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Since its debut as Poe Newsletter in 1968, Poe Studies has published over three hundred and fifty articles, notes, reviews, translations, and bibliographies dealing with Edgar Allan Poe and related subjects. This index is designed to make the contents of the journal systematically accessible to readers interested in the life and works of “our cousin, Mr. Poe.” The index is divided into four sections. Part I, categorized into four subheadings, lists alphabetically the authors of articles, notes, bibliographies, and the Current Poe Activities column. Part II compiles references to individual Poe works, restricting itself to mentions in articles, notes, and reviews only. The subject section, Part III, identifies the central topics or concerns of articles, notes, and reviews, exclusive of references indexed in Parts II and IV. Part IV enumerates the book reviews appearing in the journal, with the key listing being the author and brief title of the books reviewed, followed in square brackets by a citation of the author and title of the review.
Various persons have provided helpful advice and gone beyond the call of duty in assisting the work on this index, and gratitude to them is acknowledged here: Benjamin Franklin Fisher IV, Alexander Hammond, J. Lasley Dameron, Richard Fusco, and John Burduck.
I. Author
1. Articles
Angyal, Andrew J. and Kent Ljungquist. “Some Early Frost Imitations of Poe,” IX: 14-16.
Armistead, J. M. “Poe and Lyric Conventions: The Example of ‘For Annie,’ ” VIII: 1-5.
Baguley, David. “Guiomar’s Poetics of Death and ‘The Raven,’ ” XV: 38-40.
Barthes, Roland [trans. Donald G. Marshall]. “Textual Analysis of a Tale by Edgar Poe,” X: 1-12.
Bellei, Sergio L. P. ” ‘The Purloined Letter’: A Theory of Perception,” IX: 40-42.
Bennett, Maurice J. ” ‘The Madness of Art’: Poe’s ‘Ligeia’ as Metafiction,” XIV: 1-6. [column 2:]
Benton, Richard P. “Poe’s Acquaintance with Chinese Literature,” II: 34.
————————. “Poe’s ‘The System of Dr. Tarr and Prof. Fether’: Dickens or Willis?” I: 7-9.
Bickman, Martin. “Animatopoeia: Morella as Siren of the Self,” VII: 29-32.
Blythe, Hal and Charlie Sweet. “Poe’s Satiric Use of Vampirism in ‘Berenice,’ ” XIV: 23-24.
Brown, Christopher. “Poe’s ‘Masque’ and The Portrait of a Lady,’ XIV: 6-18.
Cecil, L. Moffitt. “Poe’s Wine List,” V: 41-42.
Clark, C. E. Frazer, Jr. “Two Unrecorded Notices of Poe’s Parents,” IV: 37.
Clark, George P. “Two Unnoticed Recollections of Poe’s Funeral,” III: 1-2.
Dameron, J. Lasley. “Arthur Symons on Poe’s ‘The Fall of the House of Usher,’ ” IX: 46-49.
————————. “The State of the Complete Bibliography of Poe Criticism, 1827-1967,” II: 3.
Davison, Ned J. “‘The Raven’ and ‘Out of the Cradle Endlessly Rocking,’ ” I: 5-6.
De Grazia, Emilio. “Poe’s Devoted Democrat, George Lippard,” VI: 6-8.
Eddings, Dennis W. “Poe’s ‘Dream-Land’: Nightmare or Sublime Vision?” VIII: 5-8.
Fabre, Michel. “Black Cat and White Cat: Richard Wright’s Debt to Edgar Allan Poe,” IV: 17-19.
Falk, Doris V. “Thomas Low Nichols, Poe, and the ‘Balloon Hoax,’ ” V: 48-49.
Fisher, Benjamin Franklin, IV. “Dickens and Poe: Pickwick and ‘Ligeia,’ ” VI: 14-16.
Flory, Wendy Stallard. “Usher’s Fear and the Flaw in Poe’s Theories of the Metamorphosis of the Senses,” VII: 17-19.
Forclaz, Roger. “A Source for ‘Berenice’ and a Note on Poe’s Reading,” I: 25-27.
Freeman, Fred B., Jr. “Poe’s Lowell Trips,” IV: 23-24.
Frushell, Richard C. “‘An Incarnate Night-Mare, Moral Grotesquerie in ‘The Black Cat,‘” V: 43-44.
Garmon, Gerald M. “Emerson’s ‘Moral Sentiment’ and Poe’s ‘Poetic Sentiment,’ ” VI: 19-21.
————————. “Roderick Usher: Portrait of the Madman as an Artist,‘’ V: 11-14.
Gerber, Gerald E. “Milton and Poe’s ‘Modern Woman,’ ” III: 25-26.
Glassheim, Eliot. “A Dogged Interpretation of ‘Never Bet the Devil Your Head,’ ” II: 44-45.
Goetz, Thomas H. “Taine on Poe: A Neglected French Critic,” VI: 35-36. [page 2:]
Gogol, John M. “Two Russian Symbolists on Poe,” III: 36-37.
Golding, Alan C. “Reductive and Expansive Language: Semantic Strategies in Eureka,” XI: 1-5.
Graveley, William H., Jr. “A Note on the Composition of Poe’s ‘Hans Pfaal,’ ‘’ III: 2-5.
Halio, Jay L. “The Moral Mr. Poe,” I: 23-24.
Hall, Thomas. “Poe’s Use of a Source: Davy’s Chemical Researches and ‘Von Kempelen and His Discovery,’ ” I: 28.
Hammond, Alexander. “A Reconstruction of Poe’s 1833 Tales of the Folio Club: Preliminary Notes,” V: 25-32.
————————. “Further Notes on Poe’s Folio Club Tales,‘’ VIII: 38-42.
Hatvary, George E. “Poe’s Possible Authorship of ‘An Opinion on Dreams,’ ” XIV: 21-22.
Hennelly, Mark M., Jr. “Oedipus and Orpheus in the Maelstrom: The Traumatic Rebirth of the Artist,” IX: 6-11.
Hirsch, David, H. “‘The Duc de L‘Omelette’ as Anti-Visionary Tale,” X: 36-39.
Hoffmann, Gerhard [trans. Elizabeth G. Lord]. “Space and Symbol in the Tales of Edgar Allan Poe,” XXII: 1-14.
Holman, Harriet, R. “Hog, Bacon, Ram, and Other ’Savans’ in Eureka: Notes toward Decoding Poe’s Encyclopedic Satire,‘’ II: 49-55.
“Splitting Poe’s ‘Epicurean Atoms’: Further Speculation on the Literary Satire of Eureka,‘’ V: 33-37.
Inge, M. Thomas and Gloria Downing. “Unamuno and Poe‘’ III: 35-36.
Isani, MukEtar Ali. “Reminiscences of Poe by an Employee of the Broadway Journal,” VI: 33-34.
————————. “Some Sources for Poe’s ‘Tale of the Ragged Mountains,’ ” V: 38-40.
Jacoby, Jay. “Fortunato’s Premature Demise in ‘The Cask of Amontillado,’ ” XII: 30-31.
Jannaccone, Pasquale [trans. Peter Mitilineos]. “The Aesthetics of Edgar Poe,” VII: 1-13.
Jeffery, David K. “The Johnsonian Influence: Rasselar and Poe’s ‘The Domain of Arnheim,’ ” III: 26-29.
Justin, Henri. “The Fold Is the Thing: Poe Criticism in France in the Last Five Years,” XVI: 25-31.
Kanjo, Eugene R. “‘The Imp of the Perverse’: Poe’s Dark Comedy of Art and Death,” II: 41-44.
Kennedy, J. Gerald. “Jeffrey Aspern and Edgar Allan Poe: A Speculation,” VI: 17-18.
Kimball, William J. “Poe’s Politian and the Beauchamp-Sharp Tragedy,” IV: 24-27.
Knowlton, Edgar C., Jr. “Poe’s Debt to Father Bonhours,” IV: 27-29.
Kriegisch, Lou Ann. “‘Ulalume‘ — A Platonic Profanation of Beauty and Love,” XI: 29-31.
Lawes, Rochie. “The Dimensions of Terror: Mathematical Imagery in ‘The Pit and the Pendulum,‘‘’ XVI: 517.
Lease, Benjamin. “John Neal and Edgar Allan Poe,” VII: 3841.
Lemay, J. A. Leo. “Poe’s ‘The Business Man’: Its Contexts and Satire of Franklin’s Autobiography,” XV: 29-37.
Levine, Richard A. “The Downward Journey of Purgation: Notes on an Imagistic Leitmotif in The Narrative of Arthur Gordon Pym,” II: 29.31. [column 2:]
Ljungquist, Kent. ‘‘Burke’s Enquiry and the Aesthetics of ‘The Pit and the Pendulum,’ ” XI: 26-29.
————————. ” ‘The Coliseum’: A Dialogue on Ruins,” XVI: 32-33.
Lombard, Charles. “Poe and French Romanticism,” III: 30-35.
Loving, Jerome. “The Good Gray Poe: Poe’s Reburial and William Douglas O‘Connor’s Forgotten Tribute,” X: 18-21.
Lundquist, James. “The Moral of Averted Descent: The Failure of Sanity in ‘The Pit and the Pendulum,’ ” II: 25-26.
Marovitz, Sanford E. “Poe’s Reception of C. W. Webber’s Gothic Western, ‘Jack Long: or, The Shot in the Eye,’ ” IV: 11-13.
Marsh, John L. “The Psycho-Sexual Reading of ‘The Fall of the House of Usher,‘‘’ V: 8-9.
Martindale, Colin. “Archetype and Reality in ‘The Fall of the House of Usher,’ ” V: 9-11.
Mazurek, Ray. “Art, Ambiguiry, and the Artist in Poe’s ‘The Man of the Crowd,’ ” XII: 25-28.
McCarthy, Kevin M. “Another Source for ‘The Raven’: Locke’s Essay Concerning Human Understanding,” I: 29.
McElderry, B. R., Jr. “T. S. Eliot on Poe,” II: 32-33.
McVicker, Cecil Don. Poe and ‘Anacrcon’: A Classical Influence on ‘The Raven‘?” I: 29-30.
Miller, John C. “Poe and Miss Anna Blackwell,” XIII: 28-29.
————————. “The Exhumations and Reburials of Edgar and Virginia Poe and Mrs. Clemm,” VII: 46-47.
Moss, Sidney P. “Poe and the Saint Louis Daily Reveille,” I: 1821.
————————. “Poe’s ‘Two Long Interviews’ with Dickens,‘’ XI: 10-12.
Nettels, Elsa. ‘‘Poe and James on the Art of Fiction,” XVIII: 4-8.
Oelke, Karl E. “Poe at West Point — A Revaluation,” VI: 1-6.
Ostrom, John Ward. “Edgar A. Poe: His Income as Literary Entrepreneur,” XV: 1-7.
Page, Peter C. “Poe, Empedocles, and Intuition in Evreka,” XI: 21-26.
Panek, LeRoy L. “Play and Games: An Approach to Poe’s Detective Tales,” X: 39-41.
Pemberton, J. M. “Poe’s ‘To Helen’: Functional Wordplay and a Possible Source,” III: 6-7.
Phillips, H. Wells. “Poe’s Usher: Precursor of Abstract Art,” V: 14-16.
Pitcher, Edward W. “Poe’s ‘The Assignation’: A Reconsideration,” XIII: 1-4.
Pollin, Burton R. “Empedocles in Poe: A Contribution of Bielfeld,” XIII: 8-9.
————————. “Figs, Bells, Poe, and Horace Smith,” III: 8-10.
————————. “More on Lippard and Poe,” VII: 22-23.
————————. “Place Names in Poe’s Creative Writings,” VI: 43-48.
————————. “Poe’s ‘Diddling’: More on the Dating and the Aim,” IX: 11-13.
————————. “Poe’s Literary Use of ‘Oppodoldoc’ and; Other Patent Medicines,” IV: 30-32.
————————. “Poe’s Word Coinages: Addenda,” XVI: 39-40. [page 3:]
————————. “Pym’s Narrative in the American Newspapers: More Uncollected Notices,” XI: 8-10.
————————. “The Provenance and Correct Text of Poe’s Review of Griswold’s Female Poets of America,” II: 35-36.
————————. “The Word ‘Autorial’ in Poe’s Criticism: History and Implications,‘’ X: 15-18.
————————. “Three More Early Notices of Pym and the Snowden Connection,” VIII 32-35.
Reeder, Roberta. ” ‘The Black Cat’ as a Study in Repression,” VII: 20-21.
Reilly, John E. “Poe in Pillory: An Early Version of a Satire by A. J. H. Duganne,” VI: 9-12.
Ricardou, Jean [trans. Frank Towne]. “Gold in the Bug,” 1X: 33-39.
———————— [trans. Frank Towne]. “The Singular Character of the Water,” IX: 1-6.
Richard, Claude. “Arrant Bubblff: Poe’s ‘The Angel of the Odd,’ ” II: 46-4X.
————————. “Poe Studies in Europe: France,” II: 20-23.
Ridgely, J. V. “The Continuing Puzzle of Arthur Gordon Pym: Some Notes and Queries,” III: 5-6.
Robbins, J. Albert. “Edgar Poe and the Philadelphians: A Reminiscence by a Contemporary,” V: 45-48.
————————. “The State of Poe Studies,” I: 1-2.
Robinson, David. “‘Ulalume‘ — The Ghouls and the Critics,” VIII: 8-10.
Robinson, Douglas. “Reading Poe’s Novel: A Speculative Review of Pym Criticism, 1950-1980,” XV: 47-52.
Robinson, E. Arthur. “Cosmic Vision in Poe’s ‘Elffnora,’ ” IX: 44-46.
————————. “Thoreau and the Deathwatch in Poe’s ‘The Tell-Tale Heart,’ ” IV: 14-16.
Rosenthal, Bernard. “Poe, Slavery, and the Southern Literary Messenger: A Reexamination,” VII: 29-38.
Ross, Donald H. “The Grotesque: A Speculation,‘’ IV: 10-11.
Roth, Martin. “Poe’s Divine Spondee,” XIII: 14-18.
Sands, Kathleen. “The Mythic Initiation of Arthur Gordon Pym,” VII: 14-16.
Scheick, William J. “The Geometric Structure of Poe’s ‘The Oval Portrait,’ ” XI: 6-8.
Scherting, Jack. “The Bottle and the Coffin: Further Speculation on Poe and Moby-Dick,” I: 22.
Senelick, Laurence. “Charles Dickens and ‘The Tell-Tale Heart,’ ” VI: 12-14.
Sippel, Erich W. “Another of Poe’s ’Savans’: Edward Tatham,” IX: 16-21.
Smith, Patricia C. Poe’s Arabesque,” VII: 42-45.
Soule, George H., Jr. “Another Source for Poe: Trelawny’s The Adventtures of a Younger Son,‘’ VIII: 35-37.
St. Armand, Barton Levi. “Poe’s ’Sober Mystification’: The Uses of Alchemy in ‘The Gold Bug,‘‘’ IV: 1-7.
————————. “Usher Unveiled: Poe and the Metaphysic of Gnosticism,” V: 1-8.
Stovall, Floyd and Clarence Goddes. “In Memoriam: Thomas Ollive Mabbott, 1898-1968,” I: 17-18. [column 2:]
Stronks, James. “A Poe Source for Faulkner? ‘To Helen’ and ‘A Rose for Emily,’ ‘’ I: 11.
Sweeney, Gerard M. “Beauty and Truth: Poe’s ‘A Dffcent into the Maelstrom,‘‘’ VI: 22-25.
Sweet, Charles A., Jr. “Retapping Poe’s ‘Cask of Amontillado,’ ” VIII: 10-12.
Tanselle, G. Thomas. “The State of Poe Bibliography,” II: 1-3.
Thomas, Dwight. “James F. Otis and ‘Autography’: A New Poe Corrffpondent,” VII I: 12 - 15.
Thompson, G. R. “The Face in the Pool: Reflfftions on the Doppelganger Motif in ‘The Fall of the House of Usher,‘‘’ V: 16-21.
————————. “The Poe Case: Scholarship and ’Strategy,’ ” I: 3.
Trieber, J. Marshall. “The Scornful Grin: A Study of Poesque Humor,” IV: 32-34.
Tuerk, Richard. “John Sartain and E. A. Poe,‘’ IV: 21-23.
Tynan, Daniel J. “J. N. Reynolds’ Voyage of the Potomac: Another Source for The Narrative of Arthur Gordon Pym,” IV: 35-37.
Vann, J. Don. “Three More Contemporary Reviews of Pym,” IX: 43-44.
Varnado, S. L. “The Case of the Sublime Purloin; or Burke’s Inquiry as the Source of an Anecdote in ‘The Purloined Letter,’ ” I: 27.
Wasserman, Renata R. Mautner. “The Self, the Mirror, the Other: ‘The Fall of the House of Usher,’ ” X: 33-35.
Wells, Daniel A. “Engraved Within the Hills: Further Perspestives on the Ending of Pym,” X: 13-15.
Wertz, S. K. and Linda L. Wertz. “On Poe’s Use of ‘Mystery,’ ” IV: 7-10.
Williams, Michael. “The Voice in the Text: Poe’s ’Some Words with a Mummy,‘‘’ XVI: 1-4.
Williams, Paul O. “A Reading of Poe’s ‘The Bells,‘‘’ I: 24-25.
Yonce, Margaret J. “The Spiritual Descent into the Maelstrom: A Debt to the ‘Rime of the Ancient Mariner,’ ” II: 26-29.
2. Marginalia
Adams, John F. “Classical Raven Lore and Poe’s Raven,” V: 53.
Alekna, Richard A. ” ‘The Man That Was Used Up’: F‘urther Notes on Poe’s Satirical Targets,” XII: 36.
Anderson, Gayle Denington. “Demonology in ‘The Black Cat,’ ” X: 43-44.
Arms, George. “Tacitus and Those Goths in ‘Letter to B ——— ,’ ” XIII: 37.
Arntson, Herbert E. “A Western Obituary of Poe,” I: 31.
Baker Christopher P. “Spencer and ‘The City in the Sea,’ ” V: 55.
Bales, Kent. “Poetic Justice in ‘The Cask of Amontillado,’ ” V: 51.
Bandy, W. T. “A Poe Detractor Unmasked,‘’ X: 28.
————————. “First Translations of ‘The Raven,‘” XIII: 36.
————————. “Little Latin and Less French,‘’ XIV: 8.
————————. “More on ‘The Angel of the Odd,‘” III: 22.
————————. ‘‘The Date of Poe’s Burial,” IV: 47-48. [page 4:]
————————. “Two Notes on Poe’s Death,” XIV: 32.
Baxter, Nancy Niblack. “Thomas Moore’s Influence on ‘Tamerlane,’ ” II: 37.
Braddy, Haldeen. “Poe and the West — A Comment,” I: 31.
Brasher, Thomas L. “A Whitman Parody of ‘The Raven,’ ” I: 30-31.
Burns, Shannon. “‘The Cask of Amontillado: Montresor’s Revenge,” VII: 25.
Candelaria, Cordelia. “On the Whitenffs at Tsalal: A Note on Arthur Gordon Pym,” VI: 26.
Carter, Steve, “A Possible Source for ‘The Facts in the Case of M. Valdemar,’ ” XII: 36.
Cauthen, I. B., Jr. “Another Mallarme-Manet Bookplate for Poe’s Raven,” V: 56.
Clark, George P. “A Further Word on Poe and Lolita,” III: 39.
————————. “Poe’s Comments on the Meter of ‘The Raven,’ ” XIII: 37.
Dameron, J. Lasley. “Thomas Ollive Mabbott on the Canon of Poe’s Reviews,” V: 56-57.
D‘Avanzo, Mario L. ” ‘Like Those Nicean Barks’: Helen’s Beauty,” VI: 26-27.
Davis, June and Jack L. Davis. “An Error in Some Recent Printings of ‘Ligeia,’ ” III: 21.
Driskell, Daniel. “Lucretius and ‘The City in the Sea,’ ” V: 54-55.
Empric, Julienne H. “A Note on ‘Annabel Lee,’ ” VI: 26.
Evans, Walter. “Poe’s ‘The Masque of the Red Death’ and Hawthorne’s ‘The Wedding Knell,’ ” X: 42-43.
Fisher, Benjamin Franklin, IV. “Poe’s ‘Usher’ Tarred and Fethered,” VI: 49.
Garrett, Walter. “The ‘Moral’ of ‘Ligeia’ Reconsidered,” IV: 19-20.
Gerber, Gerald E. “Poe and The Manuscript,” VI: 27.
————————. “Poe’s Littleton Barry and Isaac D‘lsraeli’s Littleton,” XIV: 32.
Goldhurst, William, Alfred Appel, Jr., and George P. Clark. ‘‘Three Observations on ‘Amontillado’ and Lolita,” V: 51.
Granger, Byrd Howell. “Devil Lore in ‘The Raven,’ ” V: 53-54.
Gravely, William H., Jr. “A Few Words of Clarification on ‘Hans Pfaal,’ ” V: 56.
Gross, Seymour. “Native Son and ‘The Murders in the Rue Morgue’: An Addendum,” VIII: 23
Hammond, Alexander. “The Hidden Jew in Poe’s ‘Autography,‘‘’ II: 55-56
Harkey, Joseph H. “A Note on Fortunato’s Coughing,” III: 22.
Haskell, John D. “Poe, Literary Soirces, and Coffee,” VIII: 47.
Hatvary, George Egon. “The Whereabouts of Poe’s ‘Fifty Suggestions,’ ” IV: 47.
Haverstick, Lola S. “A Note on Poe and Pym in Melville’s Omoo,” II: 37.
Heck-Rabi, Louise. “A Poe Play: The Treadwell Papers,” XII: 20.
Hill, John S. “The Diabetic Mr. Poe?‘’ I: 31.
Hulpke, Erika. “On First Translations of ‘The Raven’ into German,” XV: 41. [column 2:]
Idol, John L., Jr. “William Cowper Brann on Edgar Allan Poe,” VII: 24-25.
———————— , and Sterling K. Eisiminger. “Performances of Operas Based on Poe’s Fiction: A Supplementary Listing,” XV: 42.
Isani, Mukhtar Ali. “A Further Word on Poe and Alexander Crane,” VII: 48.
Jackson, David K. ‘‘Addendum to a Footnote: ‘The Bells,’ ” VIII: 47.
————————. “A Man Named Bool: A Shadow on the Wall,” X: 44.
————————. “An Uncollected Letter of James Kirke Paulding,” XV: 41.
————————. “A Poe Hoax Comes before the U.S. Senate,” VII: 47-48.
————————. “A Typographical Error in the B Version of Poe’s ’Sonnet — To Science,’ ” III: 21.
————————. “The Identity of Maria Clemm’s Friend, the Judge,” XII: 20.
————————. “Two Notes: A Joseph H. Clarke Manuscript and Something about a Mr. Persico,” IX: 22.
————————. “William Wilson: Another Possible Source for the Name,” XVI: 13.
———————— , and Burton R. Pollin. “Poe’s ‘Tekeli-li,’ XII: 19.
Jacobs, Edward Craney. “A Possible Debt to Cooper,” IX: 23.
Kriegisch, Lou Ann. “‘Adonais’ and ‘Eleonora’ Reconsidered,” XI: 14-15.
Leeds, Fredric M. “The Mountains of the Moon in ‘Eldorado,’ ” X: 44.
Leibman, Mary C. “Dr. Maudsley, Forgotten Poe Diagnostician,” V: 55.
Levine, Susan and Stuart. “Poe’s Use of Jacob Bryant in ‘Metzengerstein, IX: 53.
Lima, Robert. “A Borges Poem on Poe,” VI: 29-30.
Ljungquist, Kent. “The Influence of ‘Adonais’ on ‘Eleonora,’ ” X: 27-28.
Loberger, Gordon J. “Poe’s Use of Page and Lore in ‘Tamerlane,‘‘’ III: 37-38.
McClary, Ben Harris. “Poe’s ‘Turkish Fig-Pedler,’ ” II: 56.
Miller, John C. “Did Edgar Allan Poe Rcally Sell a Slave?” IX: 52-53.
————————. “The Birthdate of John Henry Ingram,” VII: 24
————————. “The True Birthdate and the Hitherto Unpublished Deathdate of Susan Archer Talley Weiss,” X: 29.
Murphy, Christina J. “The Philosophical Patterns of “A Descent into the Maelstrom,‘‘’ VI: 25-26.
Murtuza, Athar. “An Arabian Source for Poe’s ‘The Pit and the Pendulum,’ ” V: 52.
Nethery, Wallace. “Poe and Charles Lamb,” III: 38.
O‘Connor, Roger. “Letters, Signatures, and ‘Juws’ in Poe’s ‘Autography,’ ” III: 21-22.
O‘Neill, James. “A Closer Source for the Goths in Poe’s ‘Letter to B ,‘‘’ XII: 19-20.
Orvell, Miles D. “‘The Raven’ and the Chair,” V: 54. [page 5:]
Osowski, Judy. “T. S. Eliot on ‘Poe the Detective,’ ” III: 39.
Ostrom, John Ward. “Poe’s MS. Letter to Stella Lewis — Recently Located,” II: 36-37.
Ousby, Ian V. K. “‘The Murders in the Rue Morgue’ and Doctor D‘Arsac’: A Poe Source,” V: 52.
Pollin, Burton R. “A Spurious Poe Letter to A. N. Howard,” VI: 27-28.
————————. “An 1839 Review of Poe’s Tales in Willis’ The Corsair,” V: 56.
————————. “‘MS. Found in a Bottle’ and Sir David Brewster’s Letters: A Source,” XV 40-41.
————————. “Music and Edgar Allan Poe: Addendum to Part I,” XV: 42.
————————. “Nicholas Nickleby in ‘The Devil in the Belfrey,’ ” VIII: 23.
————————. “Poe in Clavell’s Shogun: A Novel of Japan, XVI: 13.
————————. “Poe’s Invention of the ‘Psychological Autobiographists,’ ” XI: 15-16.
————————. “Poe’s Use of D‘Israeli’s Curiosities to Belittle Emerson,” III: 38.
————————. “Woodrow Wilson and Julian Hawthorne on Poe: Letters from an Overlooked Scholarly Resource,” XII: 35.
Prior, Linda T. “A Further Word on Richard Wright’s Use of Poe in Native Son,” V: 52-53.
Pry, Elmer R. “A Folklore Source for ‘The Man That Was Used Up,’ ” VIII: 46.
————————. “Bawdy Punning in ‘Three Sundays in a Week,’ ” IX: 54.
Reece, James B. “Poe’s ‘Dream-Land’ and the Imagery of Opium Dreams,” VIII: 24.
Reed, Kenneth T. “‘Ligeia’: The Story as Sermon,” IV: 20.
Richard, Claude. “Another Unknown Early Appearance of ‘The Raven,’ ” I: 30.
————————. “‘MS. Found in a Bottle’ and the Folio Club,” II: 23.
Roche, A. John. “Another Look at Poe’s Dr. Ollapod,” VI: 28.
Rocks, James E. “Conflict and Motive in ‘The Cask of Amontillado,’ ” V: 50-51.
Rubin, Larry. “An Echo of Poe in Of Time and the River,” III: 38-39.
Saliba, David R. “Usher’s Narrator Veiled,” XIV: 31.
Salzberg, Joel. “Preposition and Meaning in Poe’s ‘The Spectacles,’ ” III: 21.
Schuster, Richard. “More on the ‘Fig-Pedler,’ ” III: 22.
Sharp, Roberta. “Usher and Rosicrucianism: A Speculation,” XII:
Sherman, G. W. “Poe and the Panopticon,” XIV: 31.
————————. “Poe’s Friend Downey Identified,” IX: 23.
Shurr, William H. “Montresor’s Audience in ‘The Cask of Amontillado,’ ” X: 28-29.
Smith, Herbert F “Is Roderick Usher a Caricature?” VI: 49-50.
St. Armand, Barton Levi. “A Mallarme-Manet Bookplate in Providence,” XI: 15. [column 2:]
Stevens, Aretta J. “Faulkner and ‘Helen‘ — A Further Note,” I: 31.
Strickland, Edward. “Dickens’ ‘A Madman’s Manuscript’ and ‘The Tell-Tale Heart,’ ” IX: 22-23.
Thompson, G. R. “’Silence’ and the Folio Club: Who Were the ‘Psychological Autobiographists‘?” II: 23.
Thornburg, Thomas. “Poe’s ‘Letter to B ——— ’: A Query,” IX: 54.
Tintner, Adeline R. “Poe’s ‘The Spectacles’ and James’ ‘Glasses,’ ” IX: 53-54.
Tombleson, Gary, E. “An Error in ‘Usher,’ ” XIV: 8.
Travis, Mildred K. “A Note on ‘The Bell-Tower’: Melville’s ‘Blackwood Article,’ ” VI: 28-29.
Tritt, Michael. “‘Ligeia’ and ‘The Conqueror Worm,’ ” IX: 21
————————. “‘The Masque of the Red Death’: Yet Another Source.” XVI: 13-14.
Wages, Jack D. “Isaac Asimov’s Debt to Edgar Allan Poe,” VI: 29.
Wilcox, Earl J. “Poe’s Usher and Usher’s Chronology,” I: 31.
Woodward, Robert H. “Poe’s Raven, Faulkner’s Sparrow, and Another Window,” II: 37-38.
————————. “Poe’s Philosophy of Punctuation,” XII: 20.
————————. “Some Poe Debts to Irving’s Alhambra,” X:
3. Bibliographies
Aderman, Ralph M. “Poe in Rumania: A Bibliography,” III: 19-20.
Benton, Richard P. “Edgar Allan Poe: Current Bibliography,” II: 4-12; III: 11-16; IV: 38-44.
Dameron, J. Lasley, Thomas C. Carlson, Judy Osowski, and John E. Reilly. “Current Poe Bibliography,” VI: 36-42, VIII: 4346; X: 21.27.
———————— , Thomas C. Carlson, and John E. Reilly. “Current Poe Bibliography,” VIII: 15-21.
———————— , Thomas C. Carlson, John E. Reilly, and Benjamin Franklin Fisher IV. “Current Poe Bibliography.” XI: 32-38; XIII: 29-34; XV: 13-18; XVI: 34-38.
Fisher, Benjamin Franklin IV. “Fugitive Poe References: A Bibliography,” XI: 13-14, 38-41, XII: 31-34, XIII: 34-36, XIV: 25-30; XV: 18-22; XVI: 7-12.
Goetz, T. H. “Addenda: Fugitive References, Poe and France,” IX: 51-52.
Lawson, Lewis A. “Poe and the Grotesque: A Bibliography 1695-1965,” I: 9-10.
Marrs, Robert L. “Fugitive Poe References: A Bibliography,” II: 12-18.
————————. ” ‘The Fall of the House of Usher’: A Checklist of Criticism Since 1960,‘’ V: 23-24.
Osowski, Judy. “Fugitive Poe References: A Bibliography,” III: 16-19; IV: 44-46; VIII: 21-22; IX: 49-51.
Pavnaskar, Sadanand R. “Poe in India: A Bibliography, 19551969,” V: 49-50.
Pollin, Burton R. “Music and Edgar Allan Poe: A Second Annotated Check List,” XV: 7-13. [page 6:]
————————. “Poe ‘Viewed and Reviewed’: An Annotated Checklist of Contemporaneous Notices,” XIII: 17-28.
Robinson, Douglas. “Bibliography: A Check List of Pym Criticism, 1950-1980,” XV: 52-54.
Woodbridge, Hensley C. “Poe in Spanish America: A Bibliographical Supplement,” II: 18-19.
————————. “Poe in Spanish America: Addenda and Corrigenda,” IV: 46.
4. Poe Activities/Editorial Matters
Benton, Richard P. IX: 31-32, 59-60.
Hammond, Alexander. XIII: 16, 44; XIV: 20.
Ljungquist, Kent. XI: 55-56; XII: 43; XIII:43-44;XV:54; XVI: 47.
Reece, James B. XII: 44.
Reilly, John E. VII: 27-28, 55-56; VIII: 47-48.
Thompson, G. R. I: 4, 32; II: 24; III: 23-24, 40; IV: 11, 16; V: 63; VI: 52.
———————— and Alexander Hammond. IX: 32; X: 52; XI:20; XII: 24, 44.
II. Individual Poe Works
“Acrostic, An,” XI: 48.
“Al Aaraaf,” I: 11; II: 37; V: 25, 52; VI: 30; VII: 43, 45, 51, 52; IX: 14, 15, 45; XII:17, 18; XIII: 11, 15; XIV: 3; XV: 5.
“Alone,” IV: 53; X: 30.
“Angel of the Odd, The,” I: 12, 29; II: 46-48; III: 22; V: 34; VI: 27; X: 49.
“Annabel Lee,” IV: 17, 53; VI: 26; VII: 7; XI: 16, 48; XIII: 11; XV: 6, 42; XVI: 41.
Arthur Gordon Pym, I: 2, 3, 11, 13-14, 22; II: 29-31, 37; III: 5-6; IV: 9, 35-37, 53, 57; V: 21, 22, 29, 58, 59, 63; VI: 26, 30, 31, 51, 52; VII: 14-16, 22, 49; VIII: 26, 32-35 36, 38; IX: 1-6, 24, 28, 43-44, 53, 55, 56, 58, 59; X: 13-15, 31, 33-35, 49, 50; XI: 8-10, 16, 17, 18, 19; XII: 19, 21, 38; XIII: 7, 11, 12, 15, 19; XIV: 9, 31; XV: 2, 26, 39, 47-52; XVI: 14-16.
‘‘Assignation, The” (‘‘The Visionary‘’), I: 26; V: 26, 27, 32; VI: 50; VII: 43, /u5; VIII: 41; X: 30, 45; XIII: 1-4, 10, 11; XIV: 15, 16; XV: 1, 27, 42.
“Autography, A Chapter on,” II: 55-56; III: 21-22, IV: 14 VIII: 12-15; XI: 45; XIII: 12; XV: 3; XVI: 43.
“Balloon Hoax, The,” V: 48-49; XI: 43, 45; XV: 4, 26, 27.
“Bells, The,” I: 24-25; II: 20; III: 8, 38-39; IV: 17, 21; VII: 7, 49; VIII: 47; IX: 26; X: 31; XV: 6.
“Berenice,” I: 25-27; IV: 33, 57; V: 22; VII: 51; VIII: 37, 40; IX: 6, 30; X: 38; XI: 16, 17, /4, 52; XII: 18; XIII: 11, 15; XIV: 14, 15, 17, 23-24; XVI: 43.
“Black Cat, The,” I: 26; IV: 13, 18, 53; V: 22, 42 43-44, 49, 53, 62; VI: 31; VII 20-22; VIII: 37; IX: 11; X: 39, 43-44, 49; XI: 43, 50; XIII: 18, 30, 42; XV: 3, 39, 41; XVI: 27, 42.
“Bon-Bon” (“The Bargain Lost”), III: 22; V: 27, 28, 32, u1; VIII: 39, 40, 41; IX: 56, 58; X: 36, 45, 46; XI: 44; XIV: 8; XV: 46. [column 2:]
“Bridal Ballad” (“Ballad‘‘; “Song of the Newly-Wedded”), VIII: 4; XI: 46.
“Business Man, The,” XV: 29-37, 46.
“Cask of Amontillado, The,‘’ II: 43; III: 22, 39; IV: 17, 33, 51, 53; V: 41, 50-51; VI: 28, 31, 32; VII: 25; VIII: 10-12, 25; IX: 23, 25; X: 28, 39; XI: 44, 49, 53; XII: 30-31; XIV: 16, 17, 19; XV: 5, 42.
“City in the Sea, The,” V: 54, 55, 59; VII: 415; XI: 46, 48; XIII: 15; XV: 2, 5.
“Coliseum, The,” I: 11; III: 9; IV: 17, 26; VII: /4; IX: 26; XI: 11; XIII: 15; XVI: 32-33.
“Colloquy of Monos and Una, The,” I: 29; IV: 53; VII: 17, 19, 52; VIII: 25; IX: 19; XI: 43, 51; XII: 15, 23; XIII: 12; XIV: 3, 5; XVI: 33.
“Conqueror Worm, The,” III: 27; IV: 49; VI: 4; IX: 21-22; XI: 11, 48; XV: 3, 25.
‘‘Conversation of Eiros and Charmion, The,” IV: 53; VII: 17; VIII: 25; XI: 43; XIII: 12; XIV: 3, 21; XVI: 43.
“Descent into the Maelstrom, A‘’ I: 11, 24; II: 26-29; IV: 17; VI: 22-25, 26; VII: 49; IX: 6-11, 24, 28; X: 30; XI: 7, 19, 28, 44, 51, 52; XII: 17, 18; XIII: 11; XIV: 31; XVI: 28, 29, 40.
‘‘Devil in the Belfry, The,‘’ VIII: 23; X: 49; XI: 47, 51, 53; XIII: 10; XV: 2.
“Diddling Considered as One of the Exact Sciences” (“Raising the Wind‘’), I: 12; IV: 33; V: 26, 27, 32; VII: 49; VIII: 38, 41; IX: 11-13; XI: 43, 44, 45; XIII: 11; XV: 46.
“Domain of Arnheim, The” (‘‘The Landscape Garden”), III: 26, 29, 32, 33; IV: 13, 49; VII: 45, 52; VIII: 34; IX: 26, 27, 45, 58; X: 42; XI: u3, 50, 51; XII: 3, 11, 12, 18; XV: 6, 26, 27, 39.
“Dream, A,‘’ VIII: 6; XV: 25, 26.
“Dream within a Dream, A,” XV: /u2; XVI: 13.
“Dream-Land,” IV: 3; VII: 49; VIII: 3, 5-8, 2/; X: 30; XI: 11; XII: 18; XIII: 15.
‘‘Dreams,” V: 54.
‘‘Due de L‘Omelette, The,” I: 8, 11, 12; III: 22; IV: 56; V: 27, 29, 30, 32, 34; VIII: 39, 40; X: 36-39; XIV: 32; XV: 27.
“Eldorado,‘’ I: 31; IV: 3, 17, 53; X: 44; XI: 48; XV: 6, 7, 27, 42.
“Eleonora,” IX: 10, 44-46; X: 27-28; XI: 14-15, 43, 51; XIII: 1, 11; XIV: 4; XV: 3, 8.
“Elizabeth,” XI: 48.
“Enigma, An,” II: 47; VII: 11; X: 1.
‘‘Eulalie,” VII: 49; IX: 26; XV: 5.
Eureka, I: 2, 12, 25, 29; II: 20, 49-55; III: 28; IV: 12, 23, 49, 52, 53; V: 1, 17, 33-37, 55, 58; VI: 23, 25, 31, 35-36, 51; VII: 9, 18, 43, 45, 51, 52, 54; VIII: 5, 25, 29, 30, 31; IX: 16-20, 24, 27, 29-31, 45, 58; X: 31, 48, 50; Xl; 1-5, 6, 7, 1u, 19, 21-26, 43, 50, 51; XII: 14, 15, 16, 17, 23, 38; XIII: 1, 3, 8, 12, 19, 38, 42; XIV: 5, 15, 16, 21; XV: 6, 26, 27, 51; XVI: 5, 7, 28, 29, 42, 44.
“Exordium,” IV: 15; V: 59; VII: 38.
“Facts in the Case of M. Valdemar, The,” V: 55; VI: 28; VII: 19, 54; IX: 47; X: 4-12; XI: 51; XII: 36, 37; XIII: 12, 17; XV: 8
“Fairy-Land,” I: 8; IV: 56; V: 30; VII: 38; XIII: 15.
“Fall of the House of Usher, The,” I: 22, 26, 31; II: 22, 25; III: 34; IV: 7, 8, 12, 17, 18, 50, 57; V: 1-24, 57, 58, 59, 62; [page 7:] VI: 30, 31, 49, 50, VII: 17, 18, 19, 49, 50, 52; VIII: 11, 25, 37; IX 6, 45, 46-49; X: 30, 38; XI: 16, 43, 44, 50, 51, 52; XII: 1, 2, 3, 6-7, 9, 10, 11, 23, 34, 40; XIII: 1, 10, 11, 13, 15, 19; XIV: 8, 14, 16, 17, 21, 23, 31; XV: 2, 8, 23, 24, 27, 39, 42, 43; XVI: 27, 29, 42, 43, 46.
“Few Words on Secret Writing, A,” IX: 25; XIII: 12; XV: 3.
“Fifty Suggestions,” IV: 47; IX: 26.
“For Annie,” IV: 49; VIII: 1-5; XI: 48; XIII: 11; XV: 6.
“Four Beasts in One” (“The Homocameleopard,” “Epimanes”), I: 11; V: 26, 31-32; VIII: 38, 40; IX: 55; XV: 46.
“Gold-Bug, The,” I: 26, II: 50, 54; IV: 1-7, 8, 17, 33; V: 2, 4; VI: 29, 31; VII: 22, 49; VIII: 25, 38; IX: 28, 33-39; X: 30; XII: 18; XIII: 12; XIV: 19; XV: 3, 5, 34, 43; XVI: 6, 27, 43.
“Hans Pfaal” (“Hans Pfaall”), I: 31, II: 53, 54; III: 2-5; IV: 34, 48, 52; V: 34, 49, 56; VII: 34; VIII: 40; XI: 9, 41; XV: 26, 27, 43; XVI: 14.
“Haunted Palace, The,” V: 9, 17; VI: 49; VII: 49, 51; X: 34; XI: 11, 16; XII: 7,; XV: 2, 26.
“Hop-Frog,” II: 49; III: 33; IV: 51, 53; XI: 53; XII: 18, 30; XIII: 11; XIV: 16, 17; XV: 6, 43.
“How to Write a Blackwood Article’ (“The Psyche Zenobia”), II: 34, 39, 54, 56; III: 8, 22, 25-31; IV: 28, 31, 33; V: 22, 29; VI: 15, 16, 28; XI: 43; XIV: 15, 17; XV: 2.
“Imp of the Perverse, The,” II: 41-44; V: 49; VI: 50, 51; IX: 20; XII: 30; XIII: 11.
“Island of the Fay, The,” IV: 53; VII: 45; IX: 45, 48.
“Israfel,” I: 1; V: 52; VII: 51; XI: 16, 48; XV: 2, 3, 5, 23; XVI: 41.
“Journal of Julius Rodman, The” I: 31; III: 32; IV: 51; VII: 47-48; IX: 24; XI: 41, 51; XV: 2; XVI: 14.
“King Pest,” I: 11; V: 22, 28, 30-31, 32; VII: 45; VIII: 38, 39, 40, 41; IX: 24; XI: 45, 53; XII: 18; XIV: 15, 32; XV: 37, 40, 46.
“Lake, The,” XV: 42.
“Landor’s Cottage,” VII: 52; X: 30; XI: 44; XII: 3, 12; XIII: 11; XV: 6, 39; XVI: 42.
“Lenore” (“A Paean”), I: 18, 53; V: 48, 53; VI: 5; XI: 11; XIII: 11; XV: 5, 25.
“Letter to B ,” IV: 55; V: 26; IX: 54; XI: 16; XII: 19-20; XIII: 12, 37; XIV: 1; XVI: 40.
“Ligeia,” I: 11, 23-24; II: 22; III: 21; IV: 8, 9, 13, 17, 19-20, 49, 50, 57; V: 3, 19, 21, 22, 28, 57, 59, 62; VI: 14-16, 31; VII: 19, 45, 50, 51; VIII: 11, 31, 37, 38; IX: 6, 21-22, 30, 57; X: 30, 38, 42, 49; XI: 6, 17, 44, 50; XII: 12, 37; XIII: 1, 10, 11; XIV: 1-6, 14, 15, 16, 37; XV: 2, 5, 43; XVI: 26, 29, 42.
“Light-House, The, IX: 24; XI: 45; XII: 18; XV: 43.
“Lionizing,” I: 8, 11, 12; II: 10, 32; IV: 56; V: 26, 27, 28, 31, 32, 41; VIII: 38, 39, 40, 41; XI: 43; XIII: 11; XV: 25.
“Literary Life of Thingum-Bob, Esq., The,’ IV: 30-31; VI: 28; XIII: 18; XV: 46.
“Literary Small Talk,” XV: 2.
“Literati of New York City, The,” I: 19; III: 31; IV: 15; V: 34; VI: 28; IX: 26; X: 17, 28; XI: 9; XIII: 12; XV: 5, 35.
“Living Writers of America, The,” XVI: 40.
“Loss of Breath” (“A Decided Loss”), V: 29-30; VIII: 30, 38, 39, 40; X: 36; XV: 46. [column 2:]
“Maelzel’s Chess Player,” IV: 8, 9; VII: 36; IX: 25; X: 40; XIII: 12; XV: 40.
“Man of the Crowd, The, II: 21; IV: 28, 53; V: 62; VI: 50; VII: 2‘; IX: 47; XI: 44, 51, 52; XII: 25-28; XIII: 11, 42; XV: 3.
“Man That Was Used Up, The,” VII: 22; VIII: 46; XI: 53; XII: 36, 38.
‘MS. Found in a Bottle,’ I: 22, 26; II: 23, 51; IV: 8, 9, 49, 53; V: 26, 28-29, 321 VIII: 35, 41, IX 7; X: 30, 46; XI: 19, 50; XIII: 11, XIV: 16, 171 XV: 1, 27, 40-41; XVI: 2p 25, 26, 32.
“Marginalia,” I: 10; II: 34, 35, 47, 49, 52, 53; III: 31, 33, 38; IV: 47; V: 58; VI: 2, 11; VII: 38; IX: 25, 26, 27; X: 1, 16; XI: 21, 25, 43, 45; XII: 14, 17; XIV: 21; XV: 5, 6, 26, 29, 44; XVI: 39, 40.
“Masque of the Red Death, The,” I: 10, 24, 26; III: 33, 34; IV: 50, 51; V: 58; VII: 43, 52; IX: 24; X: 42-43; XI: 51, 53; XII: 1, 2, 3, 8-11, 12, 18, 38; XIII: 11; XIV: 6-8, 17; XV: 3, 5, 8, 39; XVI: 13-14.
“Mellonta Tauta,” I: 12; II: 38, 49, 50, 52, 53; III: 32; V: 36; VI: 43; IX: 24, 25; XI: 43; XII: 36, 38; XIII: 15.
“Mesmeric Revelation,” V: 62; VII: 17, 19, 54; VIII: 25; IX: 28; XIII: 12.
“Metzengerstein” (“The Horse Shade”), II: 21; III: 34; IV: 8, 49; V: 22, 29, 32; VIII: 36, 37, 39, 41; IX: 53; X: 30, 36, 37; XIII: 11; XIV: 17; XVI: 14, 42.
“Morella,” I: 23-24, 29; II: 26; IV: 9; V: 22; VII: 51; VIII: 29-32, 37, 40; IX: 30, 45; XI: 17, 43, 44, 50; XIII: 1; XIV: 14, 15, 16.
“Morning on the Wissahiccon (“The Elk), VI: 27.
“Murders in the Rue Morgue, The, I: 10; II: 54; III: 31, 32; IV: 8, 48; V: 33, 36, 52, 53; VI: 29, 31; VII: 22, 34, 49, 50, 51; VIII: 23; IX: 41, 42, 55; X: 30, 40, 41, 45, 47, 48; XI: 46, 51; XII: 11, 18; XIII: 42; XV: 3, 4, 40; XVI: 20, 30, 41.
“Mystery of Marie Roget, The,” I: 12; III: 32, 39; IV: 7, 8; VIII: 34; IX: 13; X: 39, 40, 41, 45, 47, 48; XI: 44; XIV: 22, 38; XVI: 7, 20.
“Mystification” (“don Jung”), IV: 8, 9; VIII: 38; XI: 43; XIV: 32; XV: 2.
“Never Bet the Devil Your Head” (“Never Bet Your Head, A Moral Tale’), II: 21, 44-45; IV: 14.
“Notes on English Verse,” XV: 3; XVI: 40.
“Oblong Box, The,” IV: 18; VI: 27; IX: 24.
“Oval Portrait, The’ (“Life in Death”), I: 11, 26; II: 22; V: 62; X:42; XI: 6-8, 17, 43; XIII: 11; XIV: 13, 14; XV: 42; XVI: 27.
“Philosophy of Composition, The,” I: 11, 29; II: 37, 49; IV: 29, 53; VI: 30, 51; VII: 3, 10, 52; X: 1, 31; XI: 16; XII: 4, 20; XIII: 6, 12, 37, 38; XIV: 2; XV: 5, 26, 27.
“Philosophy of Furniture, The,” VII: 43, 45; IX: 25, 58; XIII: 10; XIV: 31.
“Pinakidia or Tablets,” III: 30; IV: 28, 29; IX: 53; X: 44; XI: 21-22; XIII: 8; XIV: 8, 32; XV: 26.
“Pit and the Pendulum, The,’ II: 21, 25-26; IV: 17; V: 52, 58; VI: 22, 23; VII: 49; X: 30, 38; XI: 7, 26-29, 50, 51, 52; XII: 12; XIII: 11; XIV: 8, 16, 17; XV: 5, 42; XVI: 5-7.
“Poetic Principle, The,” II: 20, 25, 49; IV: 29, 52; V: 63; VI: 20, 23, 51, VII: 2, 5, 7, 10, 12, 44, 54; VIII: 31; IX: 18, 19, 28, 45, X: 31, 50; XI: 14, 24, 30; XIII: 12, 39, 40; XIV: 1, 2, 4; XV: 6, 26. [page 8:]
Politian, I: 1; III: 33; IV: 24-27; IX: 26; XIII: 11; XV: 25.
“Power of Words, The, VII: 7; VIII: 25; IX: 58; XI: 43; XII: 38; XIV: 3, 21.
“Predicament, A ’ (“The Scythe of Time”), II: 39; III: 25-26; IV: 28; V: 22; VI: 28, 29; XV: 2.
“Premature Burial, The,” I: 26; IX: 9; XI: 45, 51.
“Purloined Letter, The,” I: 11, 27, 29; II: 50; III: 22; V: 62; VI: 29, 31; VII: 49, 52; IX: 33, 40-42; X: 39, 40, 41, 48; XII: 11, 18; XIII: 12; XIV: 15; XVI: 7, 18-23, 25, 26, 41, 42.
“Rationale of Verse, The,” IV: 28; VII: 8; X: 31; XII: 14-18; XIII: 12; XV: 6.
“Raven, The,” I: 5-6, 11, 19, 20, 29, 30, 31; II: 20, 37-38; IV: 13, 17, 53, 57; V: 48, 53, 54, 56, 63; VI: 35; VII: 3, 7, 48, 49, 51; VIII: 4, 27; IX: 25, 26, 28; X: 31, 38, 42; XI: 46, 48; XII: 17, 20, 42; XIII: 6, 11, 19, 36, 37; XV: 2, 4, 5, 8, 27, 34, 38-40, 41; XVI: 29, 43.
“Shadow, A Parable (“A Fable), I: 11; VII: 18; XI: 45.
“Silence, A Fable” (“Siope”), II: 23, 53; V: 26, 28, 30, 32; VIII: 38, 39, 41; IX: 11, 15; X: 45, 46; XI: 15; XV: 2.
“Sleeper, The” (“Irene”), VII: 7, 51; XI: 11; XIII: 11.
“Some Words with a Mummy,” I: 26; III: 9; IV: 31, 34, 48; XI: 43, 51; XII: 39; XVI: 1-4.
“Sonnet — Silence,” VII: 51.
“Sonnet — To Science, III: 21; IX: 15; XV: 2.
“Spectacles, The,” III: 21; IX: 26, 53-54; X: 47, 49; XI: 45; XIV: 6, 17.
“Sphinx, The, VII: 18; IX: 24, 42; X: 49.
“Spirits of the Dead’ (“Visit of the Dead”), IX: 15; XIII: 11.
“Stanzas,” XIII: 11.
“System of Doctor Tarr and Professor Fether, The,” I: 7-9, 11, 26; IV: 56; V: 42; VI: 49; X: 49; XI: 44, 45, 53; XII: 37, 38; XV: 8.
“Tale of Jerusalem, A” (“A Pig Tale”), I: 12; III 8-9; VIII: 40; XI: 43, 45; XV: 46; XVI: 40.
“Tale of the Ragged Mountains, A, III: 32; IV: 51; V: 38-40; XI: 17, 43, 44; XIII: 12; XV: 27.
“Tamerlane,” I: 11; II: 37; III: 37-38; V: 55; VII: 51; VIII: 4; XIII: 11.
“Tell-Tale Heart, The,” II: 47; IV: 14-16, 17, 53; V: 22, 49; VI: 12-14, 31; VII: 52; IX: 22-23, 55, 56; X: 42; XI: 15, 51; XII: 18, 30; XIII: 15; XIV: 16, 17; XV: 3, 5, 8, 27, 39, 42; XVI: 41.
“Three Sundays in a Week’ (“A Succession of Sundays”), IX: 54; XI: 45.
“Thou Art the Man,” V: 42; VII: 49; XI: 44, 45; XV: 27.
“Thousand-and-Second Tale of Schcherazade, The,’ IV: 34; V: 52; VI: 43; X: 30; XII: 38.
“To F‘rances,” VIII: 3, 4.
“To Helen,” I: 11, 31; III: 6-7; IV: 17, 49, 53; V: 58; VI: 26-27; VII: 51; VIII: 3, 4, 6; XI: 48; XIII: 41; XIV: 4, 15, 16; XV: 2, 3, 42.
“To M ——— ——— ,” VIII: 4.
“To Marie Louise,” VIII: 3; XV: 42.
“To Marie Louise Shew,” VIII: 4.
“To Miss Olivia Hunter,” IX: 26. [column 2:]
“To My Mother,” XV: 6.
“To One in Paradise,” (“To Ianthe in Heaven”), XI: 46.
“To the River,” XI: 48.
“Ulalume,” II: 32; III: 26; IV: 17, 53; V: 59; VII: 7; VIII: 8-10; XI: 15, 16, 29-31, 48; XIII: 11; XV: 6, 27.
“Valentine, A,” VII: 11; XIV: 19; XV: 5, 6.
“Valley of Unrest, The” (“The Valley Nis”), IX: 15; XIII: 15.
“Von Kempelen and His Discovery,” I: 28, 31; IV: 1, 6, 51; V: 2; XIII: 15.
“Why the Little Frenchman Wears His Hand in a Sling,” XI: 44, 45; XIV: 32.
“William Wilson,” I: 26; IV: 9, 12, 49; V: 22, 63; VI: 31, 50, 51; VII: 49, 50; VIII: 11, 36, 37, 39; X: 45, 46, 47, 49, 50; XI: 44; XII: 18, 23; XIII: 11; XIV: 17, XV: 2, 5, 39, 43 XVI: 13, 14, 27, 29, 39.
“X-in” a Paragrab,” IV: 33.
III. Subject
Abstract Art, V: 14-16.
Aesthetics, VIII: 1-13; X: 13-15; XIII: 14-18.
Alchemy, IV: 1-7.
Ambiguity, XIII: 1-4.
American Milieu, XIII: 14-15.
American Romance, IV: 56-58; XIV: 33-39; XV: 22-24.
Arabesque, VII: 42-45.
Beauty, 22 -25.
Bibliographies, VIII: 26-27.
Bookplates, V: 56; XI: 15.
Brawn, William Cooper, VII: 24-25.
Chinese Literature, II: 34.
Composition/Publication, I: 30; II: 23; III: 2-5; IV: 47; V: 2532, 38-40, 56; VIII: 38-42; IX: 11-13; XIV: 21-22.
Cosmic Vision, IX: 44-46.
Craftsmanship, V: 9-11, 61-62; VI: 50-52; VII: 48-50; X: 45-48; XI: 6-8; XII: 20; XIII: 37, 41-43; XIV: 8-9; XV: 24-26.
Death, I: 24-25; IV: 14-16; XV: 38-40.
Deception, XIII: 10-12.
Diction, XVI: 39-40.
Doubleness, V: 16-21; VIII:10-12, 29-32;X:33-35,48-50; XII: 25-28.
Editions, I: 11-13; V: 62-63; IX: 24-26, 57-59; X: 29-31; XI: 41-47; XIII: 36; XV: 42-45; XVI: 14-16.
Epigraphs, II: 56.
Fantasy, XVI: 46-47.
Foreign Criticism, I: 13-14; II: 20-23; III: 19-20; IV: 52-53; V: 49-50; VI 35-36; VII: 25-27, 48, 54-55; VIII: 24-25, 2728; IX: 27-29, 46-49, 55-57; X: 31-32; XI: 17-20, 47-55; XIII: 37-40; XV: 45-46; XVI: 18-23, 25-31.
Fragmentation, XVI: 32-33.
Freemasonry, V: 50-51. [page 9:]
Ghouls, VIII: 8-10.
Gnosticism, V: 1-8.
Gothic, IV: 58-59; XIII: 13-14.
Grotesque, I: 9-10; IV: 10-11; VI, 26.
Hieroglyphics, XIV :9-11.
Humor, I: 7-9; II: 23, 41-56; III: 21-22, 38; IV: 30-34, V: 3337; VI: 28, 49-50; VII: 47-48; IX: 16-21, 54; X 36-41; XI: 15-16; XII: 36; XIV: 23-24, 31; XV: 29-37.
Influence on Others, I: 5-6, 11, 22, 30-33, 37-38; II: 37; III: 3539; IV: 17-19; V: 51-53; VI: 17-18, 28-30; VIII: 23, IX: 14-16, 53-54; XII: 22-23; XIII: 4-8; XIV: 6-8; XVI: 13.
Ingram, John Henry, VII: 24; X: 51-52.
Initiation, VII: 14-16.
Jung, XIV: 14-17.
Language, Vulnerabiliq of, XVI: 1-4.
Letters, II: 36-37; VI:27-28; VIII: 12-15; IX: 54; XII: 35.
Lippard, George, XVI: 16-18.
Mabbott, T. O., I: 17-18.
Magazines, II: 39-40.
Manuscripts, IX: 26-27.
Mathematics, XVI: 5-7.
Metafiction, XIV: 1-6.
Metamorphosis, VII: 17-19.
Modern American Poe Criticism,I:1-3;II:1-3;IV: 48-50; V: 21-23, 57-59; VI: 30-32; IX: 29-31; XII: 21-22; XV: 26-28, 47-54; XVI: 41-44.
Morality, I: 23-24; IV: 19-20; V: 43-44; VI: 19-21.
Music, XV: 7-13, 42.
Names and Titles, II: 38-39.
Narrators, XIV: 31.
Neal, John, XVI: 44-46.
Nihilism, I: 14-16.
Opium, VIII: 24.
Personal Matters, I: 31; III: 1-2; IV: 37, 47-48, V: 55, VI: 1-6 VII: 46-47; X: 18-21; XV: 1-6.
Phenomenolog,v, VII: 51-52.
Physical Science, VI: 25-26.
Place Names, VI: 43-48.
Poe’s Acquaintances/Remarks by his Contemporaries, I: 18-21 IV: 21-24, 55-56; V: 45-49, 56; VI: 6-8, 9-12, 33-34, VII 22-23, 38-41, 48, 52-54; VIII: 32-35, 47, IX: 22-23, 43-44; X: 28-29; XI: 8-12; XII: 20, 23-24,28-29; XIII:17-28, 40-41; XIV: 11-13, 32; XV: 41.
Psychoanalytic Criticism, IV: 54-55.
Purgation, II: 29-31.
Reality, VIII: 5-8; IX: 40-42.
Rebirth, IX: 6-11.
Repression, VII: 20-22.
Revenge, VII: 26; XII: 30-31.
Reviews, III: 38; V: 56-57. [column 2:]
Sanity, II: 25-26; V: 11-14.
Science Fiction, XII: 37-39.
Semantics, XI: 1-5.
Sensualiq, V: 8-9.
Sermons, IV: 20.
Setting, XII: 1-14.
Slavery, VII: 29-38; IX: 52-53.
Sources for Poe’s Works, I: 27-31; II: 26-29, 37; III: 5-6, 8-10, 26-35; IV: 24-29, 35-37, 50-52; V: 25-32, 38-40, 52-55; VI:12-16, 26-27; VIII: 1-5, 23, 35-37; 42; IX: 22-23, 53; X: 2729, 42-44, 54; XI: 14-15, 21-31; XII: 19-20, 34-36; XIII: 8-9, 37; XIV: 32; XV 40-41; XVI: 13-14.
Textual matters, II: 35-36; III: 6-7, 21-22, 37-38; IV: 7-10, 47; V: 56; IX: 33-39; X: 1-12, 15-18.
Translations, XV: 41.
Treadwell Papers, XII: 20.
Vampirism, XIV: 13-14.
Visionary Hero, I: 25-27.
Water, IX: 1-6.
West, The, I: 31; IV: 11-13.
Whiteness, VI: 26
Will, IX: 21-22.
Wine, V: 41-42
Women, III: 25-26.
IV. Reviews
Adams, Robert Martin. NIL: Episodes in the Conquest of the Void. [Milton C. Petersen, “Poe and the Void,” I: 14-16.]
Alexander, Jean. Affidavits of Genius. [Maurice Levy, “Poe’s French Critics,” VII: 54-55.]
Allen, Michael. Poe and the British Magazine Tradition. [Milton C. Petersen, “Poe as ‘Magazinist,’ ” II: 39-40.]
Anderson, Carl L. Poe in Northlight. [J. Lasley Dameron, “Poe in Scandinavia,” VII: 26-27.]
Attebery, Brian. The Fantasy Tradition in American Literature. [Martin Bickman, “Mapping the Light Fantastic,” XVI: 4647.]
Auser, Cortland P. Nathaniel P. Willis. [Richard P. Benton, “Willis — and Poe,” IV: 55-56.]
Bandy, W. T., ed. Charles Baudelaire. Edgar Allan Poe: sa vie et ses onvrages. [Claude Richard, “AidgarPo Once Again,” IX: 27-29.]
———————— , ed. Seven Tales, with a French Translation. [Richard Haswell, “Poe and Baudelaire: Translations,” V: 6263.]
Baudelaire, Charles. Oeuvres Completes. [Claude Richard, “Raising the Wind: or, The French Editions of the Works of Edgar Allan Poe,” I: 11-12.]
Beaver, Harold, ed. Edgar Allan Poe. The Narrative of Arthur Gordon Pym of Nantucket. [J. V. Ridgely, “Annotating Poe,” IX: 57-59.]
———————— , ed. The Science Fiction of Edgar Allan Poe. [David Ketterer, “Pseudo Science Fiction,” XII: 37-39.] [page 10:]
Bell, Michael Davitt. The Development of American Romance. [Frederick Newberry, “A New Perspective on the American Romance: A Review Essay,” XIV: 33-39 ]
Benton, Richard P., ed. Journey into the Center. [Patrick F. Quinn, “In the Wake of Pym’s Narrative,” XII: 21-22.]
———————— ed. New Approaches to Poe. [E. Arthur Robinson, “‘New Approaches’ in Poe Criticism,” IV: 48-50.]
———————— , ed. Poe as Literary Cosmologer. [Patrick F. Quinn, “A Potpourri on Eureka,” IX: 29-31.]
Bickman, Martin. The Unsounded Centre. [James W. Gargano, Poe from Jungian Perspectives,‘’ XIV: 14-17.]
Carlson, Eric W., ed. Edgar Allan Poe. [Robert C. McLean, “Poe in the Marketplace,” V: 21-23.]
Caserio, Robert L. Plot, Story, and the Novel [Barry R. Bell “Poe, Peripety, and Modernist Narrative,” XIII: 41-43.]
Dameron, J. Lasley and Irby B. Cauthen, Jr. Edgar Allan Poe. [J. Albert Robbins, “Two Poe Bibliographies,” VIII: 26-27.]
Derrida, Jacques. “Le Facteur de la veritc.” [Donald Pease, “Marginal Politics and ‘The Purloined Letter’: A Review Essay,‘’ XVI: 18-23.]
Fisher, Benjamin Franklin, IV, ed. Poe as Craftsman. [Joseph J. Moldenhauer, “Poe Texts in Transition,‘’ X: 45-48.]
———————— , ed. The University of Mississippi Studies in English. Vol. 3 (1982), Edgar Allan Poe issue. [James B. Reece, “A Gathering of Poe Essays,” XVI: 41-44.]
Fletcher, Richard M. The Stylistic Development of Edgar Allan Poe. [Donald Barlow Stauffer, “Style as Hoax,” VII: 48-50.]
Forclaz, Rogcr. Le Monde d‘Edgar Poe. [Donald Barlow Stauffer, “The Whole of Poe,” VIII: 24-25.]
Gargano, James W. ed. A Poe Miscellany [E. Arthur Robinson, “The Dual Vision of Edgar Allan Poe,” X: 48-50.]
Grossman, Joan Delaney. Edgar Allan Poe in Russia. [J. Lasley Dameron and Tamara Miller, “Poe’s Reception in Russia,” VIII: 27-28.]
Haage, Sybille. Edgar Allan Poe’s ‘Tales of the Folio Club.’ [Roger Forclaz, “A German Scholar on Poe’s Folio Club Tales,” XV: 45-46.]
———————— , Sybille, ed. Tales of the Folio Club and Three Other Stories. [Roger Forclaz, ‘‘A German Scholar on Poe’s Folio Club Tales,” XV: 45-46.]
Haining, Peter, ed. The Edgar Allan Poe Scrapbook. [Burton R. Pollin, “A Miscellany for the Poe Devotee,‘’ XI: 46-47.]
Halliburton, David. Edgar Allan Poe. [Judy Osowski, ‘‘Poe Phenomenologically,” VII: 51-52.]
Hammond, J. R. An Edgar Allan Poe Companio77. [Richard P. Benton, “A Guide tc’ Poe,” XV: 26-28.]
Hatvary, Gcorge E. Horace Binney Wallace. [Robert D. Jacobs, “Wallace, Poe, and Plagiarism,” XII: 23-24.]
Hoffman, Daniel. Poe Poe Por Poe Poe Poe Poe. [Kermit Vanderbilt, “Pcue tr> thc Seventh Power,‘’ VI: 30-32.]
Howarth, William L., ed. Twentieth Cent7‘ry Interpretations of Poe’s Tales. [Rcubcrt C. McLean, “Poe in the Markc-tplace,” V: 21-23.]
Hyneman, Esther F. Edgar Allan Poe. [J. Albert Robbins, ‘‘Two Poe Bibliographies,” VIII: 26-27.]
Irwin, John T. American Hieroglyphics [David Halliburton, “Inscriptions of the Self,” XIV: 9-10.] [column 2:]
Johnson, Barbara. “The Frame of Reference: Poe, Lacan, Derrida.” [Donald Pease, “Marginal Politics and ‘The Purloined Letter’: A Review Essay,” XVI: 18-23.]
Karatson, Andre. Edgar Allan Poe. [Maurice Levy, “Poe in Hungary,” VII: 25-26.]
Ketterer, David. The Rationale of Deception in Poe. [Eric W. Carlson, “Poe: Visionary in a Deceptive World,‘’ XIII: 10-12.]
Lacan, Jacques. “Le seminairc sur ‘La Lettrc volce.‘‘’ [Donald Pease, “Marginal Politics and ‘The Purloined Letter’: A Review Essay,” XVI: 18-23]
Lease, Benjamin. That Wild Fellow John Neal. [Benjamin Franklin Fisher IV, “Neal, Poe, and Others,” VII: 52-54.]
———————— and Hans-Joachim Lang, eds. The Genius of John Neal. [John E. Reilly, “A Little More Downeast,” XVI: 44-46.]
Lerner, Arthur. Psychoanalytically Oriented Criticism. [Llewellyn Ligrxki, “Poe and Psychoanalytic Criticism,” IV: 54-55.]
Levine, Stuart. Edgar Allan Poe: Seer and Craftsman. [E. Arthur Robinson, “Poe as Master Craftsman,‘’ VI: 50-52.]
and Susan Levine, eds. The Short Fiction of Edgar Allan Poe. [J. V. Ridgley, ‘‘Annotating Poe,” IX: 57-59 ]
Lévy, Maurice. Le Roman “gothique” Anglais 1764-1824. [Robert D. Hume, “Levy on the Gothic Novel,” IV: 58-5C.]
Link, Franz H. Edgar Allan Poe. [George P. Clark “A German Scholar Interprets Pcx,” IV: 52-53.]
Mabbott, Thomas Ollive, ed. Collected Works. [Joseph J. Moldenhauer, “Mabbott’s Poe and the Question of Copy Text,” XI: 41-46.]
Mankowitz, Wolf. The Extraordinary Mr. prJe [Mark M. Hennelly, Jr., “The Poe Palimpsest,” XII: 3C-42.]
Miller, John Carl. Building Poe Biography. [John E. Reilly, “Laying the Foundation,‘’ X: 51-52.]
————————. Poe’s Helen Remembers. [Robert D. Jacobs, “Ingram’s American Gunoection: The Sarah Helen Whitman Correspondence,” XIV: 11-13.]
Moldenhauer, Joseph J. A Descriptive Catalog of Edgar Allan Poe Manuscripts. [Richard P. Benten, “Poe Manuscripts at Texas,‘’ IX: 26-27.]
Moskowitz, Sam, ed. The Man Who Called Himself Poe. [John E Reilly, “A Fantastic Potpourri,” V: 60.]
Moulin, Charles, ed. Oenvres Imaginatives. [Jean-Marie Bonnet, “Raising the Wind; or, The French Editions of Edgar Allan Poe,‘’ I: 12-13.]
Myerson, Joel, ed. Antel7ell7‘m Writers in New York and the Sovth. [Burton R. Pollin, “Pcx and His Contemporaries: A New Reference Work,” XIV: 18-19.]
Peithman, Stephen, ed. The Annotated Tales of Edgar Allan Poe. [Burton R. Pollin, “Two Recent Poe Editions,” XV: 42-45.]
Phillips, Elizabeth. Edgar Allan Poe: An American Imagination. [Kent Ljungquist, “Poe and the American Scene,” XIII: 1415.]
Poe, Edgar Allan. Marginalia. [Burton R. Pollin, “Two Recent Poe Editions,” XV: 42-45.]
————————. The Rationale of Verse. [Richard B. Eaton, Jr., “Poe’s Prosody in Perspective,‘’ V: 61-62.)
Pollin, Burton R. Dictionary of Names and Titles. [J. Albert Robbins, “The Poe ‘Dictionary,’ ” Il: 38-39.] [page 11:]
————————. Discoveries in Poe. [Charles Lombard, “Recent Findings in Poe,” IV: 50-52.]
————————, ed. Collected Writings of Edgar Allan Poe. Vol. I. [Patrick F. Quinn, “The Poe Edition: Annotating Pym.” XVI: 14-16.]
————————, ed. Word Index to Poe’s Fiction. [Richard Kopley, “The Gold-Book,” XV: 24-26.]
Porte, Joel. The Romance in America. [Charles N. Watson, Jr., “The American Romance and Its Critics,‘’ IV: 56-58.]
Reynolds, David S. George Lippard [Christopher J. Forbes, “A New Look at George Lippard,” XVI: 16-18.]
Ricardou, Jean. “Le Caractcre singulier de cette eau.” [Patrick F. Quinn, “Arthur Gordon Pym: ‘A Journey to the End of the Page‘?” I: 13-14.]
Richard, Claude, directeur. Edgar Allan Poe. [Donald Barlow Stauffer, “The American Face of Poe,” X: 31-32 ]
————————, ed. “Edgar Allan Poe et les textes sacres.” [Patrick F. Quinn, “A Question of Sacred Texts,” IX: 55-57.]
————————. Edgar Allan Poe: Journaliste et Critique. [Patrick F. Quinn, “The Critical Mind of Edgar Poe,” XIII: 37-40.]
————————, ed. Poemes/Poems. [Richard H. Haswell, “A French Introduction to the Poetry,” XI: 47-48.]
Saliba, David R. A Psychology of Fear. [James W. Gargano, “Poe from Jungian Perspectives,” XIV: 14-17.]
Satty, Wilfried, illustrator. The Illustrated Edgar Allan Poe. [Burton R. Pollin, “Art retrouvé,” X: 29-31.]
Schuhmann, H. K. and H. D. Muller, eds. Werke. [Roger Forclaz, “A German Edition of Poe,” IX: 24-26.]
Sears, Donald A. John Neal. [John E. Reilly, “A Little More Downeast,” XVI: 44-46.]
Sinclair, David. Edgar Allan Poe. [J. Lasley Dameron, “Portrait of the Suffering Artist,” XI: 16.]
St. Armand, Barton Levi. The Roots of Horror. [Martin Bickman, ‘‘Lovecraft and Sullen Art,‘’ XII: 22-23.]
Stoehr, Taylor. Hawthorne’s Mad Scientists. [David Ketterer, “Pseudo Science Fiction,” XII: 37-39.]
Symons, Julian. The Tell-Tale Heart. [Mark M. Hennelly, Jr., “The Poe Palimpsest,” XII: 39-42.]
Thompson, G. R., ed. Romantic Gothic Tales. 1790-1840. [Robert D. Hume, “Varieties of the Gothic: A New Anthology,” XIII: 13-14.]
———————— and Virgil L. Lokke, eds. Rained Eden of the Present. [Charles N. Watson, Jr., “The Fallen Worlds of Hawthorne, Melville, and Poe,” XV: 22-24.]
Twitchell, James B. The Living Dead. [Nicholas Kiessling, “Variations of Vampirism,” XIV: 13-14.]
Veler, Richard P., ed. Papers on Poe. [E. Arthur Robinson, “Current Interpretations of Poe: Existential or Transcendent,” V: 57-59.]
Walsh, John Evangelist. Plumes in the Dust. [Sidney P. Moss, “Did Poe Father Fanny Fay?,” XIII: 40-41.]
Woodson, Thomas, ed. Twentieth Century Interpretations of “The Fall of the House of Usher.” [Robert C. McLean, ‘‘Poe in the Marketplace,” V: 21-23.]
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[S:0 - PSDR, 1980]