 1 | 166 | 4 | HELF | ||||
As they pass the wanderer by — | 1 | 344 | 36 | ROUTE | ||||
WANDERERS ( 3 1) | ||||||||
The hearts of many wanderers who look in | 1 | 107 | 39.3B | ALAAR | ||||
Wanderers in that happy valley, | 1 | 316 | 17 | HAUNT | ||||
All wanderers in that happy valley, | 1 | 316 | 17A | HAUNT |
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Notes:
Note: For this online presentation, the underlined text has been rendered as italic, in keeping with the original intention.
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[S:0 - CPEAP, 1989] - Edgar Allan Poe Society of Baltimore - Works-Concordance of the Poetry of EAP (E. Wiley) (Letter A-ALL)