∞∞∞∞∞∞∞
INDEX
THE PRUDENT USER OF THE INDEX BELOW WILL HAVE STUDIED THE TYPOGRAPHICAL ARRANGEMENTS SET OUT ON P. XI OF THE PREFACE.
a, in acatalectic, the pons asinorum of students of prosody: 45, 94
a, quantity of: 206'2, '3, '5, 207'6, 208'13, 210'24
A boundless sea of blood, and the wild air: 12:60
a breath can make them as a breath has made: 112
A midnight black with clouds is in the sky: 19.91
A needless Alexandrine ends the song: 89.6
A palm like his, and catch from him the sacred flame: 12'56
A poet's form she placed before their eyes: 7.33
a posteriori prosody; a priori prosody: xv'5
A shoot of that old vine that made: 30'52
A soul immortal, spending all her Fires: 163.10
A various language: for his gayer hours: 145.60
About her cabin door / The wide old woods resounded with her song: 27.32
About the cliffs / Lay garlands, ears of maize, and shaggy skins: 28.35
abyss, celestial: 37'85
acatalectic, defined by Brown: 45'2, 94'5, 182
acatalecticism, alleged, in Byron: 63'51, 129'25
— accent: an element of quantity: 196
— musical bar marked by: 190
— not confided to the understanding: 117.71
accent, noun and verb, glossed: 135.35
accented dactyl, defined, by Felton: 149.75
accented syllable, quantity of: 104
accented spondee, glossed: 195.21
accentual force, syllabic quantity dependent on: 181
accentual system of prosody: xvi:12, 121.3
— condemned: 202'30
— nonsensical: 121'3
— repelled: xv:4
— scansion of ‘The haunted palace’: xxvi
— scansion of ‘Ulalume’: xxviii:71
accentual-foot system of prosody: xv.1, .3, xvi:15
accentuation:
— affected by inflexion: 148'70
— English prosody dependent on: 58'41
accentuation, glossed: 135.35
acephalous, not used by Brown: xix.31
Adams, Ernest W.: 101.31#
adaptation, a species of equality: 100
Addison, Joseph: 184:5
Ade, George: 143.55#
adjective and substantive, homoioteleuton between, in Latin: 109.48
Adullam, linguistic: 197.20
adultery, a sanctioned amusement: 206'1
ae, ligated: by Poe: xii
— macron over, not cut: 53.28
affect, archaic use of, dehorted: 28'35
affectation, a source of errors in melody: 82
affection, woman's, the vulnerable place in man's spirit: 117.66
aim, of English grammar, demanded: 48, 95
air, sonority of: 14
Akenside, Mark, late adoption of trisyllabic feet by: 164, 178
Akenside:
— The pleasures of imagination: 164:16, 177'28
— The pleasures of the imagination: 164.16, 165.17, .18, .19
— Poems, 1772: 164.16#
alarm, uncertainly heard, violent decasyllabic reaction to: 163.9
Alas! his deck was trod by unwilling feet: 210'23
Alcofribas Nasier: 123.6
Alden, Abner: 49.15
Aldrich, Mary A. S.: 126.18#
alexandrine: 88-92
— as fourteenth line of quatorzain: 34'75
— in ‘Al Aaraaf’: xxii
— not isochronous with decasyllable: 202
— pause after third foot: xx§16, 12
— trochee in: 12
— two consecutive trochees: 13.59
alexandrine, = iambic hexameter: 182
Alexis calls me cruel: 34:81
Alger, Israel, his edition of Lindley Murray: 49.15
All day this desert murmured with their toils: 18.83
All dim in haze the mountains lay: 22:10
All is silent, save the faint/And interrupted murmur of the bee: 28:40
All that tread/The globe are but a handful to the tribes: 41.99
All the green herbs/Are stirring in his breath; a thousand flowers: 28:41
all writers, glossed: 53.30
allegory, unsustained: 16
Allen, Gay Wilson: xiiii'22
Allen, American prosody: xv.3#, xvi:23, xvii.9, xix.26, .31, xxi.45, xxvii.64, xxviii:70, xxix.75, .80
alliteration:
— inserted to secure new equalities: 112
— a mood of verse: 100
— not lawful rhyme in English: 68.59
alliteration, rhyme differentiated from: 69.59
Alone Mokanna, midst the general flight: 170'36, 180'48
alphabetization: in index: xi
— in table of rhymes: xii
Alps, vista from, exaggerated: 164.16
Also the church within was adorned for this was the season: 150'79
Alterton, Margaret: x:7#, xiiii
altogether, commas around: 17.81
-am, Latin termination, prosody of: 78
Amado, Milton: xiii.18#
amazement, vocal expression appropriate to: 186
ambiguity-hunters work over Donne: 173.9
ambivalence, Poe's, toward Longfellow: xxxi'86
Amelia: SEE Welby, Amelia B.
American language, death of: 142
American Monthly Magazine: 4:20, :24, 9.37, 4:14, 116'63, 117'65
American Whig Review: 88.3#, 88.5, 91.10, 91.12, 187.1
Among thy gallant sons that guard thee well: 10'50
Among trunks grouped in myriads round: 142
amphibrach:
— defined by Allen: xvii.18
— defined by Saintsbury: xxiii.56
— etymology of: xvi'18
amphibrachys: xxxii'91
— admitted by Everett, in combination with other feet: 97.23
— in ‘Al Aaraaf’: xxii'56, 99.29
— rejected by Crowe: 55.30
— tailless, confounded with headless anapaest: xxiii.57
amphimacer: defined by Allen; etymology of: xvi:19
An ugly reptile;/She will'd us not to speak of it — The Gods: 163.15
anacrusis: xxxii:92
— in ‘The haunted palace’: xxvi
analysis, absent from chapters on English versification: 45, 94
anapaest, a trisyllabic foot: xviii§7
— acephalous: xxxii'91
—— confounded with acaudate amphibrachys: xxiii.57
—— in ‘Ulalume’: xxviii
—— mixed with anapaests by Everett; numerical notation of: 129.23
— admitted: by Crowe: 55.30
—— by Everett: 97.23
— apparent, substituted by Pope for iambus: 113'57
— as first foot of poem in dactylic rhythm, deprecated: 119
— caesura (P) equal to: 124
— confounded with dactyl: xxi.50, xxx, xxxi'89
— elision of, proscribed: 115:60
— equivalent to spondee, in decasyllables: 203.29
— Greenwood attempts to scan Byron in anapaests: 129.23
— iambus substituted for: by Brown: xx§14
— by Felton: 149.75
— in decasyllables, conveys celerity: 92:16
— in French heroic verse: 147.67, 223.13
— in Mrs Hewitt: 157.18
— in Holmes: 77.76
— in Ligeia! Ligeia!: xxii'51
— in Longfellow's ‘Proem’: xxx
— mixed with: acephalous anapaests, by Everett: 129.23
—— iambi, by Bryant: 24'13, 26
— necessary in Poe's scansions: 99'29
— never substituted for iambus: 114
— notation of, numerical: 134
— rhyme between anapaests: 70.59
— spondee, and dactyl, concourse of: 55.32
— spondee equal to: 60
— spondee substituted for, by Poe: xx§14
— substituted for iambus: xx§12
—— by Everett: 115.59
—— in ‘Al Aaraaf’: xxii'51
—— in alexandrines: 92'13
—— in Holmes: 77.76
— synaeresis of: 74'68, 114'59, 183
— a tetrachronic foot: 114
— when not an anapaest: 157.18
anapaest: ae in, ligated by Poe: xii
— as locum tenens for bastard iambus: 92.13
— spelling of: 25.13
anapaestic dimeter: acephalous: 129.23
— Carlyle's use of: 220'11
—— sources of: 222§3
— in Tennyson: 131.25
— scanned by Marx as dactylic tetrameter: 221.11
anapaestic thanatography: 73.63
anapaestic verse: 184
— rhyme in: 106
anapaestic words, indefinite sequence of: 105
anastatic printing: 65.53
and: elision of: 204
— quantity of: 13.60, 80, 130:28
And all, scanned as acephalous anapaest: 131.28
And every flower that sad embroidery wear: 159'3
And every flower that sad embroidery wears: 176'15
And from the gray old trunks that high in heaven: 28'34
And glorious ages gone: 15'70
And Greece, decayed, destroyed, doth see: 31.52
And his this drum whose hoarse heroic bass: 6'32
And, if by fortune any little nap: 204:37
And now she views, as on the wall it hung: 169.31
And Rheumatisms I send to rack the Joints: 81.84
And Rizpah, once the loveliest of all: 26:23
And, sham'd as we have been, to th' very beard: 165.21
And thou wert sad — yet I was not with thee: 206'4
and shroud, and pall, scanned as dispondee: 145.60
And the blue Gentian flower that, in the breeze: 32'74
and the breeches, prosody of: 77.75
and the gray old men that passed: 26'33
And the night shall be filled with music: xxi.50
And the peasant mother at her door: 154:16
And the shore groans trembling under a fall of billows: 193
And the silken, sad, uncertain: 86'8
And the silken, sad, uncertain rustling of each purple curtain: 86:7
And there the slave, a slave no more: 152'6
And thou didst drive from thy unnatural breast: 10'47
And thou shouldst chase the nobler game, and I bring down the bird: 22'7
And thrice he lifted high the birth-day band: 6'28
And virtue cannot dwell with slaves, nor reign: 10.45
And what if cheerful shouts, at noon: 30'60
And when my last sand twinkled in the glass: 32'69
And where his willing waves yon bright blue bay: 15.67
And where the river of bliss, midst of heaven: 162'7, 177'19
And whether famished evening wolves had mangled Albert so: 23.8
Angels with lofty honours crown his head: 175.11
anisochronous feet, necessary: 191'14
anopia, predicated of pedants: 140
anthology, Everett provides a valuable: 205
Anthon, Charles:
— Elements of Latin prosody: 83.91#, 99.30
— A system of Greek prosody: 125.8#
— A system of Latin prosody: 78.78#
— The works of Horace: 139.49#
anticipated rhymes, where found: 85
antiquity, deference to, irrational: 94
antistrophe, in Pindaric odes, equal strophe: 51.21
antithesis:
— forced, between melody and Harmony: 51.22
— in Bryant: 22
— combined with rhythmical force: 14'66
Apollo, his herpetophobia: 163.15
apostrophe, in heroic verse, purpose of: 8.36
April, proud-pied: 190:11
Aquella pecadora, que solia: 35.80
Araxes, prosody of: 83.91
arbitrary rhyme, not urged: 86
are, elision of: 63
are, quantity of: 62, 128, 132
Are emblems of deeds that are done in their clime: 62, 128'23
Aristophanes, Clouds: 86:9, 106.43
Aristotelean, all pedants are: 105.37
Aristotelean, synonym of a priori: xv'5
Aristotle: Nicomachean ethics: 109.50
arms, complacent: 14:63
Armstrong, John, trisyllabic feet in: 164'20, 178'32
Armstrong, The art of preserving health: 165.20#
Arno, smiling, an international distillery: 3.11
ars celare artem: 44:8, 115.61
articles: absent in Latin: 78
— declension of: 216'6
articles a, an, the:
— treatment of, in index: xi
artificial feet, glossed: 105.37
Artillery, heroic verse compared to: 187
As Helluo, late Dictator of the Feast: 195.19
As if the day of fire had dawned and sent: 32'67
As if they loved to breast the breeze that the cool clear sky: 22'6
As when a wearie traueller that strayes: 167.23
asclepiadic choriambic tetra,eter: 139.49
— forced under English scansion: xviii
assonance: miscellaneous, introduced to strengthen verses: 112
— not lawful rhyme in English: 68.59
assonance:
— not the proximate genus of rhyme: 67.59
— rhyme differentiated from: 69.59
association, constant, with inanimate nature, effect of: 42'4
Astarte's bediamonded crescent: xxix.71
astonishment:
— expressed by spondee in fifth foot of Latin hexameter: 78.78
— gigantic: 208'11
astronomer, = άστρολογος: 125.8
astrologos, a pentachronic foot: 124
astrologer, = άστρολογος: 125.8
asyllabic foot: 123.7
— in musical system of scansion: xviii
At last the earthquake came — the shock, that hurled: 15.66
At the close of the day when the hamlet is still: 184
Atropos, provoked by Fame: 159.2
Auream quisquis mediocritatem: 191'14
author index, used euphemistically: xi.11
authoritative, differentiated from authority definitive: xiiii:24
authority:
— cursing curbed by: 117.71
— in versification, absent: 106
— its place in English grammar: 47.6
— sole basis of chapters on English versification: 45, 94
authority, glossed: 104
— meaning of, demanded: 142'57
Autumn, prodigal: 8:41
auxiliary verbs, monosyllabic, absent from Greek and Latin hexameters: 148'70
avenue, how landscaped: 103.33
Ay, thou art for the grave; thy glances shine: 34:77
Aye, if a poor man; Steno's a patrician: 208'13
azure, scanned as spondee: 126
— sonority of: 14
b, in entombed, voiced: xxv.60
bacchius, a chimerical foot: 55.32
Bacon (grammarian): 46:5, 49.15, 95'7
Bacon, Francis: Idolum theatri: 94'4
— his prose, spondees in: 196
Bacon, Essays: 85:6
Baconian: glossed: 141.52
— synonym of a posteriori: xv
bad grammar, defined by Pue: 49.13
balancing, = equalization: 4'22
ballad airs, appreciated by unpractised ears: 100
balloon:
— contrasted with railway: 143.55
— mesmeric, a XXIX-century locomotive: 142:55
Balnibarbi, language of, reform of: 59.42
Banks, T. H., edition of Denham: 169.32
Banners yellow glorious golden: xxvi
baptism: prosody of: 150'80
scanned as spondee: 81'84
bar, a division of a musical line: 190
Barbier, Jules: 221.6
bars: = feet: 90
Bartlett, John: 222:15#, :16#, :17, :18#, :19#, :20#
base degrees, quotation books likened to: 222:14
bastard anapaest, a tetrasyllable foot: xviii'37, 99.29
— and anapaest, monosyllabic rhyme between: 70.59
— dental consonants in: xxix.72
— explanation of, unnecessary: 132
— in ‘Ulalume’: xxviii'73
— notation of, numerical: 134
bastard dactyl, a tetrasyllable foot: xviii'37, 99.29
— amputated by uncomprehending prosodists; as third foot in four-footed scansion of sapphics: 146
— in ‘Al Aaraaf’: xxiiii
— notation of: by crescents: 132
— numerical: 134'37
bastard feet:
— as first foot of poem, dehorted: 119'78
— notation of, by crescents, why introduced: 133'33
— when invented: viii
bastard iambus, a trisyllabic foot: xviii'35, 5.21, 99.29
— and iambus, monosyllabic rhyme between: 70.59
— common in iambic rhythms: 132
— enforced by rhyme: 115.62
— essentially an iambus: 133
— in ‘Al Aaraaf’: xxii'52, 119.74
— in decasyllables: 201.29
— in Holmes: 77.76
— in Longfellow's ‘Proem’: xxx
— in Street: 83.90
— notation of: by crescents: 115
—— numerical: 134
— substituted for iambus:
— by Mrs Hewitt: 156'18
—— by Poe: xx§12
— tribrachys an alternative to: xviii§7
bastard trochee, a trisyllabic foot: xviii'36, 99.29
— common in trochaic rhythms: 132
— iambic dactyl scanned as: 203.33
— notation of: by crescents: 116, 120:79
—— numerical: 134
— quick trochee derived from: 124
— substituted for trochee: xx§13
Battell, Joseph: 43.4#
battle-axe, imbrued in blood: 68.59
Baudelaire, Charles, did not translate ‘Rationale’: xii
Bauhaus, Bernard: 103.32
Be it ours to meditate/In these calm shades thy milder majesty: 38
Be present all ye Genii, who conduct: 164.16
beaches, wave-worn, their bright pebbles: 127.18
Beardsley, Monroe C.: 197.21#
beats, = feet: 90
beautiful, prosody of: 39.91
beautiful/dutiful, equalities in: 108
beauty:
— earthly and heavenly, assimilated: 86
— Mrs Hewitt's appreciation of: 152
— how constituted: 85:6
— ideal, not easily analysed: 42
beauty contest, celestial: xxii'53, 63.49
Beck, Charles, translation of Munk: 87.9#, 99.27
beginning, beginning at the, counselled: 88:4
belles-lettres, englished: 93
benches, oil-painted, how dusted: 80, 150'81
benches, prosody of: 80
beneficent planets, Jupiter and Venus are: 212'8
Benjamin, Park: 116:63
Berkeley, George, Fenelon compared to: 57.36
Bernoulli, Daniel, his hedonic calculus: 101.31
Bernoulli, Jacob, Ars conjectandi: 103.32#
Bible:
— 1 Corinthians: 13.11, 118.76
bibliography, to be avoided by non-bibliographers: xi.11
Bickerstaff, Isaac, Swift's nom de guerre: 6:25
Bielfeld, Jacob: 57.36#
birth-place, abyssal, the west wind's: 38'96
bitterest tears, stt in, how pronounced: 2
blank verse, an acquired taste: 172
blank verse, defined by Brown: 181
blending, variation nullified by: 114
blending, = synaeresis: 74'68, 114'60
Blue lightnings tinge the wave: 183
blues: talking, invented by Roderick Usher: xxvii'66
— twelve-bar: scanned as brachycatalectic: 3.9
— Tovey's scansion of: xix.24
blushes, how concealed: 28:45
Boeotia, put facetiously for Ireland: 6.25
Boethius: 59.39#
Bon-Bon, Pierre, character of: 78.77
bookworm: manufacturing darkness: 99'27
— unapt for inductive prosody: 142
bottle, scanned as trochee: 196
Boys will anticipate, lavish, and dissipate: 185
brachycatalexis, in Tennyson: 131'25
brachys: multiply ambiguous: 138'44
— where printed: xix.40
Brady, Nicholas: xvii.9
breast: entombed: 73.63
— glowing Beauty's, inflation of: 119.77
— haunted, the forest's: 39.95
— immaculate: 42:3
— of Earth: a couch and auditorium: 20:93
— the last bed of all: 41.99
— pure, the lake's: 127.18
— unnatural: 10'47
Breezes of the south!/Who toss the golden and the flame-like flowers: 18:85
brick-bat, compared to brick: 51.20
Bring the rathe Primrose that forsaken dies: 159.3
Bristed, Charles Astor: 90:12
British Museum: xiii
brooks, complaining: 40'2
Brown, Goold, The institutes of English grammar: 181.1#, 181-185, 45'2, 46'5, 49'15, 67:57, 74:68, 94:5, 95:6, 114:59, 129:24, 216'9, viii:3, xviii'25, 53.30, 59.44, 63.50, 105.35, 107.40, 133.32
Brown, Lucie: xiiii'22
Bryant, William Cullen: apologizes for his poetic licences: 171.2
— as translator: 34
— false quantities in: 144'60
— quantity of articles a, an, the in: xx'42
— refreshed by trisyllabic feet: 166, 178
— his rhapsodies: 43
— his unquestioned reputation: 1
— an unsurpassed versifier: 44
Bryant: The ages: 2:8, :11, 8:40, :41, :42, :43, 10:44, :45, :46, :47, :48, :49, :50, :51, :52, :53, 12'56, :57, :59, :60, '61, 68.59, 82'87, 1'5, 99.29
— The Arctic lover: 26'25
— Autumn woods: 28:44, :45, :46, 28'43
— Catterskill falls: 24:12, 24'11, '13, 26
— The conjunction of Jupiter and Venus: 30'58, 82'88, 195'21, 211:1, :2, :3, 30'57
— The damsel of Peru: 24:17, :18, 24'16
— The disinterred warrior: 30'49, 30'48
— Earth: 19.91, 20:93, :94, :95, 18'89, 22, 34'97
— Forest hymn: 27.30, 28.34, 36:88, 38.89, :92, 36:87, 38'97
— The hunter of the prairies: 24'14
— The hunter's vision: 22:10, 22'9, 24
— The Indian girl's lament: 26'24
— Innocent child and snow-white flower: 32:62, :63, 31'61
— The knight's epitaph: 20'98
— The living lost: 22:3, :4, 22'2, 30'51, 34'78
— Mary Magdalen: 34'80
— The massacre at Scio: 26:27, 26'26
— A meditation on Rhode Island coal: 30:56
— Mutation: 32'72
— Monument mountain: 26:29, 27.31, .32, .33, 28.35, 26'28
— November: 32:74, 34.75, 32'73
— Oh, fairest of the rural maids!: 40:3, 44
— The old man's funeral: 16:74, :75, 16:72, 20'96
— On the use of trisyllabic feet in iambic verse: 159.1#, 159-170, xviii'25, 3.10
— On trisyllabic feet in iambic measure: 171.1#, 171-180, xviii'25, 3.10
— Poems, 1821: 1:6#
— Poems, 1834: 211.2#
— Poems, 1836: 1:2#, 1:7, 34.76, xii, 211.1
— Poems, 1847: 211.3#
— The prairies: 18:82, :83, :84, :85, :88, 19.87, 17:80, 18'90
— Song (from the Spanish of Iglesias): 34:81, xxx'85
— A song of Pitcairn's Island: 25:20, 24:19, 26'24
— Sonnet — to Cole: 32:71, 33.70
— The strange lady: 22:6, :7, :8, 22'5
— Summer wind: 28:38, :40, :41, 28'37
— Thanatopsis: 40:98, '99, :1, .2, 144:60, 38'97, 44
— To a musquito: 30:55
— To a waterfowl: 36:83, :85, :86, 36:82, 40
— To —— [sonnet]: 34:77
— To the Apennines: 20:97, 20:96
— To the evening wind: 38:95, :96, 38'94
To the past: 15:70, 16:71, 15:68
— When the firmament quivers with daylight's young beam: 30'53
Buffalonian, in serious use: 151.78
bump, = anacrusis: xxxii
Bunner, H. C.: 222
Bunyan, John, The pilgrim's progress: 57.36
burden, = refrain: 112
burlesque: juxta-rhyme in: 107.44
— short lines adapted to: 67, 132'30
— trisyllabic rhyme in: 70.59
— which useful in: 65.52
burn more bright, not predicable of orbs: 212
Burns, Robert, his flute-like strains: 188
Burns, She says she lo'es me best of a': 193:18#
But 'neath yon crimson tree: 28:45
But now he walks the streets: 214'16
But, now o'er thy breast in the hush of the tomb: 73.63
But oh! a spirit looketh: 154:11
But say, if our Deliverer up to Heaven: 12:55, 75'70
But such a bulk as no twelve bards could raise: 6'33, 76'72
But the chief/Are poets, eloquent men, who dwell on earth: 164:19, 178'31
But these are better than the gloomy errors: 207'9
But thou art here — thou fill'st/The solitude. Thou art in the soft winds: 37.88
But thou, my country, thou shalt never fall: 11.50
But 'tis a common proofe,/That Lowlynesse is young Ambition's Ladder: 223.14
But worse than these/I deem, far worse, that other race of ills: 165.17
But ye, who for the living lost: 22:3
by blazes, not an oath: 142'54
Byron, George Gordon:
— coiner or utterer of clichés: 40'98
— disyllabic rhyme in: xx§19
— his failure to imitate Goethe: 222§1
— false accents in: 206-210, 14:62
— his ignorance of Staël: 222'12
— his prosody, ninety-nine inept discussants of: 62
— quantity of articles a, an, the in: xx'42
— his versification, unsystematic and insufficiently varied: 172'6
Byron: The age of bronze: 209:22
— Beppo: 207:8
— The bride of Abydos: 62:49#, 128'19, 132, 222'16, xxiiii, 107.40, 145.60, 220'7
—— damned with faint praise: 128
—— imitated by Carlyle: 222§3
— Cain: 209:18
— Childe Harold's pilgrimage: 206:2
— The deformed transformed: xxiii.56, 209:21
— Don Juan: 210:24
— The dream: 206:3
— English bards and Scotch reviewers: 206:1
— Francesca of Rimini: 208:12
— Heaven and earth: 209:19
— The island: 210:23
— The lament of Tasso: 207:7
— Lines on hearing that Lady Byron was ill: 206:4
— Manfred: 207:6
— Marino Faliero: 208:13
— Monody on the death of Sheridan: 206:5
— The Morgante maggiore: 208:11
— Ode on Venice: 208:9
— The prophecy of Dante: 208:10
— Sardanapalus: 208:16
— Sonnet to the Prince Regent: 208:15
— Stanzas to Augusta: xxviii:68
— The two Foseari: 208:17
— The vision of judgment: 208:14
— Werner: 209:20
Bysshe, Edward, his many and learned: 172
caedo, etymon of caesura: 99.25
caesura (ordinary acceptation):
— in elegiac pentameter: 99.25
— in Latin hexameters: 103.32
— Latin, allegedly marked by Macron: 138
— misrepresented by Greek and Latin prosodists: 98
— prescribed, in Latin versification: 141.51
caesura: ae in, ligated by Poe: xii
— etymology of: 99.25
caesura (Poe's monosyllabic foot) can Lo! be scanned as: 211:4
— a chameleonic foot: 61
— chief office of: 64
— equated to the foot preceding: 61'48
— equivalent to trochee: 73'6
— in ‘Al Aaraaf’: xxiiii
— in ‘The haunted palace’: xxvi:63
— in Holmes: 68.59
— in Horace: 61
— monosyllabic rhyme between: 70.59
— necessary in Poe's scansions: 99'29
— notation for: by wavy line: 124, 125
— of varying length: 98'25, 124'12
— quantity of: 104
— rejected by English prosodists: 98
— where found: 60
caesura (P), suggested origin of: 99.25
came, syntax of adverbs with: 119.77
Campbell, George, The philosophy of rhetoric: 88:6#, 92.16, 88.5, 90.10
Campbell, Killis:
— The mind of Poe: 55.33#, 153.1
— The poems of Edgar Allan Poe: xii:14#, 18.81, xxiii.56, xxx:84, 86.8,111.55, 119.77
Campbell, Thomas, Soldier's dream: 59.44
Can he smile on the deeds that his children have done: 64
Can he smile on the deeds which his children have done: 64'52
Can it be fancied that Deity ever vindictively: 112
canoe, eternally unmanned: 68.59
capitals, use of, in table of rhymes: xii
care: absconding: xxi.50
cankering: 32.62
carelessness: entailed by genius: 142
— a source of errors in melody: 82
Carlyle, Thomas: his anapaests, source of; his imitation of Byron: 222'13
Carlyle, translation of Wilhelm Meister: 221.8#, .9#, .10#, 220-222, 222'17
— unacknowledged by Bartlett's quotations: 222
Carré, Michel: 221.6
carriers, elision of: xxii
Carry1, Guv Wetmore: 65.52#
Carter, R.: 93.2
Cary, Phoebe: 51.20#
catalectic, glossed: 45'2, 94'5, 182
catalecticism, in Byron: 63'51, 129'25
catalexis, monosyllabic feet scanned as: 131.25
Caxton, William: 71.63
celerity: dependent on anapaests: 92
— how suggested: 88:5
Cervantes Saavedra, Miguel, Swift invited to emulate: 6:25
cette terre, as translation of das Land: 220'6
change, sonority of: 14
Changing: 184'5
Chaucer, Geoffrey, trisyllabic feet in, Horne's defence of: 116:70, :71
Chaucer modernized: 116:70#
Chippewa language, as medium for grammatical composition: 49.13
choir, seraphic, Fènelon unfitted for membership in: 57.36
choriambic tetrameter, notation of, numerical: 143.58
choriambus: 139.49
Christabel metre:
— Bryant's use of: xv'2, 27.23
— quantitative-foot system unsuited for describing: 131.25
Christians, primitive, God's provision for: 12'55
chronic, dehorted by Poe: 16'75
chronic tortures, glossed: 17.75
chronicles, anciently versified: 186
Cibber, Colley, how cobbled: 7.30
Cicero, M. Tullius: 123.6
Ciceronian, analogical formations after: 151.78
citron-apple, a nonce word: 221
classicism, Mrs Hewitt's: 152
cleaned and the, scanned as dactyl: 150
Clear was the Heaven and blue, and May with her cap crowned with roses: 52:26
Cleonaean/lion, vowel music and alliteration of: 154
clime, as monosyllabic foot, inadmissible: 63, 129
clime where/crime, not a rhyme: 70.59
clockwork, elaborate, of English hexameter: 79.80
clouds: circumfluent: 169.35
— flying: 5.16
— fugitive: 170.36
— metaphysical: 93
— an obstacle to astronomy: 5.18
Cluverus, Dethlevus: 53.26#
coal, New England, unfit subject for a poem: 30
Cobbett, William: 49.13#
cockney rhyme, glossed: 214'16
coexistence, equal and proportional: 108
Cole, Thomas, his departure for Europe: 32:70
Coleridge, Ernest Hartley:
— edition of Byron: 206#, 63.49
— edition of S. T. Coleridge: 121.3#
Coleridge, Samuel Taylor:
— Christabel: 119.75, 85.1, 103.33
— how constructed: xvi:13, 121.3, 141.51
— how scanned: 121
— its rhythm understood by one man in a hundred: 122
— when Poe read: 119.75
— Preface to Christabel: 121.3#, 157.19
Coleridge, Samuel Taylor:
— Bryant compared to: 43'7
— Bryant's ability to shock: 27.23
— false rhythm in: 122
— his hexameters, absurd: 79.81
— reductio ad absurdum applied to: 122
Colet, John, his contributions to Lily's grammar: 216
Colle, scanned as trochee, in asclepiads: 144
colloquialism without vulgarity: 154'14
Colton, George Hooker: 88:2
Columbia University, library: xiii
combinations, metrical, enumerated: 102.32
Come talk of Europe's maids with me: 24:20
come to, scanned as trochee: 123
comic effect, of rhymes in Aristophanes: 87.9
comic poets, their metres: 187
Comly, John: 48:14#, 49.15, 95'16
comma: omitted by: Poe 29.42
— Poe's use of: 17.81
common measure, of interspaces between rhymes, not found: 69.59
C.M., origin of: 182
complacent, sonority of: 14
completeness:
— of ‘To the evening wind’: 38
— a poetic beauty: 14
— requisite to the sonnet: 32
complexity, infinite, apparent: 110'54
comprehension, time a condition precedent to: 86
compression:
— Moore's verse lacks: 172
— requisite to the sonnet: 32
conform, prosody of: 39.91
confusion:
— discussion of verse surrounded by: 93
— predicated of scholastic prosody: 143'57
Connais-tu cette terre où les citronniers fleurissent: 220'6
Connais-tu le pays où fleurit l'oranger?: 221.6
Connois-tu cette terre où les myrtes fleurissent: 220'5
Consistency, the great highway to Truth: xv.5
consistency, = one-ness: 103.33
consonants: moratory concourse of: 195.21
— place of, in English: 193
consternation, expressed by spondee in fifth foot of Latin hexameter: 78.78
context, verse quotations wrenched from: 4'15
continuity, combined with variety: 190
continuous scansion:
— of ‘Al Aaraaf’: xxiiii
— of ‘The haunted palace’: xxvi
— of Holmes, rhymes ignored in: 76
— of ‘Ulalume’: xxviii
continuousness, the first element of beauty: 187
control, scanned as iambus: 134
conventionality, emphasis governed by: 122
Cooper, Joab Goldsmith: 48:11#, 49.15, 95'13
copy, editor's dury [[duty]] toward: 71.63
Corneille, Pierre, mined by dunces: 7.30
Corpora curamus fessos sopor irrigat artus: 196'23
corroboration, apparent effect of: 27.30
Cortázar, Julio: xiii.17#
counterbalance, required by discords: 75
couplet-makers, Pope's superiority to: 4, 56'35
Cowley, Abraham, trisyllabic feet in: 168'30, 180'42
Cowper, William, Bryant compared to: 44
Cowper: Alexander Selkirk: 58:44#, 184'6
Coxe, Arthur Cleveland: 54:33#, 54:34, 98'14
Crabbe, George: 172:5#
Cradle, in his soft embrace, a gay/Young group of grassy islands: 14'67
Cranch, Christopher Pearse:
— My thoughts: 211.11#, 121'2, 123, 136, 137, 212:10, 213.12, ix, 132, 135.40, 138'47
— Poems, 1844: 212:11
Creator, closely related to Indian warrior: 30'49
cribbage, condemned and practised by Poe: x:8
crime, scanned as caesura (P): 64, 130
critic, broken-down, pieces of: 91.12
criticism, Scotch school of: 88:3
crotchet divided into two quavers; minim divided into two crotchets: 191'15
Crowe, William: 55.30#
Crow-toe, tufted, adorns Lycidas's herse: 159.3
crystalloscopy:
— as aid in listening to poetry: 111.52
— hedonics of: viii, 84'4, 100
cujus, prosody of: 83.91
cum tibi sollicito secreti ad fluminis undam: 107.47
Cumberland, Richard, trisyllabic feet in: 162'15, 177'27
Cumberland, The sybil: 163.15#
cur, quantity of: 144
Curll, Edmond, pornographer: 6.26
curses: against clouds: 5.18
— against death: 5.17
— as invocation: 207'6
— omnidirectional: 170.36
cus, in decus, an unstressed syllable: 145.58
cycle: analeptic: 38:96
— progression deduced from: 2
cypress, emblematic: 61:49, 128'19
Cyrano de Bergerac, Savinien: 31.47#
dactyl, a trisyllabic foot: xviii'34
— admitted: by Crowe: 55:30
—— by Everett, in combination with other feet: 97.23
— alleged, in Bryant's and Longfellow's decasyllables: 144'60
— anapaest confounded with: xxi.50, xxx, xxxi'89
— and anapaest, concourse of, as counter-example to Brown's definition of versification: 54'32, 98
— as fifth foot in Greek hexameter: 148.69
— as first foot:
—— of asclepiad, rare: 141.49
—— of decasyllabic line: 115.59
—— of poem in anapaestic rhythm, deprecated: 119
— attempted scansion of ‘Ulalume’ in dactyls: xxx
— bastard: SEE bastard dactyl
— caesura (P) equal to: 61
— combined with spondee; combined with trochee: xx.43
— elision of, proscribed: 115.60
— equivalent to spondee, in decasyllables: 203.29
— iambic, how formed and scanned: 202:33
— in ‘Al Aaraaf’: xxii, xxiiii
— in ‘The haunted palace’: xxvi'63
— in hexameters: English, abundant: 148
— Greek, as variant of spondee: 147
— Latin: 77
— in Longfellow: 78'78
— isochronous: 108
— necessary in Poe's scansions: 99'29
— never substituted for trochee: 114'60
— notation of, numerical: 134'36
— Poe attempts to scan in dactyls:
—— Miss Aldrich: 126'18
—— Horace: 61
— spondee equivalent to: 126
— spondee substituted for: xx§15
— substituted for:
—— iambus, by Whelpley: xviii'34, xx§12
—— spondee, in Greek hexameter: 50, 96
—— trochee, by Brown: xx§13
—— trochee, in Holmes: 74
— suggested by trochee: 104
— synaeresis of: 74'68, 114'59, 183
— a tetrachronic foot: 114
— trisyllabic rhyme between dactyls: 70.59
— trochee equivalenced to, in asclepiads: 144
— trochee substituted for, by Felton: 149.75
dactyl, defined: by Allen: xvii.20
— by Brown: 182
dactylic, predicated of the English language: 78'77
dactylic hexameter:
— defined, by Felton: 149.75
— glossed: 100
dactylic line: Greek, not the model of alexandrines: 90
— in Greek and Latin hexameters: 88.5, 89.6, 91.10
dactylic measure, uncommon: 185
dactylic pentameter catalectic:
— asclepiad scanned as: 140.49
— Poe's straw man: 141.49
dactylic rhythm, caesura (P) in: 134
dactylic rhythm, glossed: 100
dactylic verse: 185
— disyllabic and monosyllabic rhyme ignored by Poe: 107.40
— Poe did not compose: xxix'79, 111.52, 145.59
— rejected by Everett: ix
— trisyllabic rhyme in: 106'40
— uncommon: xviii'34
— walloping: xxix'77
dactylic words, indefinite sequence of dactylics, English, Longfellow's hexameters will pass as: 80
Damiens, Robert, martyrdom of: 9.38
Damiens, pronunciation of: 8:39
Dammit, not an oath: 143.54
dandy, scanned as trochee: 196
Dante Alighieri: 188:6
Darwin, Erasmus, trisyllabic feet in, rare: 168'35, 180'47
Darwin, Erasmus, The economy of vegetation: 169.25#
dash: Poe's use of: 18.81
— used by Whelpley for foot mark: 191.13
Davis, Herbert, editor of Swift: 59.42
day, wished-for: 173.8
day-beam, dewy woods illuminated by: 68.59
De Morgan, Augustus: xiiii
De Vinne, Theodore Low, edition of Moxon: 217.8#
Dean, Swift's ecclesiastical title: 6:25
Death: the Past confounded with: 16'71
— a poor moonwatcher: 5.16
Death is the Crown of Life;/Was Death deny'd, poor Man would live in vain: 163.9
death-wind, th in, how pronounced: 2
decasyllables:
— alexandrine compared with: 89.6, 90:10
— anapaest in: 115.59
—— conveys celerity: 92'16
— blank: xx§18
—— in German versification: xii
—— pure trisyllabic feet in: 160, 176
—— spondee in: xviii'32
— dactyle as first foot of: 115.59
— English: not more than four short syllables in: 202
— rationale of, demanded: 89.5
— feet in: 2'9
— Goethe's, not imitated by Byron: 222§1
— in ‘Al Aaraaf’: xxii
— inadvertent: 1:3
— et passim: 131.25
— Milton's, five spondees possible in: 197.21
— a misleading scansion for ‘Rizpah’: 26.23
— of unrelieved iambi: 171
— Poe's scansion of: 201.29
— Pope's: 113'57
—— collapsible into octosyllables: 175.12
— a model of easy scansion: 122
— regularity in, pleases the unpractised ear: 174
— rhymed: imperfection of: 171
—— trisyllabic feet in: 166, 178
— scannable by syllabic system: xvi, xvii.9
— spondee as second foot in: 115.59
— Sprague's: 70'61
— tribrachys in: 99.29
— trisyllabic feet in, time required by: 4:21
— trochee as first foot of: 113'57, 114:59
— first and second foot: 118'75
— uniquely suited for blank verse: 183
— Whelpley's scansion of: 203.29
decus: prosody of: 144
— scanned as iambus: 145.58
deduction, Baconian: 140'52
deeds, countenanced by Sun: 62:49, 64:52, 128'19
Deep lies in dusk the Theban obelisk: 163.13
decision, metrical expression of: xxi.50
defective, catalectic line condemned as scholarly: 132'31
definitive, differentiated from authoritative: xiiii:24
degen'rate, elision of: 7.33, 8'36, 76
delicate: elision of: 5.20
— licentious occurrences of: 117.65
— prosody of: 116'65
delight, vocal expression appropriate to: 186
Democratic Review: 71.63
Denham, John, trisyllabic feet in: 168'32, 180'44
Denham, Cooper's hill: 169.32#
dental consonants, in bastard anapaest: xxix.72
design, of English grammar, demanded: 48, 95
desire, never-cloyed, love feels no longer: 163.12
deutero-Poe, his scansion: 157.18
dew, falling: 36'83
dew-drop, enfolded by the water lily: 127.18
diaeresis: in alexandrines: xx§16, 12
— in hexameters, to be avoided: 192
diction, poetic, French language deficient in: 57.36
didactics, an essential and primitive error in poetry: 44
dies irae, adumbrated: 33.67
dignified, predicated of Baconian: 141.52
dilettante, radical meaning of: xiiii
Dim was its little disk, and angel eyes: 118:77
diminishing returns, of pleasure: 84'5, 100
diminution, an unsuitable discord: 74
diphthong, in short syllables of trisyllabic feet: 159'2, 175'14
dipody:
— a cause of tedium: 119.73
— in English iambic verse: 3.9
directness, glossed: 154.14
discord, why employed: 74
Disraeli, Isaac:
— Amenities of literature: 107.48#
— Curiosities of literature: 52.27#
dispondee, construction of: 102
distance between rhymes, equalized: 84
distich, of anisochronous feet, licit: 141.49
distribution of time, in bastard feet: 133
disyllabic foot: xviii§6
diversity, = variety: 103.33
Do tell! when may we hope to make men of sense out of the Pundits: 151
documentation:
— Bartlett's quotations seldom cited in scholarly: 222'14
— extent of: x
— how indicated, in index: xi
Dodgson, C. L.: The new belfry: 17:78#
— Sylvie and Bruno concluded: xxix.67
Does prodigal Autumn to our age deny: 8:41
doggrel, venia legendi: 123
Dole, Nathan Haskell, editor of Bartlett's quotations: 223.19
Dolores stanza, derivation of: xxvii.67
done oh, scanned as spondee: 64, 66, 130
Donne, John, Leigh Hunt compared to: 172'9
Donne, The good-morrow: 173:9#
door, scanned as caesura (P): 74
Doric, predicated of Spenser's dialect: 166, 179
Dosa Gyorgy, martyrdom of: 9.38
double quick trochee: SEE quick trochee
doubt-vapors, protean, metaphysics infested by: 93
Dowdy, Regera: xxvii.61
dower, prosody of: 133.32
dramatic blank verse, irregular march of: 187
Drapier, Swift's nom de guerre: 6:25
Dread mountain gorge! that hast thy way: 153.7
drew, syntax of: 16'79
Dryden, John:
— an authority on alexandrines: 91.10
— barbarous elisions in: 168, 180
— excluded trisyllabic feet from his heroic couplets: 166:22, 179'34
— paedagogic value of his versification: 91.7
Dryden: Oedipus: 162.8#
— Palamon and Arcite: 81.84
Ducklet, fey: xxix.67
Duff, James Duff: 107.45
dull, predicated of alexandrines: 89.6
Dunne, Finley Peter: 41.99#
duration, predicated of alexandrines: 90
Dwiggins, W. A., his essay at setting superior fractions, unsuccessful: 136.40
Dyer, John, trisyllabic feet in: 162'13, 177'25
Dyer, The ruins of Rome: 163.13#
e: in ed, not elidable: 133.32
— in the, elision of: 3, 92, 169.34
e, in que arcu, elision of: 146
eagle-spirit, how borne: 207'7
ear: its effect on prosody: 196'22
— requisite to the composer: 187
earthquakes, pathetic fallacy applied to: 165.21
ease, glowing: xxvii.65
ease, = nonchalance: xxi.50
ebb-tide, happily conceived: 158
Echoes, light employment of: xxv'59
economics, mathematical, hedonic calculus in: 101.31
Edward VI, commanded use of Lily's grammar: 217.4
effects, duplicated: 103.33
effect, differentiated from object: 115.61
eggs is eggs, algebraic statement of: 126'17
8.8.8.7.8.8, in Bryant: 27.24
8.9.8.9, as variant of L.M.: xxvii'61
8.6.8.6, in Bryant: 22'5
8.6.8.6.8.8.8.8, in Bryant: 31.51
8.6.8.6.8.6, in Bryant: 27.25
8.6.8.6.8.6.8.8, in Bryant: 24'19
eighteen morae:
— 11-syllabled line scanned in: 203'32
— Greenwood's scansion of a very moratory decasyllable: 197.21
— Whelpley's scansion of a normal decasyllable: 195'20, 197'21, 202, 203.29, 204
eighth-note, = quaver: 191.15
elais ea: not scanned as anapaest: 114:62
— scanned as anapaest: 75'69
elegiac couplet, in German versification: xii
elegiac stanza, glossed: 183
11.11.11.11: xxiii.55
11.10.11.10, ludicrous effect of: xxxi.90
Eliot, Thomas Stearns, how scanned: xvi'14
elision:
— effect on pronunciation: 8
— in ‘Al Aaraaf’: xxii
— in Bryant: 3:12
— in ‘The haunted palace’: xxvi
— in Latin hexameters: 52
— in ‘Ulalume’: xxviii
— in Willis: 5.20
— no longer observed: 160, 176
— of anapest and dactyle, proscribed: 115.60
ellipsis, in Bryant: 18'86
Else all my prose and verse were much the same: 6'27
-em, as ingredient of bastard dactyl: 145
embellishment, fanciful, Willis's taste for: 116
emblems of deeds that are done in their clime: 65, 129
Emongst them all sate he, which wonned there: 168.26
emotions, pedestrian: 185.5
emphasis:
— effect of, on quantity: 58:43, 104'36
— vagaries of: 122
emulous, how elidable: 3:12
Encyclopaedia Britannica 1929: xvi'24
end: distinguished from means: 50, 95
— of English grammar, demanded: 48, 95
energy, abrupt: 14'62
English grammar, defined:
— by Comly: 49.14
— by Cooper: 48.11
— by Fisk: 47.7
— by Flint: 48.12
— by Greenleaf: 47.8
— by Kirkham: 48.10
— by Miller: 47.6
— by Murray: 49.16
English grammar, definition of, quoted by Pue: 48.13
English language, robustness of: 79.80
English verse, composers of, quantitative foot system alien to: xxxii
enjambment:
— appears harsh: 173
— in ‘Al Aaraaf’: xxiiii
— in Bryant: 15.64
— in ‘The haunted palace’: xxvi'63
— in ‘Ulalume’: xxviii'73
Enough has Heav'n indulg'd of joy below: 183
entombed, b in, voiced: xxv.60
enumeration, pauses in: 188
environs, elision of: xxii
epithets, unsuitable in prose: 39.93
epitrite, fourth, a chimerical foot: 77.75
equality:
— asbolute [[absolute]], appreciated: 108
— complex: apprehension of requires practised ear: 100
—— criticized: 110.52
—— exposed: 108
—— in anapaestic or dactylic verse: 104
— not predicable of nonentities: 126'17
— pleasurable appreciation of: 59, 84'3, 100:31, 108'50
— experimentally verifiable: 110
— proportional, appreciated: 108'50
— proximate, appreciated: 108
equalization, = balancing: 4'22
er, quantity of: 132
er th, elision of: 204
Erasmus, Desiderius, his contributions to Lily's grammar: 216, 217.2
error:
— dovetailed into truth: 88
— imputed to Pope: 88:5
ers, quantity of: 132
eschatology, illustrated lecture on: 167.24
eternal, sonority of: 14
Eternal love doth keep/In his complacent arms, the earth, the air, the deep: 14
ethics, make up one-tenth of verse: 93
Etnolimbos tetnovee punchinholl: 199
euphonious, predicated of Baconian: 141.52
Euripides, hypermetrical syllable in: 204
Euterpe, ignored foot system: xxv.58
ev, quantity of: 132
even Feels, prosody of: 163.9
Even has come; and from the dark park, hark: 107.44
Even Love itself is bitterness of soul: 163.12
ever, hyperbolic use of: 119.75
Ever sing merrily, merrily: 185
Everett, Erastus:
— knows only the iambic dactyl: 203.33
— Whelpley forbears to criticize: 205
Everett, A system of English versification: 59.44#, 187.2#, 97.23, 99.25, 115.59, .60, 129.23, 133.32, ix, 186-205
Everett, Louella D., editor of Bartlett's quotations: 223.19
everlasting, sonority of: 14
excess, discords of: 75
excitement, artificial: xxvii.65
exclamation point, mathematical symbol for factorial: 53.26
exertion, mental, success not the measure of: 91.10
eye-lids, opening, morning's: 161.4
eyes, as mirrors of heaven, a conceit not original with Bryant: 43
factorial, emblematic of omnipotence: 53.26
Fair scenes shall greet thee where thou goest — fair: 33.71
Fallis te mensas inter quod credis inermem: 52:27
fallit te, mensas inter quod credis inermem: 53.27
fall'n, elision of: 7.27
false quantities:
— in dactyls, how avoided by Poe: 145.59
— in Longfellow: 80'83
Fame is the spur that the clear spirit doth raise: 159.2, 168.27, 179'39
Fancy viewing: 184
Fantastic school, licences of: 4:20
Far in thy realm withdrawn: 15.70
Far like the comet's way thro' infinite space: 10'51
Fauchet, Claude: 109.48#, xvi.8
favor, scanned as trochee: 196
fear, vocal expression appropriate to: 186
Fearfully: 185
feeling, expressed by words: 186
feet: defined: 57
— glossed: 90
Fell through, and with the tremulous hand of age: 4'18
felonious, possible connexion with Longfellownian: 151.78
Felton, Cornelius Conway, alleged to have composed hexameters: 148'75
Felton:
— Longfellow's Ballads and other poems: 79.80#, xvi:16, xx:43
— Longfellow's Evangeline: 149.75#
— translation of Munk: 87.9#, 99.27
Fénelon, François, Télémaque: 56:36
fervor, poetic, Mrs Hewitt's: 152
fete, not defined: xvii.10
fiction, poetry equated to: 57.36
15 morae, Poe's scansion of decasyllables: 201.29
figures, a species of prosody: ix.3
finger, = dactyl, metaphorically applied: xvi'20
fingers, as arithmometer, proscribed by Horne: 116:71, 126.15
Fires from beneath, and meteors from above: 165.21
First in these Fields I try the Sylvan Strains: 175.12
fishing-hook, distinguished from fish: 50'20, 96
Fisk, Allen: 46:7#, 49.15, 95'9
fitness: = adaptation; = equality: 100
Fitting floor/For this magnificent temple of the sky: 18'88
five, shown equal to three: 124, 125.13
Flavia's a wit, but a wit or harsh or keen: 202
Flavia's a wit, has too much sense to pray: 202:32
Flemming, Friedrich Ferdinand: viii:1
Fletcher, John, mined by dunces: 7.30
flickers, elision of: xxviii
Flies o'er the unbending corn and skims along the main: 92'14
flings, sonority of: 14
Flint, Abel: 48:12#, 49.15, 95'14
flood: cross-flowing: 199.26
— perilous: 169.29
flower: flame-like: 18:85
— murmuring, with rosy-tinted lips: 52.26
— snow-white: 31'61
— wave-born, an aestival ornament: 127.18
flower, flowers, prosody of: 133.32
flowers ever, scanned as bastard dactyl: 132, 134'37
flow'rs elision of: 132
fluence, Lo, scanned as bastard iambus: 212'6
Follett, Wilson: 85.1#
Folsom, Charles; Folsom, Susannah Sarah: 214'16
fool, a XXIX-century scholar condemned as, by blazes: 142
foot (a group of syllables): xviii§1, 181
artificial: illustrated: 112
— introduced: 110.56
— as unit: of prosodic measurement: 68.59, 107.39
—— of rhythm: 57
— chimerical: 104'37
—— excess of: 99
— a division of a verse: 190
— English feet, enumerated: 97.23
— fractional: xxxii'92
—— hypermetrical syllable scanned as: xxviii'73
— French verse not measured in feet: 109.48
— inadequately specified, in chapters on English versification: 45, 97
— induced from Homer: 98
— isochronous feet: need not be maintained for more than one line: 126
— a poem divided into: 189
— natural, limits of: 110'56
— tetrachronic; trichronic: xxiii
foot (metatarsus &c.):
—— as metronome: 190'10
—— fair white feet, rushing of, encomium of: 158
footnotes: obscurity of: 123
— origin of: 7.30
for, quantity of: 80:83
For he was fresher from the hand: 30'49
For his simple heart/Might not resist the sacred influences: 28.34
For look again on the past years; — behold: 11.53
For me, I lie/Languidly in the shade, where the thick turf: 28:38
For praise too dearly lov'd or warmly sought: 182
For the noon is coming on, and the sunbeams fiercely beat: 24'18
forcible, applied as faint praise: 88
Forest Lawn, principle of, adumbrated: 31'60
forest-tops, silent, reeling: 24:18
forlorn/gone, an inadmissible rhyme: 214'16
founders, their non-response to non-existent demand: 133.33
four-stress scansion: xvi'12
— of ‘Al Aaraaf’: xx
fourteeners: in ‘Al Aaraaf’: xxii
— in Bryant: 22'5
Fowler, Francis G.: 49.18#
Fowler, Henry Watson:
— The King's English: 49.18#
— Modern English usage: 147.67#
fractions, labour in writing and printing: 135.40, 136:41
fragmentary sentences, restored: x'6
Franklin, Benjamin, invents the lightning-rod: 169.35
free, a feeble rhyme: 32
Free from satiety: 185
French language:
— atony of: xii'16, 146'68, 198
— deficient in poetical diction: 57.36
French translation of ‘Rationale’: xii:15
fright: scare substituted for: 38'93
— suitable in prose or verse: 39.93
frighten, suitable in prose: 39.93
Frog-Pond, Pundits congenitally mired in: 151
Frogpondian, glossed: 149.76
from, quantity of: 80
From walk to walk, from shade to shade: 185.5
From you have I been absent in the spring: 190:11
Frost, John: 49.15
full, sonority of: 14
Full fathom five thy father lies: 188:7
Full many a horrible worship that, of old: 10'53
Full many a tale their music tells: 188'3, 190'13
full stop, space after: xii
fume wax, scanned, as spondee: 64, 66'54, 130
Furies which curse the earth, and make the blows: 164'17, 178'29
fute (singular of fete) in James VI Stuart's prosody: xvii.10
Gaiffe, Félix: xvi.8#
Galgenlieder: at Tyburn: 7.26
— Morgenstern's: 195.20
Galileo, Poe compared to: 100
gallop, gloss on wallop: xxix'80
Ganges: votive lamp on: 152:8
— surveyed from Alps: 164.16
Gänsefüsschen: xiii
Gardner, Martin: xiii
Garth, Samuel, The dispensary: 168:34#, 180'46
gate, never-opened: 207'7
gaza, prosody of: 83.91
genius, poetic, conducive to carelessness: 142
geometric progression, of pleasure: 101.31, 110
German translations of Poe:
— English-speaking readers' willingness to use: xiiii.23
— of ‘Rationale', desiderated: xii'20
German typography of quotation marks: xiii
Gilbert, William Schwenck: 70.59
Gill, Eric, his Perpetua type and accompanying greek: 149.77
Gleam through the rain and the mist: xxxi
gleason, elisabeth, her enthymematic encouragement: xiiii'22
glory, blooming: xxv'59
Glover, Richard, trisyllabic feet in: 162'14, 177'26
Glover, Leonidas: 163.14#
Go — but the circle of eternal change: 38:96
Go forth under the open sky and list: 40
Go, rock the little wood-bird in his nest: 39.95
God: adored with unusual ceremony: 161.7
— as master of the mint: 8:43
— as psychopomp: 36:85
— compared to a public utility: 127.18
— crowns the oak: 27.30
— does not mock his creatures: 112
— evidence of his wisdom, seen, heard, and breathed: 117.67
— fear of, modulated: 38:89
— insurrection against: 205.35
— our hope in resurrection: 34:77
— peace of: 52:26
— takes drastic measures to abase and pacify man: 39.92, .93
— wrath of, death penalty for incurring: 167.24
God bless the happy mariner!: 152'10
God bless the hardy mariner!: 155.10
Godey's Lady's Book: 127.18, 153.1, 157.18, .20
gods: deaf: 12'57
— perishable: 205.35
Godwin, Parke, edition of Bryant: 171.1#, 171.2
Goethe, Johann Wolfgang, Wilhelm Meisters Lehrjahre: 219:4#, 222'17
— not imitated by Byron: 222§1
gold, a regicide and adulterer: 161.6
gold-orange, locus of: 220, 222'17
Goldsmith, Oliver: Retaliation: 129.23
— The traveller: 8:38#
good intentions, do not avail a grammarian: 52, 97
Good king Wenceslaus looked out: xxxi.85
Gower, John, how scanned: xv.5
grace, trisyllabic feet as, in decasyllables: 118
Gradus ad Parnassum: 105.37
Graham's American Monthly Magazine: 85.1, 88.1
Grammaire Larousse du XXe siècle: xvi.8#
grammar, good, distinguished by Cobbett from bad grammar: 49.13
grammatica, defined by Lily: 49.17
gramophone records, what poems should be published as: 115.62
grandeur, sonorous: 8:37
Graves, Robert: 5 pens in hand: 175.13#
— Harp, anvil, oar: xxxi.90#
Gray, Thomas: 189.4
Gray-fly, her sultry horn: 161.4
Greek language: as medium for ungrammatical composition: 49.13
— knowledge of, unnecessary to follow Whelpley's dissection of Sophocles: 200
greek type, small face of: 149.77
Greek words, placement of: in index: xi
— in table of rhymes: xii
Green boughs and glimpses of the sky: 42
Greene, Samuel S.: 49.15
Greenleaf, Jeremiah: 46:8#, 49.15, 95'10
Greenwood, J. Arthur: xi.11#
Grierson, H. J. C., editor of Donne: 173.9
Griswold, Rufus W.:
— Gems from American female poets: 71.63#
— The poets and poetry of America: 55.33#, 71.63, 74'66, 83.89, 96.8, 213.10, .12, .14
— The works of the late Edgar Allan Poe: xii:13#, 135.40, 137
Gross, Harvey:
— Introduction to Saintsbury: xvi.6
— Sound & form in modern poetry: xvi:14#
— The structure of verse: 173.9#, xxxi.90, 197.21
ground effect, swift Camilla's: 89.6
guitar obbligato, to ‘The haunted palace’: xxvii:65
Gúl, how translated: 220'11
gulfs, sonority of: 14
Gulliver, Lemuel, Swift's nom de guerre: 6:25
Gymnastic, rhythmical effects referred to: 85.3
h, maltreated by cockneys: 214'16
Ha! how the murmur deepens! I perceive: 20:94
half-note, = minim: 191'15
halite, crystal of, Poe's aesthetics require: 101.31
Hamilton, Anthony: 88.4#
handy, scanned as trochee: 196
happiness, scanned as dactyl: 134'36
Harman, R. A., editor of Morley: 129.25
The Harbinger: 212:13
Hark! the lute — /The lyre — the timbrel; the lascivious tinklings: 208'16
harmony:
— apprehended by the ancient Greeks: 46, 100
— representative, principles of: 91.7
harmony:
— contrasted with melody: 50'22, 96'21
— defined, by Home; denotation of: 51.22
Harrison, J. A., edition of Poe: xii:12#, 71.63, 153.1
— division of, into volumes: xxxi.86
— of no textual authority: x
Hartley, H. O.: xi.11#
Harvard College Library: ix, xiii
hat, three-corner'd, antique, risible: 72'64, 214'15
Have been carved for many a year: 74
He who has tamed the elements, shall not live: 10:44
headless, = acephalous: xix.31
headlong hither, scanned as ditrochee: 118'77
heart, a depository for pearl-thoughts: 127.18
heart of oak, predicated of the English language: 79.80
Heaven:
— its carrot-and-stick policy: 183
— means of entering: 57.36
— shortage of applicants for admission to: 208'14
— warm-coloured: 16:74
heavy and spondaic, glossed: 203.31
hedonic calculus: 101.31
Heimweh, affected by lyric poets: 219
hemiola, a disyllabic hemistich foot: xxxii'91, 126.15
— decachronic, lengthened by caesura: 99.25
— pause between hemistichs in alexandrine: xx
— rhyme in hemistichs: 113
—— not unexpected: 86
— trisyllabic: xx§20
— separated by caesural pause: 99.25
hemlock, obscured by ten thousand trunks: 83.89
Hence, and make room for me, all you who come: 169.30
Hence hymning Tyburn's elegiac lines: 6'26
Hence miscellanies spring, the weekly boast: 6.26
Henry VIII, commanded use of Lily's grammar: 217.4
Hercules:
— his herpetophobia: 163.15
— Jove-descended, his voluptuous enervation: 154:13
Here 'mid your wild and dark defile: 152'7
Here stood her opium, here she nursed her owls: 6'29
Here the free spirit of mankind, at length: 11.51
Here to her chosen all her works she shows: 6:30
heresy, Poe not guilty of: 100
hermit, his chattels and hairs, inviolable: 29.36
heroic, glossed: 183
heroic couplet, French:
— in German versification: xii
— spondee as basis of: 146
Heroic measure, how constituted: 116'65
heroic verse: English SEE decasyllables
French, compared to alexandrine: 182
Hewitt, Mary E., a live coal: 158
— Forgotten heroes: 154:16
— God bless the mariner: 152:10, 154:11
— The hearth of home: 153.6
— Hercules and Omphale: 154:13
Lines written in the notch of the White Mountains: 153.7
The ocean-tide to the rivulet: 156:23
Parting from a household: 153.8
The songs of our land: 152:3
The songs of our land, and other poems: 153.2#, 152-158, viii, x, xii
hexameter: English: xx§18
— intolerable: 79.80
— the longest convenient line: 107.39
— Longfellow, an excellent composer of: 149.75
— on model of Greek: 148'74
— pretended, condemned as unmusical: 192
— trochee in: xx'43
Feltonian, a dactylic rhythm: 150
Greek: diaeresis in, why avoided: 196
— imitable in English: 151
— the model of English decasyllables: 88.5
— heroic, dutifully mentioned: 146
— Latin: as counter-example to Brown's definition of versification: 52, 97
— attempt to scan in five feet: 77
— consecutive spondees in: 55.32
— diaeresis in, why avoided: 196
— forced under English scansion: xviii
— imparisyllabic feet in: 192'17
— the model of English decasyllables: 88.5
— paradigm of: 77
— species of, enumerated: 103.32
— spondee in: xviii'32
— spondee in fifth foot, rare: 148'69
— length of, by language: 78:79, 148:77
— Longfellownian, specimen of: 150'78
— unknown in English: 192
hexameter, Pickwickian acceptation of: 79.80
Hic subitam nigro glomerari pulvere nubem: 192.16
hills: rock-ribbed, ancient: 40'2
— wakened by a mother's songs: 154:16
him once, scanned as spondee, by distressing him: 75.67
His sinuous path, by blazes, wound: 83.89, 140'53
history, Poe's gloss on: 17.75
hitherward, status of: 119.77
Hoffenstein, Samuel: 119.73#
Hoffman, Charles Fenno: 116:63
Hog-ian, = Baconian: 141.52
holily, punctuation after: 111.52
Holmes, Oliver Wendell: The last leaf: 212:13#, :14#, 214:15#, 72'64, xxvi'62, 68.59, 75.67, 76, 77.76
The last leaf: 215.15#, 214:16
Home, Henry, lord Kames: 51.22#,171:3
Homer:
— his hexameters, heavy and archaic: 204
— must have nodded: 143
— not called mister: 142
homoioteleuton:
— effected by Latin inflexions: 109.48
— in Aristophanes, extent of: 87.9
— in Hebrew verse: 109.48
homoioteleuton, not the proximate genus of rhyme: 67.59
Hood, Tom:
— The bridge of sighs: xxx'83
— Nocturnal sketch: 107.44
Hooper, W., translator of Bielfeld: 57.36
Hopkins, John (psalmodist): xvii.9
Horace:
— his asclepiads, how scanned: 139.49
— endorses Poe's scansion of ‘Maecenas atavis’: 143
— false quantities in: 144
— imitated by Pope: 91.7
— his rhythms, Poe engages to scan: 99'30
Horace: Ars poetica: 106:46, 144'63
— Integer vitae: 146:65, viii'1
— Maecenas atavis: 60:46, 139'48, 143'58
—— anisochronous feet in: 133.31
— Rectius vives Licini: 191.14
— Works, ed. Anthon: 139.49
Horne, Richard H.:
— Chaucer modernized: 117.71
hot, quantity of: 123.7
hour of, scanned as trochee, by Felton: 149.75
How bright: 183
How cunningly the sorceress displays: 198.25
Hubel, Gordon: xiiii'22
Hudson, Henry Nelson: 143.56#
hujus, prosody of: 83.91
humblily, analogical formation of; humbly, a chimerical adjective: 109.49
Humez, David E.: xxvii.66
Hunt, Leigh, his versification, excessively varied: 172'7
Hunt, Leigh:
— Imagination and fancy: 57.36#, 102:33
— The story of Rimini: 172:8#
Huxley, Aldous: xxix.68#, xxix:77, xxx:81
hymn-tune metres, scansion of: xvi:9
hypermeter, in Byron: 63'51, 129'25
hypermeter, glossed: 45'2, 94'5, 182
hypermetrical syllables:
— in ‘Al Aaraaf’: xxii'52
— in ‘The Coliseum’: xxxi'87
— in disyllabic rhyme: 99.29, 181
— in ‘The haunted palace’: xxvi'63
— in Longfellow's ‘Proem’: xxxi
— in Milton: 204
— in trisyllabic rhyme: 181
— in ‘Ulalume’: xxxi'87
hyphens, textual authority of: xiii
-i, Latin termination, metrical effect of: 78
I am monarch of all I see: 60
I am monarch of all I survey: 58:44, 184'6
I behold them for the first/And my heart swells, while the dilated sight: 19.87
I cheeked my prow and thence with eager steps: 164'18, 178'30
I hate when vice can bolt her arguments: 161.5
I have a little step-son of only three years old: 124'13
I have a little stepson, the loveliest thing alive: 125.13
I love the language, that soft bastard Latin: 207'8
I saw him once before: 72'64, 213
I saw two beings in the hues of youth: 206'3
I see the lights of the village: xxi.50
I yield not to you in the love of justice: 208'17
Iam nitidum retegente diem noctique fugante: 189.5
iambics, Greek dramatic, forced under English scansion: xviii
iambic dimeter: xxxi.85
— acatalectic, scanned with two iambi and two spondees: 194
— brachycatalectic: xxiii.51
— catalectic, scanned with two spondees, iambus, and monosyllabic foot: 194
— in Mrs Hewitt: 156
— in Street: 142'57
— in Tennyson: 131.25
iambic heptameter; iambic hexameter; iambic pentameter: 182
iambic rhythm:
— caesura (P) in: 134
— converted into trochaic: 118
— French, really spondaic: 146
iambic tetrameter: 183
iambic trimeter: acatalectic, scanned with five iambi and one spondee, by Whelpley: 200
— brachycatalectic, twelve-bar blues scanned as: 3.9
— English: xxxi'8
iambic verse: acephalous: 183
— anapaest in: 92.16, 159, 175
— rhyme in: 106
— species of: 182
— spondee in: 92.16
iambic words, indefinite sequence of: 105
iambus, a disyllabic foot: xviii§6
— abruption of: 196
— admitted: by Crowe: 55.30
— by Everett: 97.23
— anapaest apparently substituted for, by Pope: 113'57
— anapaest never substituted for: 114'60
— anapaest substituted for: xx§12
—— by Brown: 183
—— by Bryant: 67.59
—— by Everett: 115.59
—— in alexandrines: 92'13
—— in Holmes: 77.76
— anapaest suggested by: 104
— as first foot:
—— of anapaestic dimeter: 129.23
—— of anapaestic verse: 184
—— of poem in trochaic rhythm, deprecated: 119
— as third foot in decasyllabic line, preceded by spondee and pyrrhic: 55.30
— bastard: SEE bastard iambus
— bastard iambus substituted for:
—— by Mrs Hewitt: 156'18
—— by Poe: xx§12
— caesura (P) equal to: 124
— cutting anapaest or dactyl into, proscribed: 115.60
— dactyl substituted for:
—— by Everett: 115.59
—— by Whelpley: xviii'34, xx§12
— English spondee scanned as, by Wimsatt & Beardsley: 197.21
— in ‘Al Aaraaf’: xxii'51
— in asclepiads: 139.49
— in ‘The haunted palace’: xxvi'63
— mixed with anapaests, by Bryant: 24'13, 26
— necessary in Poe's scansions: 99'29
— notation of, numerical: 134
— rhyme between iambi: 70.59
— spondee substituted for, in Holmes: 77.76
— substituted for anapaest:
—— by Felton: 149.75
— substituted for trochee: 77.76
— substitutions for, appear harsh: 173
— traces of, in French heroic verse: 146
— tribrachys substituted for, by Bryant: xviii§7, xx§12
— a trichronic foot: 114
— trochee substituted for: xx§12
—— by Bryant: 67.59
—— by Everett: 115.59
—— by Mrs Hewitt: 156'19
—— by Pope: 118
—— in Tennyson: 131.25
— trochee suggested by: 104
Ichabod: xxv'59
identical equation, a bog: 126'17
identical rhyme: 110:55
identical rhyme, differentiated from rhyme: 70.59
identity, a species of equality: 100
Idle after dinner, in his chair: 184
idleness, strenuous: 163.10
If heard aright,/It is the Knell of my departed Hours: 163.9
If, kindly cruel, early Hope is crost: 206'2
Iglesias de la Casa, Josef: 35.81#
ignorance, downright, discussion of verse surrounded by: 93
Iliad:
— attempts to induce prosody from: 171
— abortive: 98
— of Sidneyan hexameters, adjudged lethal: 79.80
imagination:
— absent from didactic poetry: 15
— inchoate, Bryant's: 44
— requisite to the composer: 187
immemorial, glossed : xxx'84
Impostor, do not charge most innocent nature: 160'5, 176'17
impotency, multiple: 94
Improve we these. Three Cat-calls be the bribe: 7.32
In all that proud old world beyond the deep: 26'30
In such a bright, late quiet, would that I: 33.69
In that delightful Province of the Sun: 173.10
In the days of old: 184
In the gay sunshine, reverent in the storm: 116'67
In the greenest of our valleys: xxiiii'59
in the land, scanned as anapaest; in the rain, scanned as bastard iambus; in the rebound, scanned as bastard anapaest: 134
In you the heart that sighs for Freedom seeks: 20:97
inaccuracy, discussion of verse surrounded by: 93
inadequate, predicated of XIX — century prosodists: 143
incongruity, the principle of mirth: 67, 132
inconsistency, imputed to Pope: 88:5
Index-learning, deprecated: 7.30
indirect addressing: 138
inevitable, by whom said: 219.1
inflexions, Latin:
— producing artificial spondees: 148'70
influence, prosody of: 30'58, 82'88
ingenuity: misplaced: 145.60
— Pope's admirable: 175
Ingersoll, Charles M.: 46:9#, 49'15, 95'11
Innantill var kyrkan ock prydd; ty i dag var den dagen: 81.82
insensibility, how figured, by Bryant: 24
insomnia, results of: viii, xxx
Instead of the pure heart and innocent hands: 10'49
Integer vitae scelerisque purus: 146:65
interlinear spacing, in printed examples of scansion: 135.40
interrogation, note of, with demonstrative pronoun: 20
invention:
— in American verse, lack of: 76
— pragmatic: xxix.67
— stifled by short catalogues of metre: 68
inversion, unsuitable in prose: 39.93
Ionic, predicated of Spenser's dialect: 166, 179
ious lang, prosody of: 145.60
Ireland, copper coinage of: 6.25
Irish accent, Goldsmith's: 9.39
Is he my lovely step-son, that 's only five years old: 125.13
Is this our Duty, Wisdom, Glory, Gain?: 19.92
-ism, prosody of: 81.84
isochronism, not requisite or necessary beyond two feet: 58
isochronism imparisyllabic feet, in lieu of anisochrononous feet: 191'15
isochronous lines, the first principle of metre: 201'29
It has come over gardens, and the flowers: 117'68
Italian language, admired: 207'8
italicize, proleptic use of: 42:6, 65'53
italics: textual authority for: xii
— use of, in index: xi
j, vowel before, quantity of: 83.91
James, Montague Rhodes: 49.18
James VI Stuart: xvi:10#
Jaudon, Daniel: 49.15
Jespersen, Otto: English grammar: 65.52#
— Notes on metre: 197.21
Jewell, John, bishop, Fénelon compared to: 57.36
jingle, in end-stopped couplets: 174
jockeyship, England's only remaining pre-eminence: 167.21
The Johns Hopkins University, library: ix
Johnson, Reginald Brimley, editor of Poe: xxx'81
Johnson, Samuel:
— his dogmas on versification: 171'4
— his errors, not ascertained: 90
Johnson, Dictionary: 68.59
— Goldsmith's Traveller: 9.38
— Lives of the poets: 88:7#
Jones, Daniel, his dictionary, on pronunciation of Damien: 9.39
joyous, sonority of: 14
Jupiter, orb of: 212
juvenilia, when written: 118'76
juxta-rhyme: not in modern use secret: 144'61
Kames: SEE Home, Henry
Keats, John: Bryant compared to: 43'7
— false rhymes in: 214'16
Kennst du das Land? wo die Citronen blühn: 219'4
Kind influence. Lo! their orbs burn more bright: 30'58, 82'88
Kind influence. Lo! they brighten as we gaze: 211'3
Kind influences, of Jupiter and Venus: 212'8
kind influences. Lo! their orbs burn more bright: 195.20, 211.2
King-killer, gold as: 161.6
Kingsley, Charles: xxxii.92
Kirkham, Samuel: 48.10#, 49.15
Kirkland, copyist's error for Kirkham: 48'10, 95'12
Klar var himlen och bla, och Maj, med rosor i hatten: 52.26
Knopf, Alfred, produced handsome books: 136.40
Knopf, Alfred A., Inc., acknowledged: xiiii
Know ye the land of the cypress and myrtle: 71.59
Know ye the land where the cypress and myrtle: 61:49, 62, 128'19, 132'31, 222'16, '17
Know 'st thou the land where citron-apples bloom: 220
Know 'st thou the land where lemon-trees do bloom: 221
Know 'st thou the land the lemon-trees bloom?: 220, 222'17
Koschat, Thomas: xxiii.55
Kramp, Christian: 53.26#
∞∞∞∞∞∞∞
Notes:
While Greenwood is careful to define the various formats for references, he does not define the use of an apostrophe in a reference. This has been interpreted as meaning that it, like the use of an asterisk, means that it is a reference to the place in the text where that footnote is tagged, but that it is for a quotation.
The print edition uses “iiii” for the Roman numeral version of the arabic 4, instead of the more accepted “iv.”
∞∞∞∞∞∞∞
[S:0 - JAG68, 1968] - Edgar Allan Poe Society of Baltimore - Bookshelf - EAP: The Rationale of Verse — a preliminary edition (Greenwood)